Bronze Figurative Sculptures

Volodymyr Mykytenko - Time guard (2021) Time guard-One of the most ancient animals on the planet, a symbol of confidence and fearlessness. They say that even a tiger is afraid of a ...

Volodymyr Mykytenko - Gold trophy hunter (2005) In a playful way, I created a hunting dog that hunts for his dream. And this is the dream of a golden trophy that weighs on his bag. ...

Volodymyr Mykytenko - Beauty of nature (2007) Beauty is in everything that surrounds us. My sculpture is filled with the abundance of nature and its beauties. Idyll in this composit...

Volodymyr Mykytenko - Winner (2011) Winner-The composition of the winner in a humorous form reflects the classic finale of the struggle for life. ...

ERTE "Rue de La Paix" Signed/Numbered BRONZE SCULPTURE By Erte Type: Sculpture Media: Patina on Bronze Image Dimensions: 14 x 6.75 x 3.25 inches Year Produced: 1987 Edition Size: 241...

Created C. 1943, award presented in 1965 to Gertrude Seperack for her design work in the fashion induustry. The bronze portion measures 14 x 8.5 inches. The Coty American Fashion Cri...

Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a ...

An amazing bronze cast of a little 19th-century boy. The quality of the piece is outstanding, as is the color and patination. There is little known about the painter other than he wo...

This one of a Ltd edition of 25 sculptures by the artist. Joan Artigas Planas was born in 1960 in Vilassar de Dalt, Barcelona. In 1985 he graduated in Fine Arts at the University o...

Bronze signed 58x 56 cm Thomas François Cartier, born February 21, 1879 in Marseille and died April 26, 1936 in Saint-Vallier, is an animal sculptor and French illustration. biogr...

"BELLS" Sculptural Lamp 42" x 141" inch by Grigorii Gorkovenko MATERIAL: bronze One lampshade. Lampshade only. Wires and lightbulb are not incl...

Contemporary bronze figurative sculpture of standing woman by Italian artist, professor Giuseppe del Debbio. Sculpture is signed on the base. GIUSEPPE DEL DEBBIO ( 1950-2019) Profe...

Modern Bronze and Ceramic Sculpture of Silt Sandpiper in Waves. Beautiful bronze sculpture of iconic Californian Silt Sandpiper in the waves by Doris Ann Warner (American, 1925-2010...

Original hand cast bronze dual figure of a hollow dressed torso of a male and female representing Adam and Eve in the Garden of Eden. The bronze sculpture is attributed to the American sculptor Judith Shea. This piece is a maquette for a life size bronze executed by this artist that is located in an outdoor space in Buffalo, New York. Both are titled “Eden” and were done in 1987. Condition is excellent. Unsigned. Label on the bottom of the thick pine base states the artist and title of the artwork. Provenance: A Long Island, New York collector. Judith Shea has been a notable presence in the New York art world since the 1970s. Trained as a designer at Parsons, she soon found the fashion industry too restrictive and abandoned it in favor of making art. For her first solo show, at The Clocktower in 1976, Shea made a work based on color theory, using transparent silks in a spectrum of colors, worn by a live model. Other early work referenced clothing and its construction, first as flat, minimalist pattern and later as molded draping over implied, absent figures. In the 1981 Whitney Biennial, Shea showed three simple forms that evoked iconic clothes of the 1950s and 60s—the overcoat and the simple sheath dress—which hung from the wall as if on hangers. Five related works were included in the Hirshhorn’s Directions 83 survey. All of these works evoke human presence, felt as absence, as if the clothes were placeholders for missing persons. Thinking about her earlier clothes-based works, Shea has said that she “was looking for characters, for personae, really, to occupy them. I used clothes as stand-ins for people.” With the support of NEA grants, Shea began to learn bronze casting, and she was able to also spend time in Paris studying the statuary of its parks and gardens. This research led to several hollow-figure compositions from the 1980s that were designed to be sited in public spaces, such as Eden (John Hancock Tower, Chicago), Shepherd’s Muse (Oliver Ranch), Shield (Sheldon Museum of Art), and Without Words (Walker Art Center). In the 1990s, after a residency at Chesterwood—the site of Daniel Chester French’s studio in Stockbridge—Shea began to use woodcarving to make monumental public sculpture. The first of these full-scale wooden figures were shown in 1992 at the Whitney Museum at Phillip Morris in New York. In 1994 her wooden equestrian statue The Other Monument, a monumental image of a black man on a black horse, was installed at Doris Freedman Plaza in New York, in the same plaza as the William Tecumseh Sherman...

