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s Dream by Cécile Raynal - Teenager portrait, stoneware sculpture, young
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Cécile RaynalWolf
s Dream by Cécile Raynal - Teenager portrait, stoneware sculpture, young2014
2014
$6,156.09
£4,599.07
€5,200
CA$8,572.05
A$9,210.19
CHF 4,941.25
MX$108,506.61
About the Item
Wolf's Dream is a unique smoke-fired stoneware sculpture sculpture by French contemporary artist Cécile Raynal, dimensions are 180 × 45 × 45 cm (70.9 × 17.7 × 17.7 in). Dimensions include three wood boxes.
This sculpture is a unique piece signed by the artist and comes with a certificate of authenticity.
In an effort to uncover realities hidden from view in daily life, Cécile Raynal explores the relationships between people, particularly those between men and women and between man and beast. The artwork Wolf's Dream explores identity in general and sexual identity in particular.
Cécile Raynal uses sculpture as a way of exploring the world, between documentary and fiction. Thus she often sets up her workshop in remote, forgotten or marginal places, that she goes over and then reconstructs in clay. A prison, a retirement home, a hospital, a convent, a cargo-ship… are among the places in which she invites the inhabitants to pose for her, so as to sculpt their portraits and capture these rare encounters.
- Creator:Cécile Raynal (1966, French)
- Creation Year:2014
- Dimensions:Height: 70.87 in (180 cm)Width: 17.72 in (45 cm)Depth: 17.72 in (45 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117189892
Cécile Raynal
Whether human or animal, Cécile Raynal’s figures are a way to explore the world. The artist travels to remote, forgotten or marginal places immortalising in clay life stories that she brings back to her studio. Her work has been exhibited in prestigious museums such as the Musée des Arts et Métiers (Paris, 2018) and is the subject of ambitious public commissions such as the bronze sculpture of Winston Churchill in Cap-d’Ail (France). “The result of chance or sought-after encounters, my work starts with the sculpted portrait, a totemic record of each of these confrontations, and builds itself on the complicity, the exchanges and the correspondence resulting from them.”
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