Neo-Expressionist Art

This sophisticated lithograph was executed by the renowned visual artist Peter Eugene Ball circa 1970. Realized in black and white, it depicts a styl...

Patterson boats in the sea. acrylic canvas painting. acrylic canvas painting. signed Licenciado en Bellas Artes por ISPEJV, en la Habana en 2002, especialización en Restauración y ...

Artist: Sandro Chia Title: Untitled 6 Medium: Carborundum etching with hand coloring on handmade paper, each piece is unique Size: 39 x 46.5 Inches Signed: Hand Signed Edition: 31/...

Artist: Sandro Chia (Italian, born 1946) Title: Sitting Lady Year: 1984 Medium: Etching Edition: Inscribed A.P (Artist Proof) in pencil Paper: F...

Abstract and figurative interpretation of a classic theme. Originally inspired by the Odalisque.

MICHAEL HAFFTKA "The Wave" Hand signed lower right "Hafftka" Oil and pastel on paper, 30.5" x 22.25". Framed 39" x 31.5". Michael Hafftka (born 1953) is an American figurative exp...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

"Outskirts" is an acrylic painting with collage elements on canvas, measuring 38" high by 44" wide. There's nowhere to hide in any of William's paintings, that's part of the charge coming off his canvases. That's particularly true with this painting – we immediately see that everything is wrong, hands coming out of trees, a human head on a horse or dog. Yes it's Mythic but even there it's wrong, the legs are impossibly crossed. In fact little of this painting can be true and yet here it is. Out of control, left over and residual ways and means of living life. Who or what are we now? Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos...

Poetry piece. Based on poem or song. Washington Square New York Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recently p...

Jorg Immendorff (German, 1945-2007) Untitled, Germany, 2006 serigraph hand signed and dated lower right margin, numbered 20/27 lower left framed 74.5 x 48.75 inches (sight). 82.25 x 55.5 inches (frame). This work is number 20 from the edition of 27. Provenance: T. Kreuzer Gallery, Cologne, Friedman Benda Gallery, New York City Jörg Immendorff (1945–2007) was a German painter, sculptor, stage designer and art professor. He was a member of the art movement Neue Wilde. He worked as a painter, sculpture and print maker in steel, bronze, oil painting, lithography etching and serigraphy. Immendorff was born in Bleckede, Lower Saxony, near Lüneburg on the west bank of the Elbe. He attended the boarding School Ernst-Kalkuhl Gymnasium as a student. At the age of sixteen he had his first exhibition in a jazz hall cellar in Bonn. Beginning in 1963, Immendorff studied at the Art Academy in Düsseldorf (Kunstakademie Düsseldorf). Initially he studied for three terms with the theater designer Teo Otto. After Otto threw him out of his class for refusing to let one of his paintings serve as stage-set decoration, Immendorff was accepted as a student by Joseph Beuys. The academy expelled him because of some of his (left-wing) political activities and neo-dada actions. From 1969 to 1980, Immendorff worked as an art teacher at a public school, and then as a free artist, holding visiting professorships all over Europe. In 1989, he became professor at the Städelschule in Frankfurt am Main and in 1996 he became professor at the Art Academy in Düsseldorf—the same school that had dismissed him decades earlier as a student. Jörg Immendorff often worked in "grand cycles of paintings" that often lasted years at a time and were political in nature. Notable cycles include LIDL, Maoist Paintings, Cafè Deutschland , and The Rake's Progress. The first body of work that Immendorff gave a name to were his LIDL paintings, sculptures, performances, and documents, that he executed during 1968-1970. The name, "LIDL" was inspired by the sound of a child's rattle makes and much of his work from this period included the iconography of new beginnings and innocence. LIDL is comparable to Dadaist but unlike the Dada movement it never became an established group but rather consisted of a variety of artists (including James Lee Byars, Marcel Broodthaers, Nam June Paik, and Joseph Beuys) participating in actions and activities. In January 1968 he appeared in front of the West German Parliament in Bonn with a wood block labeled “Lidl” tethered to his ankle and painted in the colors of the German flag; he was subsequently arrested for defaming the flag. Best known is his Cafe Deutschland series of sixteen large paintings (1977–1984) that were inspired by Renato Guttuso Caffè Greco; in these crowded colorful pictures, Immendorff had disco-goers symbolize the conflict between East and West Germany. Since the 1970s, he worked closely with the painter A. R. Penck from Dresden (in East Germany). Immendorff created several stage designs, including two for the Salzburg Theater Festival. He designed sets for the operas Elektra and The Rake's Progress. The latter also inspired a series of paintings in which he cast himself as the rake. In 1984, Immendorff opened the bar La Paloma near the Reeperbahn in Hamburg St. Pauli and created a large bronze sculpture of Hans Albers there. He also contributed to the design of Andre Heller's avant-garde amusement park "Luna, Luna" in 1987. Immendorff created various sculptures; one spectacular example is a 25 m tall iron sculpture in the form of an oak tree trunk, erected in Riesa in 1999. In 2006, Immendorff selected 25 of his paintings for an illustrated Bible. In the foreword he described his belief in God. A major 2019 survey began at the Haus der Kunst in Munich and later traveled later to the Museo Reina Sofía in Madrid and the Fondazione Querini Stampalia in Venice, curated by Francesco Bonami. In 2000, Immendorff married his former student Oda Jaune. The have one daughter Ida Immendorff. He was a member of the Junge Wilde (German for "young wild ones") In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde. Berlin: Luciano...

