Bronze Figurative Sculptures

Artist: Ernst Neizvestny, Russian (1926 - ) Title: Monument in Honor of Dead Year: 1970-1974 Medium: Bronze Sculpture on Wooden Base Edition: 7 + AP's Size: 16 x 10 x 6.5 in. (40...

Dana Younger's (US based) "Coral Skull" is an original, handmade sculpture that depicts yellow, blue, and red coral emerging from a human skull. About t...

Mystery Artist Untitled, 20th century Bronze with wood and acrylic mounting Overall: 19 1/4 x 7 1/4 x 1 1/8 in. Bronze plate: 17 5/8 x 5 3/4 in. Numbered lower left: 7/30 Initialed l...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

Maartje 45 x 20 x 17 cm Bronze The theme van der Kraan likes most is to show the growing of young girls. Living in their own world. The narrative sculptures show 'the woman' and 'th...

The Classic Lady bronze was cast from a wood carving. She is David's most petite sculpture. Movement and grace with the twist at the waist and tilt of the head. She can add beauty to...

An elegant bronze of the female figure by Nando Kallweit. The artist's work celebrates the modern human form while recognizing that our individuality is shaped by our heritage. A her...

This Horse Bust - Sculpture is an original artwork realized by the Italian artist Domenico Mazzone (Rutigliano, Bari, 1927-1999) during the 20th century. Lost wax bronze sculpture m...

Louis Armand Bardery (French, 1879-1952) Muse of Dance Bronze with green and brown patination Signed and stamped with foundry mark 18 x 6 inches Louis Armand Bardery was a student o...

After completing his studies at the Royal Catalan Academy of Fine Arts in Sant Jordi, Barcelona, Jorge Borrás moved to France1. His works, especially his bronzes, are sold in major auctions mainly in France (Versailles, Drouot, Saint Germain En Laye, Enghien les Bains, etc. June 30, 1992, two bronzes were sold at Christie's in London) 2. They are exhibited in Parisian salons such as the Salon d'automne3, the Salon des artistes français, the Salon des Independants the exhibitions of the National Society of Fine Arts, the Salon de l'école française [ref. necessary]. He received the Arts-Sciences-Lettresn 1 Medal and is a member of the International Association of Visual Arts (affiliated with UNESCO). In addition, he produced a series of medals and sculptures for the Monnaie de Paris, and various achievements such as the bust of Dr. Coll Colomé, a monument erected in Benicarlo (Spain) and publishing covers including the novel by Jean-Marc Roberts Vincent's friend. The work of Jorge Borrás is a tribute to the woman [ref. necessary]. Her favorite themes are ballerinas and bathers as well as women in everyday attitudes. Wild animals, some endangered, are also very present in the work of Jorge Borrás, especially in recent years where he takes great pleasure in capturing the wild moment of his attitudes. Passionate about drawing, he began painting at the age of ten and made his first exhibition at the age of twenty. At the School of Fine Arts in Barcelona, he discovered sculpture with Luisa Granero and studied painting and sculpture. The students the drawing section, of the great master of Spanish painting and portrait painter Francisco Ribera Gomez...

'Goose' by Richard Smith. A bronze sculpture of a life-size goose, patinated in mottled green, captures both the elegance and grounded presence of this familiar waterfowl. The sculpt...

Bronze artwork made with lost wax casting technique. This is the prototype, unique signed artist proof. Sergio Monari is an Italian sculpture, that liv...

John is a figurative bronze sculpture in a relaxed pose by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egy...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Bear Cub is a bronze sculpture by contemporary artist Eric Valat, dimensions are 9.5 × 11 × 6.5 cm (3.7 × 4.3 × 2.6 in). The sculpture is signed and numbered, it is part of a limite...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

"Femme de luxe" (Bronze) by Erte Type: Sculpture Media: Patina on Bronze Dimensions: 18 1/2 x 12 1/2 x 7" Year Produced: 1990 Edition Size: 500 Numbered, 12 AP, 2 HC Edition Number: ...

Donne V is an elegant figurative bronze sculpture portraying three strong women by Nando Kallweit. There is a strength to the piece that celebrates sisterhood. Modelled on modern y...

A stunning bronze bust "Le Rieur Napolitain" by Jean-Baptiste Carpeaux (1827–1875), a master of 19th-century French sculpture. This piece captures the joyful expression of a young Neapolitan boy, reflecting Carpeaux’s signature realism and dynamic movement. Details: Artist: Jean-Baptiste Carpeaux Title: Le Rieur Napolitain (The Laughing Neapolitan) Material: Bronze Dimensions: Height 27 cm, Width 19 cm, Depth 12 cm Period: 19th century Condition: Good, with a beautiful natural patina Jean-Baptiste Carpeaux (1827–1875) was a leading French sculptor of the 19th century, known for his ability to infuse lifelike movement and emotional depth into his works. Le Rieur Napolitain (The Laughing Neapolitan) is a striking example of his dynamic and expressive style, embodying his fascination with naturalism and human vitality. This bust is part of Carpeaux’s series of Neapolitan figures...

Sandra 45 x 34 x 24 cn Bronze The theme van der Kraan likes most is to show the growing of young girls. Living in their own world. Like this girl watching...

