Pablo Picasso

Joueur de flute et cavaliers (Flute Player and Cavaliers), 1956

1956

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Mathias Goeritz (German Mexican, 1915-1990) Geometric Torch-cut Steel or Iron Sculpture with gold leaf gilding. Welded signature, MG. This came from an estate and is signed with his ...

The modern Sculpture " VITA ” is a unique piece made from a burnout mold by David Marshall in 2015, sand cast brass in our foundry, handcrafted by the Artist in his workshop in Spai...

The modern Sculpture " Helping Hand ” is a unique piece made from a burnout mold by David Marshall in 2015, sand cast in aluminium and brass in our foundry, handcrafted by the Arti...

The modern Sculpture " Meditation ” is a unique metal Sculpture made from a burnout mold by David Marshall in 2010, sand cast in brass in our foundry, handcrafted by the Artist in hi...

The modern Out and Indoor Sculpture " Taking A Stand” is a unique piece made from a burnout mold by David Marshall in 2015, sand cast brass in our foundry, handcrafted by the Artist...

2 of 2 patinated bronze animal sculptures of a pair of African elephants at play by Dinah Neill, 2022. Dinah Neill trained in fine art and graduated with...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

The bronze sculpture "Owl" is an exaggerated rendition of an owl that emphasizes the bird's most prominant characteristics - a big fluffy round body and large unblinking eyes making it a charicature of the bird. It is very touchable and calls for one to pet its rounded back. Tom Brun, the sculptor and zookeeper, is well-known for his wood, stone, marble, ceramics and ivory sculptures. One of them, a large hippopotamus, carved from walnut wood travelled the world in the State Department collection. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. This owl, too, seems destined to be caressed. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...