American Impressionist Art

Estate stamped on verso paper of backing board size 9 x 14 3/4 inches As we travel back in American art, Central Park is one of the subjects, while done - is hard to come by and very...

Moonside Oil 11"x14" League City Texas Moon Blues Evening Impressionism Artist " Driving to visit a friend in League City, the road curved past this scene. I stopped with a canvas ...

V....Vaughan is known for impressionist paintings of wildlife, western themes, scenes in Italy, France and all things Texas . Her paintings are part of the permanent collection of...

"Sunday" By Greg Harris is a perfect example of his most sought after paintings. Measuring 30x24 in., this painting has two woman dressed in pink and white keeping the sun away with ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" John Wells Jame...

The product is a fine art print by artist Max Hayslette, titled "Old Salty." Signed by the artist in 2014, this contemporary seascape print features a landscape orientation and is pr...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Joseph Barrett (b. 1936) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the...

Bubbles Between Clouds is a vibrant triptych by Juanjo Sáez that merges abstraction with lyrical gesture. Layers of spray paint and brushwork create a dreamlike landscape, where bold...

A fine impressionist still life with irises in a glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and drawin...

Arthur Ernest Becher, 'Early Spring', oil, 1950. Signed and dated, lower right. A fine impressionist landscape, with fresh colors, on heavy illustration board, in very good, original condition, without inpainting. Framed in a period, 3 inch wide wood frame. Image size: 17 5/8 x 20 1/2 inches; outside frame dimensions: 23 3/4 x 26 5/8 inches. ABOUT THE ARTIST Arthur Ernst Becher was a painter and an illustrator of books and magazines. Born in Freiberg, Germany, he emigrated with his parents at the age of six to Milwaukee, Wisconsin. As a fine artist, he was known for his rural New York landscapes and historical scenes including Lincoln's Gettysburg Address. He received early training from F.W. Heine and Robert Schade...

Highly detailed landscape with a house and car by Edward K. Williams (American, 1870-1950). A large house sits atop a hill, looking down over a road that runs along the river. Three people are driving a car from the 1930s along the road. The scene is rendered with great detail - both the house and the car are very accurate. There is an ornate border around the piece that was not finished, including instructions for framing and matting. Signed "E K Williams" on verso, with an address. Presented in a giltwood frame with a new off-white mat. Frame size: 15.75"H x 12.75"W Image size: 7.75"H x 6.5"W Landscape painter, Edward K. Williams was born 1870 in Greensburg, Pennsylvania. Williams studied at the Art Institute of Chicago with Freer, Vanderpoel, Fursman, and Krehbiel. He exhibited there as well from 1903-1929 (including many winter scenes). He also exhibited at the Hoosier Salon, New York Watercolor Club, Herron Art Institute, American Watercolor Society, Brown County Art...

Yet to be determined is whether this peaceful country scene done in 1983 is an early work by hip-hop photographer Katherine Baeth—given the unusual spelling of her last name. Today, ...

This original Western gouache painting captures a lively frontier scene with rich detail and storytelling charm. Rendered in grisaille with finely layered shades of gray, the composi...

"Eastern Plains of Colorado" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts a view of the vast green plains of Colorado, with the famed su...

This artwork titled "Carmel Mission Basilica" is a watercolor on paper by noted California artist Jeanne Ocker, born 1922. It is signed and dated at the...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 22, Plate #025 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Ba...

Orange Slice Galveston Beach 9"x12" oil People at the Beach Impressionism "Early summer on Galveston Beach I painted the complementary colors of blue waters and orange umbrella. " Ga...

This artwork "California Landscape" 1967, is a large oil painting on canvas by noted California artist Bill Shaddix, b.1930. It is signed at the lower left corner by the artist. The ...

