Symbolist Art

Monument X, paper/etching,86/99, 13.5x10 cm, 1989

Monument VII, paper/etching, 14x9.5 cm

Judith III, paper/etching, 13.5x9.5 cm, 1987

Architectural Details Catalog 7, paper/etching, 59/75,10x9 cm,1990

Architectural Details Catalogue 3, paper/etching, 72/99,10x9 cm,1989

Architectural Details Catalogue 2, paper/etching, 86/99, 10x9 cm, 1989

Front/Back, paper/etching, 41/99, 9.5x7.5 cm, 1988

Connoisseur, paper/etching, 11.5x8.5 cm, 1986

The Dinner Gathering is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Love story is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Disastrous is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Amour is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

The Thoughts is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Lady and Handmaiden is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Lovers is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Lady and Handmaiden is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Half Moon is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Ruines du Chateau de Tancarville is a black and White etching realized by Alfred-Luois Burnet Debaines in the 1860s.  Titled in the lower. Image size: 31x22. Very good impression ...

The Water Carrier, Illustration for Cressidra, is a print on paper realized by tAndré Suares in  1926. Etching and drypoint Edition of 200 print. Good conditions.

Colosseum is a modern artwork realized by Antonio Carbonati in 1947. Black and white etching Includes passepartout Hand signed and dated on the lower margin Original title: Colosseo Palatino Celio Via dei Trionfi dai balconi di casa Carcano sul Colle Aventino Good conditions except for yellowing of paper. Antonio Carbonati (1893 - 1956).  He published a series of engravings of Rome...

Nudes is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

Nude is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

The Bath is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

Lovers is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout. Good condition...

Lovers on Horse from Illustrations for Cressidra, is a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print. Including a Passepartout. Good ...

The Dream is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditi...

"Umzugsanzeige"  is a woodcut on ivory-colorated paper by Michel Fingesten,  Early 20th Century. Hand signed and with hand notes in pencil. In excellent conditions: As good as new. ...

"Ex Libris et Musicis Gheri"  is an etching on ivory-colorated paper by Michel Fingesten,  Early 20th Century. Hand signed in pencil. In excellent conditions Michel Fingesten (1884 ...

Lovers is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

The Landscape is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good con...

Lovers is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

The  Lady and Mirror is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout G...

Ladies is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

"Ex Libris"  is an Etching, Ex Libris, on ivory-colorated paper by Michel Fingesten . In excellent conditions: As good as new. Hand-signed in pencil, on the lower right. Michel Fin...

"Ex Libris"  is an Etching, Ex Libris, on ivory-colorated paper by Michel Fingesten . In excellent conditions: As good as new. Hand-signed in pencil, on the lower right. Numbered 47...

"Ex Libris"  is an Etching, Ex Libris, on ivory-colorated paper by Michel Fingesten . In excellent conditions: As good as new. Not signed. Michel Fingesten (1884 - 1943) was a Czec...

Photography has always occupied a central place in Debra Pearlman’s work, as direct street photography and as source material for paintings and photo-based objects. The subjects are ...

Fallen Rider  from Intermezzi belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate ...

Opus IV Unter den Soldaten Rad belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate...

Houses is a drawing in Tempera and watercolor realized by Emile Philippe in the Mid-20th Century. Good conditions with slight foxing. The artwork is represented in well-balance com...

19th Century Shiva Standing On The Bull Nandi Wood Carving with polychrome paint. 27"hight, 12"width, 18"depth. A rare figure of Shiva or Shiva standing on the bull Nandi. Bali, 1...

"Mules" Figurative Painting (FRAMED) 39" x 59" inch by Ahmed Saber Medium: watercolor on paper AHMED SABER - BIO Ahmed Saber is an Egyptian artist based in Luxor in Upper Egypt, wh...

Oil painting of semi-abstracted female nude against a moody, ambiguous cloudy sky. The figure appears both an ethereal part of and emerging from another world.