"Running To Running From" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. Thi...

Artist: Sandro Chia Title: Untitled 5 Medium: Carborundum etching with hand coloring on handmade paper, each piece is unique Size: 39 x 49 Inches Signed: Hand Signed Edition: 31/50...

Titled: Calabash Hand signed, dated and titled. Sheila Elias (born in Chicago, Illinois) is an American artist. Her work is Neo Expressionist, Feminist Pop Art. Her works have been featured in exhibitions across North America and at the Liberty show at the Louvre Museum in Paris. Elias graduated from the Art Institute of Chicago, lives and works in Miami, Florida and in New York City. As an artist and art historian, Elias works with the layers of life and art history, seeking in it a connection between art aesthetics and social consciousness. She has exhibited with diverse artists, Larry Rivers, Bob Stanley, Ford Crull, Sol LeWitt, Mark Tobey, Walter Darby Bannard, Clyde Butcher. Her work spans the disciplines of painting, digital mixed media, sculpture, installation and performance. Her inspiration to be an artist began with the work that Matisse created (La Cirque) in the library of the Art Institute of Chicago. Paul Wieghardt (from the Bauhaus School in Germany), was her art teacher at SAIC. She was influenced by the Marisol, Claes Oldenburg and Jean Dubuffet. Her sculptures also reveal the influence of Andy Warhol and Robert Rauschenberg. We also have a work from her Pompidou Series (1979-1981) built around the X in the raw, exposed architecture of the Centre Georges Pompidou in the center of Paris designed by Richard Rodgers and Renzo Piano. Select Exhibitions: Museo Vault in Wynwood Art District, Miami Coral Springs Museum of Art, Sheila Elias: Somewhere-Anywhere, Coral Springs, Fla. Lila G. Martinez Gallery, Cambridge, Mass. “Painted Pixels” Lowe Art Museum, University of Miami, FL (Solo Exhibition) “Salon Series” The Sagamore Hotel, Miami Beach, FL (Group Exhibition) “The Invisible Woman” Concrete Space, Doral, FL (Group Exhibition) “eye-Pad” Silvana Facchini Gallery, Wynwood, Miami, FL “Jewels” Buccellati, Bal Harbour, FL “Chai Contemporary” Jewish Museum, Miami Beach, FL “Tribute to Africa” Silvana Facchini Gallery, Wynwood, Miami, FL The Bakehouse Art Complex, Wynwood, Miami, FL Apple Store “iPaint on my iPad,” Chicago, IL The Multicultural Arts Center, Cambridge, Mass. The Napoleon Grand Salon at The Deauville Hotel, Miami Beach, Fla. Bass Museum, "I Wanna Be Loved by You: Photographs of Marilyn Monroe," Miami Beach, Fla. Boca Raton Museum of Art Norton Museum of Art Bass Museum, Miami Beach, Fla. Jewish Museum of Florida Kim Foster Gallery, "Beyond the Camera...," New York, NY Silvana Facchini Gallery, "Living in Miami," Miami, Fla. South Florida / Art Center, "Reconnect," Miami Beach, Fla. Maryland Federation of Art, "Art on Paper 2001" Corcoran Gallery, Annapolis, MD, juror David C. Levy Veneto Gallery, Miami, Fla. Margulies Taplin Gallery, Bay Harbour, Fla. "Secret Gardens," Travelling Exhibition, Lowe Art Museum, Miami, Fla. Public Art Program, City of Orlando, Fla. Lowe Museum, University of Miami, Fla. Art and Culture Center of Hollywood, Hollywood, Fla. Bernard Biderman Gallery, New York, NY Metro Dade Cultural Resource Center, Miami, Fla. Huntsville Museum of Art New England Center for Contemporary Art San Diego Art Institute, CA Anne Jaffe Gallery, Bay Harbour, Fla. Ratner Gallery, Chicago, IL Santa Monica Heritage Museum, Los Angeles, Calif. Paula Allan Gallery, New York, NY. Otis Parsons School of Design, "Hollywood: Portrait of the Stars" California Louvre, Institute des Decoratifs, "Liberty: the Official Exhibitions Centenary of the Statue of Liberty", Louvre Institut des Decoratifs, Paris, France New York Public Library, New York, NY Gallery Q, Tokyo, Japan University of North Carolina, Chapel Hill, NC New York University, Loeb Gallery, New York, NY Riverside Art Museum, Riverside, Calif. Danville Museum of Fine Arts, Danville, Virginia Alex Rosenberg Gallery, New York, NY New York University, New York, NY Stella Polaris Gallery, Los Angeles, Calif. University of North Carolina, Chapel Hill, NC Pictogram Gallery, East Village, NY California State University,Northridge, Calif. Institute for Contemporary Arts, Korea Focus International, "American Woman in Art", Nairobi, Kenya Laguna Beach Museum of Art, OCCA, Long Beach, Calif. Gallery One, Fort Worth, Texas, juror: Dr. William Otton...

