Figurative Sculptures

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

Ausum Bronze Contemporary Sculpture Marble Stone Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high scho...

Elephant and Pink Balloon" by Philippe Berry is a contemporary work that blends humour and poetry through the depiction of an elephant carrying a pink balloon. The artist, known for ...

Finely carved mythological roman subject of Minerva in Marble Travertino . Excellent condition from an estate of Veneto. Measurements: Statue cm 180 . Minerva (Pallas Athena in Greek...

This piece titled "Celadon" is an original artwork made from pencil, watercolors, and charcoal on cotton rag paper by Christine Kim. This piece is shipped with the pictured wooden frame and measures 23.25"h x 16.25"w x 2.25"d. This piece was displayed in 2023 group exhibition "Lucky 13", which featured work having to do with themes of luck, tradition, and superstition. "Forests not only have connections with spirits and gods, but it is also linked to our subconscious world of emotions, intuition, memory and imagination. In this cut paper diorama, I wanted to carve out a figure and replace it with the mysterious depths of a forest that is growing wild...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

Jean-Léon Gérôme French 1824 - 1904 La Joueuse De Cerceau - The Hoop Dancer A mini gilt bronze female figural statue of a young hoop dancer inspired by a trove of ancient terraco...

Hebru Brantley GAIA (Hebru Brantley Lil Mama as Gaia): Hebru Brantley’s ethereal art toy features his much iconic, Lil Mama character as Gaia, the fabled personification of Mother E...

A 20th Century wood carved male figure, a 'Cigar Store Indian' with original polychrome decoration. A now controversial subject, but none the less charming rendition, of a native North American man originally probably used as an advertising figure. Wonderful quality of carving capturing the stance of the man looking out to the distance, hair flowing to his back and plait to the side, all the details of his costume, his native dress and hairpipe breastplate (suggesting he is possibly a Comanche) and chest ornament, apron, trousers, mocassins, shield and arrows. The original Polychrome decoration has weathered beautifully as has the wood itself to present a sculpture that would adorn any collection or interior. Because of the general illiteracy of the populace, early store owners used descriptive emblems or figures to advertise their shops' wares. American Indians and tobacco had always been associated because American Indians introduced tobacco to Europeans. As early as the 17th century, European tobacconists used figures of American Indians to advertise their shops. Because European carvers had never seen a Native American, these early cigar-store "Indians" looked more like Africans with feathered headdresses and other fanciful, exotic features. These carvings were called "Black Boys" or "Virginians" in the trade. Eventually, the European cigar-store figure...

David Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at ...

Loet Vanderveen, Dutch (1921 - 2015) - Antelope, Medium: Bronze sculpture, signature and numbering inscribed on bottom, Edition: 408/500, Size: 6 x 7.5 x 3 in. (15.24 x 19.05 x 7...

Half-blood Horse, head raised by Antoine-Louis BARYE (1796-1875) A bronze sculpture with a dark brown patina Signed on the base " Barye " Cast by " F. Barbedienne fondeur " (with th...

Chaim Gross (American, 1904-1991) Cast bronze sculpture Caring (or Mother and Child) signed Mounted on wooden plinth Featuring a mother raising her child up in superb high relied i...

Duco Lineam Bronze Sculpture Boy Male Nude Figure Marble Duco Lineam is a bronze male nude figure, a sculpture on a marble foot, from a boy bending and wri...

This pair of bronze sculptures of Atlas with Globe & Armillary Sphere are of high cast quality. Pairs have sold for over 700,000 Euro. Their condition is excellent for age and has ve...

Welded nut sculpture. This stunning sculpture is created entirely from steel nuts and chain links. Every sculpture is meticulously hand crafted ensuring that no two pieces are ever...

This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art movement. He embodies a world that is in many ways lost to us; he...

Alegria II is a bronze sculpture with black patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan wants to ...

Hermann Rastorfer was a draftsman, painter, sculptor, illustrator, ceramist, designer, poster artist, developer of advertising concepts and communication campaigns, inventor, and architect. He began as a typesetter in Salzburg. In the mid-1950s, he moved to Germany, where he soon founded his own studio for graphic design and advertising. His goal was always to give each product a distinctive, highly recognizable appearance. He designed his own design line for the German pharmaceutical company Boehringer Ingelheim, artistic cover images for numerous paperbacks from renowned publishers, and packaging for well-known products such as Ferrero Küsschen, Mon Chéri, Martell cognac...

