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Arman
Arman Cintra Violin Tribute to Yves Klein IKB Blue on Wood Violin

1996

$35,934.22List Price

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Ritratto di fanciullo figurativo fiorentino del XX secolo in gesso
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"Gui" Mirror, Claude Lalanne, Les Lalanne, Design, Gilded, Mirror
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Untitled
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Colombe de la paix, Pablo Picasso, Design, Ceramic, Madoura, Unique piece
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Yves Klein Dying Slave After Michelangelo IKB Sculpture Bright Klein Blue
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Yves Klein, Dying Slave after Michelangelo IKB blue resin in plexiglas, signed Rotraut Klein Moquay and numbered 224/300 on the base on a label. 300 editions numbered from “1/300” to...
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Yves Klein Blue Earth Sculpture IKB Pigment Plaster Cast in Plexiglas Box
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Concieved in 1957, this edition started to be executed in 1988 IKB pigment and synthetic resin on plaster cast, in plexiglas, signed Rotraut Klein Moquay and numbered HC XXX/L on the base on a label affixed under the base. 300 editions numbered from “1/300” to “300/300″ 50 editions numbered from”HCI/L” à “HC L/L” H. 36 cm With the Plexiglas box: 41.5 x 29.5 x 29.5 cm Yves Klein is an influential French conceptual artist who works in a wide variety of fields. Arguably best known for his use of a very vibrant shade of blue, he began to create his monochrome series in the 1950s by developing and patenting his own signature shade known as IKB or International Klein Blue. Born April 28, 1928 in Nice, the artist founded the New Realism movement with the art critic Pierre Restany...
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Great Niçoise Compression of Different Metals Fixed on Wood Panel Wall Sculpture
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1970 Compression of different metals, fixed on panel Signed, dated and situated in black felt marker at the bottom left side “César 1970 Nice” Referenced in the Durand-Ruel Archives under No. 985 Unique artwork accompanied by the certificate from the Durand-Ruel Archives H. 36 cm W. 20,5 cm D. 9 cm Dimensions with panel: H. 60 cm W. 45,2 cm D. 4,8 cm His parents, Omer and Leila Baldaccini, Italian of Tuscan origin, had a bar in Marseilles, where César was born in 1921 in the popular district of la Belle-de-Mai, at No. 71 rue Loubon, in the center. “I am basically an absolute autodidact,” he says. He first worked at his father’s, before attending in 1935 the courses of the School of Fine Arts in his hometown with his classmate Raymond Normand and, in 1943, the National School of Fine Arts in Paris with Michel Guino, Albert Féraud, Daniel David and Philippe Hiquily, like him in the studio of Marcel Gimond...
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