Ben Zion Magal (1908 - 1999) Ben Zion Magal was born in 1908 in Kishinev - Russia and there, years later, graduated from the Art Academy. He arrived to Erertz Israel together with hi...

Lesley Anne Spowart (American, born 1957) "Dog and Kitty Go for a Ride" 2021 Acrylic Paint, Mixed Media, Wood Panel, Wood The artist signed the bottom left and the back of the painti...

An abstract expressionist miniature etching on paper depicting a bird on a fence, with abstract expressionist animals floating in the sky by R. Silve...

Allegories: Lies is a vintage poster realized after the Italian artist Renato Guttuso (Bagheria, 1911 – Rome, 1987) in 1981. Colored Offset on paper. The poster was realized on...

CURIOUS PHENOMENA is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee, Wisconsi...

Lesley Anne Spowart (American, born 1957) "The Traveler" 2024 Oil Paint, Mixed Media, Canvas, Stretcher Bars, Wire The artist signed the bottom left and back of the painting. In "Th...

Pink and cyan abstract, an abstract expressionist oil painting by an unknown artist (American, 20th Century). Unsigned and unframed. Canvas is wrapped around 2" stretcher and painted...

"Hillside" is an acrylic painting on wood measuring 22" high by 28" wide. Pulling no punches, the artist confronts the relentless cycle of life and witnesses the events in the graveyard with a knowing shock. This mortal coil...

FAST FOOD BREAKFAST is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee, Wiscon...

HIS NEW DEN is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee, Wisconsin. Gee...

CALORIE BURNER(THIRD HOUR) is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee,...

Signed and inscribed on verso. A warm, energetic, and expressive still life depicting a floral arrangement. The painter, Dominique Boisjoli rendered the composition in bold, think ...

Black Neoexpressionist Painting. This is an original artwork realized by TUSET in 2018. We can frame it in natural wood or black on request. The dimensions of the painting are 65 x ...

Poetry piece. Based on poem or song. Paris, France Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recently produced water...

"After Party", Large Scale Neo-Expressionist Abstracted Symbolist Figurative Striking abstracted figurative titled "After Party" by Michael Eggleston (Ame...

Translated title: "Tropic" Acrylic paint on canvas. Its frame is painted by the artist and is included.

The hunter is a modern artwork realized by a european artist in 1952. Mixed colored oil on plywood. Includes frame:34.5 x 3 x 26.5 Monogrammed "GV" and datet 1952 on the lower lef...

Neo-Expressionist Linear Geometric Abstract #2 - In the Style of Basquiat Dynamic contemporary Neo-Expressionist abstract composition in red...

Translated title: "Tree". Acrylic on canvas.

Dynamic abstract painting titled "Never Alone" by Scott K. Duff (American, b.1961). Signed "S.K. Duff" lower right corner. Presented in a rustic, black painted wood frame. SHIPPED WI...

