Surrealist Art

This exquisite lithograph by Joan Miro (1893–1983), titled La Femme Arborescente (The Tree-like Woman), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 16, originates fro...

An Avant-Garde, Abstract Modern Surrealist Dreamscape by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A striking, black & white charcoal drawing on paper depicting a lone ...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian governed academia setting. This presence exposed Franci...

This exquisite lithograph and pochoir after Max Ernst (1891–1976), titled Portrait dinsecte (Portrait of an Insect), from the album Cahiers dArt No. 24, 1949, originates from the 194...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

A Ray of Hope is a poignant and luminous fabric collage painting that speaks to the quiet strength found in resilience. Crafted with layers of richly textured fabrics, this piece cap...

ARTIST: Salvador Dali TITLE: Florals Dahlias of Dali MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBER: 62/350 M...

Figurative Abstract French School, signed and dated 1972 small frame oil painting on board painting: 19.75 x 25.5 inches overall size: 21.5 x 27 inches condition: overall very good a...

The Raven and the Fox is an artwork realized in 1974. Etching and drypoint with stencil, 1974. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the sui...

Roberto Matta, Chilean (1911 -2002) - Surrealist Figure in Space-scape, Year: 1956, Medium: Wax Crayon on paper, unsigned, Size: 13 x 10 in. (33.02 x 25.4 cm), Frame Size: 20.5 x...

A play of light envelopes the Upper East Side skyline of New York City and projects a feeling of fogginess. Photographer Mitchell Funk captures a moment when the atmosphere transmits...

Judson HUSS (1942-2008) Dead Zeppelin Original lithograph Handsigned in pencil Limited /275 copies On vellum 49 x 65 cm (c. 19.2 x 25.5 in) Excellent condition

Steven H. Rehfeld (American, born 1954) "What Remains" 2022 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. In "What Remains", Steven H. Rehfeld constr...

The Lavishness -  "The Divine Comedy" - Song 21 -  Purgatory is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Untitled is an original artwork realized by Wifredo Lam in the 1960s. Black and white drypoint. Hand signed in pencil by the artist. Artist's proof (EA hand written on the lower le...

Lithograph on vélin paper. Paper Size: 12 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, View, Surrealism in Belgium, vol. V, n°1, March 1945. Pu...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Roland Ayers (1932-2014). The Grasses: Vision of the Voodoo Child, ca. 1970 Ink on paper, 17 × 22. Measuring 22 × 28 inches in matting. Artist initials lower left. Original artis...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

"It's just a shadow" - 1975 Surrealist Lithograph on Paper 1975 surrealist lithograph on paper titled "It's just a shadow" by Jim Crabb (American, b. 1947). This piece resembles a s...

She is offended. And no gifts, champagne or words will melt this ice. What did her Man do - we can only guess. May be he forget about the anniversary, bought the wrong flowers, cheat...

In Silent Journey, Rudolf Kosow stages a quietly surreal encounter between a young rider and an oversized grasshopper, rendered with the artist’s signature blend of contemporary figu...

Wonderful fresh sketch in red ink on an ivory-colored paper, with an autograph dedication "Per Pino Fasio amicia Pittore Wifredo Lam Albissola 1970" . Dated and signed in red ink. V...

“Tramp Stamp 2” Nude Photography 24" x 30" inch Edition 1/12 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA s...

This painting is the third part of the cycle of works "Come and see" It was painted in the city of Kiev, Ukraine in 2001. The picture shows one of the main tenets of the "Kabbalah", ...