Luminous painting of Pigeon Point Lighthouse, California by listed artist William M. Lemos (American, 1861-1942). Signed "W.M. Lemos" lower right, titled on verso. Presented in hand carved, rustic giltwood frame and brass title plaque. Image size: 30"H x 50"W. Framed size: 36.50"H x 56.5"W. Condition: Good. Previously owned and used, with little or no signs of wear and is in good condition. No structural issues. Born in New York, Lemos moved to San Francisco in 1887 where he established a studio at 106 Geary Street. He later moved to Santa Cruz in 1896, where he settled, painting murals for many local businessmen and the Santa Cruz Beach Boardwalk. As a boy Lemos earned money by wandering the streets and painting on request. Arriving in San Francisco in 1887, he established a studio at 106 Geary. With his wife Mabel, he worked in Los Angeles for a few years in the 1890s. After settling in Santa Cruz in 1896, he painted murals for many local businessmen. When the original Beach Casino was built there at the Boardwalk in 1904, Lemos was the first concessionaire and worked there for nearly 40 years. On his platform in the Casino, Lemos did paintings of redwoods, still lifes, forest fires, beach scenes, and marines. Many of his oils were done on redwood slabs which were popular with the tourists; in the early days these paintings sold for one dollar and up depending on the size of the work. After his vision failed and he was unable to paint, his last years were mostly spent fishing off the Municipal Pier with a friend who baited his hook for him because he could no longer see. In the March 27, 1941 Santa Cruz Sentinel News Lemos reminisced, "Them were the days when the Boardwalk was only twelve feet long and when business got slow I picked up my shotgun and went across the street and shot ducks where the Casa del Rey Hotel now stands." Exhibited: Calif. State Fair, 1885; Mechanics' Inst. (SF), 1889. In: Santa Cruz City Museum; Wawona Hotel (Yosemite). Edan Hughes, "Artists in California, 1786-1940" His mother was Julia Lemos, a Chicago artist famous for her depiction of the Chicago fire, “Two of Julia’s children became successful artists. Her eldest son, William, was a naïve still life, landscape, and mural painter. As a young boy in New York, he would wander the streets, earning money for the family, by ‘painting on request.’ At age 26, William moved to San Francisco, California. He opened an art studio and kept it running until he moved to Santa Cruz with his wife, Mabel, in 1896. During this period, he worked as a fresco artist painting ‘murals for many local businessmen.’ Exhibited California State Fair, Sacramento, 32nd annual, per Sacramento Daily Union, September 9, 1885. and article goes on to say “William Lemos and wife, Sacramento – Art school exhibits in which are shown such a variety of designs in decorative art, flower painting, and ornamentation, that one must give time to the examination.” Exhibited Mechanics Institute, San Francisco, 1889. “Lemos and his wife were in Fresno California 1890...

Clarence Keiser Hinkle American, 1880-1960 Pont Neuf Bridge, France 1906 Oil on board 10 ¾ by 13 ¾ in, w/ frame 18 by 21 in Signed lower right An academy trained California painter...

This artwork titled "Phoenician" c.1960 is an oil painting on canvas by impressionist American artist Charles Beauvais, 1917-1976. It is signed at the lower right corner, and titled on the back by the artist. The canvas size is 24 x 36 inches. It is in excellent condition About the artist: Charles J. Beauvais was born in Washington on October 28...

The Creek in Spring by Charles E. Buckler (American 1869-1953), signed lower corner titled verso oil painting on canvas: 16x 20 inches framed: 21.5 x 25.5 inches condition: very good...

"Tunbridge Valley" by acclaimed American painter T.M. Nicholas captures the warm, glowing palette of autumn in Vermont. T.M. Nicholas, is celebrated for his ability to translate t...

Original linen-backed Bruxelles (Brussels) Foire Internationale oversize vintage travel poster. The poster features the most famous Grand Pal...

Original watercolor on archival paper of the mountains of Saint Maurice in Switzerland by the well known American artist, Dodge MacKnight. Signed lower left and titled and dated 189...

Signed: Lower Right Dimensions (unframed): 18"x20" Dimensions (framed): 23"x25" "Roses in Command" is a richly expressive floral still life by Antonio Cirino, showcasing the artist’...

Mid century portrait of two children, a young boy and girl in traditional dress, set in a rustic interior by M. Ray Stancliff (American, b. 1925). Si...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

untitled (Shoeing the Mule, Charleston, South Carolina) Etching, c. 1930 Signed by the artist in pencil lower right (see photo) Condition: Excellent Image/plate size: 8 x 10 inches S...

Gorgeous plein air landscape in oil of the coast in Davenport, California, by Brian Rounds (American, b. 1968). Signed by the artist in lower right...

September Morning: The First Ferry. 1929. Watercolor. 10 1/8 x 13 (image and sheet). Provenance: The Fine Art Society, London. A misty, impressionist watercolor on French papier ved...

'Summer Midnight, Stockholm Sweden' 2016 by American artist, Lawrence Kelsey. Oil on panel, 13.5 x 19.5 in. / Handmade gold frame: 18 x 24 in. Depicti...

An abstract Mid Century city scene with a red moon placed above. This piece is depicted with thick use of paint and complex lines and color placement....

A Quiet River - Oil on Canvas Oil painting depicting a river flowing through a grove of trees. Vibrant green trees surround the river, hues of deep greens make up the trees to the l...

