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American Modern Art

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Style: American Modern
The Artist s Apartment Mid-Century Fauvist Interior Scene Original Oil on Canvas
Located in Soquel, CA
The Artist's Apartment Mid-Century Fauvist Interior Scene Original Oil on Canvas Vibrant interior scene by Santa Cruz California artist Frances Rinaldo (American, b. 1943). A bright...
Category

1960s American Modern Art

Materials

Canvas, Oil, Stretcher Bars

1950s "Too Much" Mid Century Nude Gouache Painting
Located in Arp, TX
From the estate of Jerry Opper & Ruth Friedman Opper Too Much c. 1940-1950's Gouache on Paper 15" x 18", framed wood gallery frame float mount 21.5"x19.5" From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...
Category

Mid-20th Century American Modern Art

Materials

Paper, Gouache

"And Search for Peace" - Rare Signed Figurative Lithograph in Ink on Paper
Located in Soquel, CA
"And Search for Peace" - Rare Signed Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Rendered in a semi-abstracted style, a young, black boy holds out his arm for a dove, the symbol of peace to land. Titled, numbered, dated, and signed along the bottom edge: "and search for peace litho #22/50 Jan 64 Eugene Hawkins, Legend #412" Presented in a new black mat. Mat size: 18"H x 14"W Image size: 11"H x 8.75"W Eugene Hawkins (American, b. 1933) is a BIPOC artist...
Category

1960s American Modern Art

Materials

Paper, Ink, Lithograph

TOP GUN Soundtrack Cassette Tape Photography 30x50 Pop Art Photograph Pop Art
Located in Los Angeles, CA
A contemporary photograph of the "Top Gun" soundtrack. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic tapes have become mor...
Category

21st Century and Contemporary American Modern Art

Materials

Archival Pigment

Sand Flow
Located in San Francisco, CA
This artwork titled "San Flow" 1986 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 30.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition. About the artist. Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe. Solo Exhibitions: 2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia 2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico 2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico 996- "Why Don't You Just Leave?" paintings and video installation 1998 tour to 11 British Columbia regional galleries, originating at the Art Gallery of Greater Victoria Victoria, British Columbia 1993 Fran Willis Gallery, Victoria, British Columbia 1991 Fran Willis North Park Gallery, Victoria, British Columbia 1990 Fran Willis North Park Gallery, Victoria, British Columbia 1986 Robert Vanderleelie Gallery, Victoria, British Columbia Thomas Gallery, Winnipeg, Manitoba 1984 Grace Gallery, Vancouver, British Columbia Winchester Galleries, Victoria, British Columbia 1982 Kyle's Gallery, Victoria, British Columbia 1981 Kyle's Gallery, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia Selected Group Exhibitions: 2014 Insight Art Gallery, Galiano, B.C 2012 The Field Gallery, San Jose del Cabo, Mexico 2002 “European Media Arts Festival”, Osnabruck, Germany 1997 “Open House”, Canadian Cultural Centre, Paris, France 1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia 1994-1996 Government House, Victoria, B.C. 1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia 1990 "Bumbershoot Festival 1990", Seattle, Washington 1986 "Images B.C." The British Columbia Pavilion, Expo 86 Vancouver, British Columbia 1985 "Hot Water Colour", Harbourfront, Toronto, Ontario "B.C. Women Artists" Art Gallery of Greater Victoria, Victoria, British Columbia 1983 "National Watercolour Exhibition" Contemporary Art Gallery, Vancouver, British Columbia 1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C. Public Collections British Columbia Art Collection, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Maltwood Art Museum, Victoria, British Columbia City of Vancouver, Vancouver, British Columbia Esso Resources Canada, Ltd., Calgary, Alberta Canada Council Art Bank, Ottawa, Ontario Grants and Awards 1995 British Columbia Cultural Services Branch grant 1973 City of Vancouver Purchase Grant Exhibition Reviews, Catalogues and Articles "A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus. “Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus. Cover, Preview Magazine, Vancouver, B.C., (May/June 1990) Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus. “B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus. Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8 Hartog, Diana, “Body Landscapes...
Category