Jack Mitchell (September 13, 1925 – November 7, 2013) was an American photographer. He photographed American artists, dancers, film and theatre performers, musicians and writers.[1] His portraiture, lighting skill, and ability to capture dancers in what he termed "moving stills" made him one of the most important dance photographers of the 20th century. He photographed the Alvin Ailey American Dance Theater for three decades, producing a body of work that includes over ten thousand images. He was the official photographer of the American Ballet Theatre for a decade and also photographed dancers for other top ballet companies in the US and Canada. His work appeared in major newspapers and on the cover of major magazines, including over 160 covers of Dance Magazine. Arts Magazine called him the first photographer to treat creative individuals as characters outside of their works. Smithsonian called him the benchmark by which other dance photographers assessed their own work. Early life Mitchell was born in Key West in 1925, and he was raised there and in New Smyrna Beach, Florida, where his family moved in 1931.[2][3] His father worked for the railroad.[2] He became interested in photography, and when he was twelve his parents bought him a Kodak Baby Brownie for $54.[2][3][4] Career By age 15 he had met Florida's licensing standards to obtain a press pass, by age 16 he was working as a commercial photographer,[1][5] and his first published photograph was of Veronica Lake, who was visiting Florida while on a war bonds tour.[2] Mitchell was an Army photographer during World War II, working in Italy.[2] In 1946, after returning home from the army, he set up his first studio in New Smyrna Beach.[1] In 1949, when he was 24, at the invitation of Ted Shawn, he visited Jacob's Pillow Dance and became interested in dance photography, which became a specialty.[2][5] He moved his studio to New York City in 1950.[6] He was the American Ballet Theatre's official photographer.[2] Starting in the 1961 he spent decades photographing the Alvin Ailey American Dance Theater, producing over 10,000 images of the company;[2][5] Ailey's biographer Jennifer Dunning credited Mitchell's work for "help[ing] to sell the company early on".[5] Mitchell also photographed dancers of the Boston Ballet, Les Grands Ballets Canadiens, Pennsylvania Ballet, Houston Ballet, and San Francisco Ballet.[6] Mitchell shot over 160 covers for Dance Magazine;[2] his 168th cover was published in July 2003.[4] His term for what he was attempting to capture with dance photography was "moving stills."[5] He was known as a lighting expert.[2][5] Mitchell also photographed other artists, entertainers, musicians, and writers, including John Lennon and Yoko Ono just a month before Lennon was murdered.[2] Other subjects included Leonard Bernstein, David Byrne, Truman Capote, Anthony Quinn, Jack Nicholson, Patti LuPone, Keith Haring, Neil Simon, Angela Lansbury, Twyla Tharp, Ned Rorem, Leontyne Price, Alfred Hitchcock, Spalding Gray, Ann Reinking, Andy Warhol, and Natalie Wood.[2] He spent a decade photographing Gloria Swanson.[5] His work appeared in The New York Times, Elle, Harper's Bazaar, Life, Newsweek, People, Rolling Stone, Time, Vanity Fair and Vogue, among others.[2][4][6] Mitchell was the subject of a 2006 documentary, My Life is Black and White, directed by Craig Highberger.[2] His books include Icons & Idols (1998), for which Edward Albee wrote the foreword,[2][4] and a book of his Alvin Ailey photography...

This original etching and drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was printed by Pan-Presse, Berlin in 1922 and published by Paul Cassirer, Berlin in 1923. Note: The work was part of Chagall's important and renowned series "Mein Leben...

Color etching on vellum. Image dimension 18x13 cm. Edition of 33/100. Hand signed in pencil. Light-stained, browned, with pinholes in two corners. Very rare.

Sally Lachina (American, 20th Century) White Stone, 1994 Acrylic on canvas Signed and dated lower right, signed, dated and titled verso 42 x 42 inches Sally Lachina is an American a...

Artist: Aibek Begalin Work: Original acrylic on paper cardboard, handmade artwork Medium: Acrylic on Paper Cardboard Year: 2022 Style: Realism Subject: Roses Size: 11" x 8" inch, 28 ...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Liquid and Gaseous Television MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merril Chase, Chi...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Salvador Dali - The Atomic Era - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : printed in the image LIMITED : 19...

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

Ken Steacy 1994 Signed Limited Edition Star Wars Galaxy Darth Vader "Galaxy" 1994 Artist: Ken Steacy Medium: Lithograph Arches Paper Paper Size: 23½" x 30" inches Image Size: 17½" x...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1973 album Sculptures de Miro, Ceramiques de Miro, et Llorens Artigas (Sculpture...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

In the early 1980s, Air France commissioned Roger Bezombes, famous for his sculptures and paintings, to create original artworks capturing Air France’s spirit. He produced a series of 16 colorful photo collages that were printed at Atelier Mourlot. These graphic works were executed using lithography, typography, and embossing with metallic inks. These posters were revolutionary. Inspired by surrealism, they depict concepts rather than destinations and evoke the mysteries and joys of air travel. Far ahead of their time, they were only released by Air France and exhibited for the first time at the Pompidou Museum of Modern Art ten years after...

