Bronze Figurative Sculptures

Monkey with Turtle This statue by Guido Rigehtti (1875-1958) represents a monkey (baboon)tenderly holding a turtle. Probably created around the same time as Monkey with a mouse. In ...

Lalu Prasad Shaw - Pipasha Bronze, Edition : 4/5 H 42 x W 17 x D 13 inches ( Delivered ) Lalu Prasad Shaw’s Pipasa captures a moment of quiet simplicity and human need with striking...

Mrinal Kanti Gayen - Untitled Bronze W 19 x H 10 x D 13 inches ( Delivered ) Born : 18 January, 1971, at Kakdwip, West Bengal, India EDUCATION : 1996 Graduate (B.V.A.) in Modelling ...

Artist: Unknown Title: Sleeping Nude Woman Medium: Bronze Sculpture Size: 4 in. x 24 in. x 10 in. (10.16 cm x 60.96 cm x 25.4 cm)

Danza de Amor Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture, Signature and number inscribed Edition of XXX Size: 40 x 28 x 20 in. ...

Artist: George Gach, Hungarian (1909 - 1996) Title: Moses Year: 1966 Medium: Bronze Sculpture, signature and date inscribed Size: 17 x 11 x 10 in. (43.18 x 27.94 x 25.4 cm)

Tango Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture, signature and numbering inscribed Edition of I/L Size: 32.25 x 16 x 8.5 in. (...

"Naomi" Mid 20th Century American Bronze Sculpture Female Portrait Figurative Albert W. Wein (1915-1991) "Naomi" Bronze, c. 1960s Signed Figure: 19 1/2 x 5 1/2 x 5 inches Overall he...

Chief Joseph of the Nez Perce Indians by Arnold Goldstein, American Date: 1975 Bronze, signed, inscribed and numbered Edition of 4/30 Size: 18 in. x 13 in. x 9 in. (45.72 cm x 33.02 ...

Una Dia en el Parque Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze, signature and number inscribed Edition of XVII/XXX Size: 32 x 23 x 13.5 ...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 27 tall x 12 x 8 Medium: Bronze Sculpture "If Wishes Were Horses" Western John Bennett (Born 1952) John Bennett was ...

Artist: Anthony Quinn, American (1915 - 2001) Title: Zeus Year: 1992 Medium: Bronze Sculpture with Patina, signature, date and number inscribed Edition: 8/8 Size: 22 in. x 9 in. x 5 ...

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery (born September 21, 1939 in Alameda, California) is an American sculptor. He attended the San Francisco Art Institute, earned an MFA from California College of Arts and Crafts, and then studied in Japan and Italy under Isamu Noguchi. He also held teaching positions at Harvard University and University of California, Berkeley Graduate School of Design. From 1971 to 1988, he lived both in Pietrasanta,Italy, and in Little Italy, New York City. Dusenbery's preferred material is stone, particularly travertine or granite. Dusenbery has a particular interest in adding sculpture to public places, such as federal buildings, to humanize the space, but in 1988, he assembled a show of small, entirely hand-carved alabaster sculptures, called "Walter Dusenbery, The Personal Side," at the Fendrick Gallery in Washington, D.C.. In 1977, Dusenbery created Pedogna, on permanent loan from The Metropolitan Museum of Art to Landmarks, the public art program of The University of Texas at Austin. That same year, 1988, he was awarded a large commission for the Fulton County Building Atrium in Atlanta, Georgia. The commission was for three fountains and related structures over three stories in height, designed for informal and ceremonial public events, Limestone, marble, granite and travertine fountains, pavilions, seating and meeting areas, performance and concert platforms, staircases and planters for hanging gardens. After completion of the "Atlantacropolis," Dusenbery withdrew from the gallery world and focused his energy on site-specific commissions. (like the landscape works of Maya Lin and Beverly Pepper) Seeking a large-scale stone studio for projects closer to home, he discovered there were none. In 1995, he approached sculptor and patron of sculpture J. Seward Johnson Jr. with the idea of creating a state-of-the-art stone-carving studio, so that American sculptors would not have to travel abroad to realize their work. Johnson agreed to fund such a facility, if Dusenbery would direct it. In 1996, Dusenbery designed the facility for the Stone Division at Johnson Atelier Technical Institute of Sculpture, and was its first director. The facility was situated in "a building resembling an airplane hangar," The studio offered the ability to digitally scan three-dimensional forms. The Stone Division was a success and attracted a strong group of sculptors: Magdalena Abakanowicz, Lawrence Argent, Barry X Ball...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 26 x 12 x 8 Medium: Bronze Sculpture "La Dolce Vita" The Sweet Life! John Bennett (Born 1952) John Bennett was desig...

