Copper Sculptures

Moon is a unique painting and wall sculpture by French contemporary artist Frédérique Domergue. This artwork is made with polished pink copper leaves on metal frame, dimensions are 1...

This piece is extraordinary. 10,000 individual pennies are welded together to create this magnificent bull. The Bull is created to order. If you wish to own this prize Bull do cont...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...

Lubomir Tomaszewski (Polish-American, 1923-2018) Eagle Stone and copper Signed on back 18 x 11 x 7 inches Lubomir Wojciech Tomaszewski was a Polish-American painter, sculptor and designer born in Warsaw, Poland. Son of Lubomir and Lucyna née Bartłomiejczyk. He was an alumnus of the Warsaw Academy of Fine Arts. Student of the Warsaw University of Technology In 1966 he emigrated to New York City in the United States. In the 1970s, he moved to Easton, Connecticut where he lived until his death in 2018. He fought as a soldier of Polish Home Army through all the 63 days of Warsaw Uprising. He was a commander of anti-tank unit. He witnessed the death of his younger brother and many friends. Tomaszewski started his artistic work in the 1950s in Institute of Industrial Design in Warsaw, an innovative institution with an aim to create modern living in post-war Poland. He cooperated with designers like Henryk Jędrasiak, Mieczysław Naruszewicz i Hanna Orthwein. He created popular porcelain figurines and "Ina" and "Dorota" coffee sets, which were exhibited at the International Exhibition of the Board of the Industrial Designers’ Association (ICSID) in Paris in 1963. In 1994, he established an international art movement called Emotionalism, together with a group of painters, sculptors, photographers and even dancers and musicians. He started creating his unique fire and smoke paintings. His sculptures were recognized by The New York Times in 1975: “The most effective among the pieces are the animals or birds that convey the state of tension or movement or brute strength, something that struggles against gravity to maintain its force.” Tomaszewski took part in over 150 individual and group exhibitions around the world. His works are in renowned museum and private art collections of, among others: National Museum in Warsaw, National Museum in Cracow, Warsaw Uprising Museum, Hale Museum in Germany, Robert Marston, Rockefeller Family and Jimmy Carter. Awards: 1955 – First prize for sculpture in surrounding of the Palace of Culture and Science in Warsaw 1964 – Golden Cross for accomplishments in industrial design, Poland 1984 – Award for Achievement in Sculpture, Perspective Magazine, USA 1991 – Best in Show O.A.F., Bruce Museum, USA 2005 – First reward for sculpture ‘Spectrum’, New Canaan Society for the Arts, USA 2006 – People’s Choice Award, National Sculpture Society, New York 2008 – First Award for a sculpture ‘Mythical Giant’, New Canaan Society for the Arts, USA 2010 – American Society of Contemporary Artists, New York, award for sculpture ‘Joy of Dance’ 2011 – Second prize for sculpture ‘Illusion’, New Canaan Society for the Arts, USA 2013 – First prize for the sculpture ‘Flight above the Stage’ od New Canaan Society for the Arts 2014 – First prize for ‘Music of the Forest’ from New Canaan Society for the Arts, USA 2014 – ‘Lifetime Achievement Award’, University of Bridgeport 2014 – Award for ‘Merit in Inventiveness’ 2014 – Gold Medal ‘Gloria Artis’ 2016 – ‘Outstanding Pole’ 2017 – Medal ‘Ignacy Paderewski Arts and Music Award’ USA Exhibitions: 1964 – Sculpture...

"Kota Reliquary Figure Nigeria" is a wood and copper sculpture created in Nigeria circa 1970. A head is made with wide red eyes. Their hair is in...

Remind Me is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features a grid of rectangul...

