Realist Art

Riders and Bedouins walking on a path near a cliff. (panel 32 *20 cm) Honoré Boze was a French Orientalist painter, born in Mauritius on April 19, 1830, and died in Marseille on Ja...

This photograph is from among Vincent Dixon's series created in Paris, Pushkar, Myanmar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid, São Pau...

Oil painting on canvas, this particular piece is one of the few pieces left from her graduate program, her earlier work. Christina Major was born in Concord, New Hampshire in 1982...

This artwork captures a young woman standing against a deep nocturnal backdrop illuminated by the glowing signage of “Moonshadows.” Her calm, confident posture — hands casually place...

Italian painter (19th century) - Portrait of a gentleman with a book. 92 x 71 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good ...

Robin Cole's (US based) "When They Bloom" is an original, handmade ink and charcoal drawing that depicts two grey monochrome artichokes beginning to b...

Original etching signed by the Artist.

Breakfast at Nencioni Cafe Florence Oil Table Top Interior Morning Espresso 8" x 12" Look for free shipping at checkout The painting measures 8" x ...

Attributed to Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895), signed lower right, this extraordinary antique oil painting captures the timeless beauty of 19th century Norwegian pastoral landscape. This exceptional collaborative masterpiece, painted circa 1870-1880 during the golden age of Norwegian landscape art, depicts an enchanting countryside scene where a young shepherd boy guides his cattle to a tranquil watering hole. The composition unfolds like a gentle poem of rural life, with lush vegetation embracing rolling hills while an ancient windmill stands majestically on the distant hillside, creating striking focal point and masterful perspective. Rich oil painting technique reveals the artists' shared vision of Norway's serene countryside, where peaceful pastoral tranquility below contrasts dramatically with gathering storm clouds above. This romantic Norwegian landscape tradition showcases nuanced brushwork and atmospheric effects that exemplify the peak of Scandinavian art movement. Both renowned Norwegian artists are prominently featured in National Museum Oslo permanent collection, confirming their significant contribution to Nordic artistic heritage. This rare antique oil painting represents sublime testament to 19th century collaborative artistry, where two masters united their talents to create lasting vision of Norway's natural beauty. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

Derek Penix's (US based) "Penguins" is an oil painting that depicts a huddle of penguins flocking gently together at water's edge. Bio/Artist Statement: Derek Penix was born on December 29, 1980 in Tulsa, Oklahoma. Growing up Penix was surrounded by artists in his family as his mother and grandfather painted. Penix did not pursue painting until after graduating high school. Penix’s mother encouraged him to pursue his talent and took his paintings down to a local gallery where he sold his first piece. Through the years Penix has been inspired by old masters such as Nicolai Fechin, Sargent and the French Impressionists, but it has been over the last few years that Penix has been the most influenced by artist Quang Ho. Penix had the opportunity to take a workshop under Mr. Ho and later to study briefly with him. Since then, Penix believes his paintings have grown more in the last two years than in his last ten years of painting. As an artist Penix gains inspiration from his environment whether that be at the park, in his home, or traveling abroad. He enjoys the freedom to paint different subject matter and has learned to push himself to try new things, even if they are out of his comfort zone. Penix was recognized in South West Art...

Immerse yourself in a world where emotions run high and desires are laid bare with our stunning Dreams of Ecstasy sculpture. Crafted with exquisite detail, this towering masterpiece ...

Part of series of paintings of candy. Blue, magenta and yellow cellophane wrapped hard candies lit from the left. A study of reflections and textures and brilliant color. Painted from life, not photos...

Pierre GILOU (Gilles CADIOU) The Abduction Original lithograph Handsigned in pencil Limited /275 copies On vellum 76 x 56 cm (c. 30 x 22 in) INFORMATION: His real name is Gilles CA...

David Loggan (1634 - 1692) Clare College, Cambridge Engraving 36 x 42 cm An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engraver, draugh...

circa 1960: Mrs A Watson Armour III (Jean Schweppe) with friends and family enjoying the pool on their estate at Lake Forest, Illinois. A Wonderful Time - Slim Aarons Slim Aarons Family Pool Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Collector will get the next number in the edition 60 x 60 inches $5100 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 16 x 16 inches $2150 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Lake Forest, Vintage Poolside Glamour, Vintage Sport, Swimming, Vintage Holiday, 60s, vintage Illinois...