Minna Rothenberg Harkavy (1895-1987) Estonian-American This is not signed bronze portrait bust Provenance: Estate of the artist by descent Minna Harkavy (1887 – 1987) (birth occasio...

Bailarines Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture Size: 67 x 50 x 10 in. (170.18 x 127 x 25.4 cm)

Artist: Constantin Antonovici, Romanian (1911 - 2002) Title: Hippie - Woman Medium: Bronze Sculpture, signature, date inscribed Size: 21 x 11 x 1.25 in. (53.34 x 27.94 x 3.18 cm) Marble Base: 2.5 x 9.5 x 6 inches An original bronze sculpture by Constantin Antonovici from his Portrait Series. Referenced in "Constantin Antonovici: Sculptor of Owls", pg 69 Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn...

This joyous in the round bronze can turn on its base, making for dramatic presentation and enjoyment that is interactive. It is based on the idea of the Three Graces which is often...

Bronze sculpture of blind Samson collapsing the temple in the ultimate act in the story of Samson and Delilah created by American artist Arnold Goldstein...

An original bronze sculpture by Constantin Antonovici from his portrait series. Referenced in "Antonovici" by Uricariu & Bulat, pg 334. Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn...

An abstract modern cubist rendition of a mother playing with her child by Chaim Gross (Austrian, 1904 - 1991). Chaim Gross is known for these playful works and similar works can be f...

Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists...

Artist: Ellen Brenner-Sorensen, American Title: Woman with Blonde Hair Year: circa 1992 Medium: Bronze Sculpture with Patina Size: 35 in. x 12 in. x 5 in...

The historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...

Important bronze sculpture by Luigi Broggini “Dancer” Datable to the from the early 1940s. It is part of the series of Dancers created by the sculptor Broggini in the 1930s. The wo...

