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Yann GuillonLong Distance Runner III by Yann Guillon - male athlete, bronze sculpture2013
2013
$3,585.77
£2,668.41
€3,000
CA$4,962.05
A$5,326.29
CHF 2,835.98
MX$63,083.98
NOK 35,839.02
SEK 32,731.02
DKK 22,859.59
About the Item
Long Distance Runner III is a sculpture by French artist Yann Guillon.
Yann Guillon’s tireless study of the human figure is often reflected in his exploration of specific themes. This is the case with the “runners” series. Yann Guillon uses the bodies of athletes as a pretext to free himself from the reality of proportions and the quest for perfectly defined morphologies. Most of his creations retain a raw aspect, in order not to suppress the spontaneity of the gesture, that gives them life.
Depictions of the human body play a predominant role in Yann Guillon’s work. In these bodies captured in full effort, the artist seeks to emphasize the tension and twisting to invite us to see this energy, through these bronze sculptures, Guillon conveys the mystery and grace. of each human being. His direct carving technique and his forays into abstract sculpture allow him to explore other languages and other registers in sculpture.
This sculpture is available with different patinas, contact us for more information.
Dimensions of the sculpture: 36 H x 15 L x 10 D cm
Dimensions of the base: 15 cm H x 30 cm L
Height of the sculpture with the base: 51 cm
- Creator:Yann Guillon (1962, French)
- Creation Year:2013
- Dimensions:Height: 14.18 in (36 cm)Width: 5.91 in (15 cm)Depth: 3.94 in (10 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117477772
Yann Guillon
Depictions of the human body play a predominant role in Yann Guillon’s work. In these bodies captured in full effort, particularly athletes and dancers, the artist seeks to accentuate the tension and twisting to invite us to see this energy, through which the bronze sculptures express some of the mystery and grace of each human being. His direct carving technique and his forays into abstract sculpture allow him to explore other languages and other registers in sculpture. “When I’m working, I try to keep the first movement, the first energy from the feeling of the sculpture, so I always try to stand back, to work on several sculptures at the same time, to find a balance between raw, spontaneous sculpture and at the same time a finished sculpture.“
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