Wall Mounting Waxed Linen Sculpture with Mixed Media, Copper, Iron Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receivi...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is the essence of the body that is important to her, not the representation. Particularly, the artist imagines trees and branches as a figurative link between the natural environment and our physical presence. The implied internal landscape of the body can also be reflected in how our surroundings from birth affect our sense of identity. By exploring landscapes of the body and mind, she also hopes to comment on the larger picture of our impact on the natural world. This unique sculpture is made from bronze, brass, copper, and steel. It measures 38 inches high by 45 inches wide and 2 inches deep. It is signed by Stratman on the front and back. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Stratman grew up in Phoenix, Arizona. In 1992 she commenced her studies at Arizona State University majoring in visual arts and art education. Stratman entered academia as a ceramicist. With each passing semester, the scale of her creations expanded and the material limitations of working with clay ultimately led her to the university foundry. This opened a door into another world of creative possibilities, profoundly changing her artistic direction. She replaced fired clay with larger-scale bronze, steel, and mixed media sculptures yet retained a delicacy, intimacy, and intricacy imbued from the ceramic process. Today she is a full-time established artist with studios operating in Phoenix, Arizona and Melbourne, Australia. Her time is divided between the two countries with each location informing and influencing the creative process. She has exhibited in 31 solo exhibitions and over 100 group exhibitions nationally and internationally. Her indoor and outdoor sculptures are held in public and private collections in countries including the United States, Australia, Canada, Hong Kong, Singapore, Taiwan, Israel, England, and Europe. Artplex Gallery has been representing and exhibiting Jennyfer Stratman's original artworks in Los Angeles since 2021, presenting her impressive works to an international collector base around the globe. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a well-curated selection of original artworks beyond the ordinary from established and emerging international artists with diverse backgrounds at high standards. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artplex Gallery prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2023 Solo Exhibition, Grace Renee Gallery, Carefree, Arizona 2021 “Natural Connections”, Manyung Gallery, Melbourne, Australia 2020 “Celestial Forms”, Manyung Gallery, Melbourne, Australia 2019 “Solo Exhibition”, Grace Renee Gallery, Carefree, AZ 2018 “The Etheral Garden”, Manyung Gallery, Melbourne, Australia “The Gravity Between Us”, Calvin Charles Gallery, Scottsdale, AZ 2017 “Tree Within Me”, Avran Fine Art, Laguna, CA 2016 “Constellation”, Manyung Gallery, Melbourne, Australia “Cultivating The Wild”, Calvin Charles Gallery, Scottsdale, AZ 2015 “Connection”, Mirada Fine Art, Denver, CO “Transformation”, Contemporary Fine Arts Gallery, La Jolla, CA 2014 “Cultivating Memory”, Michele Mariaud Gallery, NYC “Connected Elements”, Calvin Charles Gallery, Scottsdale AZ 2013 “Interconnection”, Contemporary Fine Arts Gallery, La Jolla, CA 2012 “Internal Landscapes”, Mirada Fine Art, Denver, CO 2011 “Reflective Landscapes”, Stockroom, Kyneton, Australia “Propagated Reflections”, Calvin Charles Gallery, Scottsdale,AZ 2010 “Hybrid”, GF Contemporary, Santa Fe, NM GROUP EXHIBITIONS 2023 Nature Art Soiree, Manyung Gallery, Melbourne Australia Affordable Art Fair Sydney, Manyung Gallery, Sydney Australia 2022 Affordable Art Fair Melbourne, Manyung Gallery, Melbourne, Australia CHAOS Theory 22, Legend City Studios, Pheonix, Arizona Endings And Beginnings, Modified Arts, Pheonix, Arizona Skies of Fruitful Nights, Artplex Gallery, Los Angeles, California 2021 Every Artist Ever Ten Year Anniversary Show, Stockroom Gallery, Melbourne, Australia CHAOS Theory 21, Legend City Studios, Pheonix, Arizona 2020 Affordable Online Art Fair, Manyung Gallery, Worldwide 2019 Portland on the Park Collection Exhibition, Phoenix, Arizona CHAOS Theory 20, Legend City Studios, Phoenix, Arizona Loreto Spring