This artwork "Two Faces" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 323/350 in blac...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Formation is from a limited edition of 12. It is signed in pencil on back, Nude males are the falling leaves in this autumnal wonderland. A new book on the artist will be published in Spring. London-based Photographer and Graphic designer Omer Ga...

Artist/ School: French School, late 20th century, signed with monogram Title: Surrealist coastal landscape with nude male and female figures, sta...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans Titre (Untitled), originates from the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and ceramic-inspired form. In Sans Titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language. Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974 Medium: Lithograph on velin paper Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1974 Publisher: Maeght Editeur, Paris Printer: Arte, Adrien Maeght, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183. Condition: Well preserved, consistent with age and medium Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris Notes: Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974. About the Publication: Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro Sans Titre 1974, Miro ceramiques...

Mabel Barnsbee (1892-1980). Miniature Watercolor Painting Surrealist Postage Stamp Collage. Image measures 4.5 x 6.5 inches. Measuring 11 x 13 inches in original frame. The Mysti...

Salvador Dali (1904-1989) - La Pagode (The Pagoda) Drypoint etching from 1969. The edition 25/145 on Arches paper. Dimensions of work: 66 x 51 cm. Hand signed. Publisher: Pierre...

A desolate, surreal landscape with a haunting and mysterious outdoor still life featuring Ram's head emerging from the daisies and underbrush. Classical statues sit on the horizon l...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

This exquisite lithograph by Joan Miro (1893–1983), titled Oiseau Bleu (Blue Bird), originates from the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. Executed during the height of Miro’s mature period, this poetic composition embodies the artist’s fascination with the interplay between form, color, and cosmic symbolism. Through his lyrical use of line and vibrant hues, Miro transforms the image of the bird—a recurring motif in his visual language—into a jubilant expression of freedom and imagination. Oiseau Bleu exemplifies Miro’s capacity to merge spontaneity and precision, creating a timeless dialogue between abstraction and dreamlike vision. Executed on velin paper, this lithograph measures 22 x 15 inches (55.9 x 38.1 cm), as issued. Signed in the plate and unnumbered, as issued. The edition reflects Miro’s mastery of both color and gesture, fusing Surrealist spontaneity with the refined craftsmanship of the Mourlot ateliers. Artwork Details: Artist: Joan Miro (1893–1983) Title: Oiseau Bleu (Blue Bird), from Derriere le Miroir, 1963 Medium: Lithograph on velin paper Dimensions: 22 x 15 inches (55.9 x 38.1 cm), as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1963 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, Geneva, 1989, illustration 87 Condition: Well preserved, consistent with age and medium Provenance: From the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original deluxe edition of Derriere le Miroir. The lithographs for this issue were printed in the ateliers of Mourlot Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing 1963. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro Oiseau...

Gahan Wilson is a conceptual artist before he is a cartoonist, but this concept is invisible to most in the art world. "I Think it's Time I Told You My Little Secret!" pen, ink, and ...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: BAR1017-023-200 Hand-signed by a...

Marc LACROIX (1927-2007) Dali, Power of Imagination, 1971 Original silver print photograph Signed in ink Numbered on 99 copies On silver print paper 57 x 47 cm (c. 22.4 x 18.5 inch)...

Original artwork realized by Jacques Hérold in 1974. Colored lithograph. Not signed, as issued. Printed by Mourlot , France. Excellent condition.  This lithograph was realized  b...

Hand-signed in pencil with the artist's monogram in the lower right. This is a hand watercolored etching. Edition of 90/100 prints. On Montreal paper. This beautiful etching comes ...

One of my best works in this series is "Art from Money." This painting has a philosophical meaning: it reflects the philosophy of human impact on the planet. This prophetic painting ...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

This lithograph Les baigneuses ( The bathers) by Andre Marchand is part of my private collection since the 1970's. It is in very good condition, artist pencil signed in the lower lef...

Marisol Escobar, French/Venezuelan (1930 - 2016) - Pocahontas, Portfolio: Bicentennial portfolio, "An American Portrait, 1776 - 1976", Year: 1976, Medium: Lithograph on BFK Rives,...

Hans BELLMER Unicorn Woman Original etching Handsigned in pencil Numbered on 150 copies On Arches vellum 65 x 50 cm (c. 26 c 20in) Excellent condition