B. Vithal – Horse – H 13 x W 14 x D 5 inches Bronze Born : 1935 Vardha Maharashtra Died : 1992 Education : Sir J.J. School of Art, Mumbai Exhibitions : Selected Posthumous Exhibitions 2013 'The Naked and the Nude: The Body in Indian Modern Art', Delhi Art Gallery, New Delhi 2011 'Agape', Hacienda Art...

Jean Michel Basquiat Andy Warhol Keith Haring Bearbrick 400%: set of 6 individual works: A set of 6 unique, timeless pop art collectibles trademarked & licensed by the estates of Jea...

Ibex is a bronze sculpture by French contemporary artist Pierre Yermia. Dimensions: 62 × 37 × 16 cm (24.4 × 14.6 × 6.3 in). The sculpture is signed and numbered, it is part of a lim...

Evi is an elegant figurative bronze sculpture by Nando Kallweit. Nando carved the marque for the body from a piece of oak using a small chain saw. The marque is then used to make th...

Yayoi Kusama Pumpkin red (Dots Obsession Red) A pumpkin sculpture made of resin Signed under the base of the sculpture Diameter: 8 cm Height: 10.5 cm Presented in the original edito...

This intense bronze sculpture was made by the well known Italian artist, Aron Demetz, in 2004, Italy. This is a lost wax bronze hand painted. The title is "Il grande freddo" translat...

Robert Indiana HOPE Blue Red White Painted Polystone 6 x 6 x 3 in Editions Studio. It comes in the original box and with the certificate of authenticity.

Turquoise Woman, sculpture, by Troy Williams, wood, turquoise, steel, nude

Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, the sculpture has always been part of the environment of Elisabeth Cibot. She finds it again wi...

eternAL III is a nickeled and Elox aluminium wall sculpture by Czech artist Ondřej Oliva. Elox is a hard surface treatment of aluminum. Dimensions are 100 × 100 × 20 cm (39.4 × 39.4 ...

Genre: Modern Subject: Abstract Medium: Other Surface: Paper Country: United States Dimensions w/Mat: 20" x 21" Bas relief on hand-made paper; Visual statement of society’s role in...

This is an intense bronze abstract sculpture and it was created by the Italian artist Andrea Picini. This artwork is a multiple of 70 specimens and it is numbered 69/70. It is signed...

THE GREATEST!!!!!! ALTERATION ART . . . is a collaboration process between CHROMA aka Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Hui...

Crepis Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at...

Grayson Perry Piggy Bank, 2017 White ceramic piggy bank painted in blue and glazed, with a rubber stopper, contained in the original cardboard box.
 9 × 21 × 9 cm
 Grayson Perry is ...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 14 x 14 Medium: Bronze Sculpture 1982 "Proud & Protective" I am the largest G. ...

