Stefano Bombardieri

Homage a Colbert - mini

2022

" Il peso del tempo sospeso " 47 x 44 x 28 cm Edition : 8 + 4 A.P. Bronze 2020 Stefano Bombardieri is known for large figurative sculptures...

Born december 19 1958, De Keyzer studied at the Koninklijke Academie voor Schone Kunsten, Eeklo, lead by professional sculptor Leo De Buysere. In a time and environment where creativity was considered disturbing, rather than being a merit, the young Dirk De Keyzer found it hard to decide in which direction to head with his life. Like so many boys of his age, he was sent out to learn a craft, destined to go to work in a factory. Other horizons would call though, and that's how he ended up in the Royal academy of Eeklo. It was there that he discovered his predilection for bronze. It became more and more obvious that bronze would be the only medium for Dirk to give expression to his inner most thoughts and artwork. Fascinated by great sculptors like George Minne...

The Book of Ganesh II, Tribute to Gregory Colbert is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 24 × 71 × 20.5 cm (9.4 × 28 × 8.1 in). The sculp...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...