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Joel UrrutyJoel Urruty - Silver and Black Sentinels, Sculpture
$18,500
£14,044.85
€16,191.42
CA$26,170.80
A$28,175.25
CHF 15,088.40
MX$339,501.74
NOK 190,373.73
SEK 174,222.71
DKK 120,988.78
About the Item
"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstracted to a minimalist form, void of any superfluous information. The primary material, wood, is often masked by paint to allow the form to take precedence over the material. Monochromatic colors, such as, black or white are often used on the sculptures allowing light and shadow to play off the subtle shifting facets of the sculptures. This is what I do. Why I do it, I don’t really know. I do know that there is something deep inside that drives me to make these things. Things I don’t completely understand myself. But when a piece is finished and it feels right, I know I have done what it was I was suppose to do and move on to the next." -Joël Urruty
Joël is an artist creating abstract figurative sculptures. He apprenticed as a furniture maker under David J. Marks, Master Craftsman, and later went on to earn a Masters of Fine Art in Woodworking and furniture design from School of American Crafts at Rochester Institute of Technology.
77" x 14" x 10", Basswood, Sterling Silver, and Concrete Base
This sculpture will be shipped directly from the artist's studio.
- Creator:Joel Urruty (American)
- Dimensions:Height: 77 in (195.58 cm)Width: 14 in (35.56 cm)Depth: 10 in (25.4 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Stamford, CT
- Reference Number:1stDibs: LU25117013262
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From the artist's Website:
Born in London, England in 1919 of Anglo Danish parentage, he was the third generation of a family of craftsmen in metal. His grandfather had originally worked with metal in Denmark, but it was an uncle in the United States who had used aluminium to produce artistic sculptural forms attracting press coverage. This was the catalyst which led him to embark on studying the techniques of exploiting that medium. Early working life had exposed him to the crafting of sheet metal and different welding techniques
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A chance spell in Egypt as a young man (due to military service during the War) had exposed him to ideas and inspirations which would be nurtured and regenerated some decades later. The mysteries and splendors of Egyptian art were enveloped and symbolized into shapes and emblematic forms, and were to remain a powerful influence in many of his works, as he turned away from purely
representational or figurative sculpture. From the early 196os his works were exhibited widely: from many London West End galleries to, internationally, exhibiting at shows such as the British Council at the German Industries Fair and the English Expressionists at the Galerie Creuze in Paris. He had in the late fifties joined the artist Lyall Watson who founded and opened the Woodstock Gallery, off of Bond Street in London, and worked closely with him as a director and artist of the gallery throughout its formative years. In 1967 he left the Woodstock Gallery and moved to the newly opened John Whibley Gallery on Cork Street in Mayfair where he remained as resident artist until it closed in 1977. His association with the Free Painters and Sculptors group, where he had been an early member since the 1950s, was further sealed in 1984 when he became director of their Loggia Gallery with its sculpture garden, in Buckingham Gate, Westminster. He exhibited there throughout the many years following. After his death in 2014 the Free Painters and Sculptors set up the Roy Rasmussen Award to be presented annually, 'in recognition of one of our founding members Roy Rasmussen, a revered sculptor and historian, whose years of
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