Late 20th Century American Modern Art

Materials

Watercolor

A Cheerful 1950s Textile Design by Artist Andre Delfau
Located in Chicago, IL
A colorful textile design in orange, blue, red and yellow tones depicting an abstract polychrome Wedge Star pattern by set and costume designer Andre ...
Category

1950s American Modern Art

Materials

Ink, Gouache, Graphite, Paper

An Introspective, Modern 1940s Portrait of a Seated Young Ballet Dancer
Located in Chicago, IL
A captivating, Modern 1940s portrait painting of a young female ballet dancer by famed Chicago artist, Francis Chapin (Am. 1899-1965). A skilled and expressive studio portrait of a ...
Category

1940s American Modern Art

Materials

Oil

Reclining Female Nude
Located in Fairlawn, OH
Reclining Female Nude Charcoal and colored chalks with white highlights on tan laid paper, c. 1948 Signed and monogrammed by the artist lower right (see photo) A masterpiece dr...
Category

1940s American Modern Art

Materials

Chalk

A ca. 1940 Etching Titled "Tip of Manhattan" by Artist Nat Lowell
By Nat Lowell
Located in Chicago, IL
A ca. 1940 etching of a view of the Manhattan skyline by artist Nat Lowell. Signed and titled in pencil, ca. 1940. Artworks size: 4 1/4" x 5 1/4". Arc...
Category

1940s American Modern Art

Materials

Etching, Paper

Green Landscape, Abstract Countryside, Fields, Modern, Contemporary, Oil, French
Located in LANGRUNE-SUR-MER, FR
Abstract landscape with colored plots in a dominant green. The landscape evolves in modulations with blurred contours, to suggest volumes more than to draw a precise pattern. The pal...
Category

21st Century and Contemporary American Modern Art

Materials

Oil

40x60 BRUCE SPRINGSTEEN "BORN IN THE USA" Cassette Photography Fine Art Print
Located in Los Angeles, CA
A contemporary photograph of a BRUCE SPRINGSTEEN "BORN IN THE USA" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These i...
Category

