Drew Leshko

"Phresh Pot" Miniature Paper and Paint Storefront Sign by Drew Leshko

2023

This piece titled "Cigar" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, pastel, toy cigar by Drew Leshko. This piece measures 12”h x 1”w x 7....

This piece titled "Ortliebs" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, pastel by Drew Leshko. This piece measures 13”h x 1”w x 7.5”d. Dr...

This piece titled "Milan Lounge" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This piec...

This piece titled "No Rats" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, pastel by Drew Leshko. This piece measures 11”h x 1.5”w x 7.5”d. D...

"No. 602" Miniature Collage by Michael Pauker Period Typography Miniature abstract paper collage in teal and white by Bay Area artist Michael Pauker (Am...

Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Artist-In-Residence at Arrowmont School of Arts Crafts as well as the Arch...

SIGNED ON BACK. Lisa Pressman’s Shape of Memory series transforms cardboard, thread, smoke, and Letraset into evocative wall-mounted works that recall ancient relics or worn book covers. Each shaped panel floats about an inch off the wall, often casting glowing, colored shadows from painted backs that shift with the light. Stitched seams and weathered surfaces suggest scars, resilience, and the passage of time, resonating as personal artifacts of memory and healing. Known for her abstract paintings in oil, encaustic, and mixed media, Pressman’s oeuvre consistently explores impermanence and transformation. With their sculptural presence and luminous effects, these intimate objects blur painting...

"I welcome the continual emergence of change, evolution, and the inevitable challenges that form a large part of a working artist’s life." With CHEF'S HAT, a recent and evolving work, I am moving into more dimensionality and space. My intention is to push patterned and embellished surfaces on paper from its naturally flat surface into a more structural and spatial plane. This involves making sculptural pieces from paper and experimenting with new construction methods using strips and lengths of paper over-lapped and fastened together, shaped into objects with physical presence. I feel I am migrating from the flat surface into the third dimension. I envision the paper constructions as a landscape to be wandered in and out of, through and around, a space that invites all and sundry to enter on their own terms. I hold firmly to the belief that my work exhibits a playfulness that belies a more serious assessment of our social world. I am interested in how something that is initially perceived as frivolous and celebratory can constitute a reaction against and resistance to the shadowy world of misfortune, hard luck, and weariness. Born in 1959, Lanie Gannon was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched...