Art Deco

7 volumes, complete. Six 8vo volumes (292 x 190 mm), and one 4to (Huitieme année, 1919, 310 x 245 mm). Publisher's pictorial paper board portfolios, patterned endpapers, housing loos...

Lucien-Victor Guirand de Scevola (1871-1950) A Bunch of flowers Oil on on canvas Signed upper left 38 x 46 cm In a nice modern frame : 53 x 61 cm Lucien...

Gustave Brisgand (1867-1944) began his artistic career by focusing on landscapes. However, he later specialized in portraits of notable personalities, women, and female nudes. One of...

A marionette and a woman with a fantastic, geometric headdress promote a ball in Düsseldorf; the shadows create a dramatic effect. “The modern poster as we know it- large, colorful ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Artist: Erte Title: Top Hats Size: 16 x 12 Inches (26 x 22 Inches Framed) Medium: 3D Bronze Wall Relief Sculpture Edition: of 375 Year...

This color pochoir was done in 1925 on Arches paper No. 739/750 and depicts two couples on a night out all dressed up. Archivally framed with 12k white gold; white gold fillet, silk...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 25 x 18 inches. Sheet size 29.5 x 22 inches. Custom framed as pictured. Edition of 300. Artwork is...

'Spirit' by Carl Payne. Edition of 25. A small desktop bronze sculpture of a reclining nude figure captures the timeless beauty of the human form in a moment of repose. The sculptor ...

Loupot, Charles. Waschemagazine, Munsterberg 2/Metzger/B. Brunnen Freistrasse/Herrenhemden-Kragen Damenwasche & Aussteuern. 1922. Color lithograph. On linen.Good condition with the e...

Original Vintage 1921 Swedish Silent Movie Poster – Kärlek och Rashygien (“Love and Race Hygiene”) starring Constance Talmadge – Linen Backed Lithograph, Excellent Condition Offered...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

This color pochoir from the La Garconne Series was done in 1925 on Arches paper No. 738/750 depicting a couple sitting at a cafe. Pochoir or stencil has been used to print limited ed...

Jean Cocteau ( 1889 - 1963 ) " Alexandre " . circa 1958 . pendentif ovale . terre rouge / brun en relief . 2eme Variante . Ref: RB10 page 219 du catalogue raisonné . " very ...

'Demi mondaine à la Mode is a very early drawing by Erté, pencil on card, approximately 6.25 x 4.75 inches and framed in a classic, gold-tone frame. Signed i...

"Dolly" is an original color lithograph poster by The Clérice Frères (The Clérice Brothers), signed within the composition on the lower left edge, just ...

This color pochoir was done in 1925 on Arches paper No. 738/750 depicting a parade with animals and balloons. Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum...

Hotel St. Gothard Zurich. 1917. Color lithograph, On linen. 50 x 36" Otto Baumberger’s first posters were created in 1911. However, his most productive period for posters was from the 1920s to the mid-1930s. He created about 230 posters in all, many of which he lithographed himself. An important representative of Swiss Expressionism...

Théophile Jean DELAYE Drôme, 1896 – Drôme, 1970 Souk in Marrakech Gouache on paper 34 x 24 cm (48 x 38 cm with frame) Signed and titled lower left "Souk in Marrakech / Théophile Jean...

This poster, an advertisement calendar for Excel Cigarettes from the 1930s, melds the meticulous detail of traditional Chinese painting with the craft of color lithography. This advertisement depicts a fashionable woman in traditional Chinese dress...

"Mademoiselle X" story illustration for Vogue February 1, 1934, watercolor and ink, reverse signed in pencil "Benito for Madame X," pencil inscription "Feb.1, 1934 / Page 51 / 316," ...

Betsy, [Girl in Cowboy Boots and Hat]. Color lithograph. On Linen. Excellent composer Pascal Bastia is also a talented writer who wrote most of the lyrics and librettos of his operettas . Author -songwriter, has been interpreted by the greatest : Jean Sablon, Josephine Baker, Luc Barney ... He is also the author of music and film scripts...

The circa 1930 original advertising poster for Café P.D.V "La Maison du Café" is a quintessential piece of early 20th-century commercial art, skillfully blending artistic design with...

PKZ Reprint - 1981 - Official 1981 reprint for Kunstgewerbemuseum, Zurich Printer: JE Wolfensberger Niklaus Stoecklin – PKZ – 1935 PKZ Burger-Kehl & Co. AG, Zurich, C Switerland Lit...

Scaramouche - Pierrette is a contemporary artwork realized in 1979 century by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower margin. Titled an...

Girls with a Flower is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good cond...

