American Impressionist Art

Artist Commentary: Inspired by the geometry of a local country barn on a late afternoon Keywords: red, barns, country, landscape, bucolic, summer, barn, trees, farm, impressionist, realism About the artist: Lynne's work was recently chosen by the U.S. Department of State to be featured in the Art in Embassies Program for the U.S. Embassies in Djibouti, East Africa and Colombo, Sri Lanka. She has had numerous solo shows in New York City galleries, as well as the Booth Western Art Museum and the James McNeil Whistler...

Morning Pasture I, Cows the image measures 8 x 10 unframed, 13.5 x 15.5 framed. signed LR Morning Pasture I, Cows is an oil painting on canvas panel by award winning contemporary art...

Period frame Framed dimensions are 30" x 34" x 2" Signed & dated lower right

Don't miss this opportunity to own a piece of history! Ex Nihilo Figure 2, a full-scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the Creation Scul...

Charles Movalli paints a quiet forest covered in snow, using soft colors and gentle brushstrokes. The scene feels calm and peaceful, with just enough light to make the trees stand ou...

An exceptional impressionist landscape of a farm in the mist in Giverny, France by American artist Theodore Earl Butler (1891-1936). Butler was born in Co...

Painted en plein-air in Noyac, a bay-front village in Sag Harbor, New York. A small inlet docks a small, anchored boat. shrubs outline the shoreline beyond the sand in the foreground...

California Suburbs - Plein Aire Landscape in Acrylic on Canvas Suburban landscape by California Plein Aire artist Nick White (American, 1943-2009). Two homes sit side by side on a w...

Impressionist New York City winter landscape scene depicting the City in Snow in a most intimate, yet energetic way. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of New York with the calm, endearing charm of American Flags and buildings with snow. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. The piece comes housed in a dark tone wood frame and it is ready to be displayed with hanging hardware on verso. Art measures 7 x 5 inches Framed measures 8.75 x 6.75 inches Christopher Willett...

An oil painting by Marc Dalessio. Painted en plein air in Tuscany, a grassy foreground moves within wild brushstrokes. Looking ahead, Castelmuzio, an ancient Etruscan village. Classi...

An oil painting of a Palm Tree, painted from life in the Bahamas, in 2013. Nelson H. White paints with 80% palette knife, and 20% brush. He uses texture as well as color to create a ...

This is a beautiful Cape Cod Massachusetts spring landscape with a rural farm and water behind it was painted by American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, Vermont and later became one of the founders of the Rockport Art Colony, living on Cape Ann in Massachusetts and summering in Jamaica, Vermont. Trained at the Boston Museum School, Hibbard carried forth the tenets of traditional academic art into the 20th century. He became very well-known for his New England...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...

Oil Painting of the Brooklyn Bridge, painted en plein air. A sailboat sails underneath. Painted in a thick, impressionist style. Painting dimensions: 4 x 11 inches Framed dimensions: 9 x 16 inches Framed in a handmade, Italian, custom gold leaf frame. Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony such as Irving Wiles, an important American impressionist. After graduating from the Tabor Academy in Marion, Massachusetts in 1951, Nelson H. White began to study at Mitchell College in Connecticut but left to pursue studies in the violin, musical theory and composition. At this time, he began to spend more time studying art with his father and grandfather. By 1955, Nelson H. White had decided to devote himself to a career as a painter and traveled to Florence, Italy to become an apprentice to Pietro Annigoni, the world-renowned Florentine master. Within two years, the young White had won two awards for his work. While in Florence he also studied with the great Italian teacher, Nerina Simi. Today, White divides his time between the United States and Florence. White is still actively involved with studies at The Florence Academy of Art in Florence, Italy. Although he has received instruction from some very important artists, White's work is highly individual. He paints with great spirit. Upon seeing his work one quickly senses White’s great love for nature and the outdoors. Through his eyes we are able to view and interpret nature in an intimate manner. Whether Nelson H. White is painting the Connecticut shore, a beach in Italy, a pond on Shelter Island or the hills of Vermont, he allows the observer to view a soft, yet dramatic side of nature. His ability to use color, coupled with rich brush work and a graduation of light, air and atmosphere allows one to enjoy a certain mood which is clearly conveyed in White's paintings. It is a mood that leaves us with a lasting impression. White has shown his work in numerous galleries across the globe since the 1950s, from the United States all the way to Italy and Russia. White's first museum restrospective was in the New Britain Museum of American Art in July 2012. His work can be found in many private and public collections, as well as several museums. Art Education 1999- present The Florence Academy of Art, Florence, Italy 1956-1987 Student of Ms. Nerina Simi, Florence Italy 1955-1980 Apprentice to Pietro Annigoni, Florence, Italy abd studied watercolor painting with Ogden Pleissner...