Eugenie Gershoy (January 1, 1901 – May 8, 1986) was an American sculptor and watercolorist. Eugenie Gershoy was born in Krivoy Rog, Russia (Krivoi Rog, Ukraine) and emigrated to New York City in the United States as a child in 1903. Considered somewhat of a child prodigy, Gershoy was copying Old Master drawings at the age of 5. Her interest and talent in art was encouraged from a very young age. Aided by scholarships, she studied at the Art Students League under Alexander Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, and Boardman Robinson. Around this time, she created a group of portrait figurines of her fellow artists, including Arnold Blanch, Lucile Blanch, Raphael Soyer, William Zorach, Concetta Scaravaglione, and Emil Ganso, which were exhibited as a group at the Whitney Museum of American Art. At age 17, she was awarded the Saint-Gaudens Medal for fine draughtsmanship. Early in her career she became an active member of the Woodstock art colony. In Woodstock she experimented by sculpting in the profusion of indigenous materials that she found. Working with fieldstone, oak and chestnut, Gershoy created works based on classic formulae. As she became more interested in the dynamism of everyday life, she found that these materials and her idiom were too restrictive. By the time Gershoy came to Woodstock in 1921 her own individual artistic style was already evident in her sculptures. Eugenie Gershoy worked in stone, bronze, terracotta, plaster and papier-mache. Gershoy’s sculptures were mainly figurative in nature and many of her artist peers such as Carl Walters, Raphael and Moses Soyer, William Zorach and Lucille Blanch, became her subjects. Eugenie Gershoy’s works on paper should not be overlooked. She was the winner of the Gaudens Medal for Fine Draughtsmanship at the tender age of 17. Gershoy married Jewish Romanian-born artist Harry Gottlieb. In the late 1920s and early 1930s, the pair kept a studio in Woodstock, New York. There, Gershoy was influenced by sculptor John Flanagan, who lived and worked nearby. From 1936 to 1939, Gershoy worked for the WPA Federal Art Project. She collaborated with Max Spivak on murals for the children's recreation room of the Queens Borough Public Library in Astoria, New York. She developed a mixture of wheat paste, plaster, and egg tempera, which she used in polychrome papier-mâché sculptures; she was the only New York sculptor to work in polychrome at this time. She also designed cement and mosaic sculptures of animals and figures to be placed in New York City playgrounds. Alongside others employed by the FAP, she participated in a sit-down strike in Washington, DC, to advocate for better pay and improved working conditions for the projects' artists. Gershoy's first solo exhibition was held at the Robinson Gallery in New York in 1940. She moved to San Francisco in 1942, and began teaching ceramics at the California School of Fine Arts in 1946. In 1950, she studied at the artists' colony at Yaddo. Gershoy traveled extensively throughout her life. She visited England and France in the early 1930s, and worked in Paris in 1951. She traveled to Mexico and Guatemala in the late 1940s, and also toured Africa, India, and the Orient in 1955. In 1977, Gershoy dedicated a sculpture to Audrey McMahon, who was actively involved in the creation of the Federal Art Project and served as its regional director in New York, in recognition of the work McMahon provided struggling artists in the 1930s. Gershoy's work is in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Smithsonian American Art Museum. Her papers are held at Syracuse University Grant Arnold introduced her to lithography in 1930 and Gershoy depicted many scenes of Woodstock artists and their daily activities through this medium. From 1942 to 1966 Gershoy lived and painted in San Francisco where she taught at the San Francisco Art Institute. She traveled extensively, filling sketchbooks with scenes of Mexico, France, Spain, Africa and India. During her later years Eugenie Gershoy returned to New York City and concentrated on numerous well received exhibitions. Her last exhibition in at Sid Deutsch Gallery included many of the sculptures that were later exhibited in the Fletcher Gallery. John Russell, former chief critic of fine arts for the New York Times, writes about the 1986 Sid Deutsch exhibition: “As Eugenie Gershoy won the Saint-Gaudens Medal for fine draftsmanship as long ago as 1914 and since 1967 has had 15 papier-mache portrait figures suspended from the ceiling of the lobby of the Hotel Chelsea, she must be ranked as a veteran of the New York scene. Her present exhibition includes not only the high-spirited papier-mache sculptures for which she is best known but a group of small portraits of artists, mostly dating from the 30’s, that is strongly evocative.” Eugenie Gershoy is an artist to take note of for several reasons. She was a woman who received great awards and recognition during a time when most female artists were struggling to hold their own against their male counterparts. As a young girl she won a scholarship to the Arts Student League where she met Hannah Small...

Colin Webster Watson (1926-2007). A patinated cast bronze sculpture of a stylized bird with a steel ring. Signed, numbered and dated (1985). With a Tallix foundry mark. Measu...

This beautiful sculpture entitled "Lolita" by Francoise Abraham reflects an original and unique perspective on the human form in movement. Born in 1962 in France, Francoise began dan...

Signed bronze from small edition of 8. plus 4 artists proofs Dominik Albiński (born 1975, South Africa) He started carving at the age of twelve. When he was eighteen he went to Pari...

EDITION Signed and monogrammed. Edition Arthus Bertrand, Paris

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 23 x 21 x 13 Medium: Bronze "Two Bad Apples" John Bennett (Born 1952) John Bennett was designated Texas State Artist...

The historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...

K.S. Radhakrishnan - Ramp Figure – Musui Bronze H 13 x W 8.25 x D 8.25 inches (Delivered) This golden-hued bronze sculpture by K.S. Radhakrishnan exudes elegance and fluidity throug...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 13 x W 10 x D 6 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

Lalu Prasad Shaw - Tandrima-II H 45 x W 17 x D 10.7 inches Bronze, Edition-1/5. Lalu’s Tandrima-II exudes grace and quiet introspection through its poised feminine form. Cast in bro...