Oil on Canvas 47.2 x 39.4 inches (120 x 100 cm) A luminous blonde woman gazes downward, partially turned inwards against a striking blue background—this is “Introspect”, a powerful...

This is a one of a kind original painting by local San Diego artist, Bronle Crosby. Its dimensions are 48 x 48 x 2.75. It is unframed. This large scale oil on canvas painting depic...

In this painting, I captured the delicate grace of a ballerina dancing with flowers, blending realism with impressionist softness. Through oil strokes, I expressed her elegance and t...

"Forest Scene with Donkeys" by Spanish Master Painter Bartolome Sastre size: 45 x 57.5 inches framed size 55 x 62.5 inches A a mesmerizing scene of a mystical grove of twisted, old ...

This equine drawing, "Motorin'" is a 30x40" charcoal black and white painting on canvas by artist Shawn Faust depicting a horse and jockey in full leap. Complimentary to Faust's traditional oil works, these charcoal on canvas sketches boast a clean and contemporary feeling exhibiting the muscle tone and mass of these majestic creatures. Fixed with varnish, these charcoal works are permanent and best framed or unframed. About the artist: Shawn’s love and fascination for drawing came as an unexpected gift from his grandfather at the age of 5. Young Faust was a tag-a-long during his grandfather’s impromptu plein air art lesson with his older brother in the back yard of his Aunt’s house. A retired director for the American Red Cross, Shawn’s grandfather, who had only recently picked up the brush himself, began a charcoal sketch that would forever change how Faust would see the world. From that brief lesson, Faust recalls vividly, “The techniques I witnessed from my grandfather that day, were pure magic!” With his newfound gift of magic, Shawn quickly began practicing his art of 3D illusion for anyone who wanted to see it. During his childhood, you would be hard pressed not to find Shawn doodling on a piece of paper at some point during the day. Among his favorite things to draw as a youngster were his comic book heroes. Instead of reading the comics, he spent all his time studying the line work and muscle forms of the comic book characters. And so, began his interest in portraying the human form. Upon entering college at the University Of Delaware, Shawn enrolled as an accounting major yet emerged with a Bachelor of Fine Arts Degree in 1990. At the U of D he is forever grateful for the privilege of studying under distinguished artists Stephen Tanis, Charles Rowe, Robert Straight and Rosemary Lane. Shortly after graduating, Shawn embarked on a career in Illustration. By 1993 he had quickly become one of Delaware’s prominent architectural illustrators working for more than 75% of the homebuilders in Delaware. Between illustration jobs, Shawn pursued his interest in portrait painting. In 1992 Faust was commissioned to paint the official portrait of outgoing Delaware Governor, Michael Castle. Continuing his quest to learn more about portrait painting, Faust studied with Daniel Greene in 1995. He credits Daniel Greene for giving him the greatest key to unlocking a whole new way of seeing and interpreting color. By 1995, Shawn’s portrait commissions and easel paintings were supporting him as much as his illustration jobs, so he decided to focus entirely on his fine art career. This included opening a gallery and custom frame shop with his wife and brother. During the twelve years of owning and operating the gallery, Shawn continued his intense portrait research by focusing his studies on the eyes of his favorite subject, the horse. His head studies of horses caught the attention of Mr. Richard Golden, a prominent horse owner in Chesapeake City, MD and president of Northview Stallion Station. Northview is best know for standing Northern Dancer...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

David Loggan (1634-1692) Prospectus Cantabrigiae Orientalis & Occidentalis Engraving 32 x 46 cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. ...

Alexander Chistov's "Getty Museum'" is an original, handmade oil painting depicting a male figure admiring a historical painting within a blue interior gallery. Artist Bio: Alexa...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Oxford (1705) Engraving 32 x 41 cm Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...

Annamarie Dzendrowskyj Twilight – Poland I Signed by the artist Original oil painting on linen Canvas size: H 38cm x W 28 cm Please note that insitu images are purely an indication o...

