Feminist Art

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

Linda Stein, Noor Inayat Khan 1131 - Feminist Contemporary Fabric Sculptural Wall Tapestry Noor Inayat Khan 1131 is from Linda Stein's Holocaust Heroes: Fierce Females series, which highlights Holocaust-era female heroes. Stein began to produce sculptural tapestries in 2013, in which she combines archival images of a subject with her pantheon of female Exemplars--Wonder Woman, Princess Mononoke, Storm, Nausicaa, Kannon, and Lady Gaga--with multiple fabrics and leather. Noor Inayat Khan 1131 features Noor Inayat Khan, a Special Operations Executive agent, who became the first female radio operator to be sent from Britain to aid the French resistance...

Linda Stein, Gloria Steinem 1037 - Feminist Contemporary Fabric Leather Sculptural Tapestry Gloria Steinem 1037 is from Linda Stein's Sexism series, wh...

Linda Stein, Loreen Arbus Says Tango is Egalitarian 974 - Feminist Contemporary Mixed Media Sculptural Tapestry Loreen Arbus Says Tango is Egalitarian 974 is from Linda Stein's Sexism series, which advocates an expanded perspective of gender constructions--one that includes non-binary views of masculinities and femininities, allowing for Diversity, Equity, Inclusion, and Kindness. Stein began to produce sculptural tapestries in 2013, in which she combines archival images with multiple fabrics and leather. Loreen Arbus Says Tango is Egalitarian 974 breaks from the view of tango as a traditional gender hierarchy of a woman being led by a man by showing imagery of couples of various identity configurations--male/male, female/female, binary/non-binary, standing/in a wheelchair, mixed race...

Linda Stein, Flo Kennedy 406 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits series a feminist labor of love. Ea...

Linda Stein, Billie Jean King 382 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits...

Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...

Famed Disney artist Mary Blair was also an illustrator for assignments outside Disney. The present work appears to be for a Gelolo Mchugh children's book called Baby's House. There i...

comprised of two panels each 96"x40" exhibition history: "Uncovered Spaces" at the International Museum of Art and Science in collaboration with the Center for Latin American Arts at...

Untitled, 2004 Tracey Emin Etching, on wove paper Initialed from the edition of 125 Published by White Cube, London With the artist's ink stamp on the reverse Image: 14 × 19 cm (5.5...

Linda Stein, Gender Scrambling 782: VanSickle, Roosevelt Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collections of Victoria ...

Linda Stein, Gender Scrambling 777: Gaga, Obama, Salander Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collections of Victori...

Linda Stein, Gender Scrambling 768: Woolf, Obama, Sanger Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collections of Victoria ...

Repairs in the Sky, 1999 Louise Bourgeois Letterpress and lithograph in colours, on two sheets of smooth wove paper Signed and numbered “Inscribed ‘AP’ and numbered ‘12’, one of 14 ...

Printed on Archival Moab Entrada paper with Deckled Edge Signed by a Founding Member of the Guerrilla Girls Limited Edition of 50 "Dear Art Collector" is a provocative artwork by th...

The Hour Is Devoted to Revenge, 1999 Louise Bourgeois Letterpress and lithograph in colours, on two sheets of smooth wove Arches Signed with initials, inscribed ‘AP’ and numbered 15...

Modern Venus, 110x90cm, oil on canvas

2021, 110x88 cm

2021, 110x88 cm

A woman with cigarette, 2021, 110x88 cm

Size: 110× 88 cm Medium: Digital art, print,canvas

2021, 110x88 cm

Reflections, 2021, 110x88 cm

2021, 110x88 cm

Madonna, 2021, 110x88 cm

2021, 110x88 cm

Each flower is made using the photographic process called cyanotype. Using watercolor paper, each petal was drawn, cut and coated by hand. Each flower is made using between 12-30 pet...

New tapestry, my interpretation of modern, traditional Ukrainian folk art As part of the project on my idea before the war, I continue to implement my ideas, old and new. My arrival home gives me new strength and ideas. Despite the danger of living in a frontline city. My new tapestry is a modern interpretation of classic tapestries...

Presented paintings and drawings by Rusudan Khizanishvili, created in 2024-2025, all focus on offerings, albeit of different types. There is not a single tautology or repetition in t...

original Ink on paper Image size: H:39 cm x W:29 cm Complete Size of Unframed Work: H:39 cm x W:29 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indica...

The subject is primarily about multiple personalities. It is signed and dated on the reverse side. *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings ar...

Large charcoal drawing on Grey archival paper signed and dated bottom left. An unusual departure for the artist who generally works in color. Suitable for framing under glass. The ...

Jason Keeley Red Kiss Limited Edition Silkscreen Print Edition of 70 Image Size: H 66cm x W 66cm Sheet Size: H 74cm x W 74cm x D 0.1cm Sold Unframed Please no...

Tracey Emin, The Sex Series (The Complete Set of 5) Giclee Print on Paper, 2013 Giclee print on paper Edition of 200. Signed, unnumbered Excellent / 'as new' condition. Each piece i...

