Surrealist Art

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

"Happy" by Rudolf Kosow is a surreal and dreamlike composition that transforms an ordinary dessert into an expansive, otherworldly landscape. A woman rests peacefully, partially subm...

LEONOR FINI Cat in Heels 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Surreal abstract expressionist painting of a group of clowns in the style of Belgian painter James Ensor. Combining the macabre with the playful, the work features distorted clowns a...

Saint Clair Cemin, Brazilian (1951 - ) - Bondaged Woman, Year: 1977, Medium: Etching and Aquatint on Arches, signed, numbered and dated in pencil, Edition: 15/60, Image Size: 5.75 x...

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Orsa Maggiore Year: 1976 Medium: Lithograph, signed and numbered in pencil Edition: X/XXV Paper Size: 31...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Georges Braque (1882-1963) - Carnets intimes de Braque IX Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fas...

Peter Paone, American (1936 - ) - Annette, Year: circa 1963, Medium: Lithograph on Rives, signed, titled and numbered in pencil, Edition: 50, Image Size:...

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

Artist: Rene Magritte Title: Les Bijoux Indiscrets (The Indiscrete Jewels) Year of Original: 1963 Year of Printing: 1975 Medium: Lithograph, signed in the plate Edition Size: 575 I...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

"Incident" by Rudolf Kosow is a visually stunning oil painting that masterfully utilizes surrealism and a subtle color palette to emphasize the unexpected juxtaposition of a giant pu...

Nadezda's beautiful handmade oil on panel painting "Night Swim" (2024) is a portrait of a woman dressed in an intricate green-gold outfit, donning a headdress and resting in a conten...

Nadezda's beautiful handmade oil on panel painting "Night Swim" (2024) is a portrait of a young girl in a surreal scene, laying in ocean waters while carried by a shiver of sharks. ...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Thirteen nude men form a circle in the desert. Arms bent over their faces set the symbol in a circular motion. This is number 1 from a limited edition of 12. The work is signed on the back. London-based Photographer and Graphic designer Omer Ga...

Salvador Dali - Don Quixote Pear - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference:...

Lithograph on Arches paper Exemplaire B/165

From Miro's Cartones. numbered 203/500 From Galerie Maeght, Paris.

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

When the Universe has a Bigger Plan for Your Life 2 ARCHIVAL PIGMENT PRINT Edition 2 of 5 20 x 30 in. / 50 x 76 cm. Named one of LensCultures top 50 Emerging Artist, Marjorie Salva...

Original lithograph by Marc Chagall from The Bible of 1960 Ruth glaneuse Unsigned 35 x 26 cm Excellent condition

Mental closeness connects two dissimilar beings, despite great differences. keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le Chimere d'Horace from Dalinean Horses Year: 1972 Medium: Lithograph, Signed in Pencil Edition: 2...

Title: Untitled 44 Medium: Oil on canvas Size: 11.5 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2014 Artist: Shaohua Nong...

Title: Others Medium: Oil on canvas Size: 31 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2013 Artist: Shaohua Nong...

David Cheifetz's "Reverie" is an original, handmade oil painting that depicts a golden vase and red apple situated within a landscape of a green leafing tree and a blue wave crashing...

Georges Braque (1882-1963) - Carnets intimes de Braque X Lithograph from 1955. Dimensions of work: 52 x 35 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast...

"Art from Money." This painting has a philosophical meaning. It reflects the philosophy of human impact on the planet. Surrealist portraits, Cossacks, dancers, yogis. The painting i...

Nadezda's beautiful handmade oil on panel painting "Ashore" (2024) is a portrait of a young girl clutching her face contently while resting in a white decorative chair, captured in a...

Marc Chagall (French/Russian, 1887-1985) "Dédicace" 1968 Color lithograph signed and numbered ##/50 in pencil Image: 17 7/8 x 15 1/4 inches. Framed: 38 x 34 1/4 x 2 1/4 inches. ...

Artist: Rene Magritte (after) Title: La Corde Sensible Medium: Lithograph, Signed in Pencil by Georgette Magritte Image Size: 16.5 x 21 inches Sheet Size: 21 ...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

“Cloud“ is a luminous meditation on memory, nature, and myth. A celestial spiral of cloud forms drift weightlessly through an eternal sky, blurring the boundary between dream and rea...

