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Style: Feminist
Availability: In Stock Within 6 weeks
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.025
Located in New York, NY
Linda Stein, Profile Notation 418.025 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing
Profile Notation 418.025 is from Linda Stein's Profiles ser...
Category
2010s Feminist Art
Materials
Paper, Ink, Color Pencil, Graphite
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.026
Located in New York, NY
Linda Stein, Profile Notation 418.026 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing
Profile Notation 418.026 is from Linda Stein's Profiles ser...
Category
2010s Feminist Art
Materials
Paper, Ink, Color Pencil, Graphite
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.028
Located in New York, NY
Linda Stein, Profile Notation - 418.028 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing
Profile Notation 418.028 is from Linda Stein's Profiles s...
Category
2010s Feminist Art
Materials
Paper, Ink, Color Pencil, Graphite
"Femme à l
enfant" figuratif acrylic on linen panel 60x73cm 1986
Located in Saint Pol de Léon, Bretagne
Invitée par le ministre ivoirien de la Culture Bernard Dadié à exposer son travail à Abidjan, Emmanuelle Vroelant a réalisé plusieurs peintures sur les femmes et les enfants
Category
Early 2000s Feminist Art
Materials
Acrylic
$3,064 Sale Price
20% Off
"Born to be wild" by Cécile Plaisance, 27 x 22 in, 2024
Located in Paris, France
Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...
Category
2010s Feminist Art
Materials
Lenticular
Deflowered Monograph with DVD hand signed by famed feminist artist Judy Chicago
By Judy Chicago
Located in New York, NY
Judy Chicago
Deflowered (Hand Signed Book), 2013
Hardback Monograph and DVD (Mixed media book set)
Boldly signed by the artist in black marker on the first front end page.
12 1/4 × 12 1/4 x 2 1/2 inches
Unframed
This hand signed monograph makes a terrific gift! Judy Chicago signed...
Category
2010s Feminist Art
Materials
Mixed Media
The Amazons and the Hydra (woodcut print, figurative, mythical, feminism)
By Susan Kiefer
Located in Kansas City, MO
Susan Kiefer
The Amazons and the Hydra
Woodcut and chine collé on paper
Year: 2018
Size: 22x27in
Edition: 8
Signed by hand
COA provided
Ref.: 924802-1662
Framed woodcut print. A fan...
Category
2010s Feminist Art
Materials
Woodcut
$1,555 Sale Price
40% Off
Signed Feminist LGBTQ+ Ink Graphite on Paper Drawing - Profile Notation 418.013
Located in New York, NY
Linda Stein, Profile Notation 418.013 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing
Profile Notation 418.013 is from Linda Stein's Profiles series--drawings, collages ...
Category
2010s Feminist Art
Materials
Paper, Ink, Graphite
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.016
Located in New York, NY
Linda Stein, Profile Notation 418.016 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing
Profile Notation 418.016 is from Linda Stein's Profiles ser...
Category
2010s Feminist Art
Materials
Paper, Ink, Graphite, Color Pencil
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.017
Located in New York, NY
Linda Stein, Profile Notation 418.017 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing
Profile Notation 418.017 is from Linda Stein's Profiles ser...
Category
2010s Feminist Art
Materials
Paper, Ink, Graphite, Color Pencil
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.019
Located in New York, NY
Linda Stein, Profile Notation 418.019 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing
Profile Notation 418.019 is from Linda Stein's Profiles ser...
Category
2010s Feminist Art
Materials
Paper, Ink, Color Pencil, Graphite
Mary Dwyer, Ida Tarbell, 2017, watercolor on paper, Suffragists and Journalists
By Mary Dwyer
Located in Darien, CT
The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story.
Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women.
The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work.
Recently she has been working on a Memorial Paintings...
Category
2010s Feminist Art
Materials
Acrylic, Archival Paper
Hand Woven Wool Tapestry Feminist Textile Art Wall Hanging Judy Chicago Homage
Located in Surfside, FL
This measures 41 inches in width and 75 inches in height to end of tassels without the tassels it is 57 inches in length
This is a wool handmade weaving tapestry, The imagery seems i...
Category
1970s Feminist Art
Materials
Wool
Colorful Signed Etching Limited Edition Fine Art Print - Protection 430
Located in New York, NY
Linda Stein, Protection 430 - Colorful Signed Etching Limited Edition Fine Art Print
Linda Stein has been practicing art for the last six decades. This limited edition etching fro...