Art, Marryatville, South Australia Toorak Village Festival of Sculpture, Melbourne, Australia 2018 Carmody Foundation Grant Recipient, Phoenix, Arizona CHAOS Theory 19, Legend City Studios, Phoenix, Arizona Affordable Art Fair Hong Kong, with TAG Fine Arts, Hong Kong Toorak Village Festival of Sculpture 2018, Toorak, Victoria Affordable Art Fair New York, with TAG Fine Arts, New York Battersea Art Fair, TAG Fine Arts, London, England 2017 Affordable Art Fair Singapore, TAG Fine Arts, Singapore Choice Cuts, The Lodge Art Studio, Phoenix, Arizona CHAOS Theory 18, Legend City Studios, Phoenix, Arizona INFLUX 2017, Public Sculpture Outdoor Installation, City of Gilbert, Arizona Affordable Art Fair Hong Kong, TAG Fine Arts, Hong Kong Affordable Art Fair Hampstead, TAG Fine Arts, London, England Calm In The Storm, Mirada Fine Art, Denver, Colorado Battersea Art Fair, TAG Fine Arts, London, England London Art Fair, TAG Fine Arts, London, England 2016 Expatriates, Gallery, Melbourne, Australia Affordable Art Fair London, Mark Jason Gallery, London Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong Affordable Art Fair New York, Michele Mariaud Gallery, New York 2015 Solidity, Calvin Charles Gallery, Scottsdale, Arizona littleSCULPTURE Show, Int’l Sculpture Conference, Bentley Gallery, Phoenix, Arizona Distilled In The Desert, Grant Street Studios, Arizona State University, Phoenix Manyung Gallery Group Exhibition, Manyung Gallery, Mt Eliza, Victoria Connecting With Nature, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong 2014 Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Michele Mariaud Gallery, Hong Kong Art Palm Beach 2014, Michele Mariaud Gallery, Palm Beach, Florida Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria 2013 Affordable Art Fair New York City, Living With Art, New York City Affordable Art Fair Hong Kong, Living With Art, Hong Kong Northern Lights, Bundoora Homestead Art Centre, Bundoora, Victoria Art Palm Beach 2013, Living With Art, Palm Beach, Florida 2012 Affordable Art Fair Seattle, GF Contemporary, Seattle, Washington Petite, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair New York City, with Living With Art, New York City Ladies Night, Contemporary Fine Arts Gallery, La Jolla, California AD 20/21- Art and Design of the 20th 21st Centuries, Boston Center for the Arts, Boston, Massachusetts Montalto Acquisitive Sculpture Prize 2012, Montalto Vineyard, Red Hill, Victoria 2011 You Are Here, Stockroom, Kyneton, Victoria, awarded “Fundere Fine Art Prize” Transformation, Box Hill Community Arts Centre 4th Biennial Art Competition, Box Hill, Victoria Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria San Francisco Art Fair, GF Contemporary, San Francisco, California AD 20/21- Art and Design of the 20th 21st Centuries, Boston Center for the Arts, Boston, Massachusetts 2010 Alive, Shemer Art Center and Museum, Phoenix, Arizona Williamstown Contemporary Art Prize 2010, The Substation Arts Centre, Williamstown, Victoria Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Montalto Acquisitive Sculpture Prize 2010, Montalto Vineyard, Red Hill, Victoria 2009 2009 Toyota Sculpture Exhibition, Toyota Community Spirit Gallery, Port Melbourne Sanctuary Resort, outdoor sculpture, Scottsdale, Arizona Toorak Village Sculpture...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting particular plants based on her memories of them. “These botanical compositions seem to defy their sheet-metal origins to come alive. Branches bend, vines loop, leaves twist, and a few surprising bugs, from butterflies to beetles, drop in to colonize her plants.” Through her work, one is reminded of the beautifully illustrated botanical books of the 17th and 18th century – Linneaeus, Ehret, Redouté – which Carmen often refers to for inspiration. Each piece takes up to twelve weeks to complete, therefore, few are realized each year making them rare treasures. In reference to our human connection to flowers, Carmen states, “Romance, marriage, funerals. Subconsciously, they represent so many things, innocent beauty, courage in the face of obstacles and continuity in the cycle of life and death. When I work on a plant, I am often thinking of this.” Almon grew up in Barcelona and Washington DC and resides in New Orleans, Louisiana. Her works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery...

