American Realist Art

This painting is part of our exhibition American Coast to Coast: Artists of the 1930s Knight’s Lodging, 1941, oil on canvas panel, signed and dated lower left, 16 x 20 inches, exhi...

London original travel poster; artist Sam Wisnom. Size 25 x 37"; archival linen backed and ready to frame. Original vintage travel po...

'Rainy Drugs Sign' is a black and white photographic print on Hahnemuhle paper by Michael Ormerod in a limited edition of 10. Featured in the 2024 posthumous solo exhibition, 'Micha...

Bathers 1940s Mid 20th Century American Scene Social Realism WPA Modern Ashcan Marion Gilmore (1909-1984) Bathers 15 1/2 x 19 1/2 inches oil on canvas boar...

REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...

Thompson & West (publishers) Three Hand Colored Lithographs of Alameda County, California c. 1870s-1890s Sight: 16 1/4 x 12 in. Framed: 21 1/8 x 17 1/8 x 5/8 in. Thomas Hinkley Thom...

A surrealistic Nemethy from a brand new series which fuzes photorealism with surrealism in a most interesting current style. With the finest details, Nemethy creates an atmosphere th...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Beautiful WPA era NYC street scene by American artist, Albert Sway (b.1913). Jiggers on Broadway, ca. 1935. Lithograph on paper, image measures 9 x 13 inches. Full sheet measuring 11...

Stephan Hoffpauir’s photorealistic watercolors invite viewers to contemplate spaces that, while familiar, are largely ignored by those who fleetingly pass through them. Among his sub...

Open Car Door on Eldridge Street, 1987 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Ar...

Artist : Raphael Soyer Title : Woman Year: 1979 Drawing in Pencil Signed in pencil Drawing Size 11½" x 16 Inches Matted Size : inches 16" x 20" inches Born in 1899, Raphael So...

Stephan Hoffpauir’s photorealistic watercolors invite viewers to contemplate spaces that, while familiar, are largely ignored by those who fleetingly pass through them. Among his subjects are quasi-urban and quintessentially American spaces with an inherently surreal quality, including architecture, restaurant vignettes, and more recently, suburban supermarket displays. Employing but reinterpreting the traditions of Spanish and Dutch still-life painting, these contemporary works represent an ongoing exploration of the ways in which our surroundings shape our modern lives. 'Antique Store Display...

Stephan Hoffpauir’s photorealistic watercolors invite viewers to contemplate spaces that, while familiar, are largely ignored by those who fleetingly pass through them. Among his sub...

Stephan Hoffpauir’s photorealistic watercolors invite viewers to contemplate spaces that, while familiar, are largely ignored by those who fleetingly pass through them. Among his sub...

Original vintage 1962 linen-backed map of New Zealand in very fine condition, ready to frame. Grade A- with only small edge tears from linen backing. No paper loss. Excellent colors....

Norman Cohen's on Stanton Street, 1990 by Tria Giovan From a 6cm x 9cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with...

Empty Town with post in Foreground by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 202...

Whitford Carter (1915-1973). Didn't He Ramble?, 1964. Lithograph on paper, image measures 13 x 17 inches; 19 x 22 inches in original frame. Signed, dat...

Car Repair on Stanton Street, 1987 by Tria Giovan From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3...

Karl Fortess Beach Landscape Signed lower left Oil on canvas 8 x 10 inches Karl Fortess was born in Belgium, moving United States and studying at the Art Institute of Chicago, the ...

'Woman on Road with Police on Bikes Behind' is a black and white photographic print on Hahnemuhle paper by Michael Ormerod in a limited edition of 10. Featured in the 2024 posthumou...

Black Man Looking Out Bus Window by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 ...

Children on Clinton Street, 1986 by Tria Giovan From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 A...

'Woman with ice Cream' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, '...

'Washington Monument Aglow' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibiti...

Flowered Dress on Essex Street, 1986 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20"...

Bridge Traffic on Delancey Street, 1986 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 A...

Bodega on Clinton Street, 1985 by Tria Giovan From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 20" x 16" in an Edition of 12 with 3 Art...

Hobo on Bowery Street by Rollercoaster by Michael Ormerod is an 8" x 10" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the...

Black Man Looking Out Bus Window by Michael Ormerod is an 8" x 10" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 ...