Category
1960s Feminist Art
Materials
Etching
Signed Feminist LGBTQ+ Colorful Ink on Board Drawing - Profile Contented 1175
Located in New York, NY
Linda Stein, Profile Contented 1175 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing
In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and pa...
Category
2010s Feminist Art
Materials
Ink, Board
Signed Feminist LGBTQ+ Colorful Ink on Board Drawing - Linda Stein, Profile 1173
Located in New York, NY
Linda Stein, Profile 1173 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing
In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings of...
Category
2010s Feminist Art
Materials
Ink, Board
Signed Feminist LGBTQ+ Colorful Ink on Board Drawing - Profile Segments 1166
Located in New York, NY
Linda Stein, Profile Segments 1166 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing
In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and pa...
Category
2010s Feminist Art
Materials
Ink, Board
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1150
Located in New York, NY
Linda Stein, Profile 1150 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing
In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings o...
Category
2010s Feminist Art
Materials
Paper, Ink
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1148
Located in New York, NY
Linda Stein, Profile 1148 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing
In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings o...
Category
2010s Feminist Art
Materials
Paper, Ink
Nude Dancer, classic female figure, boyish face, neutral tones
Located in Brooklyn, NY
Created in mixed media, this work has a spontaneity, typical of the artist’s observational life drawings, made entirely with her non-dominant left hand. There is the impression of a ...
Category
2010s Feminist Art
Materials
Pastel, Archival Paper, Charcoal, Acrylic
"Cornette Couleur" by Cécile Plaisance, 27 x 22 in, 2024
Located in Paris, France
Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...
Category
2010s Feminist Art
Materials
Lenticular
Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.006
Located in New York, NY
Linda Stein, Profile Solid 383.006 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing
Profile Solid 383.006 is from Linda Stein's Profiles series--drawings, coll...
Category
1970s Feminist Art
Materials
Paper, Acrylic, Gouache
Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.027
Located in New York, NY
Linda Stein, Profile Solid 383.027 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing
Profile Solid 383.027 is from Linda Stein's Profiles series--drawings, coll...
Category
1970s Feminist Art
Materials
Paper, Acrylic, Gouache
Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.026
Located in New York, NY
Linda Stein, Profile Solid 383.026 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing
Profile Solid 383.026 is from Linda Stein's Profiles series--drawings, coll...
Category
1970s Feminist Art
Materials
Paper, Acrylic, Gouache
Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.028
Located in New York, NY
Linda Stein, Profile Solid 383.028 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing
Profile Solid 383.028 is from Linda Stein's Profiles series--drawings, coll...
Category
1970s Feminist Art
Materials
Paper, Acrylic, Gouache
Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.029
Located in New York, NY
Linda Stein, Profile Solid 383.029 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing
Profile Solid 383.029 is from Linda Stein's Profiles series--drawings, coll...
Category
1970s Feminist Art
Materials
Paper, Acrylic, Gouache
Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.031
Located in New York, NY
Linda Stein, Profile Solid 383.031 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing
Profile Solid 383.031 is from Linda Stein's Profiles series--drawings, coll...
Category
1970s Feminist Art
Materials
Paper, Acrylic, Gouache
Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.034
Located in New York, NY
Linda Stein, Profile Solid 383.034 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing
Profile Solid 383.034 is from Linda Stein's Profiles series--drawings, coll...
Category
1970s Feminist Art
Materials
Paper, Acrylic, Gouache
I wanna chilling on the beach
Located in Zofingen, AG
This work is a celebration of the beauty and peculiarity of every woman, regardless of age and figure.
The brightly painted woman's body brings a joyful mood to the painting.
Category
2010s Feminist Art
Materials
Gesso, Canvas, Linen, Varnish, Acrylic
The Reticent Child (Ex Libris) -- Print, Text, Feminist Art by Louise Bourgeois
Located in London, GB
The Reticent Child (Ex Libris), 2005
Louise Bourgeois
Lithograph with embossing in colours, on wove
Signed and numbered from the edition of 300
Printed by Martin Kätelhön, Cologne
P...