A wonderful winter village landscape in Bucks County by painted by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and ...

This painting depicts an impressionistic and abstract portrait of George Washington. The thick brush strokes and fun marks create an atmosphere reminiscent of the impressionists from...

Don Hatfield (American, born 1947) "Mothers and Children on the Beach" Unknown Oil paint, canvas, stretcher bars Signed on the bottom right of the painting. Don Hatfield’s 'Mothers ...

"The Waves Coopers Beach 09.21.2020" is an oil painting of an Hamptons beach, Cooper's beach, Southhampton NY. The work is set in a hand made gold frame, crafted in Pisa Italy, as pi...

An American Impressionist depiction of a moonlit night in Monument Valley, Arizona. It features a palette of purple, pink, and dark blue. Artist: Guido Frick...

Barns in Soquel is a charming original mid-century oil painting by noted California artist Jon Blanchette (1908–1987). This signed oil on canvas board captures a tranquil rural scene...

"The Brooklyn Bridge" is a contemporary Impressionist landscape in New York City Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony such as Irving Wiles, an important American impressionist. After graduating from the Tabor Academy in Marion, Massachusetts in 1951, Nelson H. White began to study at Mitchell College in Connecticut but left to pursue studies in the violin, musical theory and composition. At this time, he began to spend more time studying art with his father and grandfather. By 1955, Nelson H. White had decided to devote himself to a career as a painter and traveled to Florence, Italy to become an apprentice to Pietro Annigoni, the world-renowned Florentine master. Within two years, the young White had won two awards for his work. While in Florence he also studied with the great Italian teacher, Nerina Simi. Today, White divides his time between the United States and Florence. Although he has received instruction from some very important artists, White's work is highly individual. He paints with great spirit. Upon seeing his work one quickly senses White’s great love for nature and the outdoors. Through his eyes we are able to view and interpret nature in an intimate manner. Whether Nelson H. White is painting the Connecticut shore...

"Touring Monument Valley" - Desert Plein Aire Landscape in Acrylic on Masonite Dramatic desert landscape by California Plein Aire artist Nick White (American, 1943-2009). The viewer...

"Golden Gate Morning, Tucson, AZ", by W. Jason Situ. This sun-drenched desert vista by acclaimed plein air painter W. Jason Situ captures the bold majesty of the American Southwest. ...

Landscape with Lollipops is a vibrant painting by Juanjo Sáez that merges abstraction with lyrical gesture. Layers of spray paint and brushwork create a dreamlike landscape, where bo...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 57, plate #066. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph B...

This is a wonderful example of Louis Bouché's charming Nude portraits. The artist was truly a master of capturing the energy of the times, and character o...

Rendered with an alla prima paint application and quick gestural brushstrokes, "Tender Family Portrait - Mother and Child" reflects Margery Ryerson's deep knowledge of academic training. Reyerson studied with Robert Henri at The Art Students League. This painting is aesthetically pleasing and communicates a sense of maternal tenderness from a female artist. Margery Ryerson did a book on her former teacher. Henri's philosophical and practical musings were collected by former pupil Margery Ryerson and published as The Art Spirit (1923), a book that remained in print for several decades. Signed. Lower Left Margery Austen Ryerson (September 15, 1886 - 1989) was an American artist, painter, etcher, lithographer and watercolorist.Her work is included in the collections of the Smithsonian American Art Museum Biography Ryerson earned her Bachelor's of Fine Arts in English from Vassar College in Poughkeepsie, New York, after attending private schools in Morristown. She went on to study under Charles Hawthorne at the Cape Cod School of Art in Provincetown, Massachusetts, and with Robert Henri at the Art Students League in New York. During the years 1920 through 1940 Ryerson taught in New York settlement houses. There she got the privilege to paint and draw the children in their care. The subjects of these paintings were often the children of the underclass and immigrants. Her artistic technique and subjects gained universal recognition and appealed to many people. Miss Ryerson is most known for her portraits...

A fine naive landscape painting with a windmill by American artist Janet Munro (b. 1949). Munro was born in Woburn, MA, and her work focuses o...

Signed and dated lower left: PAUL CORNOYER / 1912

Vendemmia No. 2 illustrates a beautiful sunny day on a vineyard in Tuscany. A master of plein-air painting, Dalessio paints the wind, with evidence in the fast-moving cumulus clouds,...