Ilana Goor is an individualistic, autodidactic, intuitive and multifaceted artist. As an artist who knows no boundaries and whose art transcends any conventions, her creations are a blend of vitality and obsession, functional simplicity alongside expressive complexity bordering on surrealism. Her sources of inspiration are neither time nor place-dependent. They create a personal statement, a journey replete with meaning and they succeed in touching and moving people the world over. Goor was born in Tiberias to an educated and distinguished family of highly respected doctors and artists. She never studied art or design in any formal setting. She developed her artistic techniques on her own from an early age, when she used various parts to create small statues. She is considered to be an international multidisciplinary artist. Her works encompass sculptures, furniture, judaica, lighting fixtures, jewelry and fashion items which are displayed in well known galleries worldwide and are distinguished by their powerful, dominant presence. She first came to the United States in her 20s and captured the hearts of the locals with her large-buckle belts for men which paved her artistic path in North America. Since then Ilana Goor was requested to install statues in major public locations and exhibited her works in museums throughout Europe, America, Japan and Israel. Ilana Goor designed jewelry, buckles and sold belts to most major department stores in America including I Magnin, Neiman Marcus, Bloomingdale's, Macy's, Saks Fifth Ave. and in Japan. In 1986 Ilana Goor introduced a collection of iron furniture and accessories to the American marketplace as limited editions signed by the artist. She was awarded the Roscoe award for Best Design in residential seating in 1988. Her works are presently displayed in sixteen decorator and designer showrooms throughout the United States. Her iron furniture collection was displayed in the Israel Museum, Jerusalem in1987 and in 1993 Ilana Goor introduced her collection of furniture in Japan...

Signed bronze from small edition of 8. plus 4 artists proofs Dominik Albiński (born 1975, South Africa) He started carving at the age of twelve. When he was eighteen he went to Pari...

Lalu Prasad Shaw - Joubana - 27 x 21 x 18 inches (unframed size) Bronze, Edition-5. Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad ...

Signed bronze from small edition of 8. plus 4 artists proofs Dominik Albiński (born 1975, South Africa) He started carving at the age of twelve. When he was eighteen he went to Pari...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 36 tall x 13 x 14 Medium: Bronze "Willow" John Bennett (Born 1952) John Bennett was designated Texas State Artist 20...

Lalu Prasad Shaw - Bouthakurani - H 44 x W 18 x D 13.5 inches Bronze, Edition of 5 + AP ( Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and cou...