This artwork titled "Wild Winter" is an oil painting on canvas by Swedish/American artist Carlo Wahlbeck, b.1933. It is signed at the lower left corner by the artist, also signed and titled on the back. The canvas size is 9 x 12 inches, framed size is 13.75 x 16.75 inches. Framed in an antique style gold frame, with fabric liner and gold bevel. It is in excellent condition. About the artist: Carlo Wahlbeck was born in Stockholm, Sweden in 1933. His studies from early youth included travel and visits to major museums in Europe. During a visit to the United States, Carlo was introduced to the Native American Indian and the rich history of the American West. He moved to Southern California in 1960 and still calls it home today. Between 1960 and today, Carlo has traveled throughout the Southwestern United States and Mexico. For many years, he lived among the Navajo and Zunis, painting a great many surreal works that embodied their legends and outlook. He also spent 2 years in Mexico living among the Huichol people in the inaccessible mountains north of Tepic, painting the Indian religion and the white man's religion as seen through Huichol eyes. Between 1979 and today, he mastered the technique and came to control it, producing a fabulous new medium base for his expressions. The evolvement of his art has show much diversification and his works can be found in prominent private and corporate collections, as well as museums both here in the United States and abroad. A partial list of collectors: King Gustav of Sweden Former President and Mrs. Ronald Reagan Former President and Mrs. Richard M. Nixon Senator Barry Goldwater...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 17, Plate #020 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Ba...

This artwork "Landscape with Fishermen" c.1970 is a palette knife oil painting on canvas by noted artist Paul Blaine Henrie, 1932-1999. It is signed at the...

Polish, b. 1949 Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministry of Arts and Culture in Warsaw. This recognition is the ultimate achievement for Polish artists. Immediately after reaching this stature, Jan was in demand for numerous individual and collective exhibitions. From 1981 through part of 1988, he worked throughout Europe. During this time period he was invited to exhibit in Switzerland and in England where he had a one-man show. His travels brought him to the United States for a short vacation that has turned into his newfound home. His work was particularly well received in Michigan where he had three one-man shows, two of which were in Grosse Pointe and Harbor Springs...

Evocative oil painting of pioneers traveling by wagon train across the vast western plains by California artist Harry Roerade (American 1908-1987), circa 1...

Painting Size (unframed): 14" x 16" Framed Size: 21" x 23" Signature: Signed lower right This atmospheric harbor scene by James Jeffrey Grant captures the timeless maritime characte...

Painting Size (unframed): 16" x 18" Framed Size: 23" x 25" This vibrant autumn landscape by Tom Nicholas captures the brilliance of Vermont’s fall foliage with rich color and expres...

Original South Pacific (Tahiti) on Matson cruise ships archival linen-backed vintage travel poster. The title of the artwork reads: Tahiti. The Matson line ships going there are...

This artwork titled "Seaview, Fire Island, New York, Sand Dunes, Ocean Side" 1956, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 22 x 26 inches. Framed in an ornate wooden gold frame, with black velvet liner. It is in generally excellent condition, the frame have some minor restorations, barely visible and 2 small area where the velvet is scratched. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...

Wonderful J. Appleton Brown oil on canvas painting of a rocky New England coastline. 12" x 20", signed and dated lower right. Canvas has been relined and there have been some minor r...

This artwork "Wine Country" 1996, is a watercolor on paper by Chinese/American impressionist artist Douglas Chun, 1932-2017. It is signed and dated at the lower left corner by the ar...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Along the path on a walk, a vivid impressionist oil painting by Carol H. Kelly (American, 20th Century). Signed "C.H. Kelly" and dated "70" lower right. Unframed. Image size, 18.5"H ...

A gorgeous double sided mid century impressionist watercolor painting depicting boats docked at the harbor on one side and a sailboat docked by a pier on verso by C. Campbell. Signed...

David Shingler's (NC based) "Genesee Park, CO" is an oil painting that depicts a yellow-grassed meadow with the churning overcast sky overhead. Bio/a...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right Evelyn Faherty (1919-2015) Evelyn Faherty was born in the early 20th century and made her home in Yardle...

Ivan Summers: 1889-1964. Well listed and important American impressionist. He has had auction results as high as $6,670. He studied at the St. Louis Scho...

Autumnal scene of a fence-lined road winding down from the mountains. Oil on board measures 14 x 18, housed in a rustic wooden frame with a white linen liner, 18 3/4 x 22 7/8 x 1 3/4...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 50, plate #058. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower right. Hayley Lever (1876-1958) Hayley Lever's exceptional career path took him from the shores of ...

In this interior illustration for "When the Heart Beats Young" by J.W. Riley, pioneering female illustrator Ethel Franklin Betts creates an intimate statement of mother and child in an embrace. The composition is abstract with patterns that suggest the influence of Asian art—initialed lower right. Work is framed under glass - Oil on board Ethel Franklin Betts Bains (September 6, 1877 – October 9, 1959) was an American illustrator primarily of children's books during the golden age of American illustration in the late 19th and early 20th centuries. Betts first gained work illustrating magazines, including St. Nicholas Magazine, McClure's, and Collier's. Beginning in 1904, she was commissioned to illustrate several books, including James Whitcomb Riley's The Raggedy Man, While the Heart Beats Young, and Frances Hodgson Burnett's A Little Princess...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 10 #010 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...