Crashing Waves - Big Sur Coastal Cove Original Oil on Masonite Dramatic small-scale, professionally framed seascape by Stephen John Skerce (American, 1926-2010). Waves crashing into a Big Sure Cove and Seagulls gliding on the wind currents. Well known for many years on the Monterey coast for his seascapes and beach scenes. Signed "Skerce" in the lower right corner. Signed "Stephen Reno Skerce" on verso, with the artists Mountain View Studio stamp on frame. Presented in a wood frame with a linen liner. Frame size: 12.5"H x 14.75"W Board size: 5"H x 7"W Stephen John Skerce (American, 1926-2010) was a painter from Monterey, California. He received his formal art training from the Chicago Art Institute, Salinas Art School, and the Academie Julien in Paris, France. He is known for his landscapes, seascapes, and harbor scenes. He was an artist with both the Valley Art Gallery in Salinas and Venture Gallery in Monterey. He was also served in the US Marine Corps.

Beautiful Skies Series oil/panel 14 x 18 image unframed, 19.5 x 23.5 framed signed LR Beautiful Skies is an oil painting on canvas panel by award winning contemporary artist Michael ...

Does anyone remember Nedicks? What New York looked like in the 1970s. Veteran photographer Mitchell Funk captures 42nd Street at night with a parade of glowing marquees framed by t...

Turn of 20th Century Spanish-American War Coast Guard Cutter with Cannons Original Oil Painting A fine example of maritime ship portraiture oil painting of a Coast Guard Cutter with cannons under sails during the Spanish American War by renowned Nautical British/American painter Captain William Lindsay Challoner (British/American 1852-1901), 1901. Auction values Luminous and striking painting with seaman unfurling sails heading into rough waters. Challoner served as captain of a naval vessel (Coast Guard Cutter) during the Spanish-American War. Here he is depicted on the deck of the ship while seamen scramble aloft on the rigging during a gale. The captain stands tall before the cannons at the ready to fend off intruders. His paintings are rare and highly prized by museums and Nautical collectors alike. Signed: Lower right corner "W. Challoner" Not framed Dated: "1910" Provenance: A local Monterey Bay area estate find. Condition: Professionally restored (conservation report available) Image size: 27.75"H x 47.38"W William Lindsay Challoner lived the peripatetic life of a mariner, spending much of his time at sea, and in ports such as New Orleans and San Francisco, California. He was born in Bedminster, England, and attended the York Naval Academy. In 1880, Challoner married Mary Cadogan. That same year, the couple immigrated to Argentina and then New Orleans. They had one son, William Lindsay Challoner, Jr. Lloyd’s Lists record Challoner as master aboard J.P. Macheca, a “Clipper Schooner” running bananas from Jamaica during the mid-1880s. The clipper also raced at the Southern Yacht Club in New Orleans. As is often the case, Challoner’s middle name is misspelled as “Lindsey” in J.P. Macheca & Co. records. He is also said to have served as captain for vessels in the Morgan Line. Painting was at first an avocation for Challoner, but his draftsmanship and handling of paint suggest academic training. He may also have learned to make precise topographical drawings at the York Naval Academy. Many of his ship portraits are in the English tradition, notably followers of Samuel Walker, a leading English maritime artist in the 1850s. Like his Liverpool counterparts, Challoner used receding linear and atmospheric perspective to focus on the crisp portraits of specific ships. At their best, his canvases are highly finished, a style that imitates the Venetian tradition of topographical city views associated with Giovanni Antonio Canal, also known as Canaletto. However, Challoner’s restrained bravura paint handling also may bear witness to the influence of the French Impressionists. Challoner seems to have arrived in New Orleans about 1880. He advertised in the press and exhibited at the Creole Art Gallery and Grunewald’s Music Store in New Orleans. In 1887, Challoner moved to San Francisco, where he exhibited his maritime scenes at the Mechanic’s Institute and became a U.S. citizen. He may have been back in New Orleans after 1891, and served as captain of a naval vessel during the Spanish-American War. His art clients tended to be men involved in the shipping industry—ship owners and commission merchants, along with professional clubs and maritime benevolent societies. Challoner’s principal competition in New Orleans was August Norieri, a talented ship portraitist and painter of marines. While Norieri lived hand-to-mouth, Challoner drew a handsome salary working as a ship captain, presumably until shortly before his death at the age of 49. Securing the commission for painting the newly founded New Orleans Yacht Club suggests that Challoner was held in higher regard as an artist than Norieri. The two artists together met the market demand for ship portraiture and marine views in the port city, as had Edward Arnold and James Guy...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Prince Charles at Windsor Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 300...

A wonderful and large example by the artist! Still retains its original frame with label remnant. Peyton has skillfully captured the play of light and shadow, creating a luminous ...