Acrylic, plastic, modeling paste on canvas

Signed symbolist oil on panel circa 1910 by French Les Nabis painter Ker-Xavier Roussel. This beautiful painting depicts nudes and figures dressed in robes in a wooded landscape. Signature: Signed lower left Dimensions: Framed: 31"x40" Unframed: 23"x32" Provenance: JPL Fine Arts - London c. 1985 Ker-Xavier Roussel met Édouard Vuillard at the Lycée Condorcet, which they both attended. Together they visited Eugène Ulysse Napoléon Maillard's studio, where Roussel became acquainted with Charles Cottet, going on to study at the Académie Julian under Bouguereau and Jules Lefebvre. There, he became interested in the Synthetism promoted by Sérusier, following Sérusier's heeding of the line Gauguin had adopted in Pont-Aven. He joined the Nabis group. He and his friends form a link between the Impressionists - he knew Cézanne, Degas, Renoir and Monet - and the Fauves and Cubists. In his earliest paintings, Roussel adopted a dark palette for Realist still-lifes. Later, his work bore the influence of Gauguin, Sérusier, the Nabis and Cézanne, in Intimist scenes painted in flat tints not yet clearly delineated. Their dull, saturated tones are reminiscent of Cézanne. In about 1900 he started painting mythological scenes full of nymphs and fauns and set in his home region of Île-de-France. After a bicycle trip in Provence with Maurice Denis, during which he met Cézanne, he lightened his palette, much taken by the cloudless skies below which he would now set the mythological and idyllic compositions which link him to Poussin and Corot. This wondrous, unreal world found its way into large-scale works, including the stage curtain of the Champs-Élysées theatre in 1913, a large Pax Nutrix for the Palais des Nations in Geneva and Dance for the Palais de Chaillot in 1937. He is best remembered for: Silenius' Triumph, Polyphemus, Diana, The Abduction of the Daughters of Leucippus. The nymphs and fauns of a mythology quite his own appear in clearings and woods from the outskirts of Paris, but the sun they rejoice in is Mediterranean. To capture the vibration of bright colours under a permanent sun, he later turned to pastels. He was more a Symbolist than a Nabi and signed himself K.-X. Roussel. He also produced lithographs. He took part in exhibitions from 1891 with the Groupe des Vingt at le Barc de Bouteville's gallery in Brussels. Then he exhibited in Revue Blanche Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before World War I with Free Aesthetics in Brussels; from 1901 at the Salon des Indépendants and the Salon d'Automne; in the 1930s in Revue Blanche Painters ( Les Peintres de la Revue blanche) hosted in Paris by designer Bolette Natanson, the daughter of the Revue Blanche's owner. He took part in The Masters of Contemporary Art ( Les Maîtres de l'art contemporain) at the Musée du Petit Palais in Paris, and at the 1938 Venice Biennale and 1939 New York World Fair. He featured posthumously in Toulouse-Lautrec and the Nabis ( Toulouse-Lautrec et les Nabis) at Bern Kunsthalle; From the Revue Blanche ( Autour de la revue blanche) in the Galerie Maeght, Paris, and in Tokyo and Brussels. He had one-man shows in Paris before his death in 1944. Retrospectives were mounted in the 1960s in London and Bremen. Museum and Gallery Holdings: Geneva (Petit Palais): Haystacks on the Seaside Paris (BNF): Training the Dog; Landscapes (engraving); Nymph and Faun (c. 1895, etching) Paris (Louvre): Poject for a Screen (drawing) Paris (MNAM-CCI): The Road (c. 1905); The Cyclops (1908); Venus and Cupid on the Seafront (1908); The Abduction of Leucippus' Daughters (1911); Pastorale (1920); Diana at Rest (1923); Portrait of Vuillard (1934) Paris (Mus. d'Orsay): The Gate (pastel); Woman in Profile with Green Hat; In Bed; Félix Valloton...

Ex Libris - Istvan Traurig is a Woodcut print created by Michel Fingesten. Signed on plate on back. The work is glued on cardboard. Total dimensions: cm 32x24 Good conditions. ...

Ex Libris - Ernest Monteux is an Etching print created by Michel Fingesten in 1930s. Hand signed on the lower margin. Numbered on the left corner, ex. 149/150 Good conditions. Mi...

Ex Libris - Mantero is an Etching print created by Michel Fingesten. Hand Signed on the right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter and eng...

Ex Libris - Mary Talbot is an Etching print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painte...

Ex Libris L'Amour et la Folie - Ex Libris Jean Brissac is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (...

Ex Libris P. de Sanctis is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czec...

Ex Libris - Luciano Guidi is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Cz...

Ex Libris - Reinheimer is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czec...

Ex Libris - Eroticis M.B. is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a C...

Ex Libris is a colored woodcut print created by Michel Fingesten. Hand Signed on the upper margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter and engrav...

Ex Libris - Malz- is a colored woodcut print created by Michel Fingesten, in 1936. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a...

Ex Libris - Livio Ghislandi is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech ...

Ex Libris - Salve Pax is a woodcut print created by Michel Fingesten in 1937. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech...

Ex Libris is a woodcut print created by Michel Fingesten in 1937. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter an...

Ex Libris et Musicis Mantero is an Etching print created by Michel Fingesten. Hand Signed on the right margin. Very good condition. Michel Fingesten (1884 - 1943) was a Czech pa...