Modern Art

Le Village de Chanaz is a black and White etching realized by A. Appian in the 1860s.  Titled in the lower. Image size: 16x23. Very good impression with wide margins and a very fr...

Slim Aarons Speedboat Landing 1973 (printed later) Chromogenic Lambda Print (C Print) Estate edition of 150 August 1973: A motor boat arrives at a jetty in Porto Ercole, Italy. Es...

Bernard Buffet, French (1928 - 1999) - La Place des Vosges. Year: 1962, Medium: Lithograph, signed and numbered in pencil, Edition: 141/150, Size: 21 x 27 in. (53.34 x 68.58 cm), Fr...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil. A superb, finely nuanced impression, in d...

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

Figure is a linocut print realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Not signed. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian...

Morris Blackburn, 'Avalon South', wood engraving, 1951, edition 30. Signed, titled, and numbered '12/30' in pencil. A fine black impression on cream wove Japan paper, with wide margins (1 3/8 to 2 1/4 inches), in excellent condition. Archivally sleeved, unmatted. Image size 5 x 7 inches (127 x 178 mm); sheet size 8 5/8 x 10 7/8 inches (219 x 276 mm). ABOUT THE ARTIST Morris Blackburn was a prominent painter, printmaker, and graphic artist, as well as a respected teacher at the Philadelphia Museum School of Industrial Art and the Pennsylvania Academy of Fine Arts. Born in Philadelphia, where he spent most of his career, Blackburn was a descendant of the notable colonial portrait artist Joseph J. Blackburn (c. 1700–1780). He developed an interest in art early on and studied architectural drawing at the Philadelphia Trade School. In 1922, he took classes at the Graphic Sketch Club and later attended the School of Industrial Art. While working for the well-known Philadelphia furniture designer Oscar Mertz, he studied at the Pennsylvania Academy of the Fine Arts from 1925 to 1929. During his studies, he learned painting from Henry Bainbridge McCarter...

A unique original silver gelatin black and white photography. The International Decorative Arts Exhibition in Paris, in October 1925. By the river Seine, access to the Department Sto...

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

Giclee print on 300 gsm archival cotton rag with dimensions of 35 x 33 in. Released in 2020 from an edition of 751. Signed and numbered by Mark Maggiori. Large format stunning print.

Frank Nelson Wilcox (American, 1887–1964) California Valley, Near Capistrano, c. 1937 Watercolor on paper Signed lower right, titled verso 15 x 20 inches 18.5 x 24 inches framed Fr...

Zebra is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is en...

- extraordinary rug, woven from sheep's wool and linen with 4 warp threads - company label verso with inscribtion, date and signature by Theo Riedl - knotted by Alejandro Garin G. & ...

Under The Sea Series Nº 24. Oil on paper. Fantasy underwater abstract landscape. Green color. Transparencies effect. Measurements: (H) 30 cm. / 1...

"Over the River (from below)" is a 1992 limited-edition (Edition 300) offset-lithograph on hand-made cotton paper originally signed by Christo in the lower left hand corner. The work...