Liliane Danino, Queen of the desert, Natural pigment and fabric on canvas, mixed media, idealized portrait, woman of virtue, Israeli artist, Israeli art

Artist: Larissa De Jesús Negrón Title: I forget how big it is Medium: Digital Print on Fine Art Paper Size: 27 x 23 Inches (30 x 26 Inches Framed) Edition: 25 Year: 2022 Notes: A...

Cowgirl Tricks by Carol Magnatta Painting, Feminine, Human Figure, Pastel and Oil, Wall Hanging, Wall Art, Sexy, Provocative,

Svetlana Kalachnik’s unmistakable work expresses a mastery of the craft of painting, her art depicts situations of complicity between her characters; she takes the viewer into a worl...

Soft pastel on toned archival sanded paper with border suitable for framing under glass. Signed and dated on bottom left hand corner

Tracey Emin, Grand Hotel I, Lithograph Print, 2016 A Polymer gravure lithograph printed on Somerset 300gsm paper From a limited edition of 100. 81/100 Hand signed, titled and numb...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works.

Tapered hands and pointy-toed female figures along with the cropped legs of a stagehand are depicted in a dance performance. Blanchard was a fashion illustrator and worked for many years in the advertising department of Lord & Taylor. Work is modestly framed Stamped on back "Copyright Conde Nast...

Feathery by Carol Magnatta Painting, Pastel, Pastel Colors, Pink. Girly, Women, Feminine, Nature, Flora, Textured, Wall Art, Home Decor, Home Art, Wall Hanging

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Antoinette B Blackwell in the Blue Circle, monoprint with Chine collé, 9 3/4 x 7 3/4 inches, 1996 (1825 –1921) Reverend Antoinette Louisa Brown Blackwell graduated from the Ladies¹Department in 1847 and returned to Oberlin to take theology courses, having been denied the right to participate as a member of the Theological Department.  When she completed the course of study in 1850, she was also denied ordination and recognition at commencement, but in 1853 was ordained in her home church in Butler New York and, despite Oberlin Collége...

This is an artist proof aquatint of a woman stepping forward in a tiled Mexican living room with her dog and a mysterious giant cactus coming out of the floor. Image is 9.75 x 9.75 ...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

the subject of this work is Yemaya orisha or saint of the seven oceans . Her colors are blue and white and she exudes great power and love.

Each flower is made using the photographic process called cyanotype. Using watercolor paper, each petal was drawn, cut and coated by hand. Each flower is made using between 12-30 pet...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Cover illustration for mid-century children's book publisher Merril Publishers. Signed lower right. Unframed. Retta Scott or Retta Worcester was (February 23, 1916 – August 26, 1990) was an pioneering Female Illustrator / American artist. She was the first woman to receive screen credit as an animator at the Walt Disney Animation Studios. Scott worked on storyboards to develop scenes of Bambi, his mother, and the film’s hunting dogs, on which she spent weeks to develop them into “vicious, snarling, really mean beasts.” Male artists in the company were stunned who initially assumed that only a man could create drawings with such intensity and technical skill. Her sketches caught the eye of Disney, so when the film went into production, she was assigned to animate scenes of hunting dogs chasing Faline. She worked under the film's supervising director, David D. Hand,and was tutored by Disney animator Eric Larson. This was a significant coup for the young woman, since at the 1930s-era Disney studio, women were considered only for routine tasks: "Ink and paint art was a laborious part of the animation process, and was solely the domain of women..." Her promotion to animator was in part thanks to the success of herself and other women such as Bianca Majolie, Sylvia Holland, and Mary Blair as storyboard artists. Even after receiving a promotion to animator, she and her animations continued being under appreciated in the industry. Though the most recognized Walt Disney female artist is Mary Blair, it is Retta Scott who opened up the doors for women in the animation industry. She became the first woman to receive screen credit as an animator. By the spring of 1941, Scott was also considered a "specialist in animal sketches." Scott helped produce Fantasia and Dumbo, as well as an adaptation of The Wind in the Willows that was later cancelled. She also made an appearance in The Reluctant Dragon...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Juliette Gordon (American, b. 1934) Untitled (Modern Woman), circa 1973 Collage on board 30 x 20 inches Provenance: Allan Stone Gallery, New York (ASG-JuG8) Sold with certificate of authenticity signed by the artist. Juliette Gordon is a witty, perceptive, and highly intelligent artist. Her most iconic works are wickedly funny and sometimes highly political photocollages that were inspired by her involvement in the women’s movement of the early 1970s. At the time, she was exhibiting with the likes of Nancy Spero and May Stevens...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Red Feathers #2 by Carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Home Art, Wall Art, Home Decor, Wall Decor

All Red Feathers by carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Home Art, Wall Art, Home Decor, Wall Decor

Red Feathers #3 by Carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Home Art, Wall Art, Home Decor, Wall Decor

Bubble bath by Carol Magnatta Painting, Pastel Painting, Oil Painting, Women, Girly, Girlhood, Womanhood, Women, Female, Bubble Bath, Bathroom, Spa, Bubbles, Fancy, Home Decor, Wall...

The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...