21st Century and Contemporary American Modern Art

Materials

Archival Pigment

Large Richard Merkin Painting Harlem Jazz Club, New Yorker Magazine Cover Artist
Located in Surfside, FL
Richard Marshall Merkin (American, 1938-2009) Gladys and Half-Pint Hand signed 'Merkin' (center right), Titled, inscribed, dated, and initialed 'GLADYS BENTLEY AND FRANKIE 'HALF-PINT' JAXON 1997/R.M.' verso. Oil on canvas 37 1/2 x 72 in. (95.3 x 182.9 cm) framed 39 1/4 x 74 x 2 in. Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) was an American blues singer, pianist, and entertainer during the Harlem Renaissance. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer. She headlined in the early 1930s at Harlem's Ubangi Club, where she was backed up by a chorus line of drag queens. She dressed in men's clothes (including a signature tailcoat and top hat), played piano, and sang her own raunchy lyrics to popular tunes of the day in a deep, growling voice while flirting with women in the audience. On the decline of the Harlem speakeasies with the repeal of Prohibition, she relocated to southern California, where she was billed as "America's Greatest Sepia Piano Player" and the "Brown Bomber of Sophisticated Songs". She was frequently harassed for wearing men's clothing. She tried to continue her musical career but did not achieve as much success as she had had in the past. Bentley was openly lesbian early in her career, but during the McCarthy Era she started wearing dresses and married, claiming to have been "cured" by taking female hormones. Frankie "Half-Pint" Jaxon, born Frank Devera Jackson was an African American vaudeville singer, stage designer and comedian, popular in the 1920s and 1930s. He was born in Montgomery, Alabama, orphaned, and raised in Kansas City, Missouri. His nickname of "Half Pint" referred to his 5'2" height. He started in show business around 1910 as a singer in Kansas City, before travelling extensively with medicine shows in Texas, and then touring the eastern seaboard. His feminine voice and outrageous manner, often as a female impersonator, established him as a crowd favorite. By 1917 he had begun working regularly in Atlantic City, New Jersey and in Chicago, often with such performers as Bessie Smith and Ethel Waters, whose staging he helped design. He served slightly less than a year in the United States Army in 1918–1919 and rose to the rank of sergeant. In the late 1920s he sang with top jazz bands when they passed through Chicago, working with Bennie Moten, King Oliver, Freddie Keppard and others. He performed and recorded with the pianists Cow Cow Davenport, Tampa Red and "Georgia Tom" Dorsey, recording with the latter pair under the name of The Black Hillbillies. He also recorded with the Harlem Hamfats. In the 1930s, he was often on radio in the Chicago area, and led his own band, titled Frankie "Half Pint" Jaxon and His Quarts of Joy. Jaxon appeared with Duke Ellington in a film short titled Black and Tan (1929), and with Bessie Smith in "St. Louis Blues" (1929). Cab Calloway's "Minnie the Moocher" (1931) is based both musically and lyrically on Jaxon's "Willie the Weeper" (1927). Richard Merkin, Sometimes described as Rhode Island’s most famous New York artist, Richard Merkin has led a dual life for nearly 40 years - teaching at RISD while enjoying a celebrated painting career based in New York City. He has exhibited in countless gallery and museum shows in the US and abroad and is represented in the permanent collections of the Smithsonian Institution, The Museum of Modern Art, the Whitney Museum, the RISD museum and many others. In addition to contributing drawings and paintings to The New Yorker (along with, Art Spiegelman, Saul Steinberg, Harper’s, The New York Times Sunday Magazine and several books on Erotica and Baseball, he is a contributing editor for Vanity Fair and a former style columnist for GQ. Merkin’s honors include a Tiffany Foundation Fellowship and the Rosenthal Foundation Award from the American Academy of Arts and Letters. Museums and Selected Collections : The American Federation of Arts, New York, NY Brooklyn Museum, Brooklyn, NY Chrysler Museum of Art, Norfolk, VA First city Bank, Chicago, Ill Fisk University Art Gallery, Nashville, TN Hallmark Collections, Kansas City, MO Massachusetts Institute of Technology, Cambridge, MA Maimi-Dade Junior College, Miami, FL Michigan State University, East Lansing, MI Minnesota Museum of Art, Minneapolis, MN Museum of Modern Art, New York, NY Museum of Art, Rhode Island School of Design, RI McClung Museum, University of Tennessee, Knoxville, TN Pennsylvania Acadamy of the Arts, Philadelphia PA Prudential Insurance Company, Boston, Ma Prudential Insurance Company, Newark, NJ Rose Art Museum, Brandeis University, Waltham, MA Sara Robey Foundation, New York, NY Smithsonian Institution, Washington, DC State University of Brockport, Brockport, NY Whitney Museum of American Art, New York, NY Selected Publications : 1986-Present Contributing Editor, Vanity Fair ..1988-Present, New Yorker... 1988-Present, style column, GQ...1997, Text and Illustration for The Tijuana Bibles, published by Simon & Shuster, 1995, Illustrated book, Leagues Apart: the Men and Times of the Negro Baseball Leagues published by Morrow. 1967 Cover of the Beatles “Sgt. Peppers Lonely Hearts Club Band” Album (Mr. Merkin appears in the back row, right of center) RISD: MFA in Painting, 1963; Professor, Department of Painting special skill: Merging his role as flaneur (connoisseur of city life) with his role as painter and social historian, Merkin retrieves lost cultural artifacts – a Turkish cigarette, a gangster, a bowler and generally “things most people don’t know about” – and reconstitutes their Jazz Age virtues on canvas in cubist, comic-laced landscapes of tropical color. (ala Robert Crumb and Ben Katchor) breaking in: Perpetually on the fly from his middle-class Brooklyn background, Merkin found the perfect escape in the mid ‘60s in George Frazier, a dapper Boston columnist who inspired the emerging New York painter’s overnight reinvention of himself. The elements of structure, stability and surprise he admired in this well-dressed dandy – a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick – soon surfaced in paintings peopled by impeccable underdogs of café society along with his personal pop heroes: William Burroughs, Bobby Short and Krazy Kat...
Category

