Cubist Art

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Foreurs (The Drillers), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Leger, War ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats dans une maison en ruines (Soldiers in a House in Ruins), from the album Fernand Leger, Dessins ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Souville (On the Road to Souville), from the album Fernand Leger, Dessins de Guerre 1915...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled L'Obusier de 220 (The 220 Howitzer), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Le...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Elements Mecaniques (Mechanical Elements), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fern...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats au repos (Resting Soldiers), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Le...

Dick Beer (b. London 1893 - d. Stockholm 1938) Utsikt från fönster, View From a Window, 1920 oil on canvas 73 x 60.5 cm stamp signed painted 1920 Exhibi...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats dans un abri (Soldiers in a Shelter), from the album Fernand Leger, Dessins de Guerre 1915-16 (F...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Verdun, La place d'Armes (Verdun, The Parade Ground), from the album Fernand Leger, Dessins de Guerre 19...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La cuisine roulante (The Rolling Field Kitchen), from the album Fernand Leger, Dessins de Guerre 1915-16...

Page Size: 15 x 22 in. Frame Size: 20 x 27 in. Signed, bottom right. This brilliant watercolor captures the iconic architecture and dramatic light of the Greek islands with an expres...

Still Life by Paul-Louis Bolot (French 1918-2003) signed & dated signed oil on canvas canvas: 15 x 18.5 inches original oil painting condition: very good a...

French School, circa 1970's oil painting on cardboard, framed 21.75 x 17 inches Superbly decorative and bold abstract painting from the 1970's, of French authorship. Painted with st...

Alvin Carl Hollingsworth, American (1928 - 2000) - Equis Equitude, Medium: Lithograph, signed and numbered in pencil, Edition: PP, Image Size: 9 x 4.5 inches, Frame Size: 18.5 x ...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 3 Year: 1969 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 86/100 Image Size: 18.5 x 15 inch...

Portrait by Paul-Louis Bolot (French 1918-2003) signed (dated 1981) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls...

This exquisite lithograph after Juan Gris (1887–1927), titled Le Moulin a Cafe II (The Coffee Grinder II), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), origi...

"Abstract" French School, 20th century painting on board, unframed board: 21.5 x 26.5 inches

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Personnage et Colombe". The original painting was completed in 1913. In the 1970's after Pic...

French cubist artist, circa 1950’s signed oil painting on canvas, unframed canvas: 21 x 28.5 inches provenance: private collection, France condi...

This exquisite lithograph after Fernand Leger (1881–1955), titled Composition aux trois cles (Composition with Three Keys), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Composition aux trois cles (Composition with Three Keys), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Composition aux trois cles 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

This exquisite lithograph by Georges Braque (1882–1963), titled Zelos, from the folio Derriere le miroir, No. 36-37-38, originates from the 1951 edition published by Maeght Editeur, ...

Born in Ixelles in 1883, Claes-Thobois studied at the Academy of Brussels under Constant Montald and Herman Richir. His career spanned an age of g...

Artist: Jacques Villon (French, 1875-1963) Title: "Pastoral" From the suite "Les Bucoliques" Year: 1953 Medium: Color lithograph Paper: Japan nacre Image size: 8 x 19 inches Sheet size: 22.25 x 18.5 inches Signature: Hand signed in pencil by the artist Edition: From the edition of 245 Publisher: Scripta and Picta Printer: Fernand Mourlot, Paris Condition: Excellent Frame: Unframed About the artist. Jacques Villon was born Gaston Duchamp on July 31, 1875, in Damville, Normandy. His family is one of remarkable artistic repute; he and his three siblings Marcel Duchamp, Raymond Duchamp...

This is a book titled "Plakate Affiches Posters," published by Droste Verlag, Düsseldorf, in 1963. Featuring 138 reproductions of posters, it offers a curated selection by Christoph ...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: II from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image S...

Artist/ School: Marika Eversfield (Hungarian 1914-2014) Marika Eversfield was born in 1914 in Gyòr near Budapest. She studied at the art school in Vienna and moved to London with he...

Lithograph by Georges Braque. Still life. Signed on plate. Framed

Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the ocher and reddish colors of his first environment are w...