GEORGE SHERINGHAM (1884-1937) The Wave Signed and numbered 2 Stencil print with 9 plates, designed and cut by the artist, fan shaped 23 by 42 cm., 9 by 16 ½ in. (frame size 37.5 by 22 cm., 14 ¾ by 8 ¾ in.) Sheringham was born in London and studied at the Slade under Henry Tonks and later in Venice, Brussels, Berlin and Paris where he held his first one-man exhibition in 1905. On his return to London he initially supported himself with poster designs and teaching. His first exhibition of fan designs was held at the Ryder Gallery in 1909 followed by another in the following year. With enthusiastic reviews in Studio he had launched his career as a decorative designer, theatrical designer and illustrator. He illustrated books by Max Beerbohm and Cyrus MacMillan. In 1921 he collaborated with his brother Hugh on a book about fishing, The Book of the Fly Rod. He wrote Drawing in Pen and Pencil (1922), with James Laver, Design in the Theatre (1927) and with Rupert Mason and R Boyd Morrison he edited Robes of Thespis, Costume Designs by Modern Artists (1928). As a decorator, Sheringham designed the music room at 40 Devonshire House...

Original 1993 Louis Vuitton Poster by Razzia – Hand Signed in Graphite, Linen Backed – Rare Collector’s Art Print. The later printing has differen...

A. E. Halliwell (1905-1987) Royal Air Force Display by Underground (Hendon) Gouache 16 x 24 cm 1930 'Rough for 1929 Air Display Bill A E Halliwell' (signature and title mounted to r...

This work is as much of a collectors item as it is a fine work of art. it is the original 1971 concept drawing with detailed notations for Jesus Christ Superstar...

The first exhibition for hygiene and sport, known as Hyspa, opened its doors on July 24, 1931 in Bern. The exhibition stands were built on the edge of the Bremgarten forest and formed a modern and hygienic architectural ensemble. Sport - Hygiene - Switzerland 1st Swiss exhibition...

Original Amora Mustard Poster by Leon Dupin – Archival linen-backed French lithograph. Very fine to excellent condition. Undated, but it is presumed to be from the 1930s. No restoration or damage. Excellent colors on French antique (light crème) paper. A striking original vintage poster advertising Amora Mustard, designed by the renowned French artist Leon Dupin. This authentic piece features Dupin’s signature style and vibrant imagery, capturing the classic French culinary spirit that has made Amora a household name since the early 20th century. Art deco era. Consumed for thousands of years, mustard is a condiment known for its medicinal qualities. Around 1750, Jean-Baptiste Naigeon, the son of a master vinegar maker, revolutionized Dijon mustard by replacing vinegar with unripe grape juice. This new recipe made the mustard milder, more fragrant, and helped it last longer. In 1919, the Bizouard family, who had taken over the business, registered the 'Amora" brand. The name is credited to Armand Bizouard, who, upon tasting the mustard, is said to have exclaimed, "This is a wonderful mustard, it will be Amora!" Amora was the name of the rising sun god Ra Ora (Amon Ra). Enchanted by this divine connection, the new brand name was adopted. A striking vintage poster advertising Amora Mustard, designed by the renowned French artist Leon Dupin. This authentic piece showcases Dupin’s signature style and vibrant imagery, capturing the classic French culinary spirit that has made Amora a household name since the early 20th century. The poster is professionally archival, linen-backed, and ready to be framed to your exact specifications, ensuring preservation and stability. Condition is excellent, with vivid colors and crisp lines throughout—a testament to its careful conservation. Rarely available and with only a few copies found over the years, this piece is essential for collectors of vintage French ephemera...

Henri RIVIERE (1884-1951) Brittany: The Magic of the Hours, First Quarter, 1901 Original lithograph (Eugène Verneau Printing) Signed on the plate On paper, 68 x 31 cm (c. 27 x 12 in...

Exceptional and expressively carved solid walnut near life Size statue of nude woman raised on attached fluted column pedestal base in overall beautifully aged original rich surface ...

LUCIEN BOULIER "NUDE WITH RED HAIR" OIL ON PANEL, SIGNED FRANCE, C.1930 26 X 20 INCHES Lucien Boulier 1882-1963 Lucian Boulier was born Verdun...

Tamara De Lempicka 1898-1980 Polish Thinking Signed “Lempicka”(bottom right) Pencil on paper This enchanting pencil on paper by Tamara de Lempicka radiates Art Deco's signature b...

Pair of greyhounds French sculptor Art Deco style - 20th century Bronze, lost wax casting Dimensions (cm): male height 94 cm/length 106 cm/width 45 cm female: height 89 cm/len...

Signed lower right, 'Nura' for Nura Woodson Ulreich (American, 1899-1950) and painted circa 1935. This early twentieth-century painter, lithographer, muralist, author, poet and ill...

Original 1930s José Morell "Espagne" Travel Poster – Spanish Matador & Woman – Linen Backed, B Condition. Centerfold mark and corner pinholes restored. Date: 1930s. Spanish Nati...

Pochoir print, Plate 15, from Relais by Edouard Benedictus. Printed by J. Saudé. Paris, Éditions Vincent, Fréal et Cie, 1930. Framed in a red-stained handmade wood frame with UV f...

This drawing of Billie Holiday with her beloved dog Mister is an original concept drawing created 53 years ago in 1972 by the legendary Rock and Roll and Broadway art...

George Bertrand Mitchell was born in East Bridgewater, Massachusetts just before America’s Centennial. He initially worked in Lowell and Provincetown, where he befriended numerous a...

