O. Ruffony

Joan of Arc

C1910

Paul Joseph Gayrard French, (1807-1855) Six Tours Bronze, signed, also signed with foundry signature & mark for Boyer Height: 9 inches Width: 9 inches Depth: 6.5 inches Paul Josep...

Ellen Ladell British, (1853-1912) Still Life of Fruit & Exotic Birds Oil on canvas laid on board, signed Image size: 17.5 inches x 13.5 inches Size including frame: 24.75 inches x 20.75 inches Provenance: Sotheby’s The British Sale, 2003, lot 256 A beautifully painted still life of fruit with a glass dome and taxidermy birds by Ellen Ladell. Grapes, plums and a peach are shown grouped on a floral patterned green cloth at the front of a marble topped table. Behind the fruit is a large glass display dome with an arrangement of exotic taxidermy birds. The reflection in the glass gives the viewer a glimpse of a tall window with a house beyond, adding another dimension to the painting. Ellen Ladell was born Ellen Maria Levett in Ipswich in 1853 to George and Maria Levett. Her father was a foundry smith and the family lived at 30 Borough Road in Ipswich. She initially worked as a Milliner around 1871 but sought artistic training during her spare time. It is at this point she met and became a pupil of the still life painter Edward Ladell (1821-1886), who at that time was a widower. Ellen married Edward in Great Yarmouth on 21 October, 1878. The couple initially moved to Torquay where they had their son Kenwyn in 1880, but then decided to settle in Exeter, living at 99 Sidwell Street and setting up a studio at 20 Queen Street. Edward’s influence can been seen in her work as their styles and subject matter share some similarities. However, a number of Ellen’s paintings also included taxidermy under glass...

Oliver Clare British, (1853-1927) Still Life of Apples, Grapes & Other Fruit Oil on canvas, signed Image size: 17.5 inches x 13.5 inches Size including frame: 23.5 inches x 19.5 inches A lovely still life painting of fruit by Oliver Clare. Apples, black grapes and plums can be seen together with a strawberry and gooseberries. The fruit is shown lying amongst foliage and trailing ivy on a woodland bank. Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks. Sometime after 1871, he moved to London where he married Emma Mary Webb...

***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13 INCHES X 16 INCHES*** Oliver Clare British, (1853-1927) Still Life of Fruit & Still Life of Flowers Oil on canvas, pair, both signed & dated ‘92 Image size: 6 inches x 9 inches (each) Size including frame: 13 inches x 16 inches (each) An appealing pair of still life paintings by Oliver Clare. The first painting shows primroses and lilac blossom next to a red berry. In the second, damsons can be seen next to apples and a strawberry. Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks. Sometime after 1871, he moved to London where he married Emma Mary Webb...