This exquisite lithograph by Henry Moore (1898–1986), titled Reclining Figure Interior Setting I, from the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977, originates from the 1977 edition published by Societe Internationale d'Art XXe siecle, Paris, and printed by Curwen Prints Ltd, London, 1977. Reclining Figure Interior Setting I reflects Moore’s masterful synthesis of form and space, capturing his lifelong exploration of the reclining human figure as a symbol of harmony between nature, body, and landscape. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches (24.77 x 31.75 cm). Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Curwen Prints Ltd, London. Artwork Details: Artist: Henry Moore (1898–1986) Title: Reclining Figure Interior Setting I, from the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977 Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1977 Publisher: Societe Internationale d'Art XXe siecle, Paris Printer: Curwen Prints Ltd, London Catalogue raisonne reference: Moore, Henry, et al. Henry Moore, Catalogue of Graphic Work. Gerald Cramer, 1986, illustration 458 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977, published by Societe Internationale d'Art XXe siecle, Paris About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris and London, including Mourlot, Arte, and Curwen, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, Surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Henry Moore (1898–1986) was a British sculptor, draftsman, and modernist pioneer whose monumental bronzes and organic abstractions revolutionized 20th-century sculpture and made him one of the most influential artists of his time. Renowned for his reclining figures, mother-and-child compositions, and pierced biomorphic forms inspired by nature, Moore transformed traditional carving into a universal language of rhythm, balance, and humanity. Born in Castleford, Yorkshire, he studied at the Leeds School of Art and the Royal College of Art in London, absorbing the influences of classical sculpture, African and Pre-Columbian art, and the radical innovations of the European avant-garde. Inspired by Pablo Picasso’s Cubist fragmentation of form, Joan Miro’s lyrical biomorphism, Wassily Kandinsky’s spiritual abstraction, and Constantin Brancusi’s purity of shape, Moore developed a style rooted in the harmony between mass and void, structure and space. During the interwar years, he became part of an international circle that included Alexander Calder, Alberto Giacometti, Salvador Dali, Marcel Duchamp, and Man Ray—artists who, like Moore, expanded art’s boundaries through abstraction, surrealism, and conceptual experimentation. Like Calder, Moore explored balance and movement; like Giacometti, he sought the spiritual essence of humanity; and like Dali and Duchamp, he challenged perception and redefined modern form. His sculptures, carved in stone or cast in bronze, evoke both ancient and modern sensibilities—forms that appear to breathe with natural vitality while engaging directly with their surrounding landscapes. Moore’s “Shelter Drawings” (1940–41), created during the London Blitz, revealed his deep empathy for the human condition, marking a pivotal moment in his exploration of resilience and vulnerability. By the mid-20th century, Moore’s monumental bronzes had become landmarks around the world, from the Lincoln Center in New York to the UNESCO headquarters in Paris, embodying timeless symbols of endurance, renewal, and unity. His synthesis of organic abstraction and humanism influenced generations of sculptors including Barbara Hepworth, Isamu Noguchi, Eduardo Paolozzi, Antony Gormley, Anish Kapoor, and Rachel Whiteread. Like Kandinsky and Miro, he believed abstraction could transcend culture and time, while like Duchamp and Man Ray, he embraced experimentation as a pathway to new truths. Moore’s works, housed in major collections including the Museum of Modern Art in New York, the Tate in London, the Guggenheim Museum, and the Art Institute of Chicago, continue to define the landscape of modern sculpture for their elegance, power, and emotional depth. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Henry Moore remains a cornerstone of modern art—a sculptor whose vision united nature, form, and spirit into a universal language of beauty and meaning. His highest auction record was achieved by Reclining Figure: Festival (1951), which sold for $33.1 million USD at Christie’s, London, on June 30, 2016, reaffirming Henry Moore’s enduring legacy as one of the most visionary, influential, and collectible sculptors in the history of modern art. Henry Moore Reclining Figure...

Irving Marantz, American (1912 - 1972) - An Aspect of Time, Medium: Lithograph on BFK Rives, signed, titled and numbered in pencil, Edition: 35/50, Image Size: 19.5 x 15 inches, S...

Antique American modernist street scene oil painting by Elaine Wesley (1923 - 2007). Oil on board. Estate stamped verso.

This exquisite lithograph after Jean Cocteau (1889–1963), titled Mesure hermetique (Hermetic Measure), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by J...

"Hardly" is a captivating poster featuring the artwork of renowned artist Wassily Kandinsky. Published by Art Unlimited in Holland for the Museum Boymans-van Beuningen in Rotterdam, ...

Nicely painted American school modernist portrait. Oil on canvas. Framed. Ready to hang excellent condition.

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

This is an original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sam ‘ who was captured on fil...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Pont-Neuf (Pont-Neuf), from the album Paris Capitale (Paris Capital), originates from the 1955 edition published by J...

Black marker pern drawing on paper realized by Maccari in 1935 ca. Hand signed in pencil lower right. Very good condition.

A beautiful American Impressionist oil painting of two Cypress trees upon a hilltop in Monterey, California by Virginia Shackles (American, 1921-2020...

Frida at the Barbizon Plaza Hotel by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in a chair under her self portrait hanging on the wall. Im...

Janick LEDERLE Little Street in Santorini Original lithograph (Mourlot) Handsigned in pencil Limited /275 copies On vellum 55 x 39 cm (c. 21.6 x 15,3 in) Excellent condition

This exquisite lithograph by Wifredo Lam (1902–1982), titled Personnage (Figure), from the album XXe siecle, Nouvelle serie, XXXVIe Annee, No. 42, originat...

Oil on board realized by Emile François Rouseau in 1910. Hand signed, dated and dedicated by the author. Includes a coeval gilded wooden frame.

Henri de Toulouse-Lautrec Portrait of M. X (Anonymous Man) Original drypoint etching Printed signature in the plate On thin vellum 25 x 19 cm (c. 10 x 8 inch) REFERENCES : Catalogu...

FIGURE IN THE DARK Size: 49 x 40 cm (including frame) Oil on canvas An emotive and expressive semi-abstract figurative portrait, executed in oil onto canvas and dated 1975. The co...

