Stone Sculptures

Edition of 10 + 1AP

By Bob Ragan 49" x 17" x 17" Texas Limestone 600 lbs About the Artist: Bob Ragan is a nationally recognized master stone carver who has spent a lifetime studying art and architecture. During extensive travels throughout Europe and Central America, he researched the works and carving techniques of Old World masters. ​ Ragan and his partner Mary Condon founded the architectural and sculpture stone-carving firm Texas Carved Stone forty years ago. As a member of the National Stone Carvers’ Guild, he regularly teaches stone carving classes and mentors young people in the field. Ragan's sculptures communicate a deep sense of spontaneity, originality, and creativity. He transfigures large blocks of stone into intricate designs that feel remarkably buoyant and often contain humorous elements. Bob Ragan has been featured in numerous local publications, and state and national publications including Fine Homebuilding (June/July 1989), Southern Living (November 1991), Building Stone Magazine (Winter 2005), Tex Appeal (December 2012), the San Antonio Express News (June 5, 2005), the Dallas Morning News (May 20, 2003), the Texas Monthly (July 1996, July 1998), the Indiana Limestone Symposium, Stone World, Masonry Magazine, and Stone Update. A show about Ragan and his work is considered by the Texas Country...

"Fiona" - one of the series "Dreams about Sea". Unique cast bronze sculpture with patina. Representing a woman inspired by the sea. The elongated, stylized form emphasizes elegance...

Vintage Alabaster sculpture is an original design object realized by Artist of the Late 20th Century. A very elegant sculpture realized in alabaster and base in olive wood.

Wonderful original granite sculpture by well known contemporary artist Michael Patterson. This work of the female form was completed in 2013. The sculpture is attached to a white m...

Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one another (and the viewer) through their body language, relationships and dialogue. S...

Untitled "Marble Fragment 10" 2019, oil, Italian marble, landscape, wall sculpture, clouds, purple, blue, green

Bronze on a slate composite base Unique variation Stamped with monogram signature and uniquely numbered 921B The natural bronze edges are finely rubbed before lacquering for protecti...

Resin on a slate composite base Unique Signed and numbered 828 Weight 3.35kgs Philip Hearsey, born in 1946, is a renowned British sculptor living and working in Longtown, Herefordsh...

"Classical theme of a Greek art inspires me. I am a big fan of a Greek mythology, so I depict it often". This sculpture shows beautiful woman in wet fabrics that emphasize body curve...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This modern and distinctive artwork by contemporary artist and...

"Draped Figure" is a beautiful example of Tazian's ability to meld the smooth texture of wood and the hard texture of bronze into an exquisite object to view, hold or caress. The piece balances perfectly on its stone base and can be easily turned to enjoy from all angles. Like architects Eliel Saarinan and Albert Kahn and sculptor Corrado Parducci, Tazian is an immigrant creative who has found a home in the city, nurtured by its energy and sheltered by its community. He developed an early ambition to become an artist, even though he had very little exposure to the arts. ““The only person [who encouraged me] was my 5th grade English teacher, Olivia Balian,” he says. “She really opened the doors of art for me. She said, ‘Those students who are interested in art can stay behind after school and I will show you how to paint and draw.’ Somehow [that] changed my life– she gave me that spark.” Tazian came to the U.S. to study at St. Francis College in Fort Wayne, Indiana. He earned a bachelor’s degree in art and a Master’s in Art Education, and then earned and MFA in sculpture from Wayne State University in Detroit. Kegham Tazian is an award-winning sculptor and painter. The Armenian-born artist has gained notoriety for the diversity of his work and the variety of media exemplified in his pieces. A blend of modernism, realism and abstraction are commonly depicted in his paintings and sculptures. His artwork has been represented in more than 40 solo exhibitions and more than 75 group exhibitions throughout the United States, Canada, Europe, and the Middle East. His work adorns the entrances and halls of major corporations, universities and municipalities, including Siemens Corporation, Huntington Bank, Wayne State University and the city halls of Farmington and Farmington Hills...

