Unknown

Putto in legno dorato reggi candela barocco italiano

end 17th-beginning 18th

Bronzetto firmato alla base F. de Luca, artista meridionale attivo fra XIX e XX secolo, raffigurante un'allegoria delle Arti. In secondo piano, la "Scultura", identificata da un put...

Marble-based bronze statuette depicting Cupid, holding an arrow in his hand, walking caressing a lion's mane, lowered in the act of affectionately licking his little foot. The subjec...

Bronzetto del XIX secolo su modello di "Niobe" di Francesco da Sant'Agata (nato e attivo in Veneto, Padova, alla metà del cinquecento). Il soggetto ebbe molta fortuna e ne esistono...

The small bronze depicts a small seated faun, immortalized while playing a wind instrument as can be clearly seen by the puffy cheeks. is signed at the base R. Castagnino and is from...

Beautiful sculpture representing a chubby putto in gilded wood, with wings, a branch ending above his head. Italian work from the 18th century Iron hook on the back, some missin...

Winged Putto Sculpture of Italian origin from the 1750s depicts the Face of Angel In Carved Wood from a liturgical ornament to which it was attached with two nails, holes can still ...

An Italian hand carved wooden putto figure. This vintage figure from Italy has been hand carved of wood and depicts a nude male child, standing in a twist...

Carlo Marcellini (Florence 1644 – 1713) Putto White and green marble 41.5 x 73.5 cm This marble putto carved in high relief, almost a tutto tondo, and set on an elegant green marble background, appears almost naked, sitting on a cloud. His peculiar pose, in adoration, suggests that the work was a part of a larger composition including other figures in devotion. Published in 2007 by Sandro Bellesi in the monograph dedicated to Gioacchino Fortini (pg.155), this beautiful marble putto was included in the catalog of Carlo Marcellini, a prominent figure in the baroque renewal of Florentine art. Born in Florence in 1644, Carlo Marcellini received his artistic education in the city of the lily, specializing in stone sculpture and stucco modeling under the guidance of Bartolomeo Cennini before continuing his studies in Rome in the Accademia Medicea founded by the Grand Duke Cosimo III in order to familiarize some more promising artists with the essential “ taste of Rome ”. Under the guidance of Ercole Ferrata and Ciro Ferri, Giovan Battista Foggini...