Graphite Figurative Sculptures

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Choir of beasts (Chœur de bêtes) is an installation by the contemporary French artist Cécile Raynal. The approximate dimensions refer to the sculptures as installed, as shown in the ...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** The artist is moving to a new full time venture in 2026<&l...

This work encapsulates Zura's deep exploration of the human form, rendered with raw immediacy and emotional resonance. The sculpture’s sensuous curves and rough, tactile surface invi...

materials: Greatest Batman Stories 1938-83 (excerpts) --- TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author and educator. For over three deca...

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Donkey is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 82 × 60 × 60 cm (32.2 × 23.6 × 23.6 in). This ...

This piece titled "Celadon" is an original artwork made from pencil, watercolors, and charcoal on cotton rag paper by Christine Kim. This piece is shipped with the pictured wooden frame and measures 23.25"h x 16.25"w x 2.25"d. This piece was displayed in 2023 group exhibition "Lucky 13", which featured work having to do with themes of luck, tradition, and superstition. "Forests not only have connections with spirits and gods, but it is also linked to our subconscious world of emotions, intuition, memory and imagination. In this cut paper diorama, I wanted to carve out a figure and replace it with the mysterious depths of a forest that is growing wild...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

A weightless moment captured in form—Zura’s newest sculpture explores surrender, strength, and the poetry of gravity.

This contemporary plaster sculpture of a ram’s head is inspired by the art of Ancient Rome and Ancient Greece with a reference to Neoclassicism and Neoclassical period old masters, when the discoveries of archaeological sites became the focal point in art history between the 18th and 19th century. The artist is able to attribute incredible details to this work of art featuring a majestic appearance due to its large curling ridged horns. This animal figurative work of art is sculpted on the round, the artist took inspiration both from his imagination and archaic reminiscences. He modeled the inert chalk creating an animal with very real facial expression and incredible realistic features with intricate detailed head. This sculpture is the plaster cast hand modeled by the artist that served him as a reference model to create a bronze sculpture with the lost wax technique, also the bronze version is on sale on my page. So it represents the first phase of a fascinating and long process of creating sculptural art, a studio piece made as a maquette before a bronze version was cast. The present aries' head sculpture has been painted to simulate the green patina that archaeological metal sculptures take over the centuries. Two green patina sculptures...

Linda Stein, Starting from Canal Street 008 - Mixed Media Collage Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on he...