Bronze / slate composite / pulverized metal leaf. Individual variation. Stamped with monogram signature and uniquely numbered 914D The natural bronze is finely rubbed and lacquered f...

Bronze on a slate composite base, Unique variation Stamped with monogram signature and uniquely numbered 907C The natural bronze exposures of this sculpture are bright polished and ...

Bronze on a stone base, Stamped with monogram signature and uniquely numbered 442B. Philip Hearsey, born in 1946, is a renowned British sculptor living and working in Longtown, Her...

MICHAŁ KUBIAK (born in 1946) Studied at the Academy of Fine Arts in Poznan (1967-1972). He received his degree in sculpture in the studio of Olgierd Truszyński. Since 1972 he has p...

Beautiful Art Nouveau marble. Campagne, Pierre Étienne Daniel French , 19th century , male. Active in Paris. Born 1851 , in Gontaud (Lot-et-Garonne). S...

cast glass, wood, sheet metal, oxides, acrylic paints Dan Corbin's sculptures are a convergence of conceptualism and the human figure, illuminating what it feels like to be alive during current times, with all its beauty, complexity, contradictions, and possibilities. The artist’s sculptures address issues of contemporary society - materialism, industrialization and cultural change - while simultaneously referring to a wide range of human emotions. His sculptures lift the spirit while questioning what it is to be human. In Corbin’s archetype of man, intellect and soul are separate from the body. Armless, headless, anonymous cores can now be broken down to the smallest units, analyzed, engineered, beautified, and commodified. Corbin’s articulation of figurative sculpture takes iconography of the present and embeds it in the surface of his sculptures. He calls these miniature time capsules ‘inclusions’. Objects like cosmetic bottles, action figures, dolls, and feeder fish are sealed in resin and strategically embedded throughout the body. With these ‘inclusions’ the figure becomes a technologically enhanced vessel. The human body is no longer a container for a perfect being, handed down by god or evolution, but an aesthetically enhanced harbinger of a new era. In combination with the ‘inclusions’ Corbin uses a multitude of industrial materials, emphasizing the intrinsic value and physical properties of each. Each surface becomes fully charged with content, primed for multiple interpretations. Dan Corbin has been included in notable exhibitions at galleries and institutions including the Museum of Northern California Art...

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Marble Base (Indoors Only) 24" x 10" x 8" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and r...

David Umemoto transforms concrete structures into fantastical worlds by reinterpreting recognizable architectural forms. Staircases, archways, corridors, and ramps are miniaturized, ...

Divyendu Anand - Eternal Beauty Liquid Metal Coating over Composite of Stone Glass & polyester Resin Black Granite H 31 x W 18.5 x D 19 inches, 2020 Gr...

"Person on a Horse" is a concrete, glass and steel structure with horse in mid-stride looking up and forward. The person astride leans forward as in encouragement to the stead or in weariness of the journey, perhaps both. Leslie Hawk...

Stunning carved stone bird mounted on Quartz specimen. Carved from orange Calcite and trimmed in Lapis, having tiger eye beaks. This exotic bird is a brilliant decorative combination...

Unity in Diversity 2008, stone wear, 90х35x42 cm Gray abstract sculpture from stone

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

This figurative sculpture filled with interiority and peaceful presence by Lutfi Romhein is directly sculpted from veined white Carrara marble stone. Its circular independent base me...

This sculpture consists of two pieces. The dimensions of each piece are: 51x8x8 cm and 47x8x8 cm respectively. At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born: 1978, Cape Town, South Africa. Lives and works: Edinburgh, Scotland. Jonathan Freemantle...

Untitled (Man, Woman and Child Dancing) bronze on marble plinth base. signed and numbered Gerard Koch was a French Post War & Contemporary sculptor who was born in 1926. Gérard K...

Provenance Acquired by the gallery directly from the artist. Description This sculpture by Bela Bacsi was inspired by a Hellenistic marble based on...

Artist: David Jaworsky, American Title: Attitudes Year: 1991 Medium: Blown Glass and Bronze with a Marble Base Size: 31 x 20 x 24 in. (78.74 x 50.8 x 60.96 cm) Base: 16 x 2 x 16 ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This is a gorgeous hand-carved grey marble object. The marble is polished and with an amazing tactile feel. KARTEL Founded, 2014, San Miguel de Allende, Mexico The KARTEL group c...