Eye of the Beholder, 1974 - Bronze Bathing Beauties Suntanning on French Riviera by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

French Landscape by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 15 x 17 inches provenance: artists estate, France condition: very good and sound c...

Artwork sold with frame (114 x 93 x 6 cm) Jules-Ami Courvoisier was a prominent Swiss painter, illustrator, and poster artist, born in La Chaux-de-Fonds in 1884. He studied under Ch...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Punk ‘ Signed by Ian Sanderson lower...

This lithograph was printed in 1960 and is based on the glassworks of the Saint Dominique church in Varengeville, in Normandy, where Braque had his country house. The original gouach...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Chaim Gross (American, 1904-1991) Cast bronze sculpture Caring (or Mother and Child) signed Mounted on wooden plinth Featuring a mother raising her child up in superb high relied i...

Boy Jumping into Hudson River, NYC by Ruth Orkin is a black and white gelatin silver print of a child jumping off a building into the water below. Gelatin Silver Print 14 x 11 in. B...

NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA. David Fredenthal (1914-1958) "View of New York from New Jersey,"7 x 10 inches. Watercolor on Paper, c. 1948. Signed lower right. David Fredenthal (1914 - 1958) was one ot America's most respected watercolor artists. He was famous for his bold, intensely vigorous and complex paintings and drawings that expressed his deep feeling for excitement with life and living. He was a draftsman with seemingly a special gift for catching anything, physically and emotionally on the spot, and he never went anywhere without three or four loaded pens and a sketchbook in his pocket. As part of the WPA project he executed a number of murals including the Sports Pavilion on the Heinz Building of the New York World's Fair 1939. Some of his fresco and mural techniques were inspired by his friendship with Diego Rivera who had admired and encouraged him in the early 1930's. After he won a traveling scholarship to Europe from The Museum of Modern Art at age 19, he was the recipient of two Guggenheim grants in Painting. He had his first solo exhibition at the Downtown Gallery in New York in 1937 at age 23, and many others after that including the Whitney Museum of American Art in 1947. Because of Fredenthal's prodigious drawing gifts, he was chosen by Erskine Caldwell to illustrate his novel "Tobacco Road...

"Azul"- From the Small Pops Collection "Azul" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by ...

The Dancer is a sculpture realized by Giacomo Manzù in 1957. Unique piece. Exhibitions:  Manzù. L’Uomo e l’Artista, Palazzo Venezia, Roma 2002-2003 Manzù-Marino. Gli ultimi moderni,...

Keep Your Cool - Backgammon Players Swimming Pool France by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Keep Your Cool is a Lim...

Edward Landon 'Chinoiserie', color serigraph, 1947, edition 50, Ryan 36. Signed in pencil in the image, lower right. Titled, dated, and annotated '4 COLORS – EDITION 50' in the scree...

Edgar Degas Mary Cassatt at the Louvre Original etching, softground, aquatint and drypoint Probably an impression from the cancelled plate edited by Ambroise Vollard c. 1880 Unsign...

Marie LAURENCIN Female drawing Original drawing Signed with the stamp of the artist On paper 16 x 10 cm (c. 6.2 x 3.93 in) Good condition, the paper slightly yellowish

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Portrait of Victor Hugo is a photografic albumen print in CDV size. The print was made around 1870 by J.M. Lopez in Paris, for the publisher Hautecoeur. Photographer's logo on fron...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 7 ¾ x 10 ½ inches unframed, 14 ½ x 16 ½ inches framed, signed, dated, and located lower left as follows: “David McCosh...

This original lithograph titled Paddock at Deauville by renowned French artist Raoul Dufy captures the lively atmosphere of the famous horse racing scene at Deauville. Dufy, who init...

Title: Cubist French Abstract Composition With Geometric Shapes Circles And Colour Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 26.25 x 19.25 inches (heigh...

Music has always been a passion for David Bailey. As a teenager, he played the trumpet, thinking for a while that music - rather than photography - might be his future. Among his musical heroes is Miles Davis...

Signed lower right, 'Dooley' for Helen Bertha Dooley (American, 1907-1994); additionally signed, verso, titled 'Turquoise Sea' and dated 1983. Exhibited: Carmel Art Association, Cal...

TULIPS IN A BLUE VASE Size: 64 x 54.5 cm (including frame) Oil on board A very well executed floral still life composition, painted in oil onto board and dated 1947 on the reverse. ...

A Tranquil, 1950s American Scene Country Landscape Painting of a Wisconsin Farm in Late Autumn by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A small gem of a paint...

View of the Basilica of San Giovanni in Laterano, Rome, realized between the late 19th and the early 20th Century, probably after an older painting. Oil on canvas, framed. Not sign...