Category
Early 2000s Feminist Art
Materials
Lithograph
Ann Chernow, Trouble, Rag Paper, Etching
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Rag Paper, Etching
Ann Chernow, Shadow of a Doubt, Triptych, 2019, pencil, whiteout, sandpaper
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Rag Paper, Vinyl, Pencil
Airborne, Silkscreen with collage additions on Somerset velvet paper Signed/N
By Nancy Spero
Located in New York, NY
Nancy Spero
Airborne, 1998
Mixed Media: Silkscreen with collage additions on Somerset velvet paper
30 × 22 inches
Edition of 50
Signed, dated and numbered from the limited edition of only 50 on the front
Unframed
Very poignant imagery: an airborne angel grabs the hand of a nude female; underneath are figures that recall the four horsemen of the apocalypse...
Category
1990s Feminist Art
Materials
Mixed Media, Screen
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Anonymous title, original watercolor, framed
Located in Chesterfield, MI
An original impressionalistic watercolor painting of a female portrait.
Category
Early 2000s Feminist Art
Materials
Watercolor
Benton_Mary Church Terrell Life Cycle_monoprint, collage, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights.
Terrell’s parents were freed slaves who grew to become financially successful.
A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I
In 1884, she graduated from Oberlin College...
Category
2010s Feminist Art
Materials
Laid Paper, Monoprint
Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.006
Located in New York, NY
Linda Stein, Profile Landscape 438.006 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting
Profile Landscape 438.006 is from Linda Stein's Profiles series--drawings, collag...
Category
1970s Feminist Art
Materials
Acrylic, Board
Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.017
Located in New York, NY
Linda Stein, Profile Landscape 438.017 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting
Profile Landscape 438.017 is from Linda Stein's Profiles series--drawings, collag...
Category
1970s Feminist Art
Materials
Acrylic, Board
Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.039
Located in New York, NY
Linda Stein, Profile Landscape 438.039 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting
Profile Landscape 438.039 is from Linda Stein's Profiles series--drawings, collag...
Category
1970s Feminist Art
Materials
Acrylic, Board
Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.021
Located in New York, NY
Linda Stein, Profile Landscape 438.021 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting
Profile Landscape 438.021 is from Linda Stein's Profiles series--drawings, collag...
Category
1970s Feminist Art
Materials
Acrylic, Board
Woman IV - XXI Century Contemporary Oil
Tempera on Canvas Painting, Portrait
Located in Warsaw, PL
Joanna Rusinek (1979)
Polish contemporary painter.
Diploma at the Academy of Fine Arts in Gdańsk in 2007 at the Graphics Studio under the supervision of prof. Jadwiga Okrassa. Annex...
Category
21st Century and Contemporary Feminist Art
Materials
Canvas, Oil, Tempera
Mickalene Thomas - Din, Une Très Belle Négresse 2 - Skateboard
Located in London, GB
Mickalen Thomas - Din, Une Très Belle Négresse 2 - Skateboard
Size: 80 x 20 cm / 31 x 8 inches
Material: 7 ply Grade A Canadian Maple wood
Includes 1 Easyfix wall mount per deck
Tho...
Category
2010s Feminist Art
Materials
Maple, Wood
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Thread, Dye, Found Objects
Signed Feminist LGBTQ+ Ink Graphite on Paper Drawing - Profile Notation 418.009
Located in New York, NY
Linda Stein, Profile Notation 418.009 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing
Profile Notation 418.009 is from Linda Stein's Profiles series--drawings, collages ...
Category
2010s Feminist Art
Materials
Paper, Ink, Graphite
Signed Feminist LGBTQ+ Ink Graphite on Paper Drawing - Profile Notation 418.010
Located in New York, NY
Linda Stein, Profile Notation 418.010 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing
Profile Notation 418.010 is from Linda Stein's Profiles series--drawings, collages ...
Category
2010s Feminist Art
Materials
Paper, Ink, Graphite
Signed Feminist LGBTQ+ Ink Graphite on Paper Drawing - Profile Notation 418.012
Located in New York, NY
Linda Stein, Profile Notation 418.012 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing
Profile Notation 418.012 is from Linda Stein's Profiles series--drawings, collages ...
Category
2010s Feminist Art
Materials
Paper, Ink, Graphite
Benton, Mabel Loomis Todd, monoprint with Chine collé, Pioneer Activist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
1990s Feminist Art
Materials
Gold Leaf
Ann Chernow, Bad Girls Folio of Eight Etchings, 2015, Rag Paper, Etching
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Rag Paper, Etching
"On house arrest" nude painting china ink on canson paper framed 92x72cm 2009
Located in Saint Pol de Léon, Bretagne
"On house arrest" nude painting china ink on canson paper framed 92x72cm
the enclosed beauty that can no longer give the measure of its potential
Category
21st Century and Contemporary Feminist Art
Materials
Ink, Acrylic
A meditative black and white image of a seal savoring a moment
By Drew Doggett
Located in US
"""Savor""
A meditative black and white image of a seal savoring a moment
A fur seal appears to be savoring a private moment in the light snow fall on South Georgia Island
This st...
