Silicone Sculptures

Title: Impronta Artist: Marilina Marchica (1984, Italian) Year: 2025 Dimensions: 15 x 25 x 3 cm Medium: Silicone cast mounted on handmade iron frame Materials: Silicone, Iron Support...

"Obsidian Geode" is an original work from Paige Smith's ongoing series of geode sculptures. The piece is solid resin cast by the artist and painted. This work measures 8in x 7in x ...

This wall-mounted conceptual sculpture by María Magán features a border fully covered with hand-shaped chewing gum forms in alternating tones of soft grey, strawberry pink, and dusty...

This wall-mounted relief sculpture by María Magán consists of dozens of compressed forms arranged in a dense, tactile surface framed in classic white wood. Made from professional-gra...

This wall-mounted pop sculpture by María Magán consists of dozens of hand-molded silicone forms arranged in a dense gradient composition within a classical white wooden frame. Made f...

This wall-mounted pop object sculpture by María Magán features dozens of hand-molded chewing gum-like elements crafted in polyvinyl silicone, a material commonly used in dental pract...

"Ut Tenebras" is an original sculptural work in a painted wooden frame by Paige Smith (A Common Name). The piece is solid resin dyed and cast by the artist and measures 18in x 12in ...

Untitled 02, 2016 Mixed media on metal sheet (Signed on reverse) 70,87 H × 39,37 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of ...

Title: Impronta Artist: Marilina Marchica (1984, Italian) Year: 2025 Dimensions: 15 x 25 x 3 cm Medium: Silicone cast mounted on handmade iron frame Materials: Silicone, Iron Support...

"Ad Amethysto" is an original sculptural work in a painted wooden frame by Paige Smith (A Common Name). The piece is solid resin dyed and cast by the artist and measures 10in x 10in...

Resin cast geodes in cracked marble in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Resin cast geodes and cracked slate in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Resin cast geodes and cracked slate in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-discipli...

Untitled 05, 2016 Mixed media on metal sheet (Signed on reverse) 69,78 H × 39,98 W x 12,6 D in 177 H × 99 W x 32 D cm Berszán’s black silicone structures arise through a process of ...

Resin cast geodes in cracked stone in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplin...

Untitled 03, 2016 Mixed media on metal sheet Signed on reverse 70,8 H × 39,4 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of etch...

Untitled 06, 2016 Mixed media on metal sheet (Signed on reverse) 31 1/2 H × 70 9/10 W × 39 2/5 D in 80 H × 180 W × 100 D cm Zsolt Berszán’s work speaks of repulsion and fascination and at the same time speaks about shapes that lie on the border between hallucination and obsession wherein the identity and order were disrupted. Themes such as the double and the metamorphosis, otherwise put, themes of atrophied characters are all representations of the abject. Berszán’s creation is located at the fine border between the representation of identity and its dissolution thusly aiming to represent the non-symbolized. The dynamic separation and the transitional object...

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants. Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg. Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT. Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY. He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...

Text by Nancy Webb It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level. Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings. Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Sculpture of Jesus and Mary figurines covered in white silicone strings.

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...