Original, Acrylic Paints on Cotton Canvas Joe Gilgun is an English actor and producer based in Manchester, best known for his character Vinnie O'Neill in the series Brassic, which he also co-created, and for his character Woody in the film This Is England (2006) and its subsequent spin-off series, he has also played roles in Hollyoaks, Coronation street and E4s Misfits. Joe is a self-taught artist. Working from his home studio in Manchester, he explores themes of identity, emotion, society, and the human experience. Drawing from his own personal history and mental health, as well as the shared experiences of the voiceless and invisible living on the streets, Joe continues to discover a haunting beauty in the darkest aspects of the human psyche. With a mixture of street, abstract and fine art influences, most of his work is created using a blend of acrylic, spray paint and charcoal. However, he doesn’t limit himself, sometimes it’s a case of using whatever’s at hand; a splash of tea, a mouthful of spit, on occasion he doesn’t even use a canvas. Art works have been painted on bed sheets due to the times he’s been too anxious to leave the house. Broken gates salvaged from wastelands next to filming locations have also found their way into the collection. Joe has made a conscious effort to find his own method and style through the trial and error of painting. Trying to find his voice before he starts looking, almost out of spite. Though he enjoys the history of art, classic and contemporary, he has far more interest in understanding his own voice before muddying the waters with everything that’s gone before. There are, however, influences that can’t be avoided. George Condo’s work fascinates him, he paints ‘ordinary people’, though Joe doesn’t believe anyone’s ordinary. He appreciates how Condo captures the chaos of it all. Francesco Goya: Joe is intrigued by ‘The Black Paintings’. Goya resented society, he kept this series in his house and thought no one would ever see. Similar to Joe’s work, he felt almost embarrassed about the art. It was only ever supposed to stay in the safety of his home. Sir Francis Bacon: with a fear of appearing arrogant, Joe doesn’t consider himself to be a fan of Bacon’s work. Though there are similarities in the themes of despair and the lack of romance about the world. Plus, he was terrified of his dad, much like Joe. Despite being the least favourite of his influences, he’s the artist Joe’s talks about most often, which bothers him. George Rowlett: Joe’s a big admirer of the impasto style and the amount of work that goes into completing each piece. Though not a huge fan of landscapes, watching George paint...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celle...

Original, Acrylic Paints on Cotton Patchwork Joe Gilgun is an English actor and producer based in Manchester, best known for his character Vinnie O'Neill in the series Brassic, which he also co-created, and for his character Woody in the film This Is England (2006) and its subsequent spin-off series, he has also played roles in Hollyoaks, Coronation street and E4s Misfits. Joe is a self-taught artist. Working from his home studio in Manchester, he explores themes of identity, emotion, society, and the human experience. Drawing from his own personal history and mental health, as well as the shared experiences of the voiceless and invisible living on the streets, Joe continues to discover a haunting beauty in the darkest aspects of the human psyche. With a mixture of street, abstract and fine art influences, most of his work is created using a blend of acrylic, spray paint and charcoal. However, he doesn’t limit himself, sometimes it’s a case of using whatever’s at hand; a splash of tea, a mouthful of spit, on occasion he doesn’t even use a canvas. Art works have been painted on bed sheets due to the times he’s been too anxious to leave the house. Broken gates salvaged from wastelands next to filming locations have also found their way into the collection. Joe has made a conscious effort to find his own method and style through the trial and error of painting. Trying to find his voice before he starts looking, almost out of spite. Though he enjoys the history of art, classic and contemporary, he has far more interest in understanding his own voice before muddying the waters with everything that’s gone before. There are, however, influences that can’t be avoided. George Condo’s work fascinates him, he paints ‘ordinary people’, though Joe doesn’t believe anyone’s ordinary. He appreciates how Condo captures the chaos of it all. Francesco Goya: Joe is intrigued by ‘The Black Paintings’. Goya resented society, he kept this series in his house and thought no one would ever see. Similar to Joe’s work, he felt almost embarrassed about the art. It was only ever supposed to stay in the safety of his home. Sir Francis Bacon: with a fear of appearing arrogant, Joe doesn’t consider himself to be a fan of Bacon’s work. Though there are similarities in the themes of despair and the lack of romance about the world. Plus, he was terrified of his dad, much like Joe. Despite being the least favourite of his influences, he’s the artist Joe’s talks about most often, which bothers him. George Rowlett: Joe’s a big admirer of the impasto style and the amount of work that goes into completing each piece. Though not a huge fan of landscapes, watching George paint...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition published by Maeght E...