Through the Looking Glass by Melissa Franklin Sanchez is an Oil on Canvas Painting. Looking closely at Through the Looking Glass you will send another painting in this painting. A...

Wave. 1961., cardboard, oil, 51x74 cm A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by ...

Untitled Landscape is an original acrylic painting on canvas by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. The viewer is invited to step into the painting to explore the scene within and imagine gazing at an easel of a plein-air painter with the water-filled sky and saturated ground in full view. Here, Perkinson chose to depict the beauty and calm of the rain, with an expansive view of a lush landscape. Women are holding umbrellas in the middle ground with their young children enjoying the feeling of rain drops. A pond just creeps into view from the right and the edge of town can be seen in the distance, just over the trees. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its carved, custom, antique-finish, gilt frame. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, impressionism, romanticism, realism, plein-air painting, and nature. In the artist’s own words: “My color combinations aren’t in the realm of the natural world, because I don’t paint reality; I’m a painter of fiction. I try to paint a sense of place, as though this scene really does exist. I have had my collectors ask me where this scene is, and I just have to point to my head and say I made it up. Thus, I think of my work as romantic realism. I’m painting a certain reality that I’ve invented, inspired by the fascinatingly rich Southwestern landscape.” “Color gets all the credit, but it’s the values that do all the work. I don’t begin with sketches, because I want to be free to follow the painting in any direction. I start with washes of different values and tints. Then, I begin to look for a landscape. Several directions will appear to me at this time, and then I have to decide on one of them. During these first few moments, I must establish my distance from the scene. Am I a mile away or just across the river? This is one of the first steps, and I have to decide before I can continue. It’s important for working out the perspective and how things are going to relate to one another in the picture. Then, as the landscape evolves, I look for more images to add to the composition.” Artist: TOM PERKINSON (1940-) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL ACRYLIC PAINTING ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT Year Created: 1983 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 40 INCHES Frame Dimensions:* 28.5 x 44.75 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY TOM PERKINSON IN GREAT CONDITION IN A CARVED CUSTOM ANTIQUE-FINISH GILT FRAME. FRAME IS IN GREAT CONDITION CONSISTENT WITH AGE AND STYLE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Tom Perkinson, born in Indiana in 1940, has become distinguished as a regional painter, known for his work grounded in the visually dramatic landscape of the Southwest. As a child, Perkinson discovered he had a love for the natural landscape, and a talent for art. He fostered that talent through classes at the John Herron Institute of Art in Indianapolis, and then at the Chicago Art Academy upon graduating from high school. He received a degree in art from Oklahoma Baptist University in 1964, before moving on to graduate school at the University of New Mexico. Here, among noted works of a larger scale, he continued to paint the landscape, and it was this work that began to reflect a new fascination with the Southwest. He had found what would become an infinite source of inspiration. Influenced by early painters of the southern Indiana landscape...

An original realist drawing by American female artist Catherine Koenig. This work is featured in the Draw Near exhibition currently on view at Benjaman Gallery.

Andre Renoux la Tuile a Loup rue Daubenton - 1989 Painting Canvas Size 23.75'' x 15'' inches His art has been the subject of three monographs, numero...

19th Century School, Still Life Scene with Flowers and Ewer, Oil on Canvas, unsigned, giltwood frame. Image: 11.5" H x 15.5" W; frame: 19.25" H x 23" W x 2.75" D. Provenance: From a ...

Graduate. Oil on canvas, 124x63 cm Valentina Dauksis (1905-1984) (until 1934 Valentina Andreeva) - an artist and ballerina. She was born in the family of a Russian accountant and b...

Life sketch series at China Academy of Arts. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist...

