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Margarett W. McKean Sargent
"Stepping Out" Margarett W. McKean Sargent, Female Figure, Emerging Forms

1916

$30,000
£22,844.37
€26,304.68
CA$42,512.64
A$45,728.43
CHF 24,438.60
MX$539,007.86
NOK 308,113.48
SEK 281,674.19
DKK 196,540.37

About the Item

Margarett W. McKean Sargent Stepping Out, 1916 Signed and dated on base Bronze 14 x 6 x 8 inches Provenance Private Collection, Hingham, Massachusetts Walker-Cunningham Fine Art, St. Louis, Missouri, 2007 Exhibited New York, Hawthorne Fine Art, Breaking All Bounds: American Women Artists (1825-1945), November 1, 2018 - January 11, 2019. Margarett W. McKean Sargent was born on Commonwealth Avenue in Boston’s Back Bay in on Aug. 31, 1892 to Francis Sargent and Jane Welles Hunnewell. Her maternal grandfather, Horatio Hollis Hunnewell, was a railroad baron who spent much of his spare time importing and cultivating rhododendrons. Margarett took more pride in her paternal ancestors, who she viewed as more distinguished. The first Sargent had arrived in Massachusetts in 1689. At the age of 16 her family sent her to Miss Porter’s in Farmington, Connecticut. After boarding school she agreed to marry Eddie Morgan, a wealthy friend of her brother’s. After spending a year studying art in Florence, Margarett W. McKean Sargent returned to Boston in 1914, where she studied with a rising young sculptress named Bashka Paeff. Margarett Sargent had talent and she worked hard at her art. In 1916, she began to reap the rewards, with two works exhibited at the Art Institute of Chicago. A year later, she showed two more at the National Academy of Design. In 1917, she went to study with Gutzon Borglum in Connecticut. There she met and befriended George Luks – a prominent member of the Ashcan School of art. He later painted her portrait from memory, and called it The White Blackbird – a title her granddaughter would use in a biography of her. In 1919 she moved to New York, where she took an apartment with a friend – and probably lover – named Marjorie Davenport. She pursued avant-garde painting and sculpture and hung out with Harpo Marx and her downstairs neighbor, Fanny Brice. Her Bohemian revel was short lived, however. The next year she married Quincy Adams Shaw McKean. He succeeded at dog breeding and polo playing, but business, not so much. Fortunately for him, his mother gave him an allowance to help pay for their 13 servants. He and Margarett expanded their house and property into a 54-acre estate and Yankee palace, which included a large studio for her. Shaw encouraged her art, and they had four children in three years. She had a one-woman show in 1926 at the prestigious Kraushaar Gallery in New York. She had her last exhibit in 1932 in Boston at the Doll and Richards Gallery.
  • Creator:
    Margarett W. McKean Sargent (1892 - 1978, American)
  • Creation Year:
    1916
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 6 in (15.24 cm)Depth: 8 in (20.32 cm)
  • Medium:
  • Movement Style:
    Ashcan School
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1841217090042

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