"Les deux moitiés" is a contemporary ethereal nude figures in green and blue water. Astone brought professional dancers into her studio and let them improvise as she painted them. Sh...

The sublime, or the amalgamation of the terrifying and the awe-inspiring, is encapsulated by the crashing wave that dominates this surrealist landscape. Artist: Clarence Holbrook Ca...

Artist: Rita Simon, American (1938 - ) Title: Spacescape Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 30 Image Size: 32 x 24 inches Size: 36...

Artist: Victor Chab, Argentine (1930 - ) Title: Untitled - Abstract Bird Year: 1964 Medium: Oil on Canvas, signed and dated verso Size: 32 x 25.5 inches (81 x 65 cm)

"Iris" oil on panel, mixed technique by Lluis Rizzo. Hyperrealist painting. Measurements: (H) 114 x (W) 146 cm. Framed: (H) 144 x (W) 176 x (D) 5 cm. « Iris » Here we have a rare species of Iris that will not be found in botanical books but in art catalogs...

keywords; surrealism, hunting dog, humour, uncanny, animals, prussian blue, emerald green, earth tones, oil painting, figurative painting, strangeness, contemporary surrealistic, uns...

Signed artist proof from ex libris edition of approx. 100. Based on the Biblical story of Noah's Ark Kalinovich (Born in Novokuznetsk, Russia, in 1959) is a Ukrainian printmaker bes...

Jean Cocteau (1889-1963) " Chevalier de Malte " Exemplaire d'auteur signed jean Cocteau , Edition originale de jean Cocteau , atelier Madeline-jolly (underneath) partially glazed ...

This original etching is hand signed by the artist in pencil "Dalí" at the lower right margin. It is also all hand numbered in pencil from the edition of 120, at the lower left margi...

"Cuddly," a charming painting by Rudolf Kosow, depicts a tender and affectionate moment between a dog and its human companion. The dog’s face, with soulful eyes and a furrowed brow, is portrayed in stunning detail, conveying a sense of gentle wisdom and patience. A small lady figure, fitting perfectly within the curve of the dog's face, leans in close, as if finding comfort and protection in the animal’s embrace. The gesture of the figure, with a hand delicately placed, highlights the trust and love inherent in this bond. This piece beautifully encapsulates the warmth and security that pets provide. Kosow's artwork celebrates the simple, heartwarming connections that form the cornerstone of our relationships with our animal friends, reminding us of the comfort and joy found in their company. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

An original piece from the series “The stars reflected in the eyesâ€

This landscape painting by Henryk was done in 2022. It will ship from the artists studio in Poland. More about Henryk Laskowska: Henryk Laskowski has been working as a graphic design...

The Venus of The Hague – 09-07-20 Animals kept crawling in so it was inevitable to incorporate them into these series. The first one I saw was a lioness in her thight and second...

Man Ray Alphabet Pour Adultes (Alphabet For Adults), 1970 Silkscreen in colors and lithograph on paper mounted on wood veneer mounted on card stock. Hand Signed. Numbered. Dated. Ha...

The Paths series was born out of a trip I took one summer to LA. The trip itself was more of an escape from my life in New York. At the time I was at a crossroads. Having just gone t...

ARTIST: Salvador Dali TITLE: After 50 Years of Surrealism The Curse Conquered MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 19.75" x 26" YEAR: 1974 FRA...

Moldovan-born contemporary artist Natasha Lelenco develops a distinctive figurative practice rooted in portraiture, memory and the symbolic charge of popular imagery. Part of her lon...

A colossal Dalmatian rests its head on a stark white surface, its weary gaze conveying quiet resignation. In front of it, a lone figure stands, gripping a “STOP POLICE” sign...