Signed bronze from small edition of 8. plus 4 artists proofs Dominik Albiński (born 1975, South Africa) Dominic Albinski, was born in South Africa, in 1975. He started sculpting, at a young age, at the Art Classes of Mercia Desmond, in Johannesburg. From the start, his talent for capturing movement, and character in his human, and animal figures was remarkable. Dominic had a happy childhood, spending his time in the studio, where he studied art and anatomy, which was later to become one of the major themes of his sculptures. He also spent a lot of time on the South African coast; Durban, North Coast and Cape, Plettenburg Bay and in the bush Kruger Park, Okovango Swamps, Chobe and Pilansberg game reserves. He was a good student, but preferred sculpting in his studio, among his artworks, than studying. After finishing High School (St John’s College), he left for Paris, to start a life of independence, in the French capital, famous for artists like Rodin, Bugatti, Carpeaux, Daumier, Giacometti, and Picasso, who inspired him. He was excepted into the prestigious Institute of Political Science. However, his passion for sculpture, made him choose sculpture as a career. He started studying sculpture at the Academy of Fine Arts in Warsaw, and with the British Sculptor, James Butler in England. Here, he learnt observation and techniques that would stand him in good stead later, when he came back to France, as a Professor of Communication at the renowned Ecole Francaise D’Attache de Presse near the Champs Elysees. He had his first major exhibition at the Arnaud Gallery in Verneuil sur Avre in Normandy. A collector, found interest in his work, and created a vast collection of his bronzes, as well as promoting Dominic in various galleries in the region of Normandy, and Touraine, such as Galerie 21 and Club de Arche de Noe, in Tours and Galerie des Remparts, and Eclat de Verre, in Le Mans. He also exhibited in La Rochelle in the Galerie Hourdin, and Bordeaux at the Galerie des Remparts. During this period he studied Literature at the Sorbonne. In Paris, several galleries took Dominic’s work, including Galerie Arcima, on Rue St Jaques, Galerie Herouet, in the Marais, Galerie Etienne de Causans on rue de Seine, or Galerie Mouvances, on Place des Vosges. Dominic participated in a wildlife exhibition in Trocadero Center, and at the Hotel de Ville of Puteux. His sculpture Madness, was chosen to be exhibited as a finalist at the Brain-Up competition, in the Palais de Congres. This impressive sculpture, measuring 1m 60 is in the collection of the Hospital in Lille, and the Mandela Collection in Sandton South Africa, among other collections. In Poland, he had an exhibition in the Canadian Embassy Residence, in the South African Embassy, and in the French Embassy. His work “Man with Pipe” is in the collection of the Canadian Ambassador. His work “Portrait of Agnes” was acquired by the South African Ambassador who, opened Dominic’s exhibition in the Jagellonian University in Krakow, Holiday Inn, and in Galeria Mokotow, in Warsaw. He had an exhibiton in the Warsaw Financial Center on Emili Platter Street, and in the Sculpture Gallery on Jana Pawla street. Later, he exhibited in the Gallery of the Polish War Museum on Krakowskie Przedmiescie, on Nowy Swiat 44, in the Center of Promotion of Culture, Mazowieckie Center of Culture and in the Jan Nowak Jezorianski Center. His work was showcased in the Napiorkowska Gallery, Zapiecek Gallery on the square of the Old Town in Warsaw, Hunters Gallery, and Warsaw Art Gallery in the Marriot Hotel, and sold on various Auctions, such as Rempex, Agra Art, and Polswiss. Back in South Africa, Dominic had much success among his native art galleries, having his first major exhibition at the Mandela Square Gallery, in Sandton. Art Galleries, hearing of his exhibitions in France, took his work, such as the Cherie de Villiers Gallery, in the Mall, in Rosebank, and the Van den Berg Gallery, in Potchefstroom. Dominic also took his work to the USA, where he exhibited at the Modern Show in New York, and at the Dauphin Descours Gallery on Madison Avenue, and the Yew Tree House Antiques Gallery in New York, as well as the Geary Gallery, in Darion, and the Lions Gallery...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

K.S. Radhakrishnan - Krishna - H : 12.5 x W : 22x D : 9 inches Bronze Sculpture. K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

Signed, titled, and dated in ink on base verso. Unique sculpture created using the lost wax process. This piece is 7 1/2" high x 12" wide x 3 1/2" deep. Robert Cook was born in Boston in 1921. He studied with George Demetrios...

Modern bronze sculpture of a skeletal lion resting on a slab of black polished granite. Beautiful patina on the bronze that accentuates the intricate details.

K.S. Radhakrishnan - Krishna - HT : 13 x W : 10 x CIR : 20 inches Bronze Sculpture. Krishna : Figurative sculpture of Hindu God by great Modern Indian Artist K.S. Radhakrishnan who has successfully brought about a defenitive resurgence in Indian sculpture. Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

Bronze sculpture. Incised with the artist's signature, upper part of the base.

Brons bust of a man that sits on a square metal base. The work is stamped and dated by the artist. The sculpture needs cleaning.

Bronzetto on onyx base depicting a nude female figure, standing with her hair loose and looking skyward, leaning on a draped support. The very sensual pose and figure seem to contras...

Modern bronze cast of the same model signed R. GODEFROY, stamped V / CHAPON / PARIS and numbered 7/8 signed R. GODEFROY and entitled LES COMPAGNONS DE L'OUBLI ...

In the work of the sculptor and painter Samuel Salcedo, it is possible to raise a deep and at the same time fun reflection on the human condition. He st...

Gerardo Fernandez South American Artist set of 10 bronze stick bugs with iron antennas. Some bugs have circles on their feet in order to make an art ...

Organic, abstract bronze sculpture by Yulla Lipchitz of a woman lying down with a tree. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Ge...

Levesque Isabelle was born in 1954 in Antananarivo. She attended the school of fine arts of Brest (France) and practiced sculpture since 1997. She made her first official exhibition ...