1990s American Modern Art

Materials

Canvas, Oil Pastel, Oil

A Striking 1940s Cubist Still Life Drawing by Modern Artist Stanley Bielecky
By Stanley Bielecky
Located in Chicago, IL
A striking 1940s Modern cubist still life drawing by Notable Chicago and Michigan artist Stanley Bielecky. Image size: 4 x 5 inches. Archivally matted to 13 1/4 x 16 inches. Estate stamped and numbered 58, lower left. Stanley Bielecky was an Indiana artist who painted the American Scene, from the industrial factories and workers around East Chicago to the pastoral settings of Mackinac Island...
Category

1940s American Modern Art

Materials

Graphite, Paper

"50x40" FRIDA KAHLO Photomosaic Pop Art Archival Fine Art Photography Signed
Located in Los Angeles, CA
Frida is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller i...
Category

21st Century and Contemporary American Modern Art

Materials

Archival Pigment

San Agustin - Zacatecas (From Azotea of Hotel)
By Loren Mozley
Located in Dallas, TX
signed "Mozley" at lower right
Category

Late 20th Century American Modern Art

Materials

Canvas, Oil, Panel

"Personage" Heavy Impasto Expressionist Portrait of Lady with a Hat
Located in Soquel, CA
"Personage" Heavy Impasto Expressionist Portrait of Lady with a Hat Abstract expressionist portrait of a woman wearing a hat by California artist Harald "Harry" Dry Schmidt (America...
Category

1970s American Modern Art

Materials

Canvas, Oil, Stretcher Bars

NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary
Located in New York, NY
NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary David Atkins (1910 – 2012) Subway Train Departure 24 x 30 inches Oil on can...
Category

1960s American Modern Art

Materials

Canvas, Oil

Weehawken Sequence
Located in Bryn Mawr, PA
Weehawken Sequence, c. 1910-16 Oil on canvas board, 9 x 12 inches (22.9 x 30.5 cm) Framed dimensions: 13 3/8 x 16 1/4 inches John Marin’s long and prolific career is best marked by ...
Category

20th Century American Modern Art

Materials

Canvas, Oil, Board

Charles Ragland Bunnell 1935 Graphite Drawing, Colorado Modernist Cityscape
Located in Denver, CO
This circa 1935 graphite on paper drawing by Charles Ragland Bunnell (1897–1968) depicts a modernist cityscape of houses perched on a hill in Colorado, reflecting the vibrancy and in...
Category

1930s American Modern Art

Materials

Graphite

Mid Century Vintage 356 Porsche, Midnight Modern Architecture Palm Springs
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on Cotton Paper. Mi...
Category

2010s American Modern Art

Materials

Cotton, Archival Ink, Photographic Paper

"Labor in a Diesel Plant" Machine Age American Scene Industrial Mid 20th Century
Located in New York, NY
"Labor in a Diesel Plant" Machine Age American Scene Industrial Mid 20th Century Letterio Calapai (American 1902-1993) ''Labor in A Diesel Plant'' Wood engraving, 1940 17 x 10 1/2...
Category

1940s American Modern Art

Materials

Lithograph

"60x48" FRIDA KAHLO Photomosaic Pop Art Archival Fine Art Photography Print
Located in Los Angeles, CA
Frida is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller i...
Category

21st Century and Contemporary American Modern Art

Materials

Archival Pigment

"Artist at Work" - Portrait of the Artist in Oil on Canvas
By Christine Chatwell
Located in Soquel, CA
"Artist at Work" - Portrait of the Artist in Oil on Canvas Figurative painting of an artist at work by Christine Chatwell (American, 20th Century). Presented in a blue wooden frame....
Category

1990s American Modern Art

Materials

Canvas, Oil

Victoria Incres Line, Scandinavian Luxury Cruises original vintage poster
Located in Spokane, WA
Linen-backed original vintage poster: Ms. Victoria Incres Line, All Italian Crew, Mediterranean; West Indies Luxury Cruises original poster. Colorful cruise line poster with a gold...
Category

