American Impressionist Art

A luminous and atmospheric Southwestern landscape, After Storm, San Cristobal Valley Ranch, Taos–Questa Road, Santa Fe, New Mexico (January 1968) captures the breathtaking serenity t...

Dale O Roberts' "Oxidized Boxcar" is an original, hand made encaustic painting that depicts a rusting boxcar in an industrial setting. About the artist: Born 1959 in Waterville NY, ...

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

Frederic Milton Grant (1886 - 1959) Low Tide, 1916 Oil on canvas 16 1/4 x 18 1/8 inches Signed and dated lower right Housed in a Stanford White Newcomb-Macklin frame. Exhibitied: Ar...

Soft watercolor accents add to the beauty of this cyanotype and watercolor landscape of forest trees, titled "Floating Shadows", by Cheryl Trotter (American, 20th century), c. 1980's...

Still life of an interior with lemons and draped cloth by James Pollock (American, 20th Century). Signed and dated "Jim Pollock 7/87" on verso. Unframed. Image size: 18"H x 24"W.

Rendered with the etherial background and casual elegance of a mid-century society woman’s portrait slated for her Palm Beach master suite, the subject of this work is instead a youn...

Wonderful mid-century impressionistic landscape of Ogden, Utah mountain foothills by Grace H. Peterson (American, 20th Century), 1944. Signed and dated...

A stunning depiction a still life from the mid century with thick use of paint and vibrant coloration. There is a statue of an elephant along with tangerines and tea set, a wonderful...

Clyde Steadman's "Untitled 16" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model.

Mid century portrait of a girl in bonnet by listed artist Helen Mae Enoch Gleiforst (American,1903-1997), circa 1950. Unframed. Signed "Gleiforst" lower left corner. Image size: 20"H...

Yana Beylinson's (US based) "Echinacea" is an original, handmade oil painting that depicts impressionistic red, and pink flowers melding together with green leaves. Artist Bio: ...

Two Early Massachusetts Paintings Boy fishing "Beaver Pool" - "The Conway" 1897 Pair of early Massachusetts paintings on walnut wood pane...

This artwork "Landscape with Houses and Pond, California" c.1950 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963. It is signed at the lower left cor...

This artwork titled "Dance Upon the Sky" 2013, is an oil painting on canvas by noted American artist Frederick Michael Wood, b.1944. It is signed at the lower right corner by the art...

Beautiful mid century watercolor of stores in Aptos, California by listed artist Jon Blanchette (American, 1908-1987). Three stores sit side-by-side: a liquor store, a general store, and a pharmacy on the Old Aptos Village Boardwalk". They are brightly colored - green, yellow, and blue. In the background, there is a blue sky, green trees, and representations of the Aptos hills. Circa 1960 Signed "Jon Blanchette" lower right. Information about location and previous owner is on verso. Acquired with a collection of the artist's work. Art size: 9"H x 12"W Jon Blanchette was born in Somerset, England on March 29, 1908. He immigrated to Battle Creek, Michigan in 1918. Artistically inclined at age six, he later studied at the Pittsburgh Art...

Original Annual Roll Call vintage poster. Archival linen backed. Original fold marks touched up during linen backing. With the red cross ship sailing on the horizon in this image; the two lost survivors floating on wooden planks out at sea can now be rescued. Saved by the Red Cross. Possibly a different outlook during wartime on the "Loose Lips Sink Ships" Very little information is documented about this artist, E. Seaver. Linen-backed, post-World War 1 Red Cross poster...

Hazel Z Weckbach's (US based) "St. Marks" is an original, hand-made oil painting that depicts two people, having lunch at a cafe. Artist Statement: "Subject matter to me is a vehicl...

Herman Hyneman (1849-1907) Sunday Morning, 1907 Oil on board 15 3/4 x 11 1/2 in. Framed: 21 1/3 x 17 1/2 in. Signed lower right: Copyright 1907 by H.N. Hyneman Inscribed verso: Sunday Morning by H.N. Hyneman The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Clyde Steadman's "Remembered Nights" is an original, handmade oil painting that depicts a portrait of a female model

The Port of San Tropez Oil on canvas, c. 1920 Signed lower right corner (see photo) Condition: Excellent, professionally cleaned Image/Canvas size: 25 3/4 x 32 inches Frame size: 30...

Impressionist style plein-air landscape painting of trees and buildings by Stuart Shils. Oil on paper mounted on rag board. Image size: 16.75 x 13 inches. Frame size: 23 x 19.5 x 2...

