Drawing Art

Antique American modernist signed monkey drawing by Aurion M. Proctor (1909 - 1983). Drawing and charcoal on paper. Signed. Framed.

A dynamic 1930s, WPA era industrial scene watercolor of a steel mill and factory workers by notable Chicago Modern artist, Harold Haydon. A wonderful example of early Twentieth Cent...

This exquisite lithograph after Jean Cocteau (1889–1963), titled L'œillet de la provocation (The Carnation of Provocation), from the folio Taureaux, Lithographies de Jean Cocteau (Bu...

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Pine and spruce stand in the field like a brother and sister steadily enduring bad weather. Not thunderstorms and not storms and not scorching heat, lute frosts do not separate them ...

Portrait of an old man done in charcoal by California artist Ralph Edward Joosten (American, 1928-2009). Signed "R. Joosten 82" lower right. Pre...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

"Chorus Formation" by Sasha 14th February 1933: The Albertina Rasch chorus girls who are appearing in 'Wild Violets'. Unframed Paper Size: 24" x 20'' (in...

This exquisite lithograph by Andre Derain (1880–1954), titled Le Port (The Harbor), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publish...

Underwater nude photograph of a young woman processed in an abstract black and white symmetrical composition. Original gallery quality archival pigment print on archival paper sig...

Alberto Giacometti (Swiss, 1901 - 1966) Small Standing Nude, 1959 Etching on paper Edition: 47/50 Hand signed and numbered below the image Image size 15.0 x 8.0 cm Frame size 42.5 x...

Pedro Pruna Ocerans (1904-1977) - Two drawings - Ink drawing Two framed drawings, all of them signed and dated. Frame measures 23x28 cm. Pere Pruna Ocerans (Barcelona, ​​1904-1977) ...

Francois-Xavier Lalanne (1927-2008) Motherhood, 2002 Techniques : etching on paper Hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the paper :...

Dining is a drawing realized by Paul Emile Colin in 1924. Carbon Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expressive ...

Utamaro Kitagawa – active ca. 1753-1806 Woodblock Print title : Awabi Diver with Shell date: Showa era edition size : oban, approx. 9.5 x 14.5 in...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Estate o...

Paysage d'Italie is an artwork realized by Corot in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfre...

After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

This artwork titled "Hamburg, Michael's Church, Germany" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed and titled in pencil by the artist. Published/printed by Graphics International, Austria. The plate mark (image) size is 13 x 9.15 inches, sheet size is 18 x 13.75 inches. It is in excellent condition, has never been framed. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...

Black conte drawing of a male nude, part of ongoing series of drawings of the human form. Featuring a rear view and feet. Reyes attended The School of the Art Institute of Chicago...

A Striking, Dramatic 1950s Mid-Century Modern Figure Study Portrait of Woman by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, studio drawing in charcoal of...

Oil on canvas Anna Song is Korean artist & picture book author born in 1984 who lives and works in Seoul, South Korea. In 2007, she won the Korean Andersen Award for Excellence in P...

A Fine, Mid-Century Modern 1950s Figure Study Portrait of Young Woman in Profile by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, studio drawing in charcoa...

Classic pen and ink drawings of facial details and hand, 1953. Signed and dated lower right. Original artwork on paper displayed on a white mat with a gold border. Archival plastic...

Edition of 90 specimens in arab numbers and 10 specimens in roman numbers. Edition IV/X. Hand signed by the artist with pencil. Ref. Cat. Raisonné "G. de Chirico: Catalogo dell'Ope...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour with biro on artist paper, unframed stamped verso size: 10 x 8.5 inches condition: very good and read...

A striking, vintage early 1940s fashion study featuring a stylish young woman elegantly wearing a hat, suit and purse. Image size: 11 x 8 1/4 inches. Archivally matted to 16 x 1...

Teens at the beach is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artwork represents fre...

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Vendanges (The Grape Harvest), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the...

Charming pen and ink drawing a cat curled on a armchair and peacefully sleeping, circa 1970. Original artwork on paper displayed on a white mat with a gold border. Archival plastic...

Andre Masson, French (1896 - 1987) - Branch, Portfolio: Dessins Erotiques, Year: 1971, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 23/125, Image Size: ...

Medium: original lithograph. This impression on cream wove paper was printed in 1896 for the deluxe large paper edition of "The Alhambra" by Washington Irving. Sheet size: 10 x 6 1/2...