Weekend Getaway is a wall sculpture that captures snapshot of loving couples. Edition Size: 18. Sculpture for wall easily hung with 3 screws/nails. BIOGRAPHY OF MIREIA SERRA Mireia...

Jesús Curiá Perez Race iron, bronze and resin 21.75h x 10w x 19.75d in 55.24h x 25.40w x 50.16d cm ed. 1/8 JCP056 Jesús Curiá's sculptures arouse something more than purely aestheti...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptures. This sculpture depicts a dancer tying p...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

Artist: Lee Stoliar, American (1956 - ) Title: Untitled Medium: Bronze Sculpture, signature inscribed Size: 6.5 in. x 7 in. x 9 in. (16.51 cm x 17.78 cm x 22.86 cm)

Hospitality - Sculpture is a fine sculpture realized by the Italian artist Orfeo Tamburi (Jesi, 1910- Paris, 1994) during the 20th century. Edition of 99 exemplars. Bonded bronze sculpture with a golden patina. Mounted on a Guatemala green marble base. Guatemala green marble, as its name suggests, is a marble coming from India, also known ad India Green; it is characterized by an intense green color with white veins with an irregular and uneven shape. Dimensions: cm 10 x 10 x 2 (base); cm 29 (height of sculpture). Excellent conditions. This artwork - born on a project realized by the artist in the 1930's and manufactured posthumous - represents a sensual nude woman who symbolizes the hospitality. Delightful creation by the great Italian painter Orfeo Tamburi. He firstly embraced the principles of the Roman School, from which he matured an evocative language with warm chromatic intonations that found favorite themes in portraits and urban views. After a trip to Paris where he discovered the painting of Cèzanne, the artist began a long friendship with Giuseppe Ungaretti, the director Marcello Pagliaro and Curzio Malaparte...

Untitled (it depicts acrobats, trapeze artists or gymnasts in mid pose) bronze cast sculpture signed and numbered from small edition (1 of 3). Gerard Koch was a French Post War & C...

Dreamy is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. Joan wants to depi...

Jesús Curiá Lanza, 2024 bronze and stainless steel 38.25h x 28.25w x 7.75d in 97.16h x 71.75w x 19.68d cm ed. of 12 JCP075 Jesús Curiá's sculptures arouse something more than purely...

Cold Cast Bronze Bust Sculpture of Vincent Van Gogh by British Artist & Sculptor Anthony D Padgett BA MA PGDip, Born in 1969. Everyone has an idea o...

Divyendu Anand - Soaring High Oxidised Bronze over Stone Composite Granite Base, Edition of 9 H 27 x W 13 x D 6 inches, 2025 Growing up with the thoughts of altruism, idealism and b...

Satyr and Baby is a bronze statue created by the artist Aurelio Mistruzzi. Minotaur with child on his shoulders. Edition of the late 1900s. Engraved signature on the marble base....

Artist: Telly Mia Title: Fertility Venus Medium: Bronze Sculpture, signature inscribed Size: 20 in. x 11 in. x 10 in. (50.8 cm x 27.94 cm x 25.4 cm)

This head of young boy is a rare, precious and unpublished sculpture by Marino Marini, belonging to a private collection for over 60 years. The same subject...

Bronze sculpture of a ballerina taking a rest. Her leotard is patinated to a lovely green shade to contrast with the bronze colour of the rest of her figure. Ballet slippers are visi...

Subrata Paul - Exploration-II Bronze & Wood, H 29 x W 28 x D 16 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery (born September 21, 1939 in Alameda, California) is an American sculptor. He attended the San Francisco Art Institute, earned an MFA from California College of Arts and Crafts, and then studied in Japan and Italy under Isamu Noguchi. He also held teaching positions at Harvard University and University of California, Berkeley Graduate School of Design. From 1971 to 1988, he lived both in Pietrasanta,Italy, and in Little Italy, New York City. Dusenbery's preferred material is stone, particularly travertine or granite. Dusenbery has a particular interest in adding sculpture to public places, such as federal buildings, to humanize the space, but in 1988, he assembled a show of small, entirely hand-carved alabaster sculptures, called "Walter Dusenbery, The Personal Side," at the Fendrick Gallery in Washington, D.C.. In 1977, Dusenbery created Pedogna, on permanent loan from The Metropolitan Museum of Art to Landmarks, the public art program of The University of Texas at Austin. That same year, 1988, he was awarded a large commission for the Fulton County Building Atrium in Atlanta, Georgia. The commission was for three fountains and related structures over three stories in height, designed for informal and ceremonial public events, Limestone, marble, granite and travertine fountains, pavilions, seating and meeting areas, performance and concert platforms, staircases and planters for hanging gardens. After completion of the "Atlantacropolis," Dusenbery withdrew from the gallery world and focused his energy on site-specific commissions. (like the landscape works of Maya Lin and Beverly Pepper) Seeking a large-scale stone studio for projects closer to home, he discovered there were none. In 1995, he approached sculptor and patron of sculpture J. Seward Johnson Jr. with the idea of creating a state-of-the-art stone-carving studio, so that American sculptors would not have to travel abroad to realize their work. Johnson agreed to fund such a facility, if Dusenbery would direct it. In 1996, Dusenbery designed the facility for the Stone Division at Johnson Atelier Technical Institute of Sculpture, and was its first director. The facility was situated in "a building resembling an airplane hangar," The studio offered the ability to digitally scan three-dimensional forms. The Stone Division was a success and attracted a strong group of sculptors: Magdalena Abakanowicz, Lawrence Argent, Barry X Ball...