Introducing "Abstract Cubist Portrait - HFC 12" - Limited Edition Textured Canvas Print Experience the fusion of abstract brilliance with "Abstract Cubist Portrait - HFC 12," a capt...

Leonard Waegell Edmondson (1916-2002). Ceramic with sgraffito and fired opaque polychrome. 6.5 inches tall. 4.5 inches circumference. Excellent condition with no damage or restoratio...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green stu...

Reproduction of Juan Gris’s Portrait of Josette Gris, printed in Italy by Acte III in Florence. This silkscreen edition is produced on thick, textured fine-art paper, reflecting the ...

This exquisite lithograph by Fernand Leger (1881–1955), titled La Partie de Campagne (The Country Outing), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

Abella. still lafe cubist original acrylic canvas painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting ...

Study fot he tronconic hall of the Air Palace, 1937. Gouache on paper. This is a study most this artist's most important artistic work. Son of the painter Albert Aublet, Felix enrol...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the day before settling in Los Angeles in the 1930’s. The artist continued his art education and began exhibiting throughout galleries in Southern California. As with many artists, his earliest style was more realist imagery, transitioning through his intense fascination with the cubist avant-garde movement, into specific cubist imagery which became the trademark style of painting for the remainder of his life. This is the first presentation of the paintings of Maurice Green since his death in 1993. "Sailboats ”, is an original oil on canvas, signed, dated 1980, with an image dimension of 20 x 24 inches, set into the original artists wood frame; a painting which clearly defines his talent as a fine cubist artist...

This high-quality serigraph reproduces Juan Gris’s Guitar and Clarinet, one of the artist’s elegant explorations of musical still-life motifs central to his mature Cubist period. Printed in Italy on 250g fine art paper with deckled edges and published by Silvio Zamorani...

Bird-of-paradise is an original drawin in mixed-media realized by Gian Paolo Berto, in 1974. Good conditions. Hand-signed on the lower right. Includes frame: 53.5 x 48 The artwor...

This lithograph was produced for the Braque-Chagall-Picasso Graphik exhibition held at Galerie Valentien in Stuttgart Königsbau from December 1968 to January 1969. The lithograph is ...

American cubist portrait painting of the American academic Michael Lerner, by the Modernist artist Michael Hurson (1941-2007). This whimsical portrait is painted in the cubist style ...

In this mid-century modern oil painting, two Chinese male figures in yellow and red clothing are featured predominantly in foreground of an urban landscap...

Jacques VILLON Reading Man, 1962 Original lithograph (Mourlot workshop) Printed signature in the plate On tinted vellum 32 x 24 cm (c. 13 x 10 in) Excellent condition

Superb original French oil painting depicting this colorful breakfast table still life scene. The work is signed by its artist, Jean-Yves Fromange (born 1957). Painted with thick, ...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Sitting in an armchair, the woman with a heart-shaped torso is rendered with simple rectangular shapes outlined by cobalt blue and bright yellow. Set against a soft pastel background...

This screenprint and collage was created by Ivan Chermayeff, a noted graphic designer who created the now-famous logos for companies and institutions such as the Smithsonian, Nationa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

graphite on paper in vintage wood frame with gold detail 8 x 20.5 inches unframed 12 x 24.5 x 2 inches framed This contemporary, horizontal, black & white graphite work on paper w...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Lithograph realized by Sala Gaspar after a drawing by Picasso in 1961. Signed in the plate. Edition of 500. Vary good condition. Ref. Czwiklitzer 45 - Rodrigo 110

'Attente' Cubist Abstract Portrait, Oil Painting, Signed By French artist, Mid 20th Century Signed and dated '1952' by the artist on the lower right hand corner The artist has signed...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

This artwork titled "Lettera Amorosa" 1963, is an original color lithograph on Japan nacre paper by renown French artist Georges Braque, 1882-1963. It is hand signed and numbered 42/...

PICASSO Pablo (1881-1973) (after) Cubist Portrait, Tribute to Rene Char, 1969 Lithograph poster (Atelier Mourlot) Printed signature in the plate On pape...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...