Mixed Media Sculptures

Geneviève Claisse Title: Untitled (Blue) Year: 2016 Medium: Mixed Media on Plexiglass Signed and numbered by hand Edition: 30 Size: 15.6 × 15.6 on 19.5 × 19.5 inches COA provided Ge...

Full title: From Taipei to L.A. ("Even though words have no wings they can still fly a thousand miles" Asian proverb) Acrylic, hand-cut Chinese/English Dictionary, and wire

Keith Young For Big Mistakes Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 16x16x3in Signed by hand COA provided Ready to hang Ref.: 924802-1135 ------------...

A canoe shaped ceramic vessel glazed in light brown and pierced by a darning needle is perched on a floating shelf below a mixed media work on paper. The image repeats the canoe shap...

Red Grooms "Our First Brush With Red Grooms/ It Was Exciting!", 1968 Paint brush with paint inside acrylic casing 11 × 3 1/2 × 2 inches Unframed This paint brush - with original pain...

Barbara Kruger War Platter, 2018 Glazed Earthenware Artists name fired on the underside which is considered her authorized signature as she officially does not sign her works Hand nu...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Artist: Brainwash, Mr. Title: Spray Can (Balloon Girl) Date: 2025 Medium: Stencil and Mixed Media on Fiberglass Sculpture Unframed Dimensions: 13" x 4.25" x 4.25" Signature: Si...

This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...

Tom Binger "Coffee Pot" Medium: Mixed Media Year: 2018, Signed Size: 18.25 x 11.25 x 2 inches Tom Binger finds it interesting that during a time in which th...

Josep Grau-Garriga, Spanish (1929 - 2011) - Untitled, Year: 1977, Medium: Collage and mixed media, mounted on stiffened canvas, signed and dated in pencil, Size: 19.25 x 16.25 x 3...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

This two-piece mixed media figurative sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowitz ...

Artist: Donald Sultan Title: Blue and Yellow Poppies Year: 2023 Medium: Shaped aluminum with stainless steel centers, powder coated, mounted on polished stainless steel base Editio...

Fender Guitar Multi Layers Glass Sculpture Artist signed and dated '98, mixed media, layers of multi color dichroic glass, ceramic tiles, aluminum on wooden base. William Wertz was born in 1946 dide in (2021 Los Angeles). American artist, teacher and photographer. Known for his unique assemble layers of glass sculpture. His art can be found in Musee des Decoratifs, Paris, the country of Oman (stained glass dome...

Signed and dated 2025. OPEN FOR COMMISSIONS!!! This BUNNY LOVE sculpture was created as a homage to a powerful artist friend, as a a recollection and dedication to a creative person...

"Okapi" is a wonderfully morbid sculpture created by the Canadian artist Yulia Shtern. This piece is part of her Mini Zoo Series depicting beautifully decaying remnants of species on...

William Weege (b. 1935). American Pop Art Artist. Colorful mixed media on a vintage vinyl LP record Hand signed and dated 1976 recto. Born in Milwaukee, Wisconsin in 1935, Weege studied printmaking, collage and sculpture at the University of Wisconsin. In the late 60's Vietnam war era his politically charged radical anti war posters...

This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Title: The Chief Medium: Mixed Media Year: 2018 Signed Size: 16 x 15 x 10.25 inches Tom Binger finds it interesting that during a time in which the internet is quickly becoming the ...

“Rock Wall” is a vibrant wall-mounted installation by contemporary artist Ray Beldner. Each of the 18 sculptural forms—resembling abstract, painted rocks—is individually crafted from...

Geneviève Claisse Title: Untitled (Green) Year: 2016 Medium: Mixed Media on Plexiglass Signed and numbered by hand Edition: 30 Size: 15.6 × 15.6 on 19.5 × 19.5 inches COA provided G...

FROM THE SPACE TO YOUR DESK!!!. . . BLUETOOTH AND RADIO SPEAKER INCLUDED!!!! A more traditional HUICHOL style sculpture. Looks great in any room!!! ALTERATION ART . . . is a colla...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

Wrestler Sculpture Edition TP. 2025 ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box...

Divyendu Anand - Morning Healing Edition of 9, Hand Paint & Patinated Copper Skin over Stone Composite Granite H 29.5 x W 12 x D 10 inches, 2025 Growing up with the thoughts of altr...

"XOXO" (Hugs & Kisses) - Limited edition pink glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The pi...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide. Sewell was born in Annap...

