Jesús Curiá Perez

Helicoide IV

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _______________________________________________________ ***Looking for one of kind precious high ending art piece that no one else will have? This is one of them!*** Absolutely and positively ONE OF A KIND skull creation encrusted with genuine Swarovski and Czech crystals. The ultimate homage to Evita Peron...

Betye Saar A Handful of Stars, 2016 Bronze with patina and walnut base Signed: Incised signature and numbered 7 × 3 × 2 1/2 inches Unframed Acquired from the International Sculpture ...

Bronze & wood sculpture Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Us...

Bronze & wood sculpture Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Uses as a working material the bronze, wood, stone, metal and general energy, which perfectly perfects both exterior and interior spaces. All sculpture itself is made of solid material. He has implemented many creative projects both in Georgia and abroad, participated in both domestic and international exhibitions, exhibitions-competitions, symposia and architectural-creative competitions. He has been awarded from numerous creative awards and prizes as Grand Prix - Work Muse International Sculpture Symposium in Nadiotadi, Hungary, I Prize - International Exhibition-Competition Olympiad-2004 in Tbilisi, Georgia, Grand Prix in Sculpture - International Exhibition at Blue Gallery...

"Minimalist Seated Figure" Sculpture 5" x 2" x 3" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in ...

Bronze & wood sculpture Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Us...

Thierry Job was born in Marseille, France and currently lives in San Miguel de Allende, Mexico. He studied art at the School of Beaux Arts in Paris. His wo...

David Tanych has been building objects since his father gave him a saw, hammer, nails and a block of wood at the age of 10. A veteran home and furniture builder, David turned his in...

"Two" is a bronze sculpture of a nude standing couple on a white wooden frame. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a wall (comes wi...

"Girl Sitting XIV" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a wall (comes with the hinges to hang up on the wall). The sculptress Susanne Kraisser is to be considered as part of the great modern figurative tradition. She was born in 1977 in Rosenheim, Southern Germany. She studied both at the Academy of Fine Arts Nuremberg and the University of Arts in Bremen. She graduated with distinction in 2007 in Nuremberg and received her Diploma with distinction in 2008 in Bremen. She has won numerous awards and exhibits nationally as well as internationally. Artist Statement: For me, sculpture is particularly shape and material, volume and size, space, movement and statics. I focus on the ‘female body’, presenting it either as an intimate miniature or on a monumental scale – each time as a solitary figure. In terms of content, my work focuses on identifying and combining polarities, such as instability and strength, fragility and solidity, activity and passivity, movement and statics, balance and volume, and dependence and autarchy. I work predominantly with the materials bronze, aluminium and wood. The small miniatures are made from wax and are then cast in bronze as part of what is known as the wax smelting process. Large-scale pieces are similarly cast in aluminium or created directly out of wood. The various work processes and tools determine the appearance of the surface; for wax, it’s my hands, and for wood, it’s my chainsaw. Each material is a new challenge for me. My previous wood-sculpting studies involved respecting the material’s limits to create craft of solid quality in keeping with the material. But this is where the intense discussion and its limit become clear. I fight with the material, and a lot of things go wrong. It becomes my opponent, whose limits I test out and reset if necessary. Cautious movements requiring a lot of physical tension are maintained without losing their inner dynamics. Amidst the often harmonious external form is a harsh dissonance evidenced by the rough, fragmented design...