Bronze and mahogany obsidian Edition number : 1/8 ; Draws 8 + 4 Certificate : seal and signature by Dominique Mufraggi on the work and on the original certificate Dominique Mufragg...

For sale is the great looking large male nude bronze sculpture of Orpheus by German Artist Professor George Mattes (1874-1945). Orpheus is seen along ...

Madam Bovary is a bronze sculpture with dark patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s late...

A beautiful African cast bronze and carved horn sculpture with a patina. Horns were used by the Bamileke tribe of Cameroon as status symbols for ...

Piccola scultura in legno (40 x 7 x 13 cm) con soggetto due figure femminili nude distese che si tengono per mano, su uno sfondo non riconoscibile ma che probabilmente vuole richiama...

Jesús Curiá Perez Influence bronze 25h x 12.25w x 10.50d in 63.50h x 31.11w x 26.67d cm 1/8 JCP063 It is seemingly easier to identify with the ideas and thoughts of an artist if he ...

Chandan Das - Untitled Bronze H 16 x W 7 x D 6 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art & ...

Danza de Amor Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture, Signature and number inscribed Edition of XXX Size: 40 x 28 x 20 in. ...

Modern bronze cast of the same model signed R. GODEFROY, stamped V / CHAPON / PARIS and numbered 7/8 signed R. GODEFROY and entitled LES COMPAGNONS DE L'OUBLI ...

Alia Mihi Mens Est Bronze Sculpture Contemporary Nude Boy Marble Stone This sculpture need to be ordered. We will cast a brand new one for you. The edition is 4 pieces. The next scu...

Motherhood is based on an image originally created as a costume design for Les Idoles at the Théâtre Sarah Bernhardt in 1924. Catalogue - Erté: The Last Works (Dutton, pgs. 179, 207...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...

"On the Water's Edge XIV" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a w...

A bronze sculpture by Victor Delfin circa 1970. A whimsical, abstracted bird figure in a blissful pose with wings spread. Artist: Victor Delfin, Peruvian (1927 - ) Title: Baby ...

Contemporary figurative bronze sculpture by Polish artist Michal Bajsarowicz. This piece has green patina that is more visible on the back than on t...

Life-size sculpture of three boys walking atop a log.

David Hostetler carved the wood original for this bronze casting in 1960. He used an exotic wood board he obtained at the Brooklyn Naval Yard. You only notice the narrowness of the o...

SEMION RABINKOV "UNICYCLE HORN PLAYER" BRONZE, SIGNED, NUMBERED 1/9 MOLDOVAN-AMERICAN, C.1990'S 27.5 INCHES Semion was born in Chisinau, Moldova, 1954...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

Ivars Miķelsons (1962)

This limited-edition bronze exemplifies de la Sierra’s renowned ability to infuse contemporary sculpture with humor, narrative, and cultural symbolism. Sancho y Rocinante En Busca de...

With You is the 2025 creation by Mireia Serra, as a continuation of her World Series depicting love and rapport of couples. This edition of Mireia is made of bronze with green patina...

Untitled 1982 Young Man With Closed Eyes Artist signed, and dated. WILLIAM LUDWIG (1935-2011) Education: University of Connecticut, 1957-1961 Hartford Art School, University of Har...