Late 20th Century American Modern Art

Materials

Offset

“Abstract Sailboats”
Located in Southampton, NY
Fabulous original mid century modern oil on canvas painting by the well known New York artist, William Katz. The painting is done in a colorful abstraction of sailboats and is signed by the artist lower left. The artist has mixed sand into the oil paint to give the painting a highly textured look. Condition is excellent. Circa 1955. The frame is original with a studded gold edge detailing and with natural wood sides. Frame is in fine original condition. Overall framed measurements are 17 by 29.25 inches. Provenance: A Saint Petersburg, Florida collector. William P. Katz (1926-2003) American William Katz was born in New York, studied at The Art Students League and with Sebastiano Mineo of New York City. For five years he worked and lived in the home that was once occupied by the great American sculptor Gutson Borglum. His works are in many private collections in the United States, Norway, England, Canada and Greece. Best known for sculptures, he also created paintings and designed textiles and jewelry. Alexander Kirkland called him an abstract "figurist-fantasist." He has had one-man exhibits at many galleries including: 1964, Miami Museum of Modern Art, Miami, FL; 1965, Fordham University...
Category

1950s American Modern Art

Materials

Canvas, Oil

"On Guard" Heavy Impasto Expressionist Figure
Located in Soquel, CA
"On Guard" Vintage Abstract Expressionist Heavy Impasto Figure Abstract expressionist figurative composition of a man in a button down shirt with a brimmed hat by California artist ...
Category

1970s American Modern Art

Materials

Canvas, Oil, Stretcher Bars

San Pedro Harbor
Located in New York, NY
It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...
Category

20th Century American Modern Art

Materials

Canvas, Oil

Tree with Blue and Red Fruits - Lithograph - Maeght 1971
Located in Paris, IDF
Alexander CALDER (after) Tree with Blue and Red Fruits Lithograph poster Printed signature in the plate 80 x 50 cm (c. 32 x 20 in) INFORMATION : Lithograph created for the Calder e...
Category

1970s American Modern Art

Materials

Lithograph

Geno Pettit, Seated Figure
Located in New York, NY
Seated Figure by Geno (sometimes Genoi) Pettit, made in 1945, is a wonderfully 'moderne' image. The woman is wearing a roman-inspired blouse or dress and is shown against a yellow/green, chartreuse background. There is the feeling she is about to lead an ancient procession at any moment! Pettit and her husband, Guy McCoy...
Category

Mid-20th Century American Modern Art

Materials

Screen

Some Garden Accessories
Located in Myrtle Beach, SC
John DePol, 'Some Garden Accessories', chiaroscuro wood engraving, 1979, proofs only from the block created in 1979, edition 200, 1983. Signed, dated, and titled in pencil. Signed in...
Category

Mid-20th Century American Modern Art

Materials

Woodcut

The 18th at Pebble Beach
Located in Missouri, MO
The 18th at Pebble Beach Leroy Neiman (American, 1921-2012) Signed in pencil lower right Edition 176/400 lower left 26 x 43 inches 37.25 x 54.5 inches with frame Known for his bright, colorful paintings and screen prints of famous sports stars...
Category

20th Century American Modern Art

Materials

Color, Lithograph

Buffalo, NY Steel Mill American Scene Modernism WPA Era Industrial 20th Century
Located in New York, NY
Buffalo, NY Steel Mill American Scene Modernism WPA Era Industrial 20th Century Ruth A. Haven Gay (1911-1992) “Buffalo, NY Steel Mill”, c. 1935 23 x 28 inches Oil on canvas Signed G...
Category

1930s American Modern Art

Materials

Oil, Canvas

A Stylish Vintage 1940s Fashion Study, "Personal Choice of Gertrude Lawrence"
Located in Chicago, IL
A stylish, vintage, 1940s woman's fashion study featuring an elegant, colorful design titled "Personal Choice of Gertrude Lawrence, Star of Lady in the Dark". Gertrude Lawrence, fam...
Category