This captivating bronze sculpture by French artist Joanny Durand (1886–1955) depicts a flamenco dancer in mid-motion, her body swirling with grace and energy. The composition capture...

Bronze signed 58x 56 cm Thomas François Cartier, born February 21, 1879 in Marseille and died April 26, 1936 in Saint-Vallier, is an animal sculptor and French illustration. biogr...

Edition of 10

Created by artist Richard MacDonald for the 1996 Atlanta Summer Olympics, Flair Across America celebrates the triumph of the human spirit and the idealization of the human form. While its message is universal, Flair Across America also embodies the Olympic credo stated by the father of the modern-day Olympics, Baron Pierre de Coubertin...

Sculpture by the Spanish artist AMANCIO GONZALEZ iron and wood. piece unic Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez ( Leon 1965 ) Amancio González is a...

Heroic Vision 568 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of bronze and is from an ed...

Mireia Serra’s "Capturing Moments" is a contemporary bronze sculpture that merges figurative art with symbolic storytelling. The piece features a small, pensive figure perched atop a...

Roberto Estopinan, Cuban, 1920 - 2015 Dimensions: 24.5" wide x 13" high plus 6" high base. Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art. Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002. Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...

The historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...

Knight Emerged 583 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Toronto artist Roch Smith often uses toy figures in clever and fun ways to convey cultural statements that go beyond child’s play. This tabletop figure is bending over, arms extended...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

This 35.43" x 9.84" bronze sculpture by Armenian artist, Arman Hambardzumyan, features a faceless figural form with long legs and a short torso. Th...

n The Tempest, the late Belgian sculptor Isabelle Thiltgès distills chaos into elegance, sculpting a storm that feels both timeless and eerily still. Cast in bronze, the work unfurls...

This is an intense bronze abstract sculpture and it was created by the Italian artist Andrea Picini. The artwork is hand made by the technic of the ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Bronze artwork made with lost wax casting technique. This is the prototype, unique signed artist proof. Title "Sleeping body" Sergio Monari is an Italia...

Oscar Lenz Echo, 1904 Signed and dated on base: Oscar L Lenz 1904 Bronze 70 1/4 x 25 x 25 1/4 inches Oscar Lenz was an American sculptor born at Providence, Rhode Island. He receiv...

"Interrogation" is an original bronze sculpture by Jedediah Morfit measuring 13.5in x 9.5in x 1in. Jedediah Morfit received his MFA in sculpture from the Rhode Island School of De...

Antoinette Briët 'Mother and Child' 20 x 30 x 30 cm bronze This Sculpture of a lioness and a cub is made by Dutch artist Antoinette Briet. Her forms always are an abstraction of re...

"Sitting Girl on Panel" is a bronze sculpture of a nude sitting female on a rustic panel. Edition 30, signed, numbered and dated on the back. The rustic panel can be hung on a wall ...

Pair of busts of Albrecht Dürer and Rembrandt van Rijn by Albert-Ernest CARRIER-BELLEUSE (1824-1887) A pair of silvered bronze busts Each signed on the back "A. Carrier" The all rep...

Woman with Dice is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised E...

Isidore Romain Boitel (French, 1812 - 1861) "Jeune fille aux colombes et à la corbeille de fleurs". Young girl with doves and basket of flowers Bronze ...

This Bronze by Isabelle Jeandot is one edition of a limited series of twelve original sculptures, and it will be delivered with the certificate of aut...

The optimistic bronze sculptures of Dutch artist Miep Maarse (1945) are a feast for the eyes. Dancing elephants, bathing hippos and playing bears characterize her oeuvre. The images ...

Van Nazareth is somewhat of a reclusive personality and his bronze sculptures focus on primordial, illusive shapes. His figures are remote and uncommunicative, suggesting timelessnes...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

"Bronze Statue - Ife, Nigeria" is a bronze sculpture created in circa 1920. This figure has short legs and a short torso, but a large head. They held out their hands with two objects...

Ilaria is an elegant figurative bronze sculpture of the female form by Nando Kallweit. Ilaria is produced in an edition of 25 pieces. Nando hammers his mark into the base as well...

Gloria III is an elegant figurative bronze sculpture of the female form by Nando Kallweit. The elongated, graceful subject rests her hands on a disc as though she is in command of he...

Bronze Double Bass Player Klezmer Musician Sculpture signed Mane-Katz at base. Numbered 8/8. -Katz (1894-1962) was a Litvak painter born in Ukraine best known for his depictions of...

Nickel Plated 24 Element Puzzle Sculpture, 1968-1969, realized by Miguel Berrocal. Signature and number engraved. Edition of 9500 pieces.  Ref. Catalogo General/Obras Recientes,197...

The baby by Nicolas ALQUIN (born 1958) A bronze sculpture with a nuanced greenish dark brown patina signed on the leg with the monogram "NA" for Nicolas Alquin cast by "Blanchet Fo...

Bronze sculpture by Mario Napoli, Swiss artist from XXth century. His works was sold 12 times in auctions since 2022. Work signed in the bronze. Edition ...

Circa 1910 bronze cast medal by the French sculptor, Pierre Charles Lenoir. Edge mark, cornucopia. Pierre Lenoir was a French sculptor and medallist and was one of the Breton sculp...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which ...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...