Building Art

This elegant original 1958 tourism poster invites viewers to discover the timeless charm of Paris through a serene view of the Jardin des Tuileries, with the Arc de Triomphe du Carro...

Josine Vignon (French 1922-2022) ...

Village Church Among Trees by Regine David (female French artist, 1910-2018) pastel painting on artist paper dated 1967 painting: 12.5 x 16 inches inscribed verso condition: This pai...

Title: British Original Watercolor of a Castle View from a Country Road By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25...

The Ancient Temple Ruins signed by Georges Bordonave (French contemporary) dated 1994 oil painting on canvas, unframed canvas: 18 x 22 inches condition: very good provenance: from a ...

Ruins of the Ancient Aqueducts is an original artwork realized by Carl Friedrich Heinrich Werner (Weimar, 4 October 1808 – Leipzig, 10 January 1894) in 1872. Watercolour and pencil on paper. Hand-signed and dated on the lower left corner: C. Werner 1872. Good conditions. Prov. Collection Dr. Peter Nicolaus (1940-2020). Carl Friedrich Heinrich Werner (4 October 1808 – 10 January 1894) was a German...

The painting shows a typical Scandinavian style timber house. Timber buildings are monuments in Norway. This building is typical for middle part of Norway. Time destroys these houses, but the artist keeps them alive in his paintings. The work evokes warm positive emotions in the viewer. The artist emphasizes the importance of natural materials. Wood remains the best environmentally friendly material for humans. The landscape painting was done on watercolor paper "Arches". The work is not big and is suitable for any interior. The gallery guarantees the uniqueness and high quality of this work of art, confirmed by a certificate of authenticity. By purchasing paintings by Sanne Bleka...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Somme, Coucher De Soleil Year: Circa 1965 Medium: Color Etching Edition: Numbered 109/300 i...

Swedish King Gustav III´s summer castle, the Haga pavilion, by Carl Abraham Rothstén, (1826 - 1877). Oil on canvas, signed with monogram CAR. Probably painted in the third quarter of...

Vue du Capitole is a print realized after Godefroy Engelmann in the 1970s. Signed on the plate Offset on paper Good condition with slight foxing.

Emilio Sanchez (1921-1999) created this color lithograph entitled “Casita de Campo” in 1998. This signed impression came to us directly from the Sanchez estate. Estate stamped on ver...

Neptune and Two Tritons, the Trevi Fountain, Rome is part of a collection of work of the city of Rome. ADDITIONAL INFORMATION: Mixed Media 54 H x 58 W cm (21.26 x 22.83 in) Sold fr...

Cottage in Tree Landscape by Regine David (female French artist, 1910-2018) charcoal painting on artist paper painting: 11 x 12 inches condition: This painting is in excellent condi...

Title: French Watercolor Painting of Le Clos Lucé Gardens in Amboise by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size: 1...

Title: British Impressionist Watercolor of Charming Narrow Alleyway with Figures by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25...

A fine contemporary oil, showing a vibrant yellow chateaux, with pink domed roof and lush greenery in the foreground. The artist has signed and dated to the lower right corner. On ca...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...

Engraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767). From 'Vedute delle ville, e d'altri luoghi d...

Title: British Impressionist Watercolor of Afternoon Courtyard Scene with Figures by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x...

Beautiful image by Maine/Massachusetts/New Mexico artist and master watercolorist Paul Strisik (1918-1988). This original watercolor of a farmhouse is beautifully executed in bright ...

Riverbank Cottage by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 15 x 18 inches condition: This painting is in excellent condition, with...

BERNARD BUFFET lithograph signed and numbered “New York IX”. In good condition measures 28x21

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm )_x000B_Image Size: 19.25 x 23.5 inches ( 48.895 x 59.69 cm )_x000B_Framed: No_x000B_Condition: A-: Near Mint, very light signs of han...

Uses and Customs -Interior  of St. Peter's Basilica is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

'Prosp. horti Auraicorum Pomorum a Ruel' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...

Wonderful 1940s genre landscape of traditional English cottage painted in the European style by Henry T. Harvey (English/American, 1908-2000). Signed lower right corner. Presented in...

R.Ellis English late 19th century landscape of a Watermill by a Stream Original frame oils on card Signed and dated on the reverse and lower right. Ellis was a landscape painte...

Title: British Impressionist Watercolor of Bustling Town Street with Steeple By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.2...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and animal painting he did in his home country the Netherlands. 'A farm stands before you on the horizon....

Title: British Impressionist Watercolor of European Stone Archway Street Scene By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.5 x ...

Title: British Impressionist Watercolor of a Street Scene with Figures in France By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15 x ...

Church of San Pietro In Banchi, Italy - 1908 Original Etching Original 1908 etching of the church of San Pietro Banchi in Genoa, Italy by George Walter Chandler (American, 1866-1928...

Title: British Impressionist Watercolor of a Sunlit Stone Bridge and Riverside Village By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Title: British Impressionist Watercolor of a Stone Bridge with Hills and a Church By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.2...

Title: British Watercolor of a Sunlit Mediterranean Courtyard with Figures and Fountain By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Title: British Impressionist Watercolor of Kentfield Farm, with Church and Chickens By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Di...

Wings of New York Edition of 25 signed and numbered by the artist A wing of a statue in New York. In the background you can see the skyscrapers. JJK is a pseudonym for one of the w...

Title: British Impressionist Watercolor of a Tudor-Style House Reflected in a Lake By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11....

Brooklyn Bridge - Henry's Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 249...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

This vibrant and energetic urban scene captures the bustling energy of a market square in Brussels, with traders and shoppers gathered among colourful stalls. Well presented in a com...

North Shore Motel, photography by Richard Heeps captured in the Salton Sea, California. A classic American faded roadside Motel, the mid-century architecture stands against with blue...

Road Repairing, Lower Manhattan at Night, 1934, oil on Masonite, signed and dated lower right, 24 x 16 inches; original label verso has title and address Margit Varga was an artist,...

'Westminster School' Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an ea...

Medium: original etching. This impression on laid paper was printed in 1882 for the "A Group of Etchers" portfolio and published in New York. Image size: 5 3/4 x 8 1/2 inches (147 x ...

Pauvre France is an original litograph, realized by Jean-Jacques Grandville in 1831, plate 164 from La Caricature n°82. Included a frame. In very good conditions. Here the artwork...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Pembroke College, Oxford (1705) Engraving 31 x 44 cm Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...

Last Season I - so I walked away from my Valley (Wastelands), diptych - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist...

Signed H. Aylesford and inscribed 'Near Maidstone, Kent'. On paper laid to backing paper.

Title: British Impressionist Watercolor of a Historic Stone Bridge and Cottages By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 1...

Circa 1940 Signed lower right Newly matted and framed Sight size 12 x 10 in. Overall size with frame 18 x 16 in.

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...

A Photorealistic painting executed in a Pointillist style by HN Han. A view of West Broadway, New York City in the direct midday sun. This large acrylic on canvas is signed and dated...

Marguerite Redman Dorgeloh, 'de Young Mansion – San Francisco', lithograph, c. 1937, edition 25. Signed and titled in pencil. A fine, richly-inked impr...

"Glisten" In this best-selling image, the droplets of water caused by the path of the 12-Meter yacht Northern Light added an incredible textural detail to the scene. The nautical ...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.