Benedetto Boschetti

Spinario (Boy with Thorn) Bronze Sculpture by Benedetto Boschetti, Roma

Circa 1875

The Archer (Der Bogenschütze) — Large Bronze, 42” tall male nude academic bronze sculpture by Ernst Moritz Geyger. Cast by Gladenbeck Foundry, Berlin This 42-inch bronze of The Arche...

Large Early 20th Century Figurative Bronze Sculpture of a Youth Releasing an Eagle Attributed to Otto Poertzel (1876–1963), Germany This striking early 20th-century figurative bronze...

Antique Grand Tour Plaster Cast after Antonio Canova – Life-Size Figural Group This impressive, life-size antique plaster cast represents one of the most powerful figural composition...

19th-Century Grand Tour Bronze — Neapolitan Fisherman After the Antique Fonderia Giorgio Sommer, Naples, Italy This exceptional 19th-century Grand Tour bronze of the Neapolitan Fish...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

18th Century Italian Carved Neoclassical Semi Nude Female Busts Wood affixed to wood plinths "Leone Della Torra / Italy Country of Origin" labels on b...

"Musidora" by Odoardo FANTACCHIOTTI (1809-1877) Sculpture made in white Carrara marble signed on the side on the base " O. Fantacchiotti " Italy around 1862 height 110 cm diameter ...

This 35.43" x 9.84" bronze sculpture by Armenian artist, Arman Hambardzumyan, features a faceless figural form with long legs and a short torso. Th...