Slip Still-life Sculptures

Porcelain with black stain Edition of 100, Each unique and handmade 4 × 6.5 × 6 inches (10.2 × 16.5 × 15.2 cm) This contemporary porcelain sculpture is a hand-built, limited-edition...

“Blowing Bubbles Forever” by Katharine Morling – Porcelain and Hand-Blown Glass Sculpture A whimsical porcelain sculpture with hand-blown glass, “Blowing Bubbles Forever” by British...

"The Sewing Kit" by Katharine Morling – Porcelain Sculpture of Sewing Essentials Delicate yet bold, The Sewing Kit by Katharine Morling transforms a traditional sewing set into an e...

"Bug Matchbox" is a whimsical and surreal porcelain sculpture by award-winning artist Katharine Morling. This piece features intricate, hand-painted drawings of adorable detailed bug...

"Ladybug Matchbox" is a whimsical and surreal porcelain sculpture by award-winning artist Katharine Morling. This piece features intricate, hand-painted drawings of ladybugs and othe...

"Skull Matchbox" by Katharine Morling is a whimsical and surreal porcelain sculpture with a cool skull painted on top. Morling's ceramic sculptures have been shown internationally ...

"Butterfly Matchbox" is a whimsical and surreal porcelain sculpture by award-winning artist Katharine Morling. This piece features intricate, hand-painted drawings of a Butterfly, st...

Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Film" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling. Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK. In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date. After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital through Vital Arts and a contemporary dance piece at the Royal Opera House...

Katharine Morling is an award-winning artist working in the medium of ceramics. She set up her studio in 2003 and has since gained international acclaim for her work. Her ceramic s...

Katharine Morling is an award-winning artist working in the medium of ceramics. She set up her studio in 2003 and has since gained international acclaim for her work. Her ceramic s...

Katharine Morling is an award-winning artist working in the medium of ceramics. She set up her studio in 2003 and has since gained international acclaim for her work. Her ceramic s...

"Kintsugi Moon Jar" is a saggar-fired porcelain vessel by Alison Brannen. It measures 14" high by 14" wide. Inspired by her journeys sailing the Atlantic Ocean, Alison can’t get enough wind and fire! She creates dynamic patterns that ebb and flow along the surface of her beautiful organic vessels. Specifically, Kintsugi Moon Jar is hand-coiled porcelain, saggar and salt fired with Kintsugi (the gold lines). It was exhibited recently at the Gardiner Museum of Ceramic Art, Toronto, Canada. Characteristic of Alison's best work, the surface texture and coloration suggest a world of water and terrain, as well as a shoreline of bracken, seaweed and eddies of water. There's a natural harmony in the chaos, offering us both painterly and tactile pleasures. From Alison Brannen – "I fell in love with clay 20 years ago and prefer a painterly, experimental approach when building and glazing my work. I alter the form and use colored slips to build the surface. My firing process can be hard on the work as I tumble stack bisque-fired pieces in a saggar chamber and fire to 1800’F. I often use Kintsugi gold repair to highlight imperfections and repair cracks which I view as desirable and natural. I saggar fire my pieces outdoors in a small Raku kiln with combustibles, salt and oxides. This mixture creates a mineral rich atmosphere: copper reds and cobalt blues invade the surface of each highly burnished piece. The color on the pot is actually created by fire. I am inspired by Anasazi, Pueblo and preColumbian pottery...