Waylande Gregory (American, 1905-1971) Polo Player, c. 1930s Ceramic Inscribed signature on bottom 11 x 8.5 inches Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's "Nautch Dancer," (fig. 1) and his "Burlesque Dancer," (fig. 2). He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his "Burlesque Dancer" at about the same time as "Nautch Dancer." As with the "Nautch Dancer," he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for "Burlesque Dancer," a clue to her identity is revealed in the sculpture's earlier title, "Shimmy Dance." The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the "Star Spangled Banner" and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the "Burlesque Dancer" sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his "Kansas Madonna" (fig. 3). But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of "Kansas Madonna." The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of "Kansas Madonna" totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture in the article. Gregory was from Kansas, and "Kansas Madonna" should be considered a major sculptural document of Regionalism. Gregory and his wife Yolande moved to New Jersey in the summer of 1933. And the artist began construction on his new home in the Watchung Mountains of Bound Brook (Warren today) in 1938. His enormous, custom kiln was probably constructed at the start of 1938. Gregory's new sculptures were the largest ceramic sculptures in western art, in modern times. To create these works of ceramic virtuosity, the artist developed a "honeycomb" technique, in which an infrastructure of compartments was covered by a ceramic "skin." Science and atomic energy were a theme in Gregory's most significant work, the "Fountain of the Atom" (fig. 4), at the 1939 New York's World Fair. This major work included twelve monumental ceramic figures at the fairground entrance from the newly constructed railway entrance, giving the work great visibility and prominence. The framework of the fountain itself was of steel and glass bricks. It consisted of a bluish green pool which was sixty five feet in diameter. Above it were two concentric circular tiers, or terraces, as Gregory called them; the first wider than the second. On the first terrace were eight "Electrons," comprised of four male and four female terra cotta figures, each approximately 48 inches high. These relate to the valance shell of the atom. Above them on a narrower terrace, were the much larger and heavier terra cotta figures depicting the four elements, each averaging about 78 inches in height and weighing about a ton and a half. Of the four, "Water" and "Air" were male, while "Earth" and "Fire" were female. This terrace represents the nucleus of the atom. In the center of the fountain, above the "Elements," was a central shaft comprised of sixteen glass tubes from which water tumbled down from tier to tier. At the top, a colorful flame burned constantly. The glass block tiers were lit from within, the whole creating a glowing and gurgling effect. Since the fair was temporary, the figures could be removed after its closing. But the credit for the design of the structure of the fountain belongs to collaborator Nembhard Culin, who was responsible for several other structures on the fair grounds as well. Although Gregory created a figure of "Fire" for the "Fountain of the Atom," he also executed a second, slightly smaller but more defined version which he exhibited at various locations (including Cranbrook, Baltimore Museum, etc.) in 1940-1941, during the second year of the fair (fig.5). Measuring 61 inches in height, "Fire" may be a metaphor for sexual energy, as well as atomic energy. Gregory stated, "Fire is represented by an aquiline female figure being consumed in endless arabesques of flame." Portraiture was also a significant focus of Gregory's sculpture. Gregory produced many commissioned portraits of local people as well as celebrities. He created Albert Einstein's portrait from life (fig. 6, ca. 1940) after Einstein had seen Gregory's "Fountain of the Atom." He also sculpted some of the leading figures in entertainment, including 2 sculptures of Henry Fonda, who became a personal friend. Gregory also sculpted a series of idealized female heads, both in terra cotta and in porcelain. These include "Girl with Olive" (ca. 1932) and "Cretan Girl;"(ca. 1937) both are very reductive and almost abstract works that call to mind Constantine Brancusi's "Mademoiselle Pogany" (1912, Philadelphia Museum of Art). But perhaps one of his most original female heads is "Head of a Child" (fig. 7, ca. 1933), a sensitive white glazed terra cotta portrayal with elaborately crafted braded hair, was originally created as one of a pair. Gregory also produced sculptural works for the Works Progress Administration. The WPA was a work relief project that greatly helped artists during the great depression. Founded by the Federal Government in 1935, an estimated 2500 murals were produced. Among these public works were the iconic post office murals. But, among the painted murals were also sculptural relief murals including Gregory's "R.F.D.," 1938, for the Columbus, Kansas Post Office. But, Gregory's largest WPA relief...

Artist: Richard Shiloh, Polish/Israeli (1949 - ) Title: Girl holding a Mirror Year: Circa 1975 Medium: Bronze with Painted patina, signature inscribed ...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

Fishing for Joy – Sitting captures the leisurely pleasure of fishing, a pastime that is as much about patience and calm as it is about outsmarting the fish. The figure sits quietly with a hat shading the face, embodying a sense of ease, as if feeling the breeze drift by or perhaps drifting into a light nap. It reflects the essence of fishing not only as a test of patience but also as an experience of slowing down, enjoying nature, and savoring the simple passage of time. Huang uses varied carving textures to suggest different materials: the rugged irregular surface of the stone contrasts with the subtle gradation on the clothing, evoking the shimmering reflection of water. Cast in bronze using the lost-wax method, the sculpture faithfully preserves the wood grain and tactile quality of the original wooden carving. The surface patina replicates the natural coloration of the original, while the bamboo fishing rod...

Artist/Designer; Manufacturer: Erte (Romain de Tirtoff) (Russian/ French, 1892-1990) Marking(s); notes: signed; ed. 270/375; 1990 Materials: bronze Dimensions (H, W, D): 21.5"h, 9.25...

Contemporary figurative patinated bronze sculpture by Italian artist Antonio Giancaterino. Sculpture shows a couple in which man is holding woman by her hands as she is floating. Art...

Polar Bear by François POMPON (1855-1933) An original edition sculpture made in white enameled porcelain biscuit. Stamped in the paste "S 1927 DN" (S for "Sèvres" – dated 1927 – DN...

This artwork titled "Opryland (The Guitar Player)" 1995, is a bronze sculpture by noted American artist Mark Hopkins, b.1965. It is signed, titled, dated and numbered 30/2500 on the ...

Terracotta sculpture - Venus. Italy, 18th century. 27 x 22 x 45 cm. Made entirely of terracotta. Depicting a bathing Venus (small crack on the foot). - This item is sold with a c...

This sculpture is from Orly's latest body of works. It is part of an edition of 15 and comes signed and numbered. It is made of Jasmonite casting and covered with acrylic paint. "I ...

Pair of small bronze sculptures - Grotesque lions. Italy, 18th-19th century. 10 x 5 x h 17 cm. Made entirely of patinated bronze in Renaissance style. Depicting two seated grotesqu...

Suspensus Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher...

Betye Saar A Handful of Stars, 2016 Bronze with patina and walnut base Signed: Incised signature and numbered 7 × 3 × 2 1/2 inches Unframed Acquired from the International Sculpture ...

Striking pair of French blanc de chine porcelain life size parrots or cockatoos casually perched on grapevines.

'Dancing in the Wind' is an original opal serpentine sculpture by the Zimbabwean artist Wellington Karuru. The artist presents an elegant and curvilinear figure of a woman, her hair seeming to billow upward and behind her. The sculpture is on one hand a celebration of the stone material, and on the other it calls back to art historical precedent: her body is brought to a high polish, reflecting the softness of skin, while her hair is left rough-hewn to create the effect of the untamed wind. At the same time, the woman's body is highly stylized and emphasizes her hips and belly, recalling Paleolithic "Venus" sculptures like the lauded Venus of Willendorf and thusly ideas of maternity and womanhood. opal stone (serpentine) not signed 23" high x 8" widest point x 4" smallest point, sculpture 4"x4"x4", sculpture bottom 1 x 6 x 6 inches, base Overall excellent condition with no signs of wear Sculpture comes with base. Born on August 17, 1976, Wellington Karuru is the first born to a family of five children and has two brothers and two sisters. As the first born child in a Zimbabwean family, many responsibilities were shouldered upon Wellington. Both his brothers, Gilbert and Esau, are also talented sculptors. He completed his primary and secondary education in Mashonaland West Province and was involved in almost every sporting activity at the school. After he graduated, he was employed at National Foods LTD where he worked as a machine operator for a period of four years and was later promoted to work as a sales clerk. In his free time he assisted some well known artists in sculpting, was able to learn much from them and soon thereafter started to develop his own talent and unique style. Inspired by such well known sculptors such as Gardener Sango and Garison Muchinjili, Wellington started sculpting small pieces for himself and soon found a buyer for his favorite piece titled ‘A Cry For Help’. From that day forward, he has never looked back. He eventually went to work with Garison Machinjili whose influence is clearly shown in his work. Some of his pieces have been chosen already for international exhibitions and galleries. Well established and internationally renowned artists like Joe Mutasa...

A white marble grand tour version of Venus de Medici carved by an Italian Sculptor artist in the 19th century in Italy, probably in Florence. The Venus of Medici is a one of the mos...

Heart + Cloud, sculpture by Kerry Green, contemporary,indoor, outdoor, red, silver limited edition 18, fabricated aluminum Interlocking sculpture for indoor display. Contact us for information about current delivery times. Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...

Pablo Picasso Corrida with Spectators, 1950 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu Lim...

A cast, Roman, Grand Tour bronze figure of a youth. Wonderful patina. Measures : Statue is 23"H. Base is 8.75"W x 7.5"D.

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...

German artist Philipp Liehr first discovered his extraordinary dexterity as a dental technician. He soon perfected this artistically as a cartoonist and during his training as a scul...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

"Cinnilla" Bronze Sculpture 16" x 13" x 10" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. ...

Sesame Street, Set of 4 (Elmo, Oscar, Big Bird, Bert & Ernie) By KAWS 2025 Allrightsreserve x DDT store Vinyl Elmo: 25,4 cm 10 in Oscar: 25,4 cm 10 in Big Bird: 33 cm 13 in ...

Ceramic expressionist head sculpture created in refractory stoneware with a semi-transparent copper glaze. This ceramic head belongs to the Testas series, a body of work composed of ...