Vintage Spain Original Travel Poster by Jose Morell – Linen Backed, 1930s, very good condition, ready to frame. Grade A-. Slight wear on the outside edges for a 90-year-old poster...

Humanic, Wien, 1924. Color lithograph. Ref: Plakat. 01 Kuntsler Mihaly Biro p. 97 pl 153. Biró is internationally considered as the founder of the political poster art, he is ...

SEGUY, E[ugene] A[lain]. Insectes. Paris, Du Chartre et van Buggenhoudt [1924] Each print is produced entirely by hand using a unique printing process called pochoir, which was p...

Engraved Art Deco Panther Panel by N.R. Brunet (20th Century, France) A striking and seldom-seen example of Art Deco artistry, this richly engraved wood panel by French sculptor N.R...

SEGUY, E[ugene] A[lain]. Papillons Paris, Du Chartre et van Buggenhoudt [1924] Each print is produced entirely by hand using a unique printing process called pochoir, which was p...

Blazer, Hermann. PKZ [Hand putting Rose into lapel of Suit]. 1936, Color lithograph. On Linen. Blazer was a Graphic Designer who designed posters for the PKZ Dept. store in Swit...

A charming portrait of a Black woman with stylized hairstyle of the period - Midtown Galleries label on verso, Unframed Signed and date...

We are proud to have recently discovered, “The Sophisticate”, by American artist Alexander Rosenfeld. Rosenfeld was classically trained in fine ...

Baumberger, Otto. PKZ 1923, Color lithograph, On Linen 50 1/2 x 35 1/2” Baumberger was one of the most prolific Swiss poster artists, with well over 200 designs to his credit. Beginning in 1917, he regularly worked for PKZ. This poster is not only the best he produced for the company but is also an icon in poster history. The tweed coat is rendered in near-photographic perfection to the point where you can practically feel the fabric. Baumberger took a totally new approach to advertising by ingeniously incorporating the poster's text into the image in the form of the label in the coat. With this poster Baumberger cemented his role as master of the "Object Poster," (a title he earned four years earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss school of Graphic Design. A sensation from the day it was issued, this image remains compelling and proves to be one of the finest of the PKZ posters...

With stylistic confidence, French Artist Georges Lepape created three highly inventive and masterfully imaginative Art Deco figures based on Ancient Greek history. The work was for a...

Original 1921 Swedish Silent Movie Poster – "Om kvinnan bara visste" ("If Only Women Knew"). Linen-backed, ready to frame. Grade A- condition. These posters were hand printed one co...

Trieb, Anton. Gran Bodega Espanola Urania, Zurich Ca 1910.Color lithograph. On Linen. Anton Trieb was a watercolor painter , draftsman , illustrat...

Kees van Dongen (b. 1877, Delfshaven – d. 1968 Monte Carlo) He is considered a Fauvist, but his style is still nevertheless closely related to the German Expressionists. He is appr...

"Man Pull" is an original color lithograph poster by Ducelier. It features a figure dressed in a striped shirt with a hat pulled down over their eyes. The artist's name is inscribed ...

Le Roi Yvetot (no. 227) from 1919 is a gouache painting on tissue paper mounted on board. The image size is 9.25 x 6 inches, framed in a gold-tone frame, 22.5 x 19 inches. Signed recto 'Erté' lower right, in the image and annotated verso, 'Les Rois des Lègendes, No 8, Le Roi Yvetot 227'. Erte name and 'Composition originale' stamps verso. Le Roi Yvetot is a design by Erte for the 1919 theater production of Les Rois des Lègendes. The King of Yvetot William Makepeace Thackeray: 1811 –1863 There was a king of Yvetot, Of whom renown hath little said, Who let all thoughts of glory go, And dawdled half his days a-bed; And every night, as night came round, By Jenny, with a nightcap crowned, Slept very sound: Sing ho, ho, ho! and he, he, he! That's the kind of king for me. And every day it came to pass, That four lusty meals made he; And, step by step, upon an ass, Rode abroad, his realms to see; And wherever he did stir, What think you was his escort, sir? Why, an old cur. Sing ho, ho, ho! and he, he, he! If e'er he went into excess, 'Twas from a somewhat lively thirst; But he who would his subjects bless, Odd's fish!—must wet his whistle first; And sofrom every cask they got, Our king did to himself allot, At least a pot. Sing ho, ho, ho! and he, he, he! To all the ladies of the land, A courteous king, and kind, was he; The reason why you'll understand, They named him Pater Patriae. Each year he called his fighting men, And marched a...

In tandem with a growing number of newspapers and periodicals, print advertising proliferated during China’s Republic Era. A bathing beauty is the star attraction of this print ad fr...

"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. The artist's name is written lower right. This piece depicts an Art Deco repr...

Jean Carlu, Foire de Paris, 1955, Original Vintage Poster, Linen Backed. Very fine condition, Grade A-, ready to frame. This is an original, linen-backed 1955 "Foire de Paris" (Pa...