Miniature Still-life Sculptures

Contemporary animal terracotta sculpture Unique Signed by the artist

Contemporary animal terracotta sculpture Unique Signed by the artist

Unique terracotta sculpture Signed on the base

"D-REX" Sculpture 17" x 8" x 8" inch Edition of 18 by Huang Yulong Aluminum sculpture ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated...

Wall sculpture “It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...

People have used fingerprints for mark-making since the earliest recorded days of civilization. Yet fingerprints today are far more likely to be used for marking others than for stam...

Lego, gold leaf, cashew lacquer  This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Steel wall sculpture “It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet ...

TECHNICAL INFORMATION: Larry Rivers Webster Cigar Box 1964-66 Multiple of wood, canvas, paper, and plexiglass, with screen print, paint, and collage additions 13 3/16 x 15 15/16 x 1...

In 1968 Waddell joined the University of Montana art faculty, teaching sculpture and design. For eight years he lived in Arlee MT, teaching at the Universi...

In 1968 Waddell joined the University of Montana art faculty, teaching sculpture and design. For eight years he lived in Arlee MT, teaching at the Universi...

Adriana Marmorek RENDEZVOUS BLOWN, 2020 blown glass, bronze 1.97 x 9.45 x 6.5 in. 5 x 24 x 16.5 cm.

ADRIANA MARMOREK RENDEZVOUS LEAK, 2019 porcelain painted chrome 9.84 x 1.18 x 11.81 in. 25 x 3 x 30 cm.

Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box...

An enchanting miniature cold painted bronze scene of a man riding a camel with a young female water carrier beside him. The three figures are rest upon on a sloping rock, presumably ...

“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives. 100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair. Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.” -Theda Sandiford

The main theme of Kitade’s artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

Kiva Ford Anatomical Heart Toasting Flutes, 2010 Borosilicate glass 10h in

"SHURA" Aluminum Patina Sculpture 7" x 4" inch by Grigorii Gorkovenko An elegant shape and free lines are combined together to create an image of the...

Kiva Ford and Jupiter Nielsen Untitled (Blue Flower), 2017 Borosilicate glass 9.5h x 6.5w x 6.5d in

Micah Evans Decanter Trio, 2015 Borosilicate glass Dimensions variable 17h x 3w x 3d in 11.5h x 3w x 3d in 9.5h x 3w x 3d in

Kiva Ford Orange Bottle in a Bottle, 2014 Borosilicate glass 16h x 5w x 5d in

Fernando Moreno is a Mexican artist who was born in 1983. Fernando Moreno's work has been offered at auction multiple times. Only one artwork sold; this was Untitled, which realized ...

Creating sculptures of exquisite peculiarity is an art in which Takei excels. His elegantly crafted works embody the notion of the whimsical, contradictory and idiosyncratic. There is an immediately detectable sense of humor and quick wit about the sculptures in this exhibition. Beyond playfulness, however, Takei’s aim is to challenge the viewer to alter the way in which they look at reality. Taking cues from the Surrealists of the early 20th century, Takei transforms the mundane into the fantastic - and sometimes absurd. His work is a constant inquiry into the meaning of functionality and the perception of purpose. Much like Man Ray’s iconic readymade sculpture, The Gift (1921), and Meret Oppenheim’s infamous fur-covered teacup (Object, 1936), Takei recontextualizes those pragmatic objects that we immediately recognize. With his piece Soft Shoulders (2011), Takei deconstructs a wooden clothes hanger...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

porcelain edition of 5 (signed by the artist) 13"x9"x9" This limited edition cast porcelain sculpture by Thomas Broadbent represents a near Earth Asteroid and Broadbent’s asteroid...

From the Natural series of the artist. The Natural Collection is the inception of Roman Feral's vision, fashion and art combined celebrating renowned luxury brands while showcasing...

This collaborative was done at the studio called "On First Studios" (meant First Avenue downtown, N.Y.C.); but the collaboration was dissolved after a small run was produced. Origina...

Loli DiSanto’s Fra-GEE-leh (2025) is a playful and sparkling sculptural work crafted from hand-painted acrylic paper mâché, measuring 6 x 4.5 x 4.5 inches. Shaped like an egg, the pi...

Apache Lovers, bronze, sculpture, Allan Houser, figurative, limited edition

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

Edition of 20 Painted aluminum with polished acrylic base 1.75 x 8 x 1.75 in (4.44 x 20.32 x 4.44 cm)

Edition of 20 Painted aluminum with polished acrylic base 1.75 x 8 x 1.75 in (4.44 x 20.32 x 4.44 cm)

Rachel Whiteread Untitled 'Torso', 1995 Plaster 9 1/4 x 7 1/8 x 3 1/2 inches Rachel Whiteread (b. 1963) came to prominence in the early 1990s as a cohort of artists, known as the Y...

Richard Smith has gained an international reputation for his works of art, he has exhibited at prestigious galleries such as the Tryon Gallery and W. H. Pattersons in London, The Spo...

'Mallard Drake' is a stunningly elegant Bronze sculpture. Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent. The fantastic richly de...

'Dipper' is a stunningly elegant Bronze sculpture. Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent. The fantastic richly detailed ...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

'Nesting Woodcock' by Richard Smith is a beautiful contemporary bronze sculpture. Beautiful patina and incredible detail. Sure to make an amazing addition to any collection! Rich...

'Stoat' by Richard Smith. Contemporary Bronze wildlife sculpture, patinated brown, orange, white. Richard has exhibited his paintings at the Leigh Yawkey Woodson Museum in the USA,...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

"Dear Thedodsia" Bronze Sculpture 13 x 15 x 13 inch Edition 3/8 by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a ...

A sculpture made with glass layers and painted with nail polish and acrylic, set on a wood pedestal. The glass leaves are separated by slits on the pedest...

A sculpture made with glass layers and painted with nail polish and acrylic, set on a cement pedestal. The glass leaves are separated by slits on the pedestal, giving the sculpture ...

BarkerLee Yazzie Keeps Cool at Ganado Lake, Navajo, Dog, bronze, sculpture, by Melanie A Yazzie numbered, open edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné (Navajo) dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Frog and Swiss on Rye, 1981 By David Gilhooly (1943-2013) 4.75" x 3.5" x 4.5" Whimsical and irreverent, Mr. Gilhooly was internationally acclaimed for his imaginative ceramic works...

Burrito Frog, 1981 By David Gilhooly (1943-2013) 8" x 4" x 2" Signed Underneath Whimsical and irreverent, Mr. Gilhooly was internationally acclaimed for his imaginative ceramic work...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Somewhere on the Reservation, Bronze,Sculpture, by Allan Houser, Apache, Singers Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...