Published 1998. Limited Edition Serigraph. (Image Area) Dimensions 30.75″ x 38.5.” Numbered 105/458 Signed and numbered by LeRoy Neiman. Also signed by Joe DiMaggio - as was the enti...

"Jamaican Scene 03.30.2021" by Nelson H. White, is an abstraction of a landscape in Jamaica. One can see the suggestion of natural light peeking through the loose rendering of trees....

Hollis Dunlap's (US based) "Night Shadows" is an original, handmade oil painting that depicts a nude woman posing with her hand combing through her dark h...

Painting Size (unframed): 9" x 12" Framed Size: 14" x 17" "Working on the Train" by John Budicin presents an atmospheric industrial scene, capturing rail yard structures through sof...

This brightly colored American Impressionist landscape by Julia Sulzer Griffith is a delightful celebration of renewal and vibrancy. Griffith’s masterful use of light and color breat...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972) One of the finest painters to embark upon the New Hope Art Colony, John ...

Reflections is one on the artist's paintings in the style of Luminism. Known for his ethereal landscapes, Chris Burkholder’s style can be described as American Luminism. Luminism is ...

From the 'American Family' portfolio. Hand signed and numbered by the artist. Lithograph on arches paper. Printed by Atelier Mourlot, Paris. Published by Raymond & Raymond, Inc. in ...

Charles Movalli (1945–2016) had a BA from Clark University and a PhD from the University of Connecticut. He painted and wrote about art for over thirty years. He belonged to the Nort...

Artist: Itzchak Tarkay (1935-2012) Title: Morning Tea Year: Circa 2000 Medium: Silkscreen on wove paper Size: 25.5 x 31.5 inches Edition: 126/199, plus pro...

This artwork titled "The Coast Near San Diego" 1949, is an oil painting on board by noted California artist Jean Martin (Eugenia Victoria Weir Martin) 1906-1986. It is signed at the lower right corner by the artist. The artwork (board) size is 16 x 20 inches, framed size is 24.35 x 28.35 inches. Framed in original wooden brown frame, with fabric liner. it is in excellent condition. About the artist: Eugenia "Jean" Victoria Weir Martin 1906-1986 San Diego, California Landscapes, Seascapes artist Eugenia Victoria Weir Martin was a painter and art instructor in Southern California. She was born in Tennessee on March 7, 1906. "Jean", as she was called, was brought to La Jolla, California as a small child by her parents, and remained in that area the rest of her life. Her Father was a businessman in the early stages of the development of La Jolla. He operated a General Store in the early village. They resided in "Windemere", which is now the home of the La Jolla Historical Society. At the age of 10 she studied art with a Mrs. Fletcher, an artist in residence at the 1916 California Exposition in Balboa Park. She also studied at the San Diego Academy of Fine Arts. Early in her career she also studied with Maurice Braun, Alfred Mitchell, Edward Langley...

Adam Fragment, detail from the full-scale trumeau figure of Adam commissioned as part of The Creation Series at Washington National Cathedral...

A fine large impressionist winter landscape by American artist Charles Herbert Woodbury (1864-1940). Woodbury was born in Lynn, MA, and sold his first painting when he was fifteen ye...

A contemporary oil painting of a woman standing in a garden. Wearing a printed orange dress, she almost blends into the colorful landscape which surrounds her. Tall wild grass sits i...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Painting Size (unframed): 10" x 15 1/4" Framed Size: 16" x 21" This intimate landscape by Bernard Corey depicts a quiet white house nestled within a wooded setting, rendered with se...

Hand signed and numbered by the artist. Image size approx 17.25 x 13.25 inches. Frame size approx 30 x 26 inches. From the edition of 200. Artwork is in excellent condition. Cert...

Marjorie Portnow's "Barbados View from Cherry Tree Hill" is a vibrant and captivating aerial impressionist landscape that captures the breathtaking beauty of the island from a unique...

Fine 22K gold gilt frame.

David Ackerson (b. 1950, American) Title: "Four Horns" Medium: Acrylic on Canvas Size: 40 x 30 in. Markings: Signed LR "David Ackerson" Signed & Titled...

Skier Allan Mardon, Canadian (1931) Date: Circa 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 29 in. x 21 in. (73.66 cm x 53.34 cm)

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 28 x 24 inches. AP edition. ...

A wonderful depiction of a wooded Landscape by the lake and autumn leaves falling by the country side. For this beautiful depiction, we find distinct elements that are unique to the ...

A fine New York winter cityscape by American artist Arthur Clifton Goodwin (1864-1929). Born in Portsmouth, New Hampshire, Goodwin lived and worked most of his life in Massachusetts ...