Cold Cast Bronze Bust Sculpture of Vincent Van Gogh by British Artist & Sculptor Anthony D Padgett BA MA PGDip, Born in 1969. Everyone has an idea o...

Tom Binger "Head IV" Medium: Mixed Media Year: 2018, Signed Size: 14.5 x 10.25 x 2 inches Tom Binger finds it interesting that during a time in which the internet is quickly becomin...

The iconic spraycan is ‘super-sized’ into a statement piece combining his traditional imagery with cutting edge techniques and materials. The cans, only 10 of each worldwide, are ...

3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...

The iconic spraycan is ‘super-sized’ into a statement piece combining his traditional imagery with cutting edge techniques and materials. The cans, only 10 of each worldwide, are ...

Michele Brody, Nature Preserve: Installation, Wetlands plants floating on water, 2011 The essence of Michele Brody’s work thrives on the interaction with new communities and place-m...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

The images on the water towers are from the artist sketchbook. It was also a part of a wheatpaste street art initiative from 2020. During the COVID lockdown he wanted to inject a little bit of nature back in downtown New York. Referencing not only wildlife in general but also specifically from the neighborhood. In this series you might find dogs or cats from artists he personally knows but you might find a raccoon that somehow invaded the city. Ethan Minsker's descriptors include writer, filmmaker, artist, publisher, and zine creator. His work chronicles the lifestyles and cultures of overlooked and underappreciated artists. He was a founding member of the Antagonist Art Movement, a New York City-based group of artists, writers, and musicians who promoted work by up-and-coming talent between 2000 and 2011. Ethan was the recipient of the Acker Award for Visual Arts in 2017. He was also the creator and editor-in-chief of Psycho Moto Zine, which has been in publication from 1988–present. He received his B.F.A. in Film with honors from the School of the Visual Arts and his masters in Media from the New School. Ethan has written three novels, produced nine feature films, and continues his relationship with under-served artists as a board member and president of Citizens for the Arts, a nonprofit group whose mission is to promote art for kids...

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

Contemporary Porcelain Bowl with Glaze, Glass Detail, Anatomical, Insect, Nature Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzl...

This artwork "Angels" 1984 is a embossed paper bas-relief sculpture by Chilean artist Lucia Waiser, b. 1940. it is hand signed and inscribed A/P (Artist Proof) in white pencil by the artist. The size of the subject is 12.75 x 15 inches, over all size is 15 x 22 inches. It is in excellent condition. About the artist: Lucia Waiser Palombo was born in Santiago on September 30, 1940. She studied Design at the Art School of the University of Chile, from which he graduated in 1966. Later he moved to the United States to study drawing at Foothill College in California. In 1976 he traveled to England where he completed a Master in Art Theory and History at the University of Sussex. The following year he studied lithography at the Brighton Polytechnic Institute. In 1980 he returned to the United States and entered Stanford University to study sculpture with Richad Randell. In 1984, he completed his artistic apprenticeship at the University of Berkeley, California, conducting a paper workshop dictated by Joan Rhine. Selected museums and public collections: COLLECTION IBM, SANTIAGO, CHILE CEMENTO MELON SA, LA CALERA, CHILE WINTHERTUR MUSEUM, SWITZERLAND SOUTH MUSEUM, CHILOE, CHILE VALDIVIA MUSEUM, VALDIVIA, CHILE SALVADOR ALLENDE MUSEUM, SANTIAGO, CHILE CONSULATE OF CHILE IN NEW YORK, NEW YORK, UNITED STATES NORGLAS, SANTIAGO, CHILE PAPELES BIO-BIO SA, CONCEPCION, CHILE SCULPTURE PARK, PROVIDENCIA, SANTIAGO, CHILE Selected exhibitions 1981 Selected in Sculpture, Seventh National Securities Placement Contest, Chile. 1991 Honorable Mention, Parque Arauco Es-Cultura Contest, Santiago. 1966 University of Chile, School of Design, Santiago, Chile. 1968 Vidal, Zurich, Switzerland. 1978 Bell, Book and Candle, San Juan, Puerto Rico. 1978 Lou Henry Hoover House, Standford University, Standford, California, United States. 1981 For being a Woman, South Gallery, Santiago, Chile. 1982 San Francisco Museum Gallery, California, United States. 1983 Época Gallery, Santiago, Chile. 1984 Chilean-French Institute. 1987 Carmen Waugh Gallery, Santiago, Chile. 1988 Del Cerro Gallery, Santiago, Chile. 1990 Sculpture Park, Santiago, Chile. 1991 British Chilean Institute of Culture, Santiago, Chile. 1992 National Painting Competition El Color del Sur, Puerto Varas, Chile. 1995 Arte Actual Gallery, Santiago, Chile. 2009 Accomplices, sculptures 2009, Artespacio Gallery, Santiago, Chile. 1967 IL Principe, Florence, Italy. 1967 Bottega di Fulgenzi, Florence, Italy. 1979 Los Robles Gallery, Palo Alto, California, United States. 1980 Lou Henry Hoover House, Stanford University, Stanford, California, United States. 1980 Printers Inc., Palo Alto, California, United States. 1980 Palo Alto Cultural Center, Palo Alto, California, United States. 1981 VII National Securities Placement Contest, National Museum of Fine Arts, Santiago, Chile. 1982 Los Robles Gallery, Palo Alto, California, United States. 1982 Adam and Eve, Época Gallery, Santiago, Chile. 1982 Innate Harmony, London, England. 1982 Christie's Contemporary Art, London, England. 1983 Five Women Artists, Espacio Arte Gallery, Santiago, Chile. 1983 Contemporary Textile, Goethe Institut, Santiago, Chile. 1983 Third Anniversary Exhibition, The Moss Gallery, San Francisco, California, United States. 1983 Center Culturel de L'Amérique Latine, Paris, France. 1984 Bread in Art, South Gallery, Santiago, Chile. 1984 Small Format, South Gallery, Santiago, Chile. 1984 The Art and Survival of the Planet, National Museum of Natural History, Santiago, Chile. 1986 Nuestro Mundo Andino, Galería Arte Actual, Santiago, Chile. 1986 La Tertulia, Museum of Modern Art, Cali, Colombia. 1987 Carmen Waugh Gallery, Casa Larga, Santiago, Chile. 1987 The Couple, Época Gallery, Santiago, Chile. 1988 Exhibition and auction of works by national artists, Dutch Embassy, ​​Santiago, Chile. 1988 Painting the Painting, El Cerro Gallery, Santiago, Chile. 1988 Sculptors' Meeting, Plaza Mulato Gil de Castro...