Nude is an original drawing in pencil realized by Emile Deschler in 1986. Hand-signed in pencil by the artist on the lower right. Good condition except for some small holes. Emile...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Archival pigment print Signed and numbered, verso 12 x 18 inches, image (Edition of 8 + 1 AP) 20 x 30 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

Artist: Peter Max (1937) Title: Seated Man Year: 1980 Medium: Pen and ink on archival paper Size: 9 x 11.5 inches Inscription: Hand signed PETER MAX (1937- ) Peter Max has achieved ...

World traveler that he was, Bendiner was clearly at home in Paris. He found everyone fascinating and has made this print a compendium of local characters and types. Nothing escapes h...

INTO IT is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. INTO IT is a highly detailed drawing depict...

A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....

This exquisite lithograph by Andre Derain (1880–1954), titled Paysage (Landscape), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publishe...

ARTIST: Salvador Dali TITLE: The Magicians Vanite MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 39/100 MEASUREMENTS: Paper: 11.2" x 1...

This exquisite lithograph after Marc Chagall (1887–1985), titled Boris Godounov (Boris Godunov), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Pa...

Artist: Philip Pearlstein (American, 1924-2022) Title: "Male and Female Nudes on a Sofa" *Signed and dated by Pearlstein in pencil lower left Year: 1970 Medium: Original Graphite Pen...

This exquisite lithograph by Marc Chagall (1887–1985), titled Couple Devant L’arbre (Couple Before the Tree), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition published by Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York, and printed by Mourlot Freres, Paris, October 1960. This lyrical composition reflects Chagall’s enduring themes of love, nature, and spiritual harmony. Couple Devant L’arbre portrays two lovers standing tenderly before a radiant tree—a symbol of life, unity, and divine connection. Bathed in Chagall’s signature palette of luminous blues, greens, and reds, the figures appear suspended between dream and reality, evoking both earthly affection and cosmic transcendence. The work captures the artist’s unique ability to merge personal intimacy with universal emotion, transforming a simple moment of devotion into an emblem of timeless love and renewal. Executed as a lithograph on velin paper, this work measures 12.216 x 9.875 inches (31.03 x 25.08 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its close collaboration with Chagall and its technical perfection in fine art lithography. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Couple Devant L’arbre (Couple Before the Tree), from The Lithographs of Chagall, Volume I, 1960 Medium: Lithograph on velin paper Dimensions: 12.216 x 9.875 inches (31.03 x 25.08 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 292. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 43. Condition: Well preserved, consistent with age and medium Provenance: From the album The Lithographs of Chagall, Volume I, published by Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York, 1960 Notes: From the album, The Lithographs of Chagall, Volume I, 1960. Published by Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York; printed by Mourlot Freres, Paris, October 1960. Excerpted from the album, This album, which was designed and compiled by Fernand Mourlot and Andre Sauret, was finished in October 1960. The reproductions were printed on the presses of Draeger Freres, and the original lithographs on the presses of Mourlot Freres. The Imprimerie Nationale de France is responsible for the typography. There exists a special edition, in French, of this album composed of C examples on velin d'Arches numbered from I to C, and including two original lithographs, in a limited edition of C copies, numbered and signed by the artist, and a series, with margins, of the XII original lithographs contained in this album. About the Publication: The Lithographs of Chagall, Volume I, published in 1960 by Andre Sauret, Monte Carlo, and George Braziller, New York, marks the beginning of a monumental five-volume catalogue project chronicling Marc Chagall’s prolific achievements in lithography. Conceived and supervised by Fernand Mourlot—Chagall’s long-time printer and collaborator—the series celebrates the technical brilliance and emotional depth of Chagall’s printmaking. Volume I features twelve original lithographs alongside meticulously printed works that trace the evolution of Chagall’s imagery from the 1920s through the 1950s. The publication exemplifies the partnership between artist, printer, and publisher that defined mid-century fine art printing in France, uniting precision craftsmanship with poetic expression. Through its themes of love, faith, and nature, this volume encapsulates Chagall’s world—a visionary synthesis of the earthly and the divine. The Lithographs of Chagall series remains one of the most significant undertakings in modern printmaking, a testament to both Chagall’s imagination and Mourlot’s unmatched mastery of the lithographic process. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Couple...

Own a rare original vintage field study drawing by celebrated Colorado landscape artist Charles Partridge Adams (1858–1942). This expressive ink-on-paper composition vividly captures...

