Jane DeDecker

Patient Concerns, 33" high Bronze

2010

Vaadia says of his work, “By using the natural forces of rocks, my work awakens ancient ‘earth senses’ that were slowly abandoned by man during his evolution to civilization. By carv...

Antoinette Briët 'Out of the sky' 40 x 60 x 30 cm bronze on a plate of bluestone This Sculpture of jumping cheetah's is made by Dutch artist Antoinette Briet. Her forms are an abs...

This small, pedestal sized or table top sculpture by Israeli artist, Boaz Vaaida is a rare find. Very few small works, such as this are available. Cast in bronze from an original s...

Boaz Vaadia’s Family 1 (#146) BVE (2017) is an intimate bronze, bluestone, and boulder sculpture that encapsulates the artist’s signature technique. This editioned work (1/7), measur...

This sculpture is edition 2/7, cast posthumously by the Boaz Vaadia Estate.

Boaz Vaadia Zofar, 1997 Bronze, bluestone, and boulder Overall 20 x 29 x 27 inches From the edition of 7 Provenance Elaine Baker Gallery, Boca Raton, Florida Boaz Vaadia is the in...

Horse Clearing an Obstacle (work number 48) Bronze with dark brown green patina bearing the stamp of the signature "Degas", Numbered IV/IX and dated 1998 Posthumous lost wax casting as of 1998. Stamp of Valsuani. Signed Degas The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these Hebrard bronzes...

Ex Nihilo Fragment 7 is a detail from the full-scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the Creation Sculptures at Washington National Cathe...

PIERRE-AUGUSTE RENOIR (1841-1919) La Danseuse au Voile Cast in 1964 Ed. 14/20 pcs / Conceived in 1913 Bronze with a black patina 64 x 46 x 28 cm Signed, foundry's stamp and numbered ...

Originally conceived in 1880-82 for the tympanum of the Gates of Hell, where she is cradled in the arms of L'homme qui tombe, as well as crouching in slightly varied form to the lef...