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Vera VizziAvalanche Moon Relief in Foam Clay Acrylic White Palette Circular Wall Relief2025
2025
$1,293.37
$1,616.7220% Off
£969.50
£1,211.8820% Off
€1,088
€1,36020% Off
CA$1,788.05
CA$2,235.0620% Off
A$1,946.49
A$2,433.1220% Off
CHF 1,039.09
CHF 1,298.8620% Off
MX$23,498.63
MX$29,373.2920% Off
NOK 13,065.22
NOK 16,331.5220% Off
SEK 12,143.26
SEK 15,179.0820% Off
DKK 8,288.30
DKK 10,360.3720% Off
About the Item
Avalanche moon relief in foam clay and acrylic, white palette with pill-like figurines, stages a snowlike flood that links natural avalanche imagery to mental and psychiatric metaphors.
Avalanche Moon Relief presents an embodied encounter between geological force and interior weather. Hand-modeled in foam clay and finished with layered acrylics and enamel on a circular fir wood panel, the work stages a white, snowlike cascade across a cratered lunar plane. Small pill-like figurines punctuate the surface—sculpted micro-objects that read simultaneously as miniature bodies and as pharmaceutical signs—and the contrast between the granular moon texture and the flowing avalanche materializes the piece’s central tension.
Materially, the work foregrounds the tactility of foam clay: cratered surfaces are modeled and carved to evoke lunar topography, while the avalanche is built up as a viscous, painted mass that spreads across the composition. The white palette is not neutral here but active: it performs as snow, as clinical whiteness, and as the pale field in which emotional weather is enacted. The pill-like elements recur across the surface and function as visual counters to the avalanche—delicate, human-scaled interventions within a larger natural gesture. Keywords such as avalanche, moon, foam clay and relief are used throughout to support discovery for collectors and curators searching for tactile wall sculpture and narrative material works.
Conceptually, Avalanche Moon Relief operates on two registers. On the one hand it uses landscape and natural catastrophe—the avalanche, the snow, the moon—as formal devices to explore movement, accumulation and rupture. On the other hand it moves into an explicitly psychological territory: the avalanche as metaphor for emotional overwhelm, for the way memory and medication, for instance, can cascade and reconfigure perception. The pill-like figurines make that shift legible without reducing it to a single reading; they invite reflections on the porous boundary between bodily and mental states, between natural event and psychiatric language.
The piece is designed for wall display as a circular relief. Secure mounting on a single robust wall anchor is recommended for stable presentation. Avalanche Moon Relief sits comfortably within contemporary dialogues about materiality, body and landscape, and will integrate well into curated groupings that emphasize sculptural surface, monochrome palettes and works that interrogate the limits between external environment and inner life.
We operate globally with the same attention and proximity we extend to our local neighbors. We oversee every detail and guide you through the purchase process with the utmost professionalism, ensuring complete satisfaction for each client, regarded as valued members of our community. As a small, specialist team driven by a deep commitment to art, we carefully select every artist and artwork, presenting our curated collection to an international audience from our corner of the Galician coast. Read our clients’ testimonials and join the discerning collectors who trust our expertise.
Vera Vizzi
Vera Vizzi (Milan, 1983) is an Italian artist working across painting and sculpture, blending materials and formats to create hybrid, tactile objects. With a background in Communication Design from the Politecnico di Milano, she transitioned from digital graphics to a fully manual, material-driven practice that prioritizes gesture, texture and symbolic resonance. Her work often takes the form of wall-mounted reliefs or compact sculptural volumes, where colour, surface and miniature figures coexist in compositions that evoke emotional, poetic and metaphysical layers.Rooted in a personal yet universal iconography, Vizzi’s pieces explore themes such as memory, perception and the paradoxes of human experience. Her distinctive visual language—at once playful and introspective—invites the viewer into suspended spaces that suggest both intimacy and distance. She lives and works in Milan and exhibits internationally through Casa das Peritas
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