Medium: Stainless steel on polished steel on corten steel base Edition of 5 ____________________________________________________________________________ Tom Hiscocks is a sculptor ...

Familia del Mezcal - Mezcal Family Made with natural clay, copper wire and polychrome painting. Hand-modeled technique and cooked in an oven. LISTING =================================== 1 Ceramic Sculpture of a Mezcal Family =================================== DETAILS =================================== Time of Preparation: 2.5 months Made: Izuca de Matamoros, Puebla, México. Dimensions: 7" x 8" x 5" in or 17" x 20" x 13 cm Artisan: Taller Alfonso Castillo Orta...

Copper burnished in fire, solid brass, piano wires, nylon, aluminum blasted with glass beads and stones—these are the elements used to create Alice Vander Vennen’s elegant new sculpt...

Italian-born American artist Harry Bertoia (1915-1978), is a noted sculptor and modern furniture designer. He is arguably one of the most successful creative forces hired by Florence...

Carmen Almon grew up in Barcelona and Washington DC and resides in San Miguel de Allende, Mexico. She uses copper sheeting, brass tubing, steel wire and enamel paint to create botani...

Fire and Rain, abstract sculpture, copper, unique, geometric, blue red, brown PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate Of...

"DOUS" series. Sculptures of this series are created for your interior in different colors. It is always important to combine objects with each other. That is why I created a pair...

Portuguese rosa marble, rope and copper on Portland limestone, 105 cm × 38 cm × 40 cm. The above dimensions include the base, which is attached. Dimensions of the base: H 20 x L 38 ...

"Untitled (Sounding Sculpture)" is a Post-War abstract metal sculpture created by Harry Bertoia in circa 1970. This artwork is 103 x 16 x 16 inches and weighs less than 50 lbs. Ber...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Carmen Almon grew up in Barcelona and Washington DC and resides in San Miguel de Allende, Mexico. She uses copper sheeting, brass tubing, steel wire and enamel paint to create botani...

Whimsical life size tortoise or turtle sculpture or object of art handcrafted in brass and copper in a stylized modern form. Attributed to Bustamante.

CLAUDE LALANNE (1925-2019) La Diva, 1997 Ed. 6/8 pcs Bronze and copper 22 x 15.5 x 10.5 cm I 8 5/8 x 6 1/8 x 4 1/8 in Numbered, monogrammed, signed and dated : 6/8, Cl, Lalanne, 97 ...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

jd Hansen creates art that explores the juxtaposition of vulnerability and strength using the human and animal form. Her work excavates the intricacies of human psychology, non-verba...

Portrait of Giosuè Carducci is an original modern artwork realized by Libero Andreotti in the first half of 20th century. Relief on copper plate. Includes frame. Signature on the ...

Near Oakdale is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features diamond shapes c...

Fidelia is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features a grid of copper and ...

Mixed materials (wood & copper) Edition 4 of 75 Signed on the base, and numbered on the base and the accompanying insert card Mint. Small chip on the wooden box bottom back corner, o...

Mixed materials (wood & copper) Edition 4 of 75 Signed on the base, and numbered on the base and the accompanying insert card Mint. Small chip on the wooden box bottom back corner, o...

Arieh Merzer (Israeli, 1905-1966) Copper relief sculpture panel in gilt frame Framed dimensions 18 X 26.25, copper 14.5 X 22.5 Arieh Merzer ...

Bold and dynamic abstract composition titled "The Playful Journey" by Stephen Schulz (American, b. 1948). Schulz has used various types of acrylic paint, mixed with silicon to create a variety of textures. Signed and dated "Schulz 97" on verso, with an inscription that reads "For Leo and his Beautiful Family". Wood support frame on verso. Stephen Schulz (American, b. 1948) is an artist who has lived and worked in Fresno and Santa Cruz, California, and Cedar Grove, New Jersey. He has studied privately with Julie Connell, Jan Daniels, Michele Faia, Elle Fielder, Sal Pecoraro, Susan Stover, and Chris Volpe. Artist’s Statement: “My painting and artistic expression opens the doorway into an unconscious and creative world, where an uninhibited expression can take place, as one becomes immersed without the perception of time. Painting and design started it. From the beginning the process of transforming materials into art has struck me as a magical alchemy and, over the years, that mysterious process has had its hold on me, leading me from hobby to art. The creative process fills me with a sense of wonder and has proven a most amenable vehicle for transforming inner vision to outer reality. I paint from the inside out. Though I work quite deliberately, consciously employing both traditional and innovative techniques, my unconscious is the region of the most fertile of creative soil. I love working with a full complement of colors but often find my design direction working within the narrow spectrum of black and white, shadow and light. Some of my early inspiration comes from the New York School and artists such as Franz Kline and Jackson Pollock. Their ideas and techniques have helped to free my mind to explore areas of the unconscious that aren’t restricted by the world of right and wrong, good and bad. The journey continues and I feel blessed to have the opportunity to explore this exquisite world of the creative process.” Education: University of Oklahoma: 1966-1967 Canada College, AA Degree: 1972-1974 University of California: 1974-1975 Exhibitions: 2014 - Studio show Fresno, CA 2010 - Dubai (UAI) Animal rights show; Gallery 10, Washington, DC 2008, 2009 - Jia Salon & Gallery, Fresno, CA 2007 - Studio Exhibition 2006 - Cabrillo College 2004 - Studio Exhibition 2000, 2001, 2002 - Rollf's Gallery, Fresno, CA 2000 - Studio show; Bridgeport Gallery, CT 1999 - Tercera Gallery, Los Gatos, CA; Matt Miller Design, SF, CA 1998 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery Los Angeles, CA; Open Studio Aptos, CA; Brigitte Bohlem, Hamburg, Germany 1997 - Robin Hutchins Gallery, NJ; Teroera Gallery, Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery, Santa Cruz, CA; Hanson Art Source, Tennessee 1996 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin 1995 - Abrahamsen Design; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin; l&I Gallery, NJ; Gillen Design, London Ontario Canada...

