American Modern Art

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...

Otto Kuhler, 'George Washington Bridge' (under construction) also titled 'The Cables That Hold it All', etching, 1928, edition unknown. An uns...

Original vintage poster: Portugal and Spain by Pan American World Airways Clipper, Artist: Jean Carlu. Pan American original vintage poster large travel size format 27.5" x 41.1" Earliest version (the 1950s) of the poster for travel by Constellation aircraft. Original linen-backed, Pan American World Airways by Clipper vintage poster for travel to Portugal and Spain. Wear and stress marks in the top and bottom dark area but are not tears.. Small touch-up on the left white border. In the middle of this image, it features a matador with a cape hanging off his shoulder. Surrounding the image in vignettes of cut-out windows showing typical landscape scenes and castles. A great smaller format original for "The World's Most Experienced Airline". One of the windmills shown in this image has cloth sails. Trimming the sails allowed the windmill to turn at near the optimal speed in a large range of wind velocities. Pan American World Airways by Clipper. Pan American a.k.a. Pan Am Airlines posters are very collectible and rare year to year. This a great design opportunity for a home with a European flair. The Pan Am Clipper...

Original David Klein, Germany Fly TWA Jets (Smaller format)—professional acid-free archival linen backing; ready to frame. The image of this original travel to Germany scene features an old cathedral in the background and a wrought iron decorative 'rathauskeller' wine sign. The statue in the center holding the two birds spewing water. About the fountain: Gänsemännchenbrunnen (The Geeseman Fountain) depicting Philip Melanchthon, anonymous (presumed cast by Pankraz Labenwolf), ca. 1526, Nuremberg, Germany During the 1950s and 1960s, David Klein designed and illustrated dozens of posters for Howard Hughes’ Trans World Airlines (TWA). They remain the iconic images of the Jet Set Era. Up, up and away! David Klein was an American artist, best known for his influential work in advertising. Klein is best remembered for the iconic travel images he created for Howard Hughes and Trans World Airlines (TWA) during the 1950s and 1960s. TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was New York to Los Angeles, soon followed by multiple National routes. The airline expanded to serve Europe, the Middle East and Asia after WWII when the company was under the control of Howard Hughes, owner from 1939 until 1961. Hughes was a dominant force in expanding and promoting his company's routes. The economy was vastly improving, and travel by air for business and...

SALE ONE WEEK ONLY Yaeger was an American Modernist painter from Detroit, Michigan, who is credited with being one of the first painters in this style. The portrait “Untitled” easil...

Original WW1 poster: A Wonderful Opportunity for You. Ashore, on leave. United States Navy. A pre-war recruiting lithographic poster features an ebullient sailor going home o...

This is a very stylized and powerful portrait by the noted artist Frank Anderson Trapp. It is dated 1940, and is very much in the modern style of French painters Ferdinand Leger...

Harold E. Keeler worked in Hollywood as a set designer. That seems especially important here because the Water Fall looks a little as though it could be a w...

Original ‘Fiesta Mayor Badalona” vintage travel poster. Conservation linen backed and ready to frame. Very good condition full lithograph A bright and vibrant travel poster that ...

Donna Domitilla Ruspoli - Portrait in Baroque Romantic Architecture Palazzo by Slim Aarons 16" x 16" print on 16 x 20 paper. Limited Edition Estate Stamped Print. Edition of 150. P...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor...

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream ...

Original French poster: Camembert, E. PAILLAUD lithograph. Artist: Andre Roland. Size: 12.75" x 17.75" Archival linen backed and in excellent condition; ready to frame. The ...

Fisherman by Millard Owen Sheets, American (1907–1989) Date: circa 1977 Lithograph, signed in pencil Edition of AP Image Size: 22 x 29.5 inches Siz...

A ca. 1937 watercolor Titled "Sad Girl" by Institute of Design artist Eugene Dana. Image size: 19 3/4" x 12 1/2". Matted to 24 1/4" x 18 1/4". Provenance: Estate of the artist. ...

Donald Stacy "Mound Street" c. 1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate For sale is a striking black and white painting titled "Mound Stre...

Riders of Pigeon Hill, c. 1940s, oil on canvas, signed lower right, 24 x 36 inches, label verso with title, artist’s name and address; same information inscribed verso; ex-collection...

Bird #2 is a striking vintage black-and-white monotype print by celebrated Colorado modernist Edgar Britton (1901–1982), created in 1949. This original mid-century work presents a bo...

Original Philips Infra-Rouge vintage poster. Size: 23" x 31". Archival linen-backed French antique poster. It is archival linen backed and ready to frame. This fun kitchen poster...

Original lithograph: POINT BLEU RADIO. Artist: Pierre. Baudouin (1921 - 1971). Size is 31" x 47". Archival linen backed and ready to frame. Cleaned and restored rare original French antique...