"Facade" - Intaglio Etching of a Brick Building with Trees This etching by Ron Blumberg (b. 1908 d. 2002), features the outside facade of a brick building which is obscured by tree ...

This artwork "The Abandoned Train Car" c. 1960 is a watercolor on paper by noted Californian artist Dan (Daniel Stookey) Lutz, 1906-1978. It is signed at the lower right corner. The artwork size is 14 x 20.75 inches, framed size is 27.35 x 33.5 inches. Custom framed in a wooden gold frame, with off white matting and gold color spacer. It is in excellent condition. About the artist: Daniel Stookey Lutz was born in Decatur, Illinois on July 7, 1906 to Florence Stookey and Samuel Milton Lutz, who owned a music store in Decatur. His father was a noted violinist and his mother a fine watercolorist and occasional painter. He came of age in the 20s but he matured, as the country did, under the pressures of the Great Depression. He was twenty-three when the stock market fell in the fall of 1929. Fortunately for Lutz, he had already commenced his studies at Art Institute of Chicago (AIC) when the panic of Black Thursday occurred. After four years of studies at the AIC, Dan Lutz...

This artwork titled "Paris, Le Pont Neuf" c.1990 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed with...

Clyde Steadman's "Untitled 18" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model.

Wonderful mid century portrait of woman named Charlotte by Irinia Belotelkin Roublon (Russian/American, 1913 - 2009), circa 1960. Signed lower right corner and on verso. Unframed. Image size: 14"H x 11"W. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija...

Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo) Created October 20, 1880 Reference: Andrew Venice No. 29 Provenance: Estate of the Artist Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban. In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz. By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press. It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist. Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel. Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode. Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...

A whimsical depiction by Martha Walter of an interior morning scene of white, pink, and red roses arrangement in glass and ceramic vases on top of a table with a red mantel, and a bo...

Farm landscape by Dessie Wilcox (American, b. 1948). Signed with date and location in the lower left corner ("Dessie Wilcox '94 / Sandy Hook, Conn."). Presented in a deep wood frame ...

Still Life with Cantaloupe and Chianti Bottle in Oil on Canvas Classically styled still life by Ben Dominguez (American, 20th Century). Several pieces of fruit sit on a table, surrounding a bottle of Chianti wine...

Clyde Steadman's "Untitled 15" is an original, handmade watercolor painting that depicts an impasto scene of artists with their easels.

A very whimsical depiction of a woman blowing bubbles in a yellow dress texting on her phone. This piece captures the essence of fashion and Haute Couture effortlessly. Done in a ver...

We’ve all seen the practical, plain and dreary structures of a fishing village somewhere at water’s edge. And we recognize the mindset: in lean circumstances something is good enough...

"Cemented By The Coast" is an original, handmade oil painting, by Samantha Buller, that depicts a pastoral setting with a lone, dark structure.

This artwork titled "North of Turku" Finland, c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he lower right corner by the ...

Wonderful vertical modernist floral still life watercolor by Bill Richardson (American, 1931-2019), circa 1980. Signed lower section. Presented in pain...

"Blue Flower Garden" is a 30x24 acrylic painting on canvas by artist Edward Rittenberg. Featured is a blooming garden full of flowers layered over an expressive blue background. Each...

"Ocean's Edge" - Giclee Print on Watercolor Paper Giclee print of the Oceans Edge by California artist Jan Bearse (American, 20th Century). Colorful buoys are the focal point, with...

Serene 1920's watercolor landscape of calm water snaking through a lush marshy wetland, dotted with small birds, wildflowers and swaying grass, by an unknown artist (American, 20th C...

Wonderful woodblock print titled "Weaver" by Aptos, California artist Virginia J Hughins,(Virginia Brubaker DeWolf), (American, 1923-2004), circa 1990. Presented in a rustic black wo...

Scenic watercolor seascape of the Point Lobos, Carmel coast at sunset by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From...

Mid Century River Birches Landscape Watercolor Gorgeous vibrant mid century watercolor on paper painting of river birch trees by artist Eva Collins Marks (American, 20th century),19...

Beautiful botanical still-life of a large purple pear and a glass full of cut flowers with a background of soft, warm neutrals by California artist Josephine Guerra...

Wonderful still life of Cyclamen and lace by Katherine Popera (American, 20th century). Presented in a giltwood frame. Katherine F. Popera is a Maryland painter of portraits and stil...