Deep inside , 80x60cm, acrylic, pastel, canvas

Binded, 100x80cm, acrylic, pastel, canvas

Sinks the sun as a flamingo , 100x80cm, acrylic, pastel, canvas

Landscape painted by Luis Moscardo, from his series with oil paintings "Land of Storms", in which he paints the waves of the wild sea, the shapes and textures that are generated in i...

Landscape painted by Luis Moscardo, from his series with oil paintings "Land of Storms", in which he paints the waves of the wild sea, the shapes and textures that are generated in i...

Color Lithograph on Paper Image Size: 27 x 22 in. Frame Size: 29 x 36 in. Signed in Pencil, Bottom Right Numbered in Pencil, Bottom Left "77/150" A cheerful and energetic scene of a...

"Running To Running From" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. Thi...

"Man Wearing Crown in Water" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. This artwork is part of a new ongoing series called "Humans Without Warning". Typical of the artist's practice, it is mythic and humanitarian all at once, striking several political and spiritual notes as well. From Dale Williams – "The figures of Humans Without Warning arrive with little forethought. They soon reveal their troubled and antic states of being. They began at the start of the COVID pandemic and explore shared vulnerabilities in a time of political and social disunity. If I am mindful of any of their attributes as I work on them, it is surely how the figures mirror the losses many of us have experienced over the past two years, and the accompanying trudge which often finds us stumbling into numbness." From George Del Barrio (2018), Vanderbilt Republic, Brooklyn NY: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning." Dale Williams has exhibited in the New York City area for over 25 years. He is a 2014 recipient of a Fellowship in Printmaking/Drawing/Book Arts from the New York Foundation for the Arts. His recent one-person show, “America Now Suite,” which re-visioned American history in service of the civic imagination, was held at Gowanus Loft, Brooklyn in October 2018. A selection of portraits from “America Now Suite” was included in the BRIC Biennial, Winter/Spring 2019. His portrait of Osip Mandelstam...

Daydream, 80x60cm, acrylic, pastel, canvas

Lesley Anne Spowart (American, born 1957) "Little Miss" 2023 Acrylic Paint, Mixed Media, Wood Panel, Stretcher Bars The artist signed the bottom right and back of the painting. "Lit...

"Vendémiaire" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. This artwork is...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself....

This is an original artwork unframed realized by TUSET in 2010. We can frame it in natural wood or black on request. Dimensions: 70 x 50 cm Original and unique piece 1/1. Includes ...

"A Vision at Sea" is an acrylic painting with graphite on wood measuring 22" high by 28" wide. It is a fraught moment for man and dog in the boat – they may be the Vision of the title but they are also struck by a vision they alone can see. Note the antlers at the front of the boat, the harsh and ragged shoreline, oars in the water – arguably in the tradition of storm-tossed poets at sea, fighting the Fates as much as the power of Nature. Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning." – George Del Barrio, Vanderbilt Republic, Brooklyn NY Dale Williams...

"Starnosed Mole" is an acrylic painting with litho ink and charcoal on paper, measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savage in their execution, they are nevertheless heartfelt expressions from the artist – politically, socially, culturally – in some cases featuring text and language in the portrait. In this case, one individual musters faith and fortitude to press on, fight on. The words at top read: "Audacity – said the mole – shall root that mountain down." From Dale Williams: "Profiles in Democracy is a group of 50 portraits completed in 2019. They are an expression of sorrow at the fracturing ideals that our country now teeters upon. The portraits are mostly – not exclusively – imaginary: a populace viewed from the inside out, people that someone like our current president might call losers. They perhaps “live in gaudy poverty, powerful destitution,” to quote Osip Mandelstam...

A miniature abstract expressionist etching by Russian artist R. Silvestrov (Russian, 20th Century). Very finely detailed lines create an abstracted image that has elements resembling a mechanical drawing...

An abstract expressionist miniature etching on paper depicting insects with arrows forming a path from start to finish by artist R. Silvestrov (Russi...

