Building Art

MASSIMO LISTRI Reggia di Caserta II, Italy, 1993 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Mounted on aluminum, framed ...

Title: British Impressionist Watercolor of Rustic Farmhouse and Outbuildings in Countryside Setting by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframe...

Vintage black and white photograph realized in the Mid-20th Century. Good conditions.

Fabienne Delacroix is the youngest child of the master naïf painter Michel Delacroix. Born in 1972 in a family of artists, Fabienne Delacroix enjoyed a high quality of schooling foll...

Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes, though in recent years, she has gone on to develop her art to include more figurative work, focusin...

Pencil, watercolour and bodycolour heightened with white. Image size: 9 1/2 x 13 1/4 inches (24 x 34 cm) Hand made gilt frame Provenance The Fine Art Society 1981 (Label Verso) Priv...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. His "City Paintings" have a very realistic color palette, very true to life. His colors are...

This rare, original WPA-era painting, Church in Leadville (1938), was created by renowned Colorado and Woodstock modernist artist Jenne Magafan (1916-1952). The watercolor and ink wo...

Palm Beach 1964 - Slim Aarons Estate Stamped The Westin Excelsior Hotel on the Lido in Venice, 1957. 30 x 30" inches / 76 x 76 cm paper size Estate Stamped Collection Edition to ...

Edition out of 12

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

This Game We Play #46 is a 30" x 40" C-Type Matte print from a Limited Edition of 5 by Franck Bohbot. Quiet after the rain. A slick wet orange-and-red basketball court sits coolly...

Aerial Miami Beach 1972 - Slim Aarons Estate Stamped A helicopter carrying tourists hovers over the Fontainebleau Hotel on Miami Beach, Florida, April 1972. 40 x 60" inches / 101 x...

Palace Hotel 1961 - Slim Aarons Estate Stamped The Palace Hotel in Gstaad, 1961. 20 x 20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim ...

Gotthardt Johann Kuehl (German, 1850-1915), "Rathausplatz, Bremen", Pastel on Paper, signed and titled lower left, wood frame. Image: 19" H x 18" W; frame: 24.5" H x 23.5" W. Provena...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

This painting of Lincoln Center, located in New York City, highlights the reflections seen its five arched windows. :: Painting :: Contemporary :: This piece comes with an official...

Title: British Impressionist Watercolor of Village Street Leading to the Town Hall by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25 inches (Height x Width) Condition: Good, with some minor signs of aging. Provenance: From a large collection of this artists work, held in England. Description: This watercolor painting captures the essence of a quaint village street, gently sloping towards a central square dominated by a stately town hall. The town hall, bathed in soft sunlight, stands proudly with its clock tower and arched windows, exuding a sense of timeless charm and importance in the community. The light facade contrasts beautifully against the darker tones of surrounding buildings, drawing the viewer’s eye upwards. The street itself is lined with buildings in muted colors, their facades showing signs of age and character, with textured brushstrokes suggesting a blend of plaster, stone, and weathered shutters. Shadows play across the road, adding depth and leading the viewer's gaze towards the focal point of the town hall. A few subtle figures...

The Providence Athenaeum Library #1, Rhode Island by Franck Bohbot is a 30" x 40" C-Type Matte Print from a Limited Edition of 5. The symmetry of this composition by Franck Bohbot ...

The Old Town on the River by Félix Raoul Eteve (French, 1902-1967) *see notes below signed oil on canvas signed lower right framed: 23 x 26.5 inches canvas: 18 x 22 inches Provena...

Framed size: 27" x 30" Evening Glow by Antoine Bouvard Snr. signed Marc Aldine, bathes a Venetian canal in the soft warmth of twilight. The foreground captures gently rippling water ...

Archival Pigment Print - UNFRAMED 21 x 26 inches - edition of 7 32 x 40 inches - edition of 7 44 x 55 inches - edition of 10 59 x 79.5 inches – edition of 5 Ask us for custom fra...

Chromogenic Print – Unframed Free Shipping – Ask us foar custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My p...

Cascina Pietrasanta, 1982, rif. 440 Etching inches 15.4 x 15.5 (mm 391 x 394). Contemporary Art Italian landscape, Lanca Gelata, rif. 405 Original etching, signed and numbered. Lim...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

For this exhibition, I wanted to find the coherence of a life shared between different geographies from Tunisia to Canada. Intertwining the imagery of here and there, I ask myself wh...

Eilean Donan Castle By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inches (Height x Width) Condition: Good, with some mino...

