Naturalistic Art

Berta Blanca T. Ivanow’s (b. 1992 Barcelona) own embryonic structures, made in stoneware clay, are a grand statement of belief in the power of introducing the corporeal into sculptur...

Barley Field View by Georgie Dowling [2021] original Oil paint on canvas Image size: H:40 cm x W:50 cm Complete Size of Unframed Work: H:40 cm x W:50 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A 50x40cm palette knife oil painting on canvas inspired by views over a barley field in the Cotswold countryside. The paint is applied thickly in spontaneous strokes to evoke the textured landscape and view of patchwork fields. The warm tones of the barely field contrast with the blue of the sky and distant fields...

Loch Ba [September 2021] original Oil Pain on Canvas Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:90 cm x W:90 cm x D:3.8cm Sold Unframed Please note that ins...

Autumn sunshine over the loch by Natalie Bird [2021] original Mixed media Image size: H:20 cm x W:25 cm Complete Size of Unframed Work: H:28 cm x W:36 ...

Tim Southall Deer in Winter Limited Edition Etching Edition of 75 Image Size: H 20cm x W 30cm Sheet Size: H 35cm x W 42cm x D 0.1cm Sold Unframed (Please note that in situ images are...

A frightened monkey looking sideways, carved in yellow (Sienese?) marble. Origin Italy. First half of the nineteenth century.

Jean-Baptiste Robie (1821 Brussels - 1910 ibid.). Still life with meadow flowers. Oil on wood, 24.5 x 18.5 cm (inside measurement), 37 x 31 cm (frame), signed and dated (difficult to...

This hand-carved Carranca sculpture in solid Umburana wood originates from the São Francisco River region in Brazil, dating back to the 19th century. Traditionally, Carrancas were mo...

Looking Towards Home [2021] original Oil on Canvas Image size: H:76 cm x W:122 cm Complete Size of Unframed Work: H:76 cm x W:122 cm x D:3cm Sold Unframed Please note that insit...

Uniche sensazioni Torre S.Emiliano by Amedeo Cianci [2017] original Olio su tela Image size: H:100 cm x W:150 cm Complete Size of Unframed Work: H:100 cm x W:150 cm x D:2cm Sold Unf...

Pedn Vounder coastal path view by Georgie Dowling [2021] original Oil paint on canvas Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2cm Sold Un...

L'albero abbattuto, 1981, rif. 412 Etching inches 15.6 x 19.2 (mm 397 x 490). Contemporary Art Etcher. A prominent figure of the art of engraving in Italy, Federica Galli was born ...

Boats at the coast. 1975, cardboard, oil, 37x40 cm Fishing village by the sea. Painting in blue colors. Сalm harmonious seascape

Self-portrait. Paper, linocut, 31x21.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...

Location: KwaZulu Natal Year: 2006 The Tsonga region is in the north of KwaZulu Natal in South Africa. It was a day of celebration, cattle had been slaughtered and the ladies of th...

Saiorse is the Irish Gaelic word for freedom. It suggests the yearning of emigrants to set off on a journey to a new world… where everything is brighter and more magical. The sea is...

A moment of joy on El Malecon - Havana’s sea wall and promenade. James Sparshatt’s black and white portraits are a search for a connection with a world of emotions. The work is ava...