Virtue of Knowledge reexamines portraits of individuals throughout history to illustrate the premise that history flows into the present in an ever-changing state. And, with each new context, we view people and events through a contemporary lens specific to that moment. Virtue of Knowledge appropriates and contextualizes original portrait elements to create reinvented portraits using technique and patterning that brings a contemporary context and perspective to these historically inspired portraits STATEMENT History flows into the present in an ever-changing state. And, with each new context, we view people and events through a contemporary lens specific to that moment. My current body of work, Contemporary Histories, explores this phenomena by re-interpreting historical portraiture using a contemporary visual language. It is my intent to create a modern visual lens through which to view these individuals and their legacies, as they continue to flow into the present in ever-changing states. As a keen example of how history changes and morphs over time, I have selected portraits of women who chose an alternate path from the traditional ones prescribed in their times. Some of these individuals overtly stepped outside the traditional roles prescribed for women to realize their goals. Others astutely maneuvered within the social system they lived in to obtain their aspirations. Whether altruistic or nefarious, these women and their actions altered the future cultural landscape. Through a 21st century lens, we view them as women with minds of their own, who made choices to control their own lives and futures. Often, in stark contrast to how they were viewed and how their actions were recorded in their own times. For a modern visual language, a combination of fine and decorative arts has inspired my approach to this subject. Employing several formal contemporary tenets, most notably, rather than place the figure in a 3-dimensional space, as in the originals, the figures reside in flat graphic picture planes of damask designs, repetitive patterns or botanical grounds as modern settings for their modern legacies. These graphic backgrounds symbolize what was historically considered a woman’s proper domain, in particular, gardening and needle crafts, such as; quilting, embroidery and sewing. Formally, unlike the originals, I am working alla prima, rather than with a base grisaille and delicate layers of glazing. While, the patterned and botanical environments, along with gold leaf applications, contemporary compositions and color palettes are formally influenced by a spectrum of 19th - 21st century artists and artisans; from Gustav Klimt and the Wiener Werkstatte to Henri Rousseau, Tamara de Lempicka and Will Cotton. BIO Honora Jacob...

Two white horses gallop across the white snow-covered fields. Gray sky, white snow and snow-white horses create a harmonious monochrome range. The beauty and grace of horses in motio...

Signed figurative oil on original canvas by French realist painter Victor Gabriel Gilbert. The work shows a flower seller filling a young girl's basket with cherries while a little b...

This beautiful painting depicts a crowded scene of a watering hole at a well in the midst of a sunny, hot day, located on the street of a provincial village supposedly located somewh...

This piece, "Young Ballerina", is a 18x14 oil painting on canvas by artist Marie Channer. Featured is a female ballet dancer caught in pose in the spotlight of the stage. Beautiful h...

Black Furs is a limited edition print by Allan Forsyth. The black background heightens the tones of the flowers creating a dramatic scene. Discover new photography by Allan Forsyth ...

Rustic Woodland by Jan Rogers [2022] A rustic through an Autumnal woodland haven. Fiery rusts, ambers, golds and oranges blaze through thehaze. Light in the distance creates depth a...

Nothing is more delightful than depictions of people from the turn of the century that convey a distinguished sort of elegance, composure and dignity. Gone today is the concept of "...

ROBERT KENNETH WHITE – "UNBOUND ELEGANCE" Oil on Canvas ⚜ Signed and Dated Lower Left ⚜ Frameless Display A LUXURIANT STUDY IN MOTION AND FORM Robert Kenneth White’s Unbound Elegan...

Ivano-Frankivsk. Summer glow of the city Oleksandr Khrapachov, 2013 Canvas, oil • 50×70 cm --- In this work, Oleksandr Khrapachov masterfully captures a moment of a summer day in ...

Tony Hochstetler's "Hot Wings Wall Mount (8/21)" (2022) is an original handmade bronze sculpture that depicts a dried peppers with a bat flying downwards. Tony Hochstetler is a scul...

The Coriolanus Clipper Sailing Ship at Sea - Vintage 20th Century Oil Painting by J Bishop. Art measures 32.5 x 26.5 inches Frame measures 36.5 x 30.5 inches This impressive oil p...

Original oil painting on canvas by artist Bonnie Marris. Framed.

Lady of the Lake is an oil on panel painting, 23.5 xx 25.5" panel size, signed ‘HOFMANN’ lower right, and framed in a custom, contemporary, gold-leaf frame. Douglas Hofmann’s works ...