Walter Farndon (1876–1964) captures the quiet beauty of the coastal marshlands in this richly textured oil painting. With his signature impasto brushwork and earthy palette, Farndon ...

This artwork titled "Road to Commerce" c.1990 is an oil painting on canvas after American artist Gail Sherman Corbett, 1871-1952. It is signed at the lower left corner by another hand. The canvas size is 20 x 24 inches, framed is 28 x 32 inches.. Framed in a antique style frame. It is in excellent condition. About the artist: Gail Sherman Corbett, sculptor, painter and art teacher, was the daughter of Frederick Coe and Emma Jane (Ostrander) Sherman and was born in Syracuse, New York. Her father was descended from Philip Sherman of Dedham, Essex, England, who came, in 1633 to Roxbury, Massachusetts, and afterwards, with eighteen others, founded the town of Portsmouth and the Colony of Rhode Island. He was the Second Secretary of that colony. Corbett's mother was a descendant of Michael Dyckman, one of the framers of the New Amsterdam Charter in 1623. Gail Sherman was educated at the Syracuse High School and the Anne Brown School, New York. She began her studies in sculpture at the Art Students' League in New York under Augustus Saint Gaudens, George DeForest Brush and others, and was later a student at the Ecole des Beaux Arts in Paris. She was given her first large commission in 1901, and, between then and 1914, when her work was interrupted by the War, she executed many memorial tablets, portrait busts, bas-reliefs, sundials, fountains, and medals. Her work received a medal and mention at the Panama-Pacific Exhibition in San Francisco in 1915. Her best known groups are the Hamilton S. White Memorial, Syracuse, New York (1905), the Kirkpatrick Memorial Fountain, Syracuse (1908), and the bronze doors of the Municipal Building, Springfield, Massachusetts (1913). Miss Sherman was married at Syracuse, June 28, 1905, to Harvey Wiley Corbett, a New York architect. They had two children: Jean and John Maxwell Corbett. During 1915-1917, Mrs. Corbett gave her services to the Woman Suffrage Party, and in 1916-1917 she was Chairman of the Chelsea Branch of the Woman's Municipal League. She was a member of the National Sculpture Society, the American Numismatic Society, the Woman's Municipal League, the New York Women...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 13 x 19 Frame Size: 21..25 x 27.25 Medium: Watercolor Dated 2004 "Last Light on Beckworth Mountain" Gunnison National Forest Colorado Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos Markos...

Stunning mid century landscape of Carmel, California titled "Sea Rocks" by Homer Francis Levinson (American, 1894-1975), circa 1940's. Impasto brushwork adds extra depth and interest...

Nude Women in Charcoal on Paper (Two Sided) Nude woman laying down by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). On the ...

Verdant 1920's landscape of trees looking out towards Rockaway Beach, NY, in the style of but not attributed to Jane Peterson (American, 20th Century). ...

Serene depiction of a cabin in a marsh by Floyd Town (American, 20th c.). Washes of color create an abstracted background for the scene, punctuated with bar...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Scott Conary's "Break" is an original, handmade oil painting that depicts light breaking through storm clouds. About the Artist: Raised where the East Coast suburbs filtered into t...

"The Retreat From Long Island" - 1932 Etching On Paper Black and white etching titled "The Retreat from Long Island" (from the portfolio ​“The Bicentennial Pageant of George Washing...

Foggy Coastal Seascape in Oil on Illustration Board Dramatic seascape with coastal cliffs by unknown artist "Kelly" (20th Century). The viewer stands at the edge of the ocean, atop ...

Old Houses in Amsterdam Drypoint, 1909 Signed and dedicated in pencil lower right. "A Mr. H. A. Webster, bien sympathiquement, T.F. Simon, Paris 26/10" Simon...

Impressionist seashore landscape with figure of fisherman, lobster pots, and crashing waves in Gloucester Massachusetts. Willet has portrayed this piece in a most dramatic and energetic way and has packed much feeling into this miniature work. It is almost as if we are there in the waves in the early morning, with the man and his lobster pots. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. The piece comes housed in a decorated dark tone wood frame and it is ready to be displayed with hanging wire on verso. Art measures 5 x 7 inches Frame measures 7.25 x 9.25 inches Christopher Willett...

Landscape of a road approaching a farmhouse by notable California artist Tom Olson (American, b. 1927). Signed and dated in the lower left corner. Presented ...