Original OUR AMERICA TRANSPORTATION #4, horizontal vintage WWII time frame Transportation creates new wonders. Professional acid-free archival linen backed mint condition. This #4 for Transportation has two variations produced by Coca-Cola to feature the future of modern air travel. This is a rare variation of the Coca-Cola Our America transportation series. This poster #4 for transportation is the only Coca-Cola Our America poster that had two different versions. This poster is in excellent condition. The initially issued fold narks were flattened, and the touch-up work is exceptionally well done. So well done, you would have to look to find them! As mint as this poster can be! A futuristic plane design is shown as "transportation creates new wonders' as the double-decker plane with lower and upper passenger loading. You can stop and drop off passengers directly at the plane from your car! You can arrive by boat or water taxi or by using the new suspended freeways. The scene has semi-delivery trucks driving directly to the loading bays. The airplane engines...

"TRIPLE ELVIS BY ANDY WARHOL" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper ...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...

Keep 'em Flying!, artist: C. C. Beall: original linen-backed, excellent condition, World War Two vintage poster. The poster of Uncle Sam is constructed with several vignettes of workers, soldiers, scientists, the U. S. flag, and more. I have provided several details of this fabulous and uniquely designed vintage poster. The 1941 U.S. World War II (WWII) Home Front poster ("Keep 'em flying-Airplanes-flags-Machines-production-Nothing lags. Put your shoulder To the wheel; Courage staunch With nerves of steel. Greet each day, Or pledge a toast-"Keep 'em flying" is our boast. Here's a slogan For us all-An answer to Our country's call. Keep 'em flying; Keep 'em clear. The time is ripe, The time is HERE To pull together-One bold front-Each one prepared To do his stunt. Workers and The men who hire-Housewives-children-All aspire To help and work With little pause-One mind, one heart, One goal, one cause. So-'KEEP 'EM FLYING!' - Jack Childs"; "Presented by the United States Army Recruiting Service") featuring collage art of soldiers and other personnel overlaid with an image of Uncle Sam by Cecil Calvert Beall. Incredible design with the military, red cross nurse, American Flag, chemist, pilots, farmer, steel worker, and Navy guns...

Irwin Hoffman created a lively scene of a Mexican barber shop that serves as a focal point of the community's life. A man is being shaved as people cook, eat and revel in the camaraderie of the scene. This print was issued by Associated American Artists and is in the permanent collection of the San Francisco Museum of Art. Born in East Boston...

Portofino Villa, 1977 - Aerial View Italian Landscape Countryside Swimming Pool by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

William Stephens Shields, Jr., 1925 - 2010 "Saturday Night Live" 1996 Oil on canvas 36"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Striking Fauvist portrait with a vibrant, high voltage color palette, featuring a green woman with red hair by Sydney Helfman (American, 1926-2010). Aut...

Ed Heck (American, Born 1963) Signed: Heck (Lower, Right) And: Copyright Ed Heck 2012 (on verso) " Lookin' Cool 2 ", 2012 (Titled and Dated on Verso) Acrylic on Canvas 48" x 36" ...

This artwork "Untitled #3" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 21.75 x 16.75 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...

Juniper, Lake Tenaya Gelatin silver print, 1937 Unsigned Edward Weston Estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward, printed in...

Maidenhood Clarence Holbrook Carter American (1904–2000) Date: 1977 Lithograph, signed and numbered in pencil Edition of 200, AP 30 Image Size: 27 x 19.5 inches Size: 30 in. x 22 i...

This original 1940s grayscale watercolor by Charles Ragland Bunnell depicts a semi-abstracted view of the Golden Cycle Mill in Colorado Springs, Colorado. Rendered in subtle gradations of black and gray, the composition reflects the influence of WPA-era Modernism, combining industrial subject matter with expressive abstraction. The work is a notable example of mid-20th-century American Regionalism, capturing both a sense of place and a forward-looking artistic vision. Bunnell’s restrained palette and simplified architectural forms transform the industrial landscape into a dynamic modern composition, emphasizing structure, rhythm, and atmosphere. The subject references the Golden Cycle Mining and Reduction Company, a major contributor to Colorado’s early 20th-century mining industry, located in what is now Old Colorado City. Through this modernist lens, the painting documents an important chapter of Western industrial history. The watercolor measures 8 1/8 x 9 5/8 inches (sight size) and is presented in a custom black frame measuring 18 x 19 ½ x 1 ⅜ inches, making it a refined, display-ready piece for collectors of American Modern art, WPA works, and industrial landscapes. Charles Ragland Bunnell (1897–1968) was a pioneering Colorado modernist, New Deal art...

Country Road Clarence Holbrook Carter American (1904–2000) Date: Circa 1979 Lithograph, signed and numbered in pencil Edition of 200, AP Image Size: 24 x 18 inches Size: 30 x 22 in...

Oil on canvas, 18 x 20 inches, Signed lower right This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Exhibited: 1) (likel...