This equestrian piece, "Saddle", is a 20x16 outdoor still life oil painting on canvas featuring a brown horse's saddle resting on a white fence. About the artist: The artwork of Janet Crawford depicts the equestrian lifestyle. Working from her studio in the Berkshires, Janet focuses on classic portraiture of horses, dogs and people. Her original artwork captures the candid moments of the horse world. A trademark of the artist's work is the portrayal of the true nature of the horse. Education: Bachelor of Fine Arts, Cum Laude Concentration: Painting Rhode Island College, 1991 Press: 2000 - Featured artist in Equine Image article, Aug/Sept issue, 2000. Selected Awards: 2012 - National Distinguished Service Award, American Hackney Horse Society 1995 - Horse World Magazine Morgan Artist of the Year 1993 - Harness Tracks of America Art Competition, 2nd Place 1991 - AMHA Art Contest 1st Prize, Morgan Art 1990 - Special Talent Award, Rhode Island College Special Projects: Present - Designer and Painter, Berkshire Carousel Project Present - Program Cover and Horse Show Poster Artist for the Fleet Jumper Classic, Sept. 2000. Present - Poster Artist for the Hampton Classic, Aug. 27-Sept. 3rd. Present - Program Cover Artist since 1996 for UPHA Spring Premiere Present - Illustrator, Horse World Magazine 2012 - Artist for the American Hackney Horse Society Logo 2011 - Cover Artist for the Pfizer Million Dollar Grand Prix Horse Show Program 1999 - Cover Artist, The Chronicle of the Horse 1999 - Cover Artist, Horse America (Horsemen's Yankee Pedlar) 1999 - Exhibition "The Horse in Art" Hartford Fine Art & Frame 1997 - Opening of the Equestrian Collection Gallery 1996 - New England Morgan Horse...

Painted directly from live observation, Doug Newton’s hyper-real paintings explore translucency, reflections and luminosity, and dazzle the viewer with ...

This work is an initial exploration of the iconic Venice canal, conceived as a preliminary study with the intention of developing it into a larger format in the future. In this study...

Lakeside. 1959, oil on cardboard, 36x49,5 cm Summer landscape by the lake Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints ...

Riga. 1969, paper, silk screen printing, 62x74 cm Josif Elgurt (1924-2007) Born in 1924 in Kishinev in Romania. In 1947 resumed his art studies in Kishinev. Since 1952 he has lived...

Exceptional 19th-century still life by French painter Joseph Bail (1862-1921), a master of realism and light effects. This oil on canvas depicts an intimate composition of white onio...

Acquired by the gallery directly from the artist UNFRAMED: 30" x 40" FRAMED: 36.5" x 46.5" x .5" Artist Statement "The watershed for Mission San Juan Capistrano remains mainly undeveloped and offers an uncommon view of the native beauty of the Southern California coastal range. Sycamore groves studding the landscape offer a golden touch to the arid landscape; a harmony of land and color." — Ray Roberts

100% Handmade Original Oil Painting © 2023 Albert Kechyan. All rights reserved :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by t...

Aaron Bohrod The Magnificent Seven, 1990 Signed lower right Oil on gesso panel 11 x 14 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Bronze life-size male head with a dark brown patina. Sculpted in Florence Italy and casted in bronze just outside of the city. This is an earlier piece that holds a distinctly differ...

Figurative ceramic sculpture with forged iron elements and hand-painted polychromy, this female bust explores identity, tension and material presence. In this ceramic sculpture, Ósca...

Bruno Paul (1874 Seifhennersdorf - 1968 Berlin). Self-portrait, c. 1895. Pencil on paper, mounted on cardboard, 53.5 x 35 cm, signed 'Paul' at upper left. - Homo nudus - About the artwork In a mirrored situation, Bruno Paul looks at himself in the picture. While his body, which is the size of the format, is shown in profile parallel to the picture, he turns his head into the picture in order to become aware of himself there, whereby the lighter use...

The Dartmouth Portraits aer reworked plates from an earlier drypoint self portrait series done in 1971. For the second set, Dine used the same plates, the same theme and, in most cas...