Linda Stein, Warrior Waging Peace: Opulent Diversity 1285 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture Free-standing contemporary sculpture with ves...

Cheeky references to pop culture and the societal context. Donald Duck is cast in resin with banknotes inside. Grounded in a postmodern vernacular, Alben’s paintings and sculptures ...

Michele Brody, Prarie Preserve: Recreation of Rolling Prairie in Medicine Bottles, 1997 The essence of Michele Brody’s work thrives on the interaction...

Yaacov Agam, Purple blue, Kinetic art, Israeli art most, Israeli art

Limited edition rainbow colored glass pill sculpture. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back for easy hanging. "Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages, social media iconography and the language of pop psychology. Inspired in equal parts by the ubiquitous presence of social media in contemporary culture and the simultaneous rise of direct - to - consumer pharmaceutical marketing. The work pokes fun at the alternately amusing and depressing correlations between the two phenomena as both are enlisted to oversimplify the human condition and expedite contentment through a familiar cocktail of instant gratification and seductive packaging. Edie Nadelhaft is a New York-based painter and mixed media artist whose work has been widely exhibited at museums, art fairs and galleries. She studied painting and art history at the School of the Museum of Fine Arts in Boston and S.U.N.Y. Purchase. She received her BFA with Honors from The Massachusetts College of Art & Design. Glass sculpture, glass pill, pop art, bright colors, multicolor, still life, sculpture, wall installation, contemporary art, chill pill...

PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived a...

Michele Brody, America The Beautiful:For Amber Waves of Green, Handmade paper installation with Glass Tubes, 7'h x 5'w x 6'd, 2016 The essence of Michele Brody’s work thrives on th...

The Bruce High Quality Foundation Copper Plate Bruce Shadow Box Sculpture, 2017 Customized wooden shadow box featuring a copper printmaking plate with hand-painted Bruce face. Accomp...

"XOXO" (Hugs & Kisses) - Limited edition pink glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-r...

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhe...

Hanging crafted wood wall sculpture with a mini diorama of a vintage 80s dining room that can be seen through a viewfinder. Batteries included. More informa...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Wrestler Sculpture Edition TP. 2025 ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 4...

"Laughing My Ass Off" (LMAO) - Limited edition orange glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back for easy hanging. "LMAO" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...