Original conte crayon drawing of a sitting female nude on tinted archival paper by the American artist, Renate Duncan. Signed lower left. Circa 1980. Condition is excellent. The art...

The 1948 original illustrated book titled "Quand on parle d'amour" by Jean-Gabriel Domergue is a beautifully crafted example of mid-20th-century French book art, blending the poetic musings of Pierre Harel-Darc with the refined and elegant illustrations of Domergue, a celebrated French painter and illustrator known for his depictions of Parisian high society and graceful female figures. Jean-Gabriel Domergue: The Artist Jean-Gabriel Domergue (1889–1962) was a prominent French painter, often credited as the inventor of the "pin-up" style in France. He became renowned for his depictions of fashionable Parisian women, often characterized by elongated figures, elegant postures, and a refined, almost ethereal beauty. Domergue’s illustrations for "Quand on parle d'amour" are a testament to his ability to capture the essence of femininity, romance, and the sophisticated allure of the Parisian lifestyle. In this book, Domergue’s illustrations are not mere decorations but serve as visual interpretations of Harel-Darc’s poetic themes. His watercolors, translated into lithographs, echo the elegance and subtle emotional undertones of the poems, creating a harmonious blend of art and literature. The Poetry: Pierre Harel-Darc Pierre Harel-Darc’s "Quand on parle d'amour" is a poetic exploration of love—its emotions, complexities, and the often unspoken nuances that come with it. The poetry is deeply reflective, capturing both the joy and melancholy of romantic experiences. Harel-Darc’s words find a perfect counterpart in Domergue’s illustrations, which evoke the tender and passionate feelings expressed in the text. Lithography and Colorization The illustrations were originally created as watercolors by Jean-Gabriel Domergue and were then lithographed and colored by Maurice Beaudet, a skilled lithographer known for his expertise in translating watercolor works into lithographic prints. The lithographs maintain the soft, delicate quality of the original watercolors, ensuring that the vibrant yet subtle color palette enhances the overall aesthetic of the book. Beaudet’s work brings Domergue’s illustrations to life on the printed page, allowing the colors to evoke the romantic and emotional atmosphere that the poetry conveys. This collaboration between artist and lithographer demonstrates a high level of craftsmanship and artistic synergy, making the book not only a literary work but also a piece of fine art. Edition Details and Production The edition of "Quand on parle d'amour" was printed in a limited run of 350 copies, making it a rare and sought-after collector’s item. The breakdown of the edition is as follows: 280 copies were printed on vélin du Marais, a high-quality French paper known for its durability and fine texture. The copy in question is numbered 80, one of the 280 copies on this prestigious paper. In addition to its rarity, this particular copy is enriched with autograph inscriptions from both the author, Pierre Harel-Darc, and the illustrator, Jean-Gabriel Domergue. These handwritten dedications on the half-title page add significant value to the book, making it a unique item with personal connections to its creators. Condition This copy of "Quand on parle d'amour" is described as very well preserved, with the contents of the book itself remaining in excellent condition. However, the slipcase that originally housed the book has suffered some damage over time. While this affects the exterior packaging, it does not diminish the overall value of the book, especially given the excellent condition of the interior pages and the added significance of the autographed inscriptions. Rarity and Collectibility The rarity of this book, combined with the fame of Jean-Gabriel Domergue and the meticulous craftsmanship involved in its production, makes it a highly collectible piece. The limited edition run, high-quality paper, and lithographs, combined with the personal touches of signed inscriptions, ensure that this book holds significant value for collectors of fine art books and illustrated literature. Moreover, the lithographs by Domergue, executed by Maurice Beaudet, make this edition a prime example of mid-20th-century French book production, where the interplay between poetry and visual art was celebrated and revered. Collectors with a particular interest in Jean-Gabriel Domergue's work or those focused on illustrated French books...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...

The painting is ready to hang, the painting has no decorative frame. The Secret Behind Fragile Petals is a multilayered composition where behind the visible fragility lies powerful ...

Juventus Football Player, Champions League Final vs Ajax, 1996 - 101 x 72 cm Technique: Charcoal on paper, signed and dated '96 Author: Marco Silombria (Savona, 1936 - Albissola, 20...

A 1951 ink on paper figure study by artist Harold Haydon depicting a conversation. Artwork size: 12" x 9 1/2". Archivally matted to 14" x 16". Provenance: Estate of the artist....