Pantea Mahrou 1990 - Current Amlash JaAN, 2022 Bronze 28 x 15 x 11 cm 11 x 5 7/8 x 4 3/8 in Edition of 4

Eugenie Gershoy (January 1, 1901 – May 8, 1986) was an American sculptor and watercolorist. Eugenie Gershoy was born in Krivoy Rog, Russia (Krivoi Rog, Ukraine) and emigrated to New York City in the United States as a child in 1903. Considered somewhat of a child prodigy, Gershoy was copying Old Master drawings at the age of 5. Her interest and talent in art was encouraged from a very young age. Aided by scholarships, she studied at the Art Students League under Alexander Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, and Boardman Robinson. Around this time, she created a group of portrait figurines of her fellow artists, including Arnold Blanch, Lucile Blanch, Raphael Soyer, William Zorach, Concetta Scaravaglione, and Emil Ganso, which were exhibited as a group at the Whitney Museum of American Art. At age 17, she was awarded the Saint-Gaudens Medal for fine draughtsmanship. Early in her career she became an active member of the Woodstock art colony. In Woodstock she experimented by sculpting in the profusion of indigenous materials that she found. Working with fieldstone, oak and chestnut, Gershoy created works based on classic formulae. As she became more interested in the dynamism of everyday life, she found that these materials and her idiom were too restrictive. By the time Gershoy came to Woodstock in 1921 her own individual artistic style was already evident in her sculptures. Eugenie Gershoy worked in stone, bronze, terracotta, plaster and papier-mache. Gershoy’s sculptures were mainly figurative in nature and many of her artist peers such as Carl Walters, Raphael and Moses Soyer, William Zorach and Lucille Blanch, became her subjects. Eugenie Gershoy’s works on paper should not be overlooked. She was the winner of the Gaudens Medal for Fine Draughtsmanship at the tender age of 17. Gershoy married Jewish Romanian-born artist Harry Gottlieb. In the late 1920s and early 1930s, the pair kept a studio in Woodstock, New York. There, Gershoy was influenced by sculptor John Flanagan, who lived and worked nearby. From 1936 to 1939, Gershoy worked for the WPA Federal Art Project. She collaborated with Max Spivak on murals for the children's recreation room of the Queens Borough Public Library in Astoria, New York. She developed a mixture of wheat paste, plaster, and egg tempera, which she used in polychrome papier-mâché sculptures; she was the only New York sculptor to work in polychrome at this time. She also designed cement and mosaic sculptures of animals and figures to be placed in New York City playgrounds. Alongside others employed by the FAP, she participated in a sit-down strike in Washington, DC, to advocate for better pay and improved working conditions for the projects' artists. Gershoy's first solo exhibition was held at the Robinson Gallery in New York in 1940. She moved to San Francisco in 1942, and began teaching ceramics at the California School of Fine Arts in 1946. In 1950, she studied at the artists' colony at Yaddo. Gershoy traveled extensively throughout her life. She visited England and France in the early 1930s, and worked in Paris in 1951. She traveled to Mexico and Guatemala in the late 1940s, and also toured Africa, India, and the Orient in 1955. In 1977, Gershoy dedicated a sculpture to Audrey McMahon, who was actively involved in the creation of the Federal Art Project and served as its regional director in New York, in recognition of the work McMahon provided struggling artists in the 1930s. Gershoy's work is in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Smithsonian American Art Museum. Her papers are held at Syracuse University Grant Arnold introduced her to lithography in 1930 and Gershoy depicted many scenes of Woodstock artists and their daily activities through this medium. From 1942 to 1966 Gershoy lived and painted in San Francisco where she taught at the San Francisco Art Institute. She traveled extensively, filling sketchbooks with scenes of Mexico, France, Spain, Africa and India. During her later years Eugenie Gershoy returned to New York City and concentrated on numerous well received exhibitions. Her last exhibition in at Sid Deutsch Gallery included many of the sculptures that were later exhibited in the Fletcher Gallery. John Russell, former chief critic of fine arts for the New York Times, writes about the 1986 Sid Deutsch exhibition: “As Eugenie Gershoy won the Saint-Gaudens Medal for fine draftsmanship as long ago as 1914 and since 1967 has had 15 papier-mache portrait figures suspended from the ceiling of the lobby of the Hotel Chelsea, she must be ranked as a veteran of the New York scene. Her present exhibition includes not only the high-spirited papier-mache sculptures for which she is best known but a group of small portraits of artists, mostly dating from the 30’s, that is strongly evocative.” Eugenie Gershoy is an artist to take note of for several reasons. She was a woman who received great awards and recognition during a time when most female artists were struggling to hold their own against their male counterparts. As a young girl she won a scholarship to the Arts Student League where she met Hannah Small...

An abstract modern cubist rendition of a mother playing with her child by Chaim Gross (Austrian, 1904 - 1991). Chaim Gross is known for these playful works and similar works can be f...

Bust Of A Young Woman Bronze sculpture signed by the artist inside the cast and dated 1988, 1st cast in London. Kevin Berlin is an international arti...