Lithograph in colors on cream wove paper 16 3/4 x 12 inches (425 x 304 mm); sheet 21 1/2 x 14 1/4 (546 x 361 mm), full margins. In good condition with minor toning.

Please see accompanying video. We are a 1stdibs Platinum Seller with 100% 5-star reviews. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...

This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...

MASSIMO LISTRI Salla delle Niobe, Uffizi, Florence, Italy, 2012 48 x 60 inches 120 x 150 cm Edition of 5 Also available in: 40 x 48 inches 100 x 120 cm Edition of 5 71 x 88.5 inch...

Cities 12 – February in Prague by Susan Brown. Limited edition giclée print – The print edition is 150 The image size of the print is 40cm X 40cm, the overall size is 50cm x 50cm Ea...

Etching on laid paper, signed in the plate and dated lower margin. This fine etching by Adolphe Martial Potémont, one of the leading French etchers of the 19th century, captures the...

Tunbridge Valley by acclaimed American painter T.M. Nicholas captures the warm, glowing palette of autumn. T.M. Nicholas, son of noted artist Tom Nicholas, N.A., is celebrated for ...

Vintage black and white photograph realized in the Mid-20th Century. Good conditions.

Michel DUBRE (1942 - ) Paris Opera in the Wheat Field Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

Edition of 25 Signed, dated and numbered in pencil on mount margin recto. Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on mo...

"NYC Brooklyn Bridge 10", photography of the Brooklyn bridge by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes ...

Jane Simone Bussy (1906–1960) Bloomsbury Group Associations An intriguing painting of the Edinburgh skyline by Jane Bussy, the niece of Bloomsbury Group founding member Lytton Strac...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

This fine art print features “Sunset by the Allahverdi Khan Bridge,” popularly known as Si-o-se-pol, the largest of the eleven historical bridges on the river Zayanderud, in the Iran...

Represented by George Billis Gallery, NYC LA --“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism,...

Barron Theater, Pratt, KS by Peter Brown is a color archival pigment print depicting the front of the Barron theater along a street. The movie theater's sign promotes a bargain show and the premiere of Ghostbusters 2. The theater sits in between two stores, the Ladies' Nook to its left, and the Total Image Salon to it's right. The stores appear closed, with covered windows and empty parking spaces out in front. Edition of 25 Signed and dated by Peter Brown 16 x 20 in. *Images and video show print in size 16 x 20 in. Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch, 3 1/2 x 5 5/8 inches (89 x 144 mm); sheet 5 3/4 x 8 3/8 inches...

"Chiesa del Purgatorio" is a watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The painting depicts one of the exquisite entry-ways into the Chiesa del Purgatorio located in Cefalu in the Northern region of Sicily. Darkness challenges light as dramatic shadows stumble their way across the facade and baroque portal and sweeps downward, descending the double stairway of stone. The painting plays with subtle blues and browns to emphasize which emphasize the dramatic teal doors of the church. For more works by Thomas Schaller...

Painted en plein air, Ben Fenske's home; a farmhouse in Tavernelle, Tuscany on an overcast day. Traditional Italian aesthetics, a stone house w green shutters. A dirt driveway is dep...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1990, signed to the front and inscribed verso Title - "Snow Bound" Road to the Green, Water Mill. English ...

Late 20th Century oil on canvas view of buildings in a rural landscape with snow capped mountains by Franco British artist Isabell Pardoe. The painting is not signed but came directl...

Maria Deely Abbey Road Studios 2025 Original Drawing with Colored Pencils Size: 11 x 14 inches (27.94 x 35.56 cm) Signed COA provided This drawing captures Abbey Road Studios — one ...

This is a high-quality reproduction of Couvent de La Tourette by Le Corbusier, printed on fine art paper with a cotton mat finish. The surface enhances the architectural lines and co...

Moscow. "On the red square". Kremlin, St. Basil's Cathedral. Russian art. Very good condition. Unframed. Solovykh Gennady Ivanovich (1932, Moscow). Member of the Union of Artists ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Hugh Campbell (1905-1997) Born December 4, 1905 in Atch...

"Lee's Gone" is a 24 x 36 inch archival pigment print by photographer Nancy Baron. This photograph features a room with the ceiling and walls covered in ch...

David Burdeny Ca Rezzonico, Venice, Italy, 2012 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Nicholas Thomas Dall (1706-1776) Bishopthorpe Palace Yorkshire Oil on Canvas 24 1/4 X 30 1/4 Provenance: Christie's New York: Friday, October 4, 1996 [Lot 00095] Sold for $10,350 ...