Items Similar to “Charging Mountain Goats” Pair Figural Bronze Sculptures Bookends Western Gorham
Want more images or videos?
Request additional images or videos from the seller
1 of 19
Anna Hyatt Huntington“Charging Mountain Goats” Pair Figural Bronze Sculptures Bookends Western GorhamEarly 20th Century
Early 20th Century
$17,500
£13,234.19
€15,159.01
CA$24,521.71
A$26,769.45
CHF 14,094.45
MX$320,666.91
NOK 180,262.81
SEK 164,582.94
DKK 113,241.29
About the Item
“Charging Mountain Goats” by Anna Hyatt Huntington (American, 1876-1973)
A wonderful casting of Huntington’s bronze bookend sculptures, executed by the Gorham foundry, these models convey a sense of intensity and drama that feels immediate and physical. With their front legs drawn inward and their weight braced on powerful hind legs, the goats surge toward one another, allowing the viewer to instinctively anticipate their imminent collision. The modeling is bold and confident, with a surface alive to light, alternating between broad planes and sharply articulated passages that emphasize strength, balance, and forward drive.
The bronzes are consecutively numbered as an intended pair, cast with plaster-filled cores, and finished with a deep brown patina. They are numbered 101 and 102, each bearing the Gorham Co. Founders cold-stamped foundry mark along with processing number 0447. Gorham Company records indicate that Hyatt’s bookends were produced 158 times, representing 79 pairs, between 1913 and 1942.
Each sculpture weighs about 7.5 pounds and is signed “Anna V. Hyatt” on the base.
A fantastic example of Huntington’s renowned animal bronzes.
Size:
8 1/8 inches long by 6 1/8 inches tall by 6 1/4 inches wide (each sculpture)
Provenance:
Private collection, PA;
Acquired from the above
About the artist:
Anna Hyatt Huntington specialized in sculpting lifelike animals and was one of the most commercially successful sculptors of her era.
Huntington was born on March 10, 1876, and her family provided inspiration and guidance for her future career: her mother, Audella Beebe Hyatt, was an artist specializing in watercolors; her father, Alpheus Hyatt, was a paleontologist and zoologist; and her sister, Harriet, was a sculptor.
Hyatt studied zoology to be able to depict animals’ musculature and form accurately. Animals wouldn’t stay still for the long posing sessions generally demanded of human models, so she relied on her unusually excellent visual memory to recall their precise appearance. When the family moved to New York, she often spent time at the Bronx Zoo, watching how different animals moved and interacted. Hyatt was a primarily self-taught artist, learning through observation and practice.
In 1906 Hyatt traveled to Paris, France, where her sculptures received popular and critical acclaim. While in France, she was commissioned by an American organization to produce a statue of the French military hero Joan of Arc as a symbol of good international relations between the U.S. and France. Set on Riverside Drive in New York City, “Jeanne d’Arc” was the first statue produced by a woman artist to be displayed in the city.
Hyatt married Archer Milton Huntington on March 10, 1923. Huntington was the heir to a fortune made in railroad construction. He was enthusiastic about spending his inheritance to construct museums and collect art.
When the couple married, she was 47 years old. In the 1920s, most women married between the ages of 20 and 22. However, in part because Hyatt had a successful career, she didn't need to marry to ensure future financial security. In fact, she refused Huntington’s marriage proposals until he promised that marriage would not interfere with her career.
When Hyatt Huntington was diagnosed with tuberculosis, the Huntingtons decided to move south to a warmer climate. The couple purchased thousands of acres in Murrells Inlet, South Carolina. In 1931, they used the property they’d bought to found Atalaya and Brookgreen Gardens, the first public sculpture garden in the U.S.
Hyatt Huntington’s sculptures were the first to be put on display in Brookgreen Gardens. She also took the lead on collecting other sculptors’ work to feature. As the collection grew, Brookgreen Gardens displayed artwork by many other women, making it a notable landmark in American women’s art history.
Condition: Very good overall antique condition. Wear to finish commensurate with age and handling. No apparent repairs. They are ready to be displayed and enjoyed!
All photographs are taken in a well-lit environment using studio lights (set to a cooler temperature) to reveal as much detail as possible. Colors can vary depending on the temperature and strength of your lighting.
- Creator:Anna Hyatt Huntington (1876 - 1973, American)
- Creation Year:Early 20th Century
- Dimensions:Height: 6.13 in (15.58 cm)Width: 8.13 in (20.66 cm)Depth: 6.25 in (15.88 cm)
- Medium:
- Movement Style:
- Period:
- Condition:Very good overall antique condition. Wear to finish commensurate with age and handling. No apparent repairs. They are ready to be displayed and enjoyed!
- Gallery Location:Yardley, PA
- Reference Number:1stDibs: LU2911217402992
About the Seller
New to 1stDibs
Joined in the past six months.