1940s American Modern Art

Materials

Paper, Watercolor, Pencil

Henry Ernst Schnakenberg, (Still Life with Skull)
Located in New York, NY
Henry Schnakenberg is mostly known for New York City scenes. This is clearly a departure. It is signed at the lower left and dated '4-53' on the r...
Category

1950s American Modern Art

Materials

Oil

Animal Kingdom (Magnificent Jungle Cats)
Located in Fairlawn, OH
Animal Kingdom (Magnificent Jungle Cats) Etching, 1953-1955 Signed and titled in pencil by the artist (see photos) Annotated: "First Proof" (see photo) Estate stamp verso (see photo)...
Category

1950s American Modern Art

Materials

Etching

"6th Avenue El" American Scene Social Realism Mid-20th Century New York City
Located in New York, NY
"6th Avenue El" American Scene Social Realism Mid-20th Century New York City Ernest Fiene (1894-1965) "6th Avenue El" 12 1/4 x 14 1/4 Oil on canvas board, c. 1940s Signed lower righ...
Category

1940s American Modern Art

Materials

Oil, Board

John E. Billmyer, Flower Piece, WPA wood engraving
Located in New York, NY
'Flower Piece' shows the artist, John Billmyer, to be a highly accomplished wood engraver. There are endless patterns and created details -- all executed flawlessly. Mostly made up o...
Category

Mid-20th Century American Modern Art

Materials

Woodcut

Down by the River, Signed Lithograph by Clarence Carter
Located in Long Island City, NY
Down by the River Clarence Holbrook Carter American (1904–2000) Date: 1981 Lithograph, signed, numbered, and dated in pencil Edition of AP 30 Size: 25 x 32 in. (63.5 x 81.28 cm)
Category

1980s American Modern Art

Materials

Lithograph

Brightly Colored 1950s Textile Design by Artist Andre Delfau
Located in Chicago, IL
A colorful 1950s textile design (Black, yellow, blue, pink, red tones) by noted set and costume designer Andre Delfau. Born in Paris, France in 1914, Andre Delfau became an internationally acclaimed stage, set and costume designer who worked world-wide from the 1930s to the 1980s. Delfau was a life long artist and painted independently of his noted design career. His artwork is recognized for it’s vibrant color and form, and a particularly keen use of line. He was highly influenced by the French Modern trends of Cubism and Surrealism, and his artwork is often infused with a dramatic sense of architecture and perspective. Delfau created fashion designs for such major Paris couture houses as Balmain, Jean Patou and Balenciaga. He completed noteworthy set designs and costumes for numerous international operatic and ballet productions, including those at the Royal Danish Ballet, the Royal Ballet of Great Britain, the Paris Opera, the Dance Theater of Harlem, the Ruth Page International Ballet, the Civic Ballet of Chicago, the Chicago Opera Ballet and the Lyric Opera of Chicago, among others. Most notably, Delfau designed the elaborate stage sets and costumes for the 1986 PBS television production of the Viennese operetta, "Die Fledermaus...
Category

1950s American Modern Art

Materials

Ink, Gouache, Graphite, Paper

Edward Sacks, Seated Figure
Located in New York, NY
Little is known about the artist, Edward (Ed) Sacks, although this print may have been made at the Art Students League in NYC. it is a cross between, as the title suggests, a Seated ...
Category

1940s American Modern Art

Materials

Lithograph

WPA Era, Industrial Scene Steel Mill by Chicago Modern Artist, Harold Haydon
Located in Chicago, IL
A dynamic 1930s, WPA era industrial scene watercolor of a steel mill and factory workers by notable Chicago Modern artist, Harold Haydon. A wonderful example of early Twentieth Cent...
Category

