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Pavlína KvitaMoon by Pavlína Kvita - Contemporary concrete sculpture, futuristic figure, grey2021
2021
$11,362.57
£8,437.34
€9,500
CA$15,610.47
A$16,971.73
CHF 8,998.43
MX$203,447.96
NOK 114,365.41
SEK 104,774.26
DKK 72,420.48
About the Item
Moon is a unique glass fiber reinforced concrete sculpture by contemporary artist Pavlína Kvita, dimensions are 130 × 100 × 58 cm (51.2 × 39.4 × 22.8 in).
The sculpture is signed and comes with a certificate of authenticity.
This sculpture is a depiction of the moon with organic, flowing forms that are filtered through the artist's creative vision. It is possible to display this sculpture outside.
The mysterious figures with forms that are both archaic and futuristic emerge in the sculptures of Czech artist Pavlína Kvita as a result of her exploration of her inner world. These anthropomorphic or zoomorphic beings, silent entities existing outside of time, dominate space with a combination of strength and balance that is given to them by their dynamic, streamlined, and abstracting lines. The sculptures created by Pavlína Kvita are the end result of the artist manipulating shapes and their endless possibilities in a circular process of creation/transformation/destruction.
- Creator:Pavlína Kvita (1988, Czech)
- Creation Year:2021
- Dimensions:Height: 51.19 in (130 cm)Width: 39.38 in (100 cm)Depth: 22.84 in (58 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117128262
Pavlína Kvita
The sculptures of the Czech artist Pavlína Kvita come to life from the exploration of her inner world, resulting in the creation of mysterious figures with forms that are both archaic and futuristic. These anthropomorphic or zoomorphic creatures, silent presences outside of time, impose themselves in space with a blend of strength and balance, conferred on them by their dynamic, streamlined lines, tending towards abstraction. Pavlína Kvita’s sculptures are the end result of a circular process of creation/transformation/destruction which the artist establishes with the material, manipulating shapes and their infinite possibilities. “I really need to feel the work in my hands, to find it by breaking it down and destroying it, and then rebuilding it again. For me it is a process of destruction and creation, just like the process we see at work in life.”
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