No Reviews Yet
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2013
1stDibs seller since 2025
- ShippingRetrieving quote...Shipping from: Yardley, PA
- Return Policy
More From This Seller
View All“Circus Yard” American Regionalist, Elephants, Tents, Performers, Clowns, Oil
By Paul Sample
Located in Yardley, PA
“Circus Yard” by Paul Starrett Sample (American, 1896-1974).
A vibrant circus scene by the noted American regionalist, Paul Starrett Sample. This work captures the lively bustle beh...
Category
Mid-20th Century American Realist Animal Paintings
Materials
Canvas, Oil
“Early Morning, 1999” by Anna Brelsford Mccoy Sunlit Bedroom Interior Oil Canvas
Located in Yardley, PA
A serene and exquisitely composed work that captures the quiet poetry of a sunlit bedroom in the early hours of daybreak. A descendant of the renowned Wyeth artistic dynasty, McCoy h...
Category
1990s American Realist Interior Paintings
Materials
Canvas, Oil
“Penobscot” Ship Portrait Sidewheeler Steamboat Paddle Steamer Oil on Canvas
Located in Yardley, PA
A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name.
Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages.
Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast.
This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse.
Size:
22 inches tall by 44 inches wide (painting)
26 inches tall by 48 inches wide by 1 inch deep (frame)
Provenance:
Private collection;
Acquired from the above
About the artist:
A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned.
An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting.
Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states.
Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...
Category
Late 20th Century American Realist Figurative Paintings
Materials
Canvas, Oil
“Eastern White Pines, c. 1910”, New England Landscape, Signed Oil Painting
By Charles Warren Eaton
Located in Yardley, PA
“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937).
A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...
Category
Early 20th Century American Realist Landscape Paintings
Materials
Canvas, Oil, Board
“His Last Friend, c. 1900” by Harry Roseland Old Man
Bird American Genre Scene
By Harry Roseland
Located in Yardley, PA
A wonderful example of Roseland’s beloved genre scenes from the turn of the 20th century. This painting depicts an elderly man seated at a cluttered table, gently interacting with a ...
Category
Early 20th Century American Realist Figurative Paintings
Materials
Canvas, Oil
“Kennebec” Ship Portrait Sidewheeler Steamboat Paddle Steamer Oil on Canvas
Located in Yardley, PA
A striking and historically attentive portrait of the sidewheel steamer Kennebec, built in 1842. Rendered in crisp profile against a soft, painterly sky and calm Atlantic swells, Cameron’s portrait captures the stately elegance of early American steam navigation.
The Kennebec, identified in bold red lettering on her paddle box, is shown under partial sail with twin smokestacks active - suggesting both the hybrid nature of early steam propulsion and the vessel’s readiness for sea. Flying period flags, including a U.S. ensign and company pennants, she presents as a proud representative of the Sanford Steamship Line, for whom she plied the route between Boston, Bangor, and the summer resorts of Maine. Her design, with a wood hull, 230-foot length, and distinctive “hogging truss,” speaks to mid-19th century innovation tailored to coastwise packets.
Cameron’s style is reminiscent of 19th-century ship portraiture yet refined with contemporary technical precision. This is an excellent example of his work.
This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse.
Size:
22 inches tall by 44 inches wide (painting)
26 inches tall by 48 inches wide by 1 inch deep (frame)
Provenance:
Private collection;
Acquired from the above
About the artist:
A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned.
An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting.
Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states.
Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...
Category
Late 20th Century American Realist Figurative Paintings
Materials
Canvas, Oil
You May Also Like
Reclining Man Ashcan Early 20th Century American Scene Social Realism Gay Nude
By Isidore Konti
Located in New York, NY
"Reclining Man" Ashcan Early 20th Century American Scene Social Realism Gay Nude
Isadore Konti (1862 - 1938)
"Reclining Man"
7 1/2 w x 4 1/2 d x 7 high inch...
Category
1910s American Realist Figurative Sculptures
Materials
Bronze
Old Soldier
Located in New York, NY
Humphris is a highly acclaimed American sculptor and created a large body of work of Western subject matter, particularly of the American Indian so rare to get a soldier. He did liv...
Category
1910s American Realist Figurative Sculptures
Materials
Bronze
Maiani
Located in Greenwich, CT
Edition of 10 + 1AP
Category
2010s American Realist Figurative Sculptures
Materials
Alabaster, Bronze
$18,500
Artemis
Located in Greenwich, CT
Edition of 10
Category
2010s American Realist Figurative Sculptures
Materials
Bronze
$18,500
Justice III
Located in Greenwich, CT
bronze on marble base
Edition of 10
Category
2010s American Realist Figurative Sculptures
Materials
Marble, Bronze
Dancer II
Located in Greenwich, CT
Edition of 10
Category
2010s American Realist Figurative Sculptures
Materials
Bronze