Listening for Spirit by Denny Haskew Female nude ​Bronze (silver nitrate patina) on sandstone 8x6x10" ed/30 (height is variable based on stone) si...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This modern and distinctive artwork by contemporary artist and...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Disc Receiving the Sun" by David Sprakes is an original table...

Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73. Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.) Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada, Richard Pousette-Dart, Leon Polk Smith, Forrest Bess, Sonia Sekula, Herbert Ferber, Seymour Lipton, Eduardo Paolozzi, Alexander Liberman, Barbara Chase-Riboud, Richard Lindner, Agnes Martin, Ellsworth Kelly, John Walker, Patrick Ireland...

Linda Stein, Dream Scepter 159 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an ex...

Linda Stein, Rocking Staff 171 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an ...

Linda Stein, Easel Scepter 167 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an e...

Drie Paarden Three Horses Contemporary Figurative Animal Sculpture In Stock About Jits Bakker (1937–2014) Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist,...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptures. This sculpture depicts a dancer tying p...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into t...

Alabaster and wood

Marble

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

Pair of yellow marble vase-holder sculptures - Poseidon and Amphitrite. Italy, 19th-20th century. 44 x 44 x h 90 cm each (not signed). Entirely in yellow marble carved in Baroque style. Depicting Poseidon and Amphitrite holding a horizontal vase...

Artist: Jack Graves III (American, 1988-) Title: "Venus de Milo Sculpture (Alexandros of Antioch)" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Medium: Original Acrylic Painted Cast Marble Sculpture Dimensions: 15.75" tall x 4.38" wide x 4.38" deep Weight: 5.4 pounds Condition: In mint condition Notes: This is a unique work, not from an edition. The raw white cast marble sculpture itself was not created by the artist; it is a found object which Graves has hand-painted and transformed with his own design. The sculpture is cast marble: over 90% natural crushed Greek Marble stone with a small amount of resin poured into a mold, made in Heraklion, Greece. The Venus de Milo is an ancient Greek sculpture that was created during the Hellenistic period, sometime between 150 and 125 BC. It is one of the most famous works of ancient Greek sculpture, having been prominently displayed at the Louvre Museum since shortly after the statue was rediscovered on the island of Milos...

Document from the Nashvile Art Association dated 1925. The marble was purchased in Florence, Italy at an exhibit of The Association of of Italian Artists.

Cold Cast Bronze Bust Sculpture of Vincent Van Gogh by British Artist & Sculptor Anthony D Padgett BA MA PGDip, Born in 1969. Everyone has an idea o...

Mid century carved marble figurative girl and kitten by Rodney Marshall Winfield (American, b. 1925). Presented in rustic wood frame. Bio on verso. Image, 14"H x 10"W. Rodney studied at Cooper Union School in New York and worked as a designer at the Emil Frei...

'Fish Eagle' is an original springstone sculpture signed by the Zimbabwean artist Terence Paradzai Nehumba. Terence was trained in the Shona stone carving t...

Alabaster on granite

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

Named "Prince d'Égypte", this sculpture was created by artist Lutfi Romhein using locally sourced stone from Aveyron, France. Dimensions & Weight : This artwork has a total height o...

Title: Strategist Date: 2022 Technique: Resin, Chrome Spray Paint Dimensions: 46 x 75 x 27 cm Signature: Engraved Signature (Back side of head) Conditions: Excellent, Brand New Editi...

This piece is a unique hand-carved white marble Modern sculpture by Spanish-Venezuelan artist, Domenico Casasanta. The artist uses simple...

Marble free form sculpture by Chrissy Harris. Composition is cipollino green marble from Greece. Signed on base of marble sculpture. American School....

Divyendu Anand - Soaring High Oxidised Bronze over Stone Composite Granite Base, Edition of 9 H 27 x W 13 x D 6 inches, 2025 Growing up with the thoughts of altruism, idealism and b...

Movement is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strip...