1930s American Modern Art

Materials

Watercolor, Paper

"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Art

Materials

Paper, Pastel

Pardner, 1943 Vintage African American Art, Black Artist, Painting, Pet Portrait
Located in Grand Rapids, MI
John Farrar (American, 1928-1972) Signed: John Farrar (Lower, Left) “ Pardner ”, 1943 Titled Above Signature (Lower, Left) Oil on Canvas 26 ⅛” x 32 ⅛” Housed in a 2 ½” period ornamented Newcomb-Macklin frame in toned gold leaf, in good original condition. Outside Size: 30 1/2" x 36 5/8" A recent discovery of a painting that appears to be Farrar’s family dog. This was done when he was just fifteen years old. As a teenager in the 1940s, Farrar received much local acclaim in the Washington D.C. art Scene. Words like “Child Prodigy”, “Brilliant” and “Gifted” were used to describe him in the local newspaper. He had a great bout of early success which included developing patrons among Washington DC’s art elite but this was short lived as he was afflicted with schizophrenia and alcoholism as an adult causing him to spend much of his life in mental institutions. In 1942, Farrar won the Washington Times-Herald's outdoor art fair. This painting was executed the following year when he was 15 (1943). That same year he won the top prize at Atlanta University’s third annual “ Exhibition of Paintings, Sculpture and Prints by Negro Artists ” with a piece titled “ Queenie ”. Approximately one hundred and fifty works of art were included in the show, representing the best works of more than seventy-five contemporary African American artists. This show included works by Romare Bearden, who was awarded Honorable Mention for his painting “ The Two Genrerations ”. Also included among the exhibitors - Charles H. Alston, Allen Rohen Crite, Aaron Douglas, Fredrick Flemister, Sargant Johnson, Horace Pippin, Jacob Lawrence, Marjorie Wheeler Brown, Hughie Lee Smith, Lois Mailou Jones...
Category

Mid-20th Century American Modern Art

Materials

Oil, Canvas

Standing Male Nude, Modern Oil on Board Painting by John F. Leonard
Located in Long Island City, NY
Standing Male Nude (42) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 16 in. x 10.5 in. (40.64 cm x 26.67 cm)
Category

1960s American Modern Art

Materials

Oil, Board

Broadway Costume Illustration by Designer Mabel E. Johnston
Located in New York, NY
Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 18 x 12 1/2 in. Framed: 39 x 21 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidbit I fou...
Category

1920s American Modern Art

Materials

Paper, Watercolor, Pencil

1950s "Pink Floor" Mid Century Female Nude Figurative Painting
Located in Arp, TX
Donald Stacy "Pink Floor" c.1950s Gouache paint on paper 17.25" x 17.25" unframed Signed in pencil lower right Came from artist's estate *Custom framing av...
Category

Mid-20th Century American Modern Art

Materials

Paper, Gouache

“Evening, 1971” Madoo Conservancy Gardens Sagaponack Hamptons American Modernist
Located in Yardley, PA
“Evening, 1971” by Robert Dash (American, 1931-2013) In 1967, Dash purchased an old barn on a small field in Sagaponack, NY. Over the next several decades, he turned the feral groun...
Category

1970s American Modern Art

Materials

Canvas, Acrylic

"Still Life in White" Robert Gilberg 1950s Gouache on Newspaper
Located in Arp, TX
Robert Gilberg (1911-1970) "Still Life in White" c.1950s Gouache on newspaper from Sacramento Bee 1957 22.75"x15.25" unframed Unsigned Born in Oakland, CA on April 25, 1911. Gilberg...
Category

1950s American Modern Art

Materials

Gouache, Newsprint

Old Man Reading
Located in London, GB
Accompanied by a lantern, an elderly man sits alone, engrossed in a newspaper. Benton used a lithographic process to draw and produce this image. He renders the face and paper well-l...
Category

1940s American Modern Art

Materials

Lithograph

"Empire State Building" Leon Dolice, New York City Street Scene, Mid-Century
Located in New York, NY
Leon Dolice Empire State Building Signed lower right Watercolor on paper 19 x 12 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon th...
Category

1930s American Modern Art

Materials

Paper, Pastel

Leonard Baskin Beautiful Abstracted Figure Wood Engraving
Located in New York, NY
Leonard Baskin (1922-2000) Death of the Laureate, `1957 Wood Engraving Framed: 18 1/2 x 18 in. Signed and inscribed bottom: Death of the Laureate, Ed. 20, For Walter [Rosenblum], Leo...
Category