Titled: SIlver Bullet, Hand signed, dated and titled. Sheet measures 22 X 30 From her Pompidou Series (1979-1981) built around the X in the raw, exposed architecture of the Centre Georges Pompidou in the center of Paris designed by Richard Rodgers and Renzo Piano. Sheila Elias (born in Chicago, Illinois) is an American artist. Her work is Neo Expressionist, Feminist Pop Art. Her works have been featured in exhibitions across North America and at the Liberty show at the Louvre Museum in Paris. Elias graduated from the Art Institute of Chicago, lives and works in Miami, Florida and in New York City. As an artist and art historian, Elias works with the layers of life and art history, seeking in it a connection between art aesthetics and social consciousness. She has exhibited with diverse artists, Larry Rivers, Bob Stanley, Ford Crull, Sol LeWitt, Mark Tobey, Walter Darby Bannard, Clyde Butcher. Her work spans the disciplines of painting, digital mixed media, sculpture, installation and performance. Her inspiration to be an artist began with the work that Matisse created (La Cirque) in the library of the Art Institute of Chicago. Paul Wieghardt (from the Bauhaus School in Germany), was her art teacher at SAIC. She was influenced by the Marisol, Claes Oldenburg and Jean Dubuffet. Her sculptures also reveal the influence of Andy Warhol and Robert Rauschenberg. Select Exhibitions: Museo Vault in Wynwood Art District, Miami Coral Springs Museum of Art, Sheila Elias: Somewhere-Anywhere, Coral Springs, Fla. Lila G. Martinez Gallery, Cambridge, Mass. “Painted Pixels” Lowe Art Museum, University of Miami, FL (Solo Exhibition) “Salon Series” The Sagamore Hotel, Miami Beach, FL (Group Exhibition) “The Invisible Woman” Concrete Space, Doral, FL (Group Exhibition) “eye-Pad” Silvana Facchini Gallery, Wynwood, Miami, FL “Jewels” Buccellati, Bal Harbour, FL “Chai Contemporary” Jewish Museum, Miami Beach, FL “Tribute to Africa” Silvana Facchini Gallery, Wynwood, Miami, FL The Bakehouse Art Complex, Wynwood, Miami, FL Apple Store “iPaint on my iPad,” Chicago, IL The Multicultural Arts Center, Cambridge, Mass. The Napoleon Grand Salon at The Deauville Hotel, Miami Beach, Fla. Bass Museum, "I Wanna Be Loved by You: Photographs of Marilyn Monroe," Miami Beach, Fla. Boca Raton Museum of Art Norton Museum of Art Bass Museum, Miami Beach, Fla. Jewish Museum of Florida Kim Foster Gallery, "Beyond the Camera...," New York, NY Silvana Facchini Gallery, "Living in Miami," Miami, Fla. South Florida / Art Center, "Reconnect," Miami Beach, Fla. Maryland Federation of Art, "Art on Paper 2001" Corcoran Gallery, Annapolis, MD, juror David C. Levy Veneto Gallery, Miami, Fla. Margulies Taplin Gallery, Bay Harbour, Fla. "Secret Gardens," Travelling Exhibition, Lowe Art Museum, Miami, Fla. Public Art Program, City of Orlando, Fla. Lowe Museum, University of Miami, Fla. Art and Culture Center of Hollywood, Hollywood, Fla. Bernard Biderman Gallery, New York, NY Metro Dade Cultural Resource Center, Miami, Fla. Huntsville Museum of Art New England Center for Contemporary Art San Diego Art Institute, CA Anne Jaffe Gallery, Bay Harbour, Fla. Ratner Gallery, Chicago, IL Santa Monica Heritage Museum, Los Angeles, Calif. Paula Allan Gallery, New York, NY. Otis Parsons...

Acrylic paint on canvas.

"Alas" is an acrylic painting with litho crayon, ink and collage elements on paper, measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savage in their execution, they are nevertheless heartfelt expressions from the artist – politically, socially, culturally – in some cases featuring text and language in the portrait. From Dale Williams: "Profiles in Democracy is a group of 50 portraits completed in 2019. They are an expression of sorrow at the fracturing ideals that our country now teeters upon. The portraits are mostly – not exclusively – imaginary: a populace viewed from the inside out, people that someone like our current president might call losers. They perhaps “live in gaudy poverty, powerful destitution,” to quote Osip Mandelstam...

Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Abstract Expressionist oil and acrylic on paper by Dutch artist Joep Goeting. Signed and dated 1972 to the bottom left and presented under glass in a gilt wooden frame. An early and...

Lesley Anne Spowart (American, born 1957) "Dog with Pearls" 2021 Acrylic Paint, Mixed Media, Wood Panel The artist signed the bottom left and back of the painting. "Dog with Pearls"...

Untitled_Body on the Field #6, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of t...

Untitled_Body on the Field #7, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of t...

The artist's modesty was probably an obstacle to her career. Her magnificent, expressive works have few equals in Austria, but the time has come for her work to be honoured anew afte...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itsel...