Category
2010s Feminist Art
Materials
Archival Pigment
Incredible photo of three king penguins standing against a snowy backdrop
By Drew Doggett
Located in US
"""Polar Guardians""
Incredible photo of three king penguins standing against a snowy backdrop
Five king penguins stand in a perfectly arranged triangular formation looking at some...
Category
2010s Feminist Art
Materials
Archival Pigment
Rei’s Force ~ Secret Location
Located in Santa Monica, CA
Fiber print, edition of 10.
Category
Early 2000s Feminist Art
Materials
Black and White
$624 Sale Price
20% Off
Patricia Miranda, Sentinella, 2020, Battinger lace, synthetic dyes, cast plaster
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Fabric, Dye, Plastic
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Mid-Century Cigarette Ad Illustration
Located in Miami, FL
Disney Legend Mary Blair was also a commercial illustrator for national brands such as Maxwell House Coffee and Beatrice Foods, and two complete national campaigns for Pall Mall cigarettes. The present work was part of her Pall Mall cigarette campaign "'So friendly to your taste!'". We are unsure whether this work was a reproduced, or was only used in a test market , or for a client comp. Nonetheless, as a piece of commercial work-for-hire art, it rises to the realm of fine art. Even though the look of the work has a quick, loose and playful feel to it, each element is carefully placed to strike a perfect balance. In this campaign, the artist created the background, and the art director stripped in the product label. The cigarette to the left is also a cut-out and pasted into position to achieve the ideal look. Commercial art is, in almost all cases, a collaborative effort between the Art Director, the Artist, Account People, and the Client, yet in this case, the Mary Blair signature flat graphic and colorful style is dominant and the packaging is secondary. We have to assume the client, American Tobacco Company's brand Pall Mall was trying to sell the sizzle and not the steak. Nothing in advertising is done by chance. This Pall Mall campaign was acutely tested, and apparently, the Mary Blair style was the brand identity that the ad agency chose over other submissions. Blair's warm personal feel fits perfectly with the tag line "'So friendly to your taste!'" and connects with the audience. In the 1950s - 1960s, Mary Blair was one of the few women artists to design and execute a major mainstream advertising campaign that was not solely women-oriented subject matter: babies, women's clothes, and household products. Cigarette ads had some of the most significant budgets and visibility. Typically, they were a full page back or inside cover and pervasive billboards. The ad agencies could have called any artist in the world, and they would have jumped at the opportunity for such a sought-after, lucrative
and prestigious job. In the commercial art field, Mary Blair was somewhat like Margaret Burke...
Category
1950s Feminist Art
Materials
Gouache, Illustration Board, Pencil
Benton, Catherine Marya Sedgewick, monoprint with Chine collé, PioneerActivist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
2010s Feminist Art
Materials
Gold Leaf
Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.016
Located in New York, NY
Linda Stein, Profile Landscape 438.016 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting
Profile Landscape 438.016 is from Linda Stein's Profiles series--drawings, collag...
Category
1970s Feminist Art
Materials
Acrylic, Board
Benton_Mary Church Terrell Over Time_monoprint and collage, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Mary Church Terrell Over Time, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights.
Terrell’s parents were freed slaves who grew to become financially successful.
A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I
In 1884, she graduated from Oberlin College...
Category
2010s Feminist Art
Materials
Laid Paper, Monoprint
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.005
Located in New York, NY
Linda Stein, Profile Notation 418.005 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing
Profile Notation 418.005 is from Linda Stein's Profiles series--drawings, collages and ...
Category
2010s Feminist Art
Materials
Paper, Ink
Patricia Miranda, Lamentations for Ermenegilda; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Feminist art for sale on 1stDibs.
Find a wide variety of authentic Feminist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Cécile Plaisance, Lida Pshenichka, Suzanne Benton, and Ann Chernow. Frequently made by artists working with Fabric, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Feminist art, so small editions measuring 2.76 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $45,000, while the average work sells for $2,769.
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