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Jane DeDecker
E Pluribus Unum, 64" long Bronze

2017

$19,000List Price

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Edition of 50 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...
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Edition of 17 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in...
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Bringing in the Day (Man)
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Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...
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Edgard Degas: Horse Clearing an Obstacle (work 48 /certified by Comité Degas)
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Horse Clearing an Obstacle (work number 48) Bronze with dark brown green patina bearing the stamp of the signature "Degas", Numbered IV/IX and dated 1998 Posthumous lost wax casting as of 1998. Stamp of Valsuani. Signed Degas The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these Hebrard bronzes...
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Kindred
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American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris...
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Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris...
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"Ex Nihilo Figure 4", Frederick Hart, Bronze Sculpture, Figurative Man
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The Present (Nativity Creche) 90" high cast aluminum
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Promise of the Prairie, 36"high Bronze Sculpture
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Dance Within, Wear Only Sky by Denny Haskew ​Set of 2, Bronze with Stainless Steel, Figures dancing in rings, gold and silver representing yin/yang, masculine/feminine, sun/moon female: 20x18x11" ed/21 male: 22x19x12" ed/21 "Just as the ancients danced to call upon the spirits in nature, we too can dance to find the spirits within ourselves that have long been buried and forgotten." - Anna Halprin ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre. As a member of the Potawatomi Citizen Nation, it is only natural for his artwork to follow the Native American culture. His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area foundries has helped him to master all the foundry processes involved in producing a desirable and lasting monumental bronze sculpture. Over 50 major public placements include the Smithsonian Institution, DC.; the Gilcrease Museum, OK; Cerritos, CA; Little Rock, AR; the Shakopee Mdewakanton Dakota Sioux collection, MN, and the Barona Band of Mission Indians...
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Turn Yourself to Spirit
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