Judith Leiber

Swarovski Crystal Floral Print Barrel Minaudiere Evening Bag

Gregory GREEN Untitled (Louis Vuitton, Vanity Case Bomb), 2000 Mixed media 21 x 40 x 23 cm unique Gregory Green is internationally recognized for his challenging work and the numerous controversies it has spawned in the USA and Europe. Since the mid-1980’s, Gregory has created artworks and performances exploring systems of control and the evolution of individual and collective empowerment. Green’s work considers the use of violence, alternatives to violence, and the accessibility of information and technology as vehicles for social or political change. Referencing historical precedents and disturbingly anticipating various historical events, such as the tragedy of 9/11 and the Arab Spring...

Thomas the Unbeliever, 2017 Mixed media on paper and re-board 83 x 83 x 63cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA, 1991) and...

Gregory GREEN Untitled (Louis Vuitton, Vanity Case Bomb), 2000 Mixed media 21 x 40 x 23 cm unique Gregory Green is internationally recognized for his challenging work and the numerous controversies it has spawned in the USA and Europe. Since the mid-1980’s, Gregory has created artworks and performances exploring systems of control and the evolution of individual and collective empowerment. Green’s work considers the use of violence, alternatives to violence, and the accessibility of information and technology as vehicles for social or political change. Referencing historical precedents and disturbingly anticipating various historical events, such as the tragedy of 9/11 and the Arab Spring...

Coup de foudre 2016 Neon, wire, transformers, flasher 36 x 64 x 5 in (91 x 163 x 3 cm) Edition of 5 Coup de foudre hints to the new emotional r...

Konstantinos Stamatiou Untitled, 2015 
acrylic paint with recycled plastic bottles and straws 57 x 15 x 20 cm

A time traverse mechanism with antecedents in mythological Atlantis. Legend speaks of a Minoan connection to Atlantis. The time machine's fictional narrative builds upon the latest in archeological finds and a growing body of circumstantial evidence hinting of an advanced society lost to history. Perchance, dare say, one which developed methods defying the very forward arrow of the space time continuum. The Atlantian Continuum narrative tells of it originally being buried in volcanic ash (thereby preserved) after a catastrophic event altered the earth's magnetic polarity. A broken piece of Minoan-Atlantian continental land mass drifted thousands of miles south (based upon recent real-life scholarly posits), further protecting the device in the permafrost of the Antarctic. Metrics of time manipulation employed are aligned with many of Einstein‘s theories including Relativity, Light Quanta, entanglement, curvature of space and infinite time loops. The sculpture portends an original scientific perspective replete with esoteric symbols, equations, formulai and multi-dimensional geometry, all portending a series of radical posits. These heuristic, intuitive theories expand upon the latest cutting-edge scientific, mathematical and philosophical insights into "visiting" the past. SPECS: Vintage spot welded cast-iron gears, cogs, sprockets and other pieces of used farm implements. Total of 49 individual pieces, all antique and vintage dating as far back as 1920. Antique plano-convex glass ball clock housed in brass. Antique brass transit surveyor. Antique brass car oiler. Antique iron padlock...

Lee Wells / Stewart Home Shredding the Classics, 2015 (after Stewart Home's, Book Shedding Actions) printed hardbound books, paper and electric paper s...

Inspired by natural forces, Joe Goode seeks to convey the process of perception in his paintings. Along with artists like James Turrell and Robert Irwin, Goode is associated with Lig...

This image is from a mini fanzine created by the artist and spread through downtown New York. If pigeons could talk would they rat us all out. Instead of framing his work he prefers ...

‘I have created characters since I was a child. I studied painting at the Ecole des Beaux Arts de Paris, but now I have a preference for sculpture. I do not have an intellectual proc...