Bronze heron by American sculptor Wayne Williams. Signed and dated 1993. Edition 2/2. Mounted on a walnut base. From Finger Lakes Magazine 2001: Art is everywhere in the Finger Lakes. Inspired by the region’s diverse scenery and lifestyles, artists pursue their creativity outdoors, in studios and in workshops. In the many well-established museums and galleries or at the newer fledgling arts organizations, a wide array of artistic styles and talents are represented. Often the artists, like Wayne Williams, share their artistic skill and passion through teaching at local colleges. Williams, who is retired after a 35-year career at Finger Lakes Community College, found his calling there. “I didn’t want to teach in public schools,” explains Williams of his career choice. “I wanted to be at the college level. CCFL (the Community College of the Finger Lakes, as it was then known) was literally creating a college, right from scratch.” The year was 1968 and Williams was charged with coordinating the new college’s art program. Rand Darrow, a CCFL student in that first year, remembers attending Williams’ art classes in a commercial building on Main Street just south of the railroad tracks in Canandaigua. Darrow appreciated his instructor’s relaxed manner. “He was a great teacher,” recalls Darrow, “cracking jokes all the time.” Darrow graduated with a major in Liberal Arts and continued on to SUNY Oswego where he earned a BA in fine arts. He taught art to elementary and middle school students for 30 years. These days Williams and Darrow typically cross paths at the Wayne County Arts Council in Newark where Williams and his wife, Marleen, are heavily involved. Williams offers classes in figure drawing and sculpture and hangs the gallery’s shows, including his former student’s “Slavic Tales of Novgorod” this past August. “I’d like to take a sculpture class from him,” says Darrow. In 2003 when Williams retired, the college honored him and another retiring art professor, Tom Insalaco, by renaming its art gallery the Williams-Insalaco Art Gallery. It was known formerly as Gallery 34 to recognize its origins at 34 North Main Street in Canandaigua. Williams held professor’s rank from 1976 and served as director of the art gallery beginning with its opening in 1983. Williams, who was born and raised in Newark, New York, says he began doing art at about age 8. By the time he was in junior high school his career direction seemed clear. He received local and national awards for his art and a scholarship to Syracuse University, from which he graduated in 1958 with a Bachelor of Fine Arts in sculpture. He continued with graduate work at Syracuse, receiving an MFA in sculpture in 1962. He worked full time as a sculptor until he began teaching. At one point Williams admits he wanted to be a painter, but didn’t want to adopt the abstract expressionist style in vogue in the 1950s, preferring to pursue the realist tradition. He advises any would-be artist to “do what you do because you love it.” After graduation he traveled abroad, spending time in Belgium, the land of his ancestors. “My family’s name was originally Willems,” explains the 73-year old who still relishes the time spent in the Flemish countryside. Williams speaks excitedly about art, referencing the lives of great artists. He acknowledges that American artists do not have the same stature as those in Europe, where Old Masters like Brueghel and Rembrandt are national heroes. These days the energetic Williams, known primarily as a sculptor, is active at the Phelps Arts Center where he is on the board of directors. In mid-September when a group of visitors on a motor coach tour explored artworks displayed in the beautiful church-turned- gallery, they were treated to a large number of Williams’ bronze and metal sculptures, along with his charcoal drawings. “I’ve always loved his work because he deals with things, people, and animals you understand,” says the center’s Director Emeritus Marion Donnelly, who has known him for many years. Outside the Phelps Community Historical Society, Williams’ life-size figure of a farmer raises his pitchfork above a colorful flower garden on the front lawn. Inspired by the peasants working the fields in Europe, the metal figure is shown with wooden shoes. This is Williams’ largest copper piece, loaned to the Phelps museum in connection with Artistry in Sculpture, a community exhibition in 2009. Williams added a new base using a metal wagon...

Bust Of A Young Woman Bronze sculpture signed by the artist inside the cast and dated 1988, 1st cast in London. Kevin Berlin is an international arti...

Guido The bronze patina, a rich dark brown with subtle reddish and golden undertones, enhances the sculpture’s texture and depth, accentuating the anatomy of the animal and evoking t...

Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Kibbutz called Alonim, a plac...

Magnificent beautiful masterpiece bronze sculpture of lady with the Scottish Deer Hunter dog bronze comes with green patina; 1/10 So beautiful and a lot...