1950s American Modern Art

Materials

Engraving

Mid Century Idaho Pack River Landscape
By Laura Lindberg
Located in Soquel, CA
Beautiful American realist view of Pack River in Sandpoint, Idaho by Laura Lindberg (American, 1904-1976). Signed lower right corner "64 L Lindberg". 26 Pack River Laura Lindberg and...
Category

1960s American Modern Art

Materials

Masonite, Oil

Moonlight Shanties
Located in Los Angeles, CA
Moonlight Shanties, c. 1940s, oil on canvas, 24 x 18 inches, signed lower right, signed and titled verso About the Painting In Moonlight Shanties, Joachim depicts a lower-class neighborhood sitting along-side an elevated road or railway which crowds out the small nearby houses and structures. Joachim’s use of an expressionist palette and gestural brushstrokes together with the isolated figures obscured in the shadows, create a feeling of unease, isolation and even loneliness. From the 1920s through 1940s, American artists commonly employed expressionist conventions in their social realist works which portrayed the gritty side of urban America, especially the communities of the city-dwelling poor. Expressionist styles were considered appropriate for bridging the gap between the modernist idea of art-for-art’s-sake and the narrative qualities demanded by the dual crises of the Great Depression and World War II. Moonlight Shanties successfully uses these expressionist methods to portray a neighborhood and its people who appear to be literally and figuratively “on the edge.” About the Artist Paul Lamar Joachim...
Category

1940s American Modern Art

Materials

Oil

Andy Warhol - Halston Men s Wear Advertising Campaign Poster
Located in London, GB
Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...
Category

1980s American Modern Art

Materials

Paper

"New York Harbor Nocturne" Leon Dolice, New York Harbor Scene Mid-Century
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Art

Materials

Paper, Pastel

Mid 20th Century, Painting of Seashells with Collage
Located in San Francisco, CA
There’s a weathered, driftwood feel to this painting, "Archaeology," by California artist R.W. (Richard) Hacket (1917-1988). Raised in the San Francisco Bay Area, Hackett was undoubt...
Category

Mid-20th Century American Modern Art

Materials

Mixed Media, Oil, Panel, Paper

Trees
Located in San Francisco, CA
This artwork "Trees " c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered 1/1 in pencil by the artist. The image size is 17.85 x 15.65 inches, sheet size is 24.25 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...
Category

Late 20th Century American Modern Art

Materials

Monotype

American flag collage with a 19th century engraving of an eagle
Located in Woodbury, CT
Claude Howard Stuart is an artist working in Europe and America. Watercolor, ink ,acrylic and and even cold wax and oil are the many different mediums that Claude uses on his varied and exciting works. His influences come from all the different places and experiences he has had throughout his life, as well as the varied different art styles he’s studied. Having lived in many different places around the world the styles of art, architecture, traditions and religions have all played into the art he makes.. He studies a period of art and then works with antique, vintage and original pieces to build his collage pictures making each one a unique study of a period, city or style. Claude works on his pieces to bring together a feeling of the period and art movement that is inspiring him. Sometimes Matisse and Picasso and other times old master drawings and abstracts. These set of collage...
Category

2010s American Modern Art

Materials

Mixed Media

"The Deer Herd" Pablita Velarde, Pueblo Native American, South-Western Art
Located in New York, NY
Pablita Velarde The Deer Herd, circa 1965 Signed lower right Earth pigments on sand board 9 3/4 x 19 1/2 inches Provenance Private Collection, New Mexico Santa Fe Auction Private Co...
Category

1960s American Modern Art

Materials

Board, Pigment

Mid-Century Modern Abstract Geometric Trapeze Artists by Hilda Arp
By Hilda Arp
Located in Soquel, CA
Fanciful mid-century modern abstract of trapeze artists by Brooklyn artist Hilda Dora Pape Arp (b. 1909). This 1962 highly abstracted depiction of trape...
Category

1960s American Modern Art

Materials

Oil, Linen

American Modern art for sale on 1stDibs.

Find a wide variety of authentic American Modern art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Slim Aarons, Destro, Howard Schatz, and John Taylor Arms. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern art, so small editions measuring 0.25 inches across are also available.

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