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Poisson Bleu (The Blue Fish), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This enchanting composition exemplifies Chagall’s poetic imagination and his symbolic use of color to express emotion, spirituality, and dreamlike wonder. In Le Poisson Bleu, a radiant blue fish glides across a fantastical landscape, surrounded by floating figures and luminous forms that evoke the harmony between nature and the divine. The deep blue tones suggest both serenity and transcendence, capturing the mystical lyricism that defines Chagall’s vision. The work transforms the natural motif into a metaphor for freedom, renewal, and the boundless vitality of life. Executed as a lithograph on velin paper, this work measures 9.06 x 15.75 inches (23.01 x 40 cm), with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, celebrated for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Le Poisson Bleu (The Blue Fish), from Chagall, 1957 Medium: Lithograph on velin paper Dimensions: 9.06 x 15.75 inches (23.01 x 40 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1957 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 198. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34. Condition: Well preserved, consistent with age and medium Provenance: From the album Chagall, published by Maeght Editeur, Paris, 1957 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. About the Publication: The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, stands among the most celebrated achievements of mid-century art publishing. Each lithograph within the volume reflects Marc Chagall’s synthesis of visual poetry and spiritual resonance, revealing the painter’s unique ability to weave emotion and imagination into color. Through the technical excellence of the Mourlot atelier, Chagall’s luminous palette and ethereal forms were translated into lithography with remarkable fidelity. Conceived under the direction of Aime Maeght, the album highlights the enduring dialogue between artist, printer, and publisher—a creative partnership that elevated the printed image to a work of fine art and helped define the legacy of modernist bookmaking. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Le...

Jean Cocteau - Parametabolismes - Original Lithograph Signed "Jean Cocteau" in the plate and dated 1956 in the plate. 39 x 29 cm Edition: 500 Hand numbered Stamp signed lower right

Artist: Sidney Tushingham (English, 1884-1968) Title: "Molly" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) upper right Cir...

"West Point from the East Bank of the Hudson" Antique Drawing on Paper Delicate and detailed drawing by Hartford, Connecticut artist Edward Watkins Wells (1819-1898) The viewer looks out past a gate at the Hudson River, with its characteristic mountain banks. A shepherd is driving a flock of sheep towards the gate and viewer. The scene appears to have been copied from a drawing book published in 1827, based on the inscription at the bottom edge. Presented in white archival mat Mat size: 12"H x 12"W Paper size: 7.5"H x 9.25"W Notes of interest on Edward Watkinson Wells Our most significant acquisition this year came from a dealer in Philadelphia. It is a 450-page diary written over 10 years (1841-1851) by Hartford artist and dilettante Edward Watkinson Wells (1819-1898), one of the many nephews of our founder, David Watkinson (1778-1857). Edward was immersed in Hartford’s cultural life in the 1840s, exhibited his works at local fairs and gave lessons to the locals. He portrays an active involvement with with his large extended family, which often crossed and re-crossed the other prominent families of Hartford (i.e., Barnard, Channing, Dexter, Ely, Gallaudet, Gill, Goodrich, Hudson, Rockwell, Silsbee, Tappan, Terry, Tracy, Trumbull, Van Renselaer, and Wadsworth). Edward describes dancing and costume parties, soirees, teas, dinners, and receptions in private homes and public venues. He meets Charles Dickens and his wife when they come through Hartford in 1842, and describes brushes with other luminaries, such as Col. Thomas L. McKenney (who lectures on American Indians), and the Unitarian clergyman Rev. Henry Giles, who gave a pro-Irish speech. Other entertainments included a balloon ascension, exhibitions of mesmerism and hypnotism, parades, and performances by well-known groups. He also chronicles the progression of the construction of the Wadsworth Atheneum, and touches on his father’s far-reaching interests in the business world–canals, railroads, factories, and real estate. The cost of this valuable document of mid-19thC Hartford was generously underwritten entirely by a member of the Watkinson Trustees. Trinity College and the Watkinson Virtual Library has content on Edward Watkinson Wells. Yale College also: Edward Watkinson Wells also kept a diary, of which three volumes are preserved (folder 32). He describes a trip by steamboat to Florida, ca. 1855-1860, and the social life and customs he observed there. The other two volumes detail his daily life in Hartford during 1856-1860, and record the deaths of his father and David Watkinson in 1857. Other items contained in the William Wells...

In Molvout, François Houtin merges organic vitality with the crumbling geometry of architecture. The composition presents a fantastical form that seems part tree, part tower, entwine...