A dynamic 1930s, WPA era industrial scene watercolor of a steel mill factory worker by notable Chicago Modern artist, Harold Haydon. A wonderful example of early Twentieth Century a...

Perfect for your hockey enthusiast! A dynamic 1950s pastel on paper drawing of a hockey game by famed Chicago Modern artist, Francis Chapin. Image size: 9 x 12 inches. Matted size: 14 x 18 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

"Hollywood Sign" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Hollywood related imagery. Archival photographic paper Framing options ava...

Artist: William Harnden, American (1920 - 1983) Title: Conductor with Singer Medium: Oil on Masonite, signed Image Size: 11.5 x 23.5 inches Frame Size: 17.5 x 30 inches

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintin...

Original Painting. Fortune Cover. Sept 1933 Illustration American Modern WPA Era Antonio Petruccelli (1907 - 1994) Wild Horses & Dynamo Fortune cover published, September 1933 13 X ...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

A dynamic 1930s, WPA era industrial scene watercolor of a steel mill and factory workers by notable Chicago Modern artist, Harold Haydon. A wonderful example of early Twentieth Cent...

A 1951 ink on paper figure study by artist Harold Haydon depicting a conversation. Artwork size: 12" x 9 1/2". Archivally matted to 14" x 16". Provenance: Estate of the artist....

Jacques Monory In Honor of Oklahama's War Heroes, 1976 Original screen print Handsigned On BFK Rives 38 x 28 cm (c. 14x 11 in) Limited to 300 exemplary, not numbered INFORMATION: ...

Bohemian Woman - Signed Graphite Portrait Drawing on Textured Paper Portrait of a woman in a Boehme Bandana with exaggerated eyes and a parted smile. A Carbon Pencil and eraser original drawing by Eugene Hawkins (American, b. 1933). Signed and dated upside-down along the bottom edge: "Eugene May 13th 1976" Presented in a new black mat. Mat size: 20"H x 16"W Paper size: 15"H x 11"W Eugene Hawkins (American, b. 1933) is a BIPOC artist known for his detailed portraiture and printmaking. He is listed in Who Was Who in American Art, 1564-1975, and his work was exhibited in the Whitney Museum of American Art. He spent the majority of his life working and exhibiting in Southern California. His work frequently touches upon socio-political subjects, making strong statements about the world. The California African American Museum features Eugene Hawkins's work in the Permanent Collection.Exhibition: 2017 Paperworks: Selections from the Permanent Collection focuses on works on paper produced from 1800?2000 and includes figurative, impressionistic, and abstract styles. The exhibition showcases the radically diverse range of works on paper created by African American and other artists over the last two centuries, and includes drawings, prints, paintings, and collages by Edward Mitchell Bannister...

Original linen backed vintage travel poster on United Air Lines to Washington D. C. Artist: Jebary. Linen backed vintage poster. Ve...

Early mixed media painting composed of watercolor, gouache and oil pastel on card stock of a jester by the Canadian/American artist, Rolph Scarlett. Signed by the artist lower right ...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled The Steerage, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a Ye...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Street Cleaners, c. 1940s, oil on canvas, signed lower right, 28 ¾ x 42 inches, Gallery Z...

A Striking, Dramatic 1950s Mid-Century Modern Figure Study Portrait of Woman by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, studio drawing in charcoal of...

A Fine, Mid-Century Modern 1950s Figure Study Portrait of Young Woman in Profile by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, studio drawing in charcoa...

Original poster created for the American Dance Festival in 1992, designed by Sheila and Jeff Metzner. Hand-signed and numbered in black pen from the limited edition of 150. Printed b...

Oil on artist board mounted on wood panel. Tschacbasov sunset sets the trees ablaze in this beautiful painting done in the late 1950's while two small figures in the lower right side...

Zephyr Green Macchia with Blue Lip Wrap, 1996 Dale Chihuly (American, b. 1941) 8 x 10 x 10 inches Signed and Dated on Bottom Born in Tacoma, Washington, Dale Chihuly became the most...

This stunning figurative bas relief sculpture captures a female ballet dancer gracefully poised in the arabesque position, created by the acclaimed Colorado/Missouri artist Eric Bransby (1916-2020). Crafted from bronze and polymer Forton casting, the piece beautifully exemplifies Bransby’s mastery of motion and form. Provenance: Collection of the artist, Eric Bransby About Eric Bransby: Eric James Bransby was a highly respected muralist, painter, illustrator, and educator. His education at the Colorado Springs Fine Art Center included studies with renowned artists like Thomas Hart Benton, Jean Charlot, Boardman Robinson, and Josef Albers. He also studied at the prestigious Yale School of Fine Art. Bransby’s career is defined by his exceptional work as a muralist, with notable commissions including the Rockhurst Library Triptych Mural at the University of Missouri, murals at Brigham Young University, the U.S. Air Force Academy...

Clinton Hill (1922-2003), created quintessential mid-century images. He lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, ...