Surrealist Art

White and grey structure on a grey sky with a few white clouds, a black palm tree, and bright blue water. Artist signed the work in the bottom right corner, as well as titled and dat...

Artist proof 5/5. The image size is 23"x23" and printed on Japanese rice paper handmade. Artist proof AP/5, signed lower right and numbered lower left. It is framed. My photographs ...

Artist/Designer; Manufacturer: Gustavo Novoa (Chilean, b. 1941) Marking(s); notes: signed; 1987 Materials: board, probably acrylic Dimensions (H, W, D): 35"h, 30"w; 38"h, 33"w frame ...

Avalanche moon relief in foam clay and acrylic, white palette with pill-like figurines, stages a snowlike flood that links natural avalanche imagery to mental and psychiatric metapho...

Color lithograph realized by Max Ernst in 1974. Not signed. as issued. Printed by  Atelier Pierre Chave in Vence, France. Excellent condition.  This lithograph was realized  by th...

Paul Riba (American, 1912-1977) Tree and House Oil on board Signed lower right 30 x 26 inches 38 x 34 inches, framed Paul Riba was a painter of Magic Realism. He explored the unrea...

In Rival, Rudolf Kosow conjures a surreal confrontation where human and beast are caught in an ambiguous dance of dominance, awe, and connection. A shirtless man, eyes locked and arm...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

"Look Up" (Schau Aufwärts) is a two-piece work (diptych) of German artist Klaus Heuermann. The artist depicts a female in one work (140 x 100 cm) and a male in the other work (140 x...

Traditional French Tapestry wants to create an exotic paradise in an imaginary illusion of objects landscapes and animals in a home of eleg...

Night Room is a lithograph on paper with an image size of 2.25 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fram...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Man Ray is considered a representative of Dadaism and Surrealism. He was born in Philadelphia in 1890. Man Ray was active as a painter, object artist, photographer and film director. His art assemblages deal with questions about the unconscious, the apparent and the mythical. What is present behind what is represented or not is Ray's preoccupation in conceiving his experiments with different materials and techniques. He has his first solo exhibition at the Daniel Gallery in New York. Together with Marcel Duchamp he founded the DADA group in New York. In 1921 Ray moved to Paris, where he worked in the Montparnasse environment with artists such as Dalí, Ernst, Matisse, Miró, Mondrian and Tanguy. In 1922 there is a split in Paris between the Dadaists and the Surrealists. Man Ray joins the co-founders of Surrealism. National Socialism, which also showed its effects in Paris in the late 1930s, prompted the Jewish artist to decide to leave the country. After a major appearance at Georges Wildenstein's Beaux-Arts Gallery in Paris in the exhibition "Exposition Internationale du Surrealisme", he fled to New York via Spain and Portugal. After the Second World War, he brought the artistic collection he had left in Paris to the USA. As he could not enjoy the success and prestige in America that he had enjoyed in Paris, he returned to Paris in 1951. In 1958, the artist took part in the exhibition "Dada. Documents of a Movement" at the Kunstverein Düsseldorf and in the large Dada exhibition at the Stedelijk Museum in Amsterdam. His first major retrospective is shown at the Los Angeles County Museum of Art in 1966. Man Ray died in Paris in 1976, leaving behind the "Man Ray Trust", a foundation established by his widow. Between 1934-36 Man Ray photographed...

John Baker’s “The Post-Truth Era IV” is an acrylic painting on canvas with collage 20 x 16 inches in pinks, yellows, browns and blacks. In the post-truth era trust in the statements ...

Man Ray (1890-1976) Échiquier Surréaliste (Surrealist Checkerboard), 1934/1991 Medium: Silver Gelatin Print (later print) Dimensions: 30.5 x 23.7 cm Stamped: "Copie d'une épreuve...

The Revelation of Bettie Page (2018) In this painting I tried to work out some grand themes: sex and religion. There is nothing more to say about the ‘what’. About the ‘howâ...

This exquisite heliogravure after Man Ray (1890–1976), titled Preeminence of Matter Over Thought, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gru...

The sheik of Araby - 15-10-17 I always love this jazz song and when listening to jazz doing my nudes in my apartment I made the connection all of a sudden, as I often do between v...