Hans Richard von Volkmann (1860 Halle (Saale) - 1927 ibid.), Clay jug on a bench. Pencil and Watercolour on paper. 20 x 26,7 cm (visible size), 37 x 45 cm (frame), dated and monogrammed lower left "Februar 1890 - HR. V. V." - Minimally tanned. Framed behind glass in a passepartout. About the artwork Using the technique of his early youth - pencil and watercolour - Hans Richard von Volkmann depicts a still life. However, this is not a conventional indoor still life, but an open-air depiction, painted outdoors and not in the studio. It is therefore an open-air painting, characteristic of von Volkmann's oeuvre, which could have been painted in the Willingshausen colony of painters, where open-air painting was programmatically practised there and the artist stayed there that year. And indeed, this painting is a manifesto of open-air painting. Von Volkmann demonstrates that leaving the studio for the light of nature leads to an entirely new quality of art. To prove this, he uses the genre of still life, which can be described as the studio subject par excellence. Moreover, light plays an essential role in the classical still life. It is the real protagonist of the still life. And it is precisely this moment, essential to the still life, that von Volkmann exploits to demonstrate the potential of plein-air painting: He presents the objects as they appear in the sunlight. The date of February and the bare branches in the foreground make it clear that this is a clear winter day in bright sunlight. The delicate plant in the foreground casts a clearly defined shadow, as does the jug. However, the shadow is most pronounced on the jug itself: The underside of the handle appears almost black, making the top, and therefore the jug itself, shine all the more brightly. The shining of the objects in the sunlight is also visible on the bench. As complementary phenomena to the shadow zones, light edges can be seen on the boards of the seats and the upper foot of the bench shines entirely in the light. To achieve this intensity of light, von Volkmann activated the bright white of the painting ground. By depicting the objects in glistening sunlight, von Volkmann demonstrates that this quality of light is only to be found outdoors. And this light leads to a new way of looking at the objects themselves. The jug on the bench seems like an accidental arrangement, as if the artist had stumbled upon this unintentional still life and captured it with fascination. And in this fascination there is a moment of realisation that refers to the objects themselves. It is only when they shine brightly in the sunlight that their true nature is revealed. In this way, sunlight allows the objects to come into their own, so to speak. Sunlight, which is not present in the studio, gives the still life an entirely new dimension of reality, which is also reflected in the colours interwoven by the sunlight: The bench and the jug stand in a harmonious grey-pink contrast to the green of the implied meadow. The emphasis on the jug as the central subject of the picture also implies that the watercolour has not been completed. This non finito inscribes a processuality into the picture, making it clear that something processual has been depicted, the temporality of which has been made artistically permanent. This is why von Volkmann signed the painting and dated it to the month. About the Artist Von Volkmann made his first artistic attempts at the age of 14. He painted many watercolours of his home town of Halle. This laid the foundation for his later outdoor painting. In 1880 his autodidactic beginnings were professionalised with his admission to the Düsseldorf Art Academy. There he studied under Hugo Crola, Heinrich Lauenstein, Johann Peter Theodor Janssen and Eduard von Gebhardt until 1888. Von Volkmann then moved to the Karlsruhe Academy, where he was Gustav Schönleber's master pupil until 1892. In 1883 he came for the first time to Willingshausen, Germany's oldest painters' colony, at the suggestion of his student friend Adolf Lins...

Goat and rabbit A fine bronze sculpture of a goat eating a salad, which is being "helped" by a rabbit.  This statue by Josuë Dupon (1864 -1935) has a brown patina with golden undert...

La scultura, a forma di un ideale e perfetto alveare, sottolinea anche il desiderio dell'artista di mettere l'accento sull'influenza che le api hanno rispetto a...

Still life with balsam, chocolate and lemon. 1969. Paper, watercolor, 54x46 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technic. She paint f...

The lady on the chair. Paper, mixed media, 20x12 cm A loose and veiled painting depicts a beautiful woman with a mysterious nature. Colors are mixed freely and combined with graphic elements of dress. Powerful lightning expresses ladies outfit and face. Information about artist: Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin...

Niels Frederik Martin Rohde, born 27 May 1816 in Copenhagen, died 14 July 1886 at Frederiksberg Castle, Copenhagen, was a Danish painter. Rodhe studied, among other things, at Det Ko...

The thistle symbolises endurance, inner strength and perseverance in adversity. Although covered with thorns, the thistle produces flowers of extraordinary beauty, making it a symbol...

Calvary naturalistic tree. Unique piece, not replicable. Hand-forged in wrought iron by the outstanding Italian sculptor Ivan Zanoni. This sculpture in the form of a Cross is animated by natural elements and insects and is one of the most striking examples of the liveliness and singularity with which Ivan Zanoni knows how to forge iron and mould it according to his own sensitivity. The Cross was the sculptural work chosen to welcome visitors to the 2024 solo exhibition that the prestigious Mart Museum in Rovereto - one of Italy's leading institutions for contemporary art - has dedicated to him. Renowned for his wrought iron creations, Ivan Zanoni is internationally recognised as one of today's most significant iron sculptors. His mastery of the medium lends an organic vitality to the metal, particularly in his evocative depictions of plants and animals. Born and living in Caldes (Trentino, Italy), Zanoni inherited his passion and skill from his father, Luciano Zanoni. A revered craftsman, Zanoni created a four-metre monumental olive tree sculpture...

Good morning / Guten Morgen. 2009, oil on canvas, 18x24 cm Woman portrait with eyelash curler in style of 1920 Anita Arbidane (1983) In 2008 graduated Latvian Academy of Arts Depar...

Jessica Carroll Title: "Coalescence" - Bronze Sculpture Capturing the Power of Unity in Nature Description: This exquisite bronze sculpture is a rare and striking example of conte...

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

Niels Frederik Martin Rohde, born 27 May 1816 in Copenhagen, died 14 July 1886 at Frederiksberg Castle, Copenhagen, was a Danish painter. Rodhe studied, among other things, at Det ...

Description: Six tulips in a row hand-forged in wrought iron at different stages of their bloom. The sequence of tulips is animated by the landing of a butterfly that revitalizes and...