A lithograph by George Bellows. “The Tournament (Tennis at Newport)” is a realistic lithograph on paper in black and white by American Realist artist, George Bellows. Bellows' depictions of sporting / leisure scenes are unique and valuable. This artwork is edition 56/63 with framed dimensions of 26 x 29 x 1 1/4 inches and has been in the same private collection for almost four decades. The artwork is signed in pencil, lower right, "G. Bellows.” Provenance: Catherine E Burns...

'The Open Road' by Michael Ormerod is available as an 8" x 10" print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous solo exhibition, 'Mich...

School Yard on Stanton Street, 1986 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artis...

Likely a study for an illustration for Harper's Weekly, for which Wiser was a Civil War-era illustrator, focusing on shipwrecks and battles occurring along the mid-Atlantic coast. ...

While walking past an antique store in New York's Lower East Side, Photographer Mitchell Funk was struck by a fleeting burst of divine light striking a gold crucifix of Jesus Christ....

This artwork titled "Winners Loosers" is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and inscribed/n...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. He is willing to address a very unique point of view about social issues of our day with unmistakable perspectives. His artworks have the potential to influence a new generation of artists, incorporating diversity and respect for varying cultures. This one-of-a-kind acrylic and oil stick painting...

This artwork titled "6 Camellias After An Unknown Japanese Artist" 1988 is a original color lithograph on Wove paper by noted American artist Gary Bukovni...

Pacific Rim no. 4 is an ocean beach scene - oil on canvas is 24 x 48 inches, meticulously painted by Brooks Anderson. Canvas edges are painted dark in artist's signature style. Love...

This modern still life diptych by Gio Bellagio is inspired by ancient Greek ceramic vessels. The pots are adorned with minimalist patterns reminiscent of Greek geometry, emphasising...

Street Mechanic on Rivington Street, 1990 by Tria Giovan From a 6cm x 9cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 w...

This artwork "The Couple" 1981 is an original color etching with aquatint on Wove paper by noted American artist Alan Feltus, b.1943. It is hand signed and numbered 40/60 in pencil by the artist. With the blind stamp of the publisher, Editions Press, San Francisco. The image size is 17 x 23 inches, sheet size is 20.5 x 26 inches. It is in excellent condition, has never been framed. it has a small light skinned area on the back due to a sticker removal, absolutely not visible from the front. About the artist: Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

This artwork titled In "My Heart Feel the Embrace of Sacred Feeling, Goethe 19C II" is a mixed media (Acrylic paint and collage) on wood panel by California artist Millicent Thomkins...

Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida. Slim Aarons Pulitzer On The Beach Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim...