Leonor Fini La Sorcière, ca. 1960 Ink on paper 21 x 15.5 cm 8 1/4 x 5 7/8 in. 41.5 x 36 cm 16 1/8 x 14 1/8 in. (Frame included) Unique work Exhibition History: Leonor Fini: Small ...

Jules Agard ( 1905 - 1986 ) " Le grand Duc " sculpture en terre blanche de Salernes montée au tour représentant un hibou Grand-duc . Ses formes sont mises en valeur par des engobe...

Medium: original etching. Printed in Paris by Lacourière and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in...

"Pygmalion and Galatea" Photography 31" x 31" in Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the a...

Ritual. 2022. oil on cardboard,, 40x30 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 Art Academy of Latvia, Painting Department, specialism in scenography. Solo shows: 1981- Baiba & Leo Benias Gallery, West Berlin (as part of the Skulme family exhibition) 1984- Museum of Foreign Art , Riga; Cēsis Exhibition Hall; 1986- Firebird Gallery, Alexandra; International Images, Pittsburgh, USA. 1987- Exhibition Hall, Jurmala. 1987- Exhibition Hall, Stockholm, Sweden (as part of the Skulme family exhibition) 1989- Delta Art Gallery, Nijmegen (The Netherlands). 1992- Maya Polsky Gallery, Chicago, USA. 2000- State Tretyakov Gallery, Moscow and State Museum of Art , Riga. 2004- Riga Museum of History and Navigation. 2007- Imagine Gallery, Riga. 2007- Art gallery Laipa, Valmiera. 2007- Moscow house, Riga. 2009- Zurab Tsereteli...

We acquired a series of photographs from Rosemary Ellis's studio. To find more from this series scroll down to "More from this Seller" and below it click on "See all from this Seller...

An original piece from the series "Please do not kill butterflies", pins, oil and pencil on paper (mounted on a wood panel), 35 x 30 cm, 2018. Please, all these dead animals ...

Rosemary Ellis (1910-1988) Windows XII Original proof photograph for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelat...

Roundism - 27-04-20 The next drawing in my solarized roundism series. It forms a transition from my previous abstracted cubist geometry towards a crossover to realism and surreali...

A contemporary oil painting that resembles an early renaissance mural. Old masters throughout Art History come to mind, like Hieronymus Bosch, Jan Van Eyck, or Pieter Bruegel. Gordon depicts the "Strangled Planet" we live in: war, protests, and unrest abounds. At the same time, exploration, cooperation, and humanity persists. She uses European Medieval, Renaissance, and Neoclassical references around the main contemporary action. This is perhaps a reference to the uncertainty that is inherent in life—hardships as well as victories have always been depicted in grand compositions. The skeletons that climb, cling, and swing on either side of the painting are the reminders of this finite life. Artist Bio Kristy Gordon’s work is a frank and intimate reflection of her curiosity about other people, transformations and self-discovery. Her paintings hang in over 500 public and private collections worldwide including the Government of Ontario Art Collection. She has been a full-time, professional painter since 2004, exhibiting her work internationally and earning numerous awards including the Elizabeth Greenshields Foundation Grant (2010, 2013), an Exceptional Merit Award from the Portrait Society of America (2014), and was a finalist for the 2013 Kingston Prize for Canadian portraiture. She has been widely featured in numerous magazines, art publications, radio and television shows, including International Artist, Fine Art Connoisseur, The Artist’s Magazine, Southwest Art and Bravo!’s Star Portraits. Gordon has seven years of experience teaching and conducting painting workshops throughout North America. She has taught at numerous academies and schools including The Academy of Realist Art Ottawa, The Lake Country Art House, and The Okanagan School of Arts in Penticton and has also substitute taught at the New York Academy of Art. She has lectured at China Central Academy of Fine Arts in Beijing, New Century Artists in New York City and the Art of the Portrait in Washington, DC. She received her MFA degree in Painting from the New York Academy of Art and holds a BFA in Drawing and Painting from the Ontario College of Art and Design. Additionally, she has studied classical drawing and painting at the Academy of Realist Art in Toronto and Andreeva Portrait Academy in Santa Fe. She has also studied privately with artists including Yuqi Wang, Odd Nerdrum, Juan Martinez, Jeremy Lipking. Gordon is represented by Dacia Gallery in New York, Grenning Gallery in Sag Harbor and Cube Gallery...