Margherita Leoni was born and raised in Italy, however, she spent most of her adult life in San Paulo, Brazil. It was there that she started a collaboration with the botanical faculty of the local university, allowing her to developed an interesting research in rare botanical species studies and drawings. For this reason, most of her artworks, including the one presented here, illustrate Brasilian botanical species, both rare and common. The artist's mastery of watercolor allows her to take part in botanical expeditions where she paints in plein air. Given her exquisite watercolor technique and her extensive botanical knowledge Margherita Leoni is considered the heir of Margaret Mee...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

The Procession is an oil painting depicting the act of veneration of the forces of nature. The painting depicts three women walking through the mist in a paradisiacal forest. The sce...

Details: Dandelion and bee hand-forged in iron with gold leaf Features: indoor or outdoor sculpture, perfect as a centerpiece Origin: Italy Material: Wrought iron Condition: New A...

Great Dane Wonderfully stylish statue of a great dane, with a black patina by Gustav Reissmann (1887-1954). The dog is standing still and fully alert. Signed on the side of the base...

A vine shoot in warm autumn colours shows a ripe, purplish bunch against a silvery background. With elegance and great balance Margherita Leoni (b. 1974 Bergamo) weighs solids and ...

Una piccola e perfetta sfera in bronzo su base in legno è il supporto su cui poggiano tre api, anche esse in bronzo. Secondo lo spirito ludico di Jessica Carroll le api...

Composition of 6 handmade unique wrought iron walnut shell sculptures with wood walnut. The installation consist of 3 empty shells, 2 half shells with respective walnut and 1 shell w...

Jean Poulain 1884-1967 Jean Poulain was born in 1884 in Katanga (former Belgian Congo). Self-taught artist from an early age, he will be in search of all the emotions and beauty of ...

A large late 19th century bronze figure of a recumbent greyhound after French animalier sculptor Christophe Fratin (1801-1864), with a warm brown patina on a rouge griotte marble base. Signed 'FRATIN' on collar. Bronze length: 37cm Base length: 41cm Bronze height: 18cm Total height: 22cm Christophe Fratin was born in Metz in France in 1801. He first studied sculpture under Pioche in Metz under whom he honed his technical skills. He then became a pupil of the painter Theodore Gericault in Paris where he pursued his career as a sculptor. Fratin first exhibited at the Paris Salon as early as 1831, where he showed ‘Fermer – An English Thoroughbred’. The popularity of Fratin’s sculpture in England had a significant impact on his career. His modelling style reflected his imaginative mind and sense of humour, particularly in his humorous modelling of bears. Fratin was asked to sculpt life-size monuments for French cities, including his home town of Metz. At the Great Exhibition of 1851 in London he was considered the greatest animalier sculptor of the day. Fratin’s bronzes...

Olof Arborelius (1842‑1915). View from Capri with Vesuvius in the background. Monogram signed OA. Oil on canvas laid on cardboard, 31 x 46 cm. Certified on verso: "Painted by Olof A...

Caspar von Reth (1858-1913) The Home Guard signed and dated ‘C. v. Reth/ 1905’ (lower right) oil on canvas, laid on board 13 ¾ x 19 ½ in. (34.9 x 49.5 cm.)

Available for sale; this original watercolor portrait is by Andrew Read and is dated 2012. The painting is mounted within a glazed frame (which is shown in these photographs). The f...

After Eadweard Muybridge — Black-and-White Heliogravure “Female Nude Rising from Bed,” Electa Editrice Portfolio (Milan, 1981/82) — Framed From the limited Electa Editrice Portfolio...

The cityscape of Ardenza, Livorno is an original drawing in pencil on paper realized in 1870 by an Anonymous artist of the 19th century. Titled and dated at the top center. The st...

Dora Riparia at Alpignano is an original etching realized in the late 19th Century by the italian painter and engraver Ernesto Rayper (1840-1873). Ernesto Rayper is known as founder...

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

Image dimensions: 20.5 x 15 cm. This splendid lithograph Interieur de Geneve. Rue De L'Hôtel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, en...

This splendid lithograph Interieur de Geneve. Cour Du Collège is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Font...

Au coin du feu is a beautiful original etching realized by Armand Queyroy (1830 -1893), printed on ivory colored paper by Delatre, Paris. This is an original print signed on plate o...

The sculptor is fresh from the success of a major exhibition that the MART, Museum of Modern Art in Rovereto (the most prominent in Italy), dedicated to him. Born and raised in Cal...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the creator of Lucky Luke...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

This plate is unique both for the unmistakable beauty of the bird species and for the great scientific and artistic skill of Elisabeth and Jhon Gould to have rendered it. The price ...

Rich and exuberant hand-forged iron reed with naturally folded leaves and a butterfly that has just landed. The sculpture is perfectly suited to outdoor and indoor environments. It ...