Multifaceted Copper Enamel Tiles Abstract by N.G. Bloome Enameled Copper panels "Picasso" esq by an unknown artist. N.G. Bloome (American, 20th C). Uniq...

"Wall Strikes" by John Ruppert Cast bronze, Stainless Steel, Copper, Iron, from a fragment of a tree struck by lightning Edition of 3 Over the past 35 years, John Ruppert has been w...

Limited Edition 400% Pewter BE@RBRICK: Green Copper Patina. Dimensions: 28 cm Tall, Swipe for Reference Photos. Steven Harrington teams up with Royal...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

MORDECHAI AVNIEL Minsk, Belarus, b. 1900, d. 1989 Mordechai Avniel is best known for his deft and singular landscape work. He said of his scenes of Israel: "I loved the Israeli landscape. While roaming the country extensively, I gradually absorbed its atmosphere, its lights and moods, the view of mountains and valleys, the Sea of Galilee...

Belle au bois… Aurore is a unique smoke-fired stoneware, pigment, copper, steel sculpture by French contemporary artist Cécile Raynal, dimensions are 45 × 30 × 25 cm (17.7 × 11.8 × 9...

Copper repousse hand hammered iconic image, Judaica, Israeli art.Shlomo Goren (Hebrew: שלמה גורן; February 3, 1917 – October 29, 1994), was a Polish-born Israeli Orthodox Religious Z...

Elephant lidded kuduo container from the Ashanti peoples of Ghana. Kuduo were created to store valuable possessions such as gold dust and served the sym...

Carmen Almon grew up in Barcelona and Washington DC and resides in San Miguel de Allende, Mexico. She uses copper sheeting, brass tubing, steel wire and enamel paint to create botani...

Crafted by the famed jeweler and sculptor Andreas von Zadora-Gerlof, this compelling stainless steel and polymer sculpture brings to life the work of the gr...

EDITION Monogrammed, stamped and dated on reverse: C.L ; Lalanne ; 87

Carmen Almon grew up in Barcelona and Washington DC and resides in San Miguel de Allende, Mexico. She uses copper sheeting, brass tubing, steel wire and enamel paint to create botani...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she take...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Geometric Circles 36.0 x 36.0 x 1.0, 21.0 lbs Copper, mixed media Hand signed by the artist Artist's Commentary: "Overlapping circles of translucent blue form multiple patterns in...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting ...

"Curious Dreamer" is a wall free standing surrealist sculpture made of forged and fabricated steel, cast iron, copper and paint. Approximately 58 by 33 by 23 inches. Corrina is ins...

"Artemis" Figurative Sculpture 6.5 x 7 in Ed. of 5 by Colin Burn Limited Edition Crystal Vagina Sculpture Edition: Artist Proof 1/1 Limited Edition - 5 Only The Artemis sculpture ...

Aperture 36.0 x 36.0 x 1.0, 23.0 lbs Copper, mixed media Hand signed by the artist Artist's Commentary: "Deep turquoise scales form a spiral, drawing the eye into a hypnotic vorte...

This ceramic and stucco bust explores the idea of lifelong learning through the portrait of an elderly figure modeled with expressive detail. Architectural Figurative Bust Sculpture...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting ...

Referencing industrial space detritus and the allure of artifacts, this disc floats free from the constraints of the wall and mesmerizes with a hypnotically beautiful jeweled center....

A brutalist Mid- Century Modern sculpture of an owl by Willem DeGroot ( Netherlands, 20th Century ). The sculpture is made of brass and metal and showing an owl stating on a branch ...

This beautiful female figurative sculpture is by René Romero Schuler. This powerful female figure speaks to the complexities of the human condition and the spirit that connects all...

Around Here Somewhere is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features three c...