This painting by Henryk was done in 2018. It will ship from the artists studio in Poland. More about Henryk Laskowska: Henryk Laskowski has been worki...

My surrealist paintings are always inspired by nature and the fact that we come from it. I am intrigued by both, nature and the meaning of our own existence. The more connected we ar...

Superbe original painting on canvas depicting a pair of orangutans cuddling on top of a small iceberg. keywords; americana, surrealism, monkey, iceberg, vintage, oil painting, anima...

"Aerial 2" Black White Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by ...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) signed in pencil by artist in lower right corner paper size: 38.5 x 28.5 cm framed size: 65 x 55 cm very good conditions Bibliography: Salvador Dalí Catalogue Raisoneé of etchings and mixed media prints Ref 369 pag 178 Fast and Tracked shipping with express currier DHL . We offer professional packaging and tracked shipping with DHL Express courier ( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries...

Salvador Dali - Marguerite - Original Etching from "Faust" suite Stamped signature, as issued From the standard edition of 731 Edition number 7 Dimensions: 38,5 x 28,5 cm Edition Arg...

René Magritte - LE CHEF D'OEUVRE OU LES MYSTÈRES DE L'HORIZON, 1965 Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 131/275 Size: 60 x 45 cm Condition: N...

Coloured lithograph on Arches paper. Limited edition, numbered as 133/250 Eu. Signed in pencil by artist. Paper size: 47,5 x 64 cm Framed size: 73 x 91 cm very good condition, some ...

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in...

"Six" Black & White Photography 31" x 31" inch Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the arti...

Print from the Fini book Histoire d'O, signed in pencil and numbered 9/15

With 27 full-page colour illustrations (including title). White orig. hardcover with black cover title (somewhat rubbed and soiled, back cover with minimal light...

Title: Unnamed Paper Plane II Medium: Oil on canvas Size: 19.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2011 Artist: Mingjun Wang...

Dalvin Byron's "Begotten" is a 40 x 30 inch painting on canvas. A being with multiple vigilant eyes hovers luminously against stormy skies, its arterial branches spreading upward lik...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This rare original lithograph is an artist proof in ve...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This rare original lithograph is an artist proof in ve...

Initial Boredom After my last graphite pencil drawing of Geesje Kwak -04-09-21 I felt one was missing in the series. It was alright but the style resembled that of Geesje Kwak –...

This is a one of a kind abstract expressionist oil painting on wood panel by San Diego artist, Daniel Ketelhut. Ketelhut is a self-taught painter who...

Original oil painting by Austin based artist Sandra Boskamp :: Painting :: Surrealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

"Bacchanale" is an original color lithograph by Andre Masson. This piece is from the Je Reve (I Dream) portfolio and is edition number H.C. XVV/XVV. Masson signed the piece in pencil...

Francois-Xavier Lalanne (1927-2008) Men (ephebes), 2002 Techniques : etching on paper Hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the pape...

This double-sided lithograph by Paolo Garretto features a Vanity Fair cover "The Face Off" on the front and a Camel Cigarette ad on the back. It was pu...

original, ready to hang :: Painting :: Surrealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signat...

Back to Sketching This graphite pencil drawing ‘Solarized Roundism – 01-07-22’ is a welcome change from oil painting. After the completion of ‘Geesje Kwak and the Secret o...

"Musee de L'Athenee" is an original color lithograph poster by Joan Miro. It is from an edition of 1000. It showcases Miro's surreal biomorphic marks and is an advertising poster for...

Salvador DALI Les chevaliers du roi Arthur ("The cavaliers of King Arthur") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 x 32.5 cm This etching ...

Henri Matisse (1869-1954) - Jazz (Jazz) Lithograph from 1983. Dimensions of sheet: 61 x 39 cm Dimensions in frame: 73 x 53 cm Publisher: George Brazilier, New York. Printer: Ern...

Stardust is a lithograph on paper with an image size of 2.5 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. ...

Pierre-Yves Tremois A loving couple Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm ...

The Proud Brothers - 04-01-21 The Bigger the Lie How can The Blues Brothers turn into The Proud Brothers? That is simple enough. Take a big country and turn it into a madhouse. D...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This rare original lithograph is an artist proof in ve...

This exquisite lithograph by Andre Masson (1896–1987), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, essais philosophiques, Le mythe d...