Indian Friendship Dance Drypoint, 1953 Signed in pencil lower right, (see photo) Edition 200 Published by The Society of American Graphic Artists, New York An impression is in the collection of SAAM, Washington and RISD Museum, Condition: Excellent Very rich impression with burr and selective whiping of the ink for atmospheric nocturnal effect. Image/Plate size: 8 3/16 x 11 15/16 inches Sheet size: 11 1/8 x 17 inches Reference: Kloss 450 "'Indian Friendship Dance' is an eloquent statement of something which Gene Kloss has both observed and participated in. It is an Indian dance that is thought of as entertainment, rather than ceremony, but it is essentially an idea expressed in action, and an idea that has universal meaning. The young men who dance wear costumes of exquisite workmanship, intricately wrought with beads and feathers and subtle combinations of colors. The dancers are trained from childhood but develop their own steps and exhibit distinctive strength and grace. Singers and a tom-tom accompany the dance and since it usually takes place at night, a campfire is the source of light. The conclusion occurs when all the onlookers, old and young and from many places, join hands with the dancers in a slow revolving movement, while those who can, sing the difficult but meaningful Indian song that flows with the rhythmical dance step and speaks of fellowship, brotherhood, friendship." - An excerpt from a descriptive statement, written by Lynd Ward, and distributed with the drypoint at the time of publication." Courtesy Old Print Shop Born Alice Glasier in Oakland, CA, Kloss grew up amid the worldly bustle of the San Francisco Bay Area. She attended the University of California at Berkeley, graduating with honors in art in 1924. She discovered her talents in intaglio printmaking during a senior-year course in figurative drawing. The professor, Perham Nahl, held up a print from Kloss’ first plate, still damp from the printing process, and announced that she was destined to become a printmaker. In 1925, Gene married Phillips Kloss, a poet and composer who became her creative partner for life. The match was uncanny, for in her own way Gene, too, was a poet and a composer. Like poetry, her artworks capture a moment in time; like music, her compositions sing with aesthetic harmony. Although she was largely self-taught, Kloss was a printmaking virtuoso. On their honeymoon the Klosses traveled east from California, camping along the way. They spent two week is Taos Canyon – with a portable printing press cemented to a rock near their campsite – where Gene learned to appreciate the wealth of artistic subject matter in New Mexico. The landscape, the cultures, and the immense sky left an indelible impression on the couple, who returned every summer until they made Taos their permanent home 20 years later. Throughout her life, Kloss etched more than 625 copper plates, producing editions ranging from five to 250 prints. She pulled every print in every edition herself, manually cranking the wheel of her geared Sturges press until she finally purchased a motorized one when she was in her 70s. Believing that subject matter dictated technique, she employed etching, drypoint, aquatint, mezzotint, roulette, softground, and a variety of experimental approaches, often combining several techniques on the same plate. She also produced both oil and watercolor paintings. Kloss’ artworks are filled with drama. Her prints employ striking contrasts of darkness and light, and her subjects are often illuminated by mysterious light sources. Though she was a devout realist, there is also a devout abstraction on Kloss’ work that adds an almost mythical quality. For six decades Kloss documented the cultures of the region-from images of daily life to those of rarely seen ceremonies. She and her husband shared a profound respect for the land and people, which made them welcome among the Native American and Hispanic communities. Kloss never owned a camera but relied instead on observation and recollection. Her works provide an inside look at the cultures she depicted yet at the same time communicate the awe and freshness of an outsider’s perspective. Although Kloss is best known for her images of Native American and Penitente scenes, she found artistic inspiration wherever she was. During the early years of their marriage, when she and Phil returned to the Bay Area each winter to care for their aging families, she created images of the California coast. And when the Klosses moved to southwestern Colorado in 1965, she etched the mining towns and mountainous landscapes around her. In 1970 the Klosses returned to Taos and built a house north of town. Though her artwork continued to grow in popularity, she remained faithful to Taos’ Gallery A, where she insisted that owner Mary Sanchez keep the prices of her work reasonable regardless of its market value. Kloss continued to etch until 1985, when declining health made printmaking too difficult. From her first exhibition at San Francisco’s exclusive Gump’s in 1937 to her 1972 election to full membership in the National Academy of Design, Kloss experienced a selective fame. She received numerous awards, and though she is not as well known as members of the Taos Society of Artists...

Original HERE. Mister! AMOCO Service mid-century vintage poster. Archivally linen backed in very good condition, ready to frame. A- condition with a dime size touch-up in the low...

'Priscilla, 1970' by Joseph Szabo Gelatin silver print, printed later Edition 68/75 from the 16" x 20" SOLD OUT edition Signed, titled, and numbered '68/75' in the margin, recto Sig...

The overall dimensions, including the blond wood float frame, are 21 3/8 x 17 5/16 inches. The painting is oil on canvaspanel. Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...

Corner of Clinton and Stanton Streets, 1989 by Tria Giovan From a 6cm x 4.5 cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of...

Artist: Moses Soyer, American (1899 - 1974) Title: Self-Portrait in the Studio Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 24 x 20 inches Frame: 32 x 28 inches

“Two Points of View” Original Pastel Drawing, c. 1997 This pastel drawing shows the artist’s command of perspective in landscape and architecture. An impressive lodge stands strong ...

Oil painting by Willard Dixon featuring the Golden Gate Bridge from Crissy Field in San Francisco. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Beach at Crissy Field, painted in 2022. the canvas is 26 x 45 inches. Oil on canvas, and traditionally framed in contemporary, minimal hardwood floater frame.Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation...

Original “Emprunt SNCF Souscrivez” vintage French poster. Conservation linen backed in very good condition, ready to frame. Artist: Vecou. Year: 1953 Printer: Editions Paul-Martial, Paris. This poster is 70 years old and looks fresh and vibrant. The image of a train engine appears right in front of you with the electrical grid suspended overhead. The green countryside and small village and towering mountains as the backdrop to this image. This is a full French lithograph. A seldom-seen original vintage SNCF poster...